1: L'immagine-movimento / Gilles Deleuze ; traduzione di Jean-Paul Manganaro |
Autore | Deleuze, Gilles |
Pubbl/distr/stampa | Milano : Ubulibri, stampa 2000 |
Descrizione fisica | 268 p. ; 22 cm. |
Disciplina | 791.4301 |
Soggetto topico | Immagini cinematografiche - Linguaggio |
ISBN | 88-7748-034-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNICAMPANIA-SUN0027239 |
Deleuze, Gilles
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Milano : Ubulibri, stampa 2000 | ||
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Lo trovi qui: Univ. Vanvitelli | ||
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1: L'immagine-movimento / Gilles Deleuze ; traduzione di Jean-Paul Manganaro |
Autore | Deleuze, Gilles |
Pubbl/distr/stampa | Milano, : Ubulibri, stampa 2000 |
Descrizione fisica | 268 p. ; 22 cm. |
Disciplina | 791.4301 |
Soggetto topico | Immagini cinematografiche - Linguaggio |
ISBN | 88-7748-034-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Titolo uniforme | |
Record Nr. | UNICAMPANIA-VAN0027239 |
Deleuze, Gilles
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Milano, : Ubulibri, stampa 2000 | ||
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Lo trovi qui: Univ. Vanvitelli | ||
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1: L'immagine-movimento / Gilles Deleuze ; traduzione di Jean-Paul Manganaro |
Autore | Deleuze, Gilles |
Pubbl/distr/stampa | Milano, : Ubulibri, stampa 2000 |
Descrizione fisica | 268 p. ; 22 cm. |
Disciplina | 791.4301 |
Soggetto topico | Immagini cinematografiche - Linguaggio |
ISBN | 88-7748-034-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Titolo uniforme | |
Record Nr. | UNICAMPANIA-VAN00027239 |
Deleuze, Gilles
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Milano, : Ubulibri, stampa 2000 | ||
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Lo trovi qui: Univ. Vanvitelli | ||
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3-D Cinema and Trauma : Poetics of Remembrance and Loss |
Autore | Fadlon Dor |
Pubbl/distr/stampa | Cham : , : Springer International Publishing AG, , 2022 |
Descrizione fisica | 1 online resource (287 pages) |
Disciplina | 791.4301 |
Soggetto non controllato | Literature |
ISBN |
9783031128219
9783031128202 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Acknowledgements -- Contents -- List of Figures -- Chapter 1: Introduction -- Seeing in 3-D: A Brief Introduction -- Trauma Theory Within and Without Cinema -- 3-D cinema and Traumatic History -- Outline -- Part I: History and Trauma in 3-D Cinema of the Fifties -- Chapter 2: They Won't Believe It Back Home: 3-D Cinema, Trauma, and Representation -- The Incredible but Real Paradox -- Communicability, Perspective-Sharing, and Witnessing -- The Stereoscopic Poetics of Intrusion and Constriction -- Intrusion, Constriction, and Indexicality in The Creature from the Black Lagoon -- Intrusion and Indexicality in It Came from Outer Space -- Containing Trauma in House of Wax -- Chapter 3: Films That Ache, Films That Injure: 3-D Cinema and the Body -- Films That Ache -- Victimized Spectatorship -- Audience Control, Sensibility, and Choice -- Negative Parallax Space and Audience Stasis -- Narrating Impotence -- Chapter 4: Any-Space-Whatever and Radioactive Fossils: 3-D Cinema Meets Deleuze -- The Movement-Image Crisis and 3-D Cinema of the Fifties -- Radioactive Fossils and 3-D Temporalities -- Part II: Digital 3-D Cinema and < -- IndexTerm ID="ITerm1"> -- September 11< -- /IndexTerm> -- -- Chapter 5: Which Story to Believe? Mediating Trauma in Digital 3-D Cinema -- Mediating Trauma in the Stereoscopic Poetics of Life of Pi -- Trauma, Knowledge, and Bearing Witness in Life of Pi -- Visualizing a Tiger in 3-D: The Negative Parallax and Trauma -- Chapter 6: Becoming Bodies and Empowering Kinaesthesia -- Empowering Kinaesthesia and the Becoming Body -- Bodies in Avatar -- Jake's Human-Navi-Direhorse Body -- The Becoming Body as a Mediator of Intimacy and Inclusion -- Dangerous Reaching Out and Empowering Kinaesthesia in Life of Pi -- Chapter 7: From Bodies to Worlding -- Worlding in Gravity -- Movement and Space in Life of Pi.
Chapter 8: Deleuze and the Traumatic Temporalities of Digital 3-D Cinema -- Letting Go Through Reconnecting -- Letting Go of a Traumatic Past, Reaching for the Future? -- Stereoscopy, Present-ness, and Punctum -- The Temporalities of Trauma and D3-D Cinema -- The Positive Parallax Space and The Traumatic Event -- Intrusion and the Temporality of the Z Axis -- Folding the Z Axis: The Cyclic Temporality of Trauma -- Severing the Z Axis: A Temporal Collapse -- Part III: Ongoing Fascinations -- 1.1 3-D Penetrations -- Chapter 9: Documentary and 3-D Cinema: Preserving Absence -- Aura and Fetish in Early Stereoscopy: Thru the Trees (1922) -- New Dimensions (1940) and Thrills for You (1940) -- Digital 3-D Documentaries: 3-D and the Limits of Representation -- Fetish, Belief, and Disavowal -- Fetish and Aura in Cave of Forgotten Dreams -- The 3-D Performance of Aura in Pina -- Aura and the Presence of Absence in One More Time with Feeling -- Chapter 10: 3-D Sex -- The Bellboy and the Play Girls -- The Stewardesses -- Love -- Chapter 11: 3-D Horror Cinema of the Eighties -- Problematizing 3-D as a Vehicle to Attack the Audience -- 3-D Gore from the Franchise Perspective -- 1980s 3-D Horror and Vietnam -- Chapter 12: Conclusion -- Bibliography -- Filmography -- Index. |
Record Nr. | UNINA-9910637742203321 |
Fadlon Dor
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Cham : , : Springer International Publishing AG, , 2022 | ||
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Lo trovi qui: Univ. Federico II | ||
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Abitare la soglia : cinema e filosofia / Massimo Donà |
Autore | Donà, Massimo |
Pubbl/distr/stampa | Milano ; Udine : Mimesis, 2010 |
Descrizione fisica | 220 p. ; 21 cm |
Disciplina | 791.4301 |
Collana | Mimesis. Cinema |
Soggetto non controllato |
Cinema - [rapporti con la] Filosofia - Critica
Etica |
ISBN | 978-88-5750-406-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNINA-9910171360003321 |
Donà, Massimo
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Milano ; Udine : Mimesis, 2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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Aesthetics and film / / Katherine Thomson-Jones |
Autore | Thomson-Jones Katherine |
Pubbl/distr/stampa | London ; ; New York : , : Continuum, , 2008 |
Descrizione fisica | 1 online resource (159 p.) |
Disciplina | 791.4301 |
Collana | Continuum aesthetics |
Soggetto topico | Motion pictures - Aesthetics |
ISBN |
1-4411-2830-1
1-4725-4533-8 1-282-87572-8 9786612875724 1-4411-7153-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preface -- 1. Film as Art -- 2. Realism -- 3. Authorship -- 4. The Language of Film -- 5. Narration in the Fiction Film -- 6. The Thinking Viewer -- 7. The Feeling Viewer -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910459163403321 |
Thomson-Jones Katherine
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London ; ; New York : , : Continuum, , 2008 | ||
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Lo trovi qui: Univ. Federico II | ||
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Aesthetics and film / / Katherine Thomson-Jones |
Autore | Thomson-Jones Katherine |
Pubbl/distr/stampa | London ; ; New York : , : Continuum, , 2008 |
Descrizione fisica | 1 online resource (159 p.) |
Disciplina | 791.4301 |
Collana | Continuum aesthetics |
Soggetto topico | Motion pictures - Aesthetics |
ISBN |
1-4411-2830-1
1-4725-4533-8 1-282-87572-8 9786612875724 1-4411-7153-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preface -- 1. Film as Art -- 2. Realism -- 3. Authorship -- 4. The Language of Film -- 5. Narration in the Fiction Film -- 6. The Thinking Viewer -- 7. The Feeling Viewer -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910785205303321 |
Thomson-Jones Katherine
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London ; ; New York : , : Continuum, , 2008 | ||
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Lo trovi qui: Univ. Federico II | ||
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The aesthetics of antifascist film : radical projection / / Jennifer Lynde Barker |
Autore | Barker Jennifer Lynde |
Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (303 p.) |
Disciplina | 791.4301 |
Collana | Routledge advances in film studies |
Soggetto topico |
Fascism in motion pictures
Anti-fascist movements in motion pictures Motion pictures - Political aspects Motion pictures - Aesthetics World War, 1939-1945 - Motion pictures and the war Cold War in motion pictures Fascist aesthetics |
Soggetto genere / forma | Electronic books. |
ISBN |
0-203-09853-6
1-283-84171-1 1-136-22745-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The Aesthetics of Antifascist Film: Radical Projection; Copyright; Contents; List of Figures; List of Permissions; Acknowledgments; 1 Introduction: Face-to-Face with the Angel of History; Part I: Murderers Among Us: WWII, Antifascism and Film; 2 The Swastika World and the Aesthetics of Resistance; 3 Radical Projection; 4 Great Dictators; 5 Paranoia and Pedagogy; Part II: Global Exiles During the Cold War; 6 Radical Beauty; 7 Forbidden Games; 8 Perversion and Pervasion; 9 Radical Transmissions; Notes; Bibliography; Index |
Record Nr. | UNINA-9910462714203321 |
Barker Jennifer Lynde
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New York ; ; London : , : Routledge, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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The aesthetics of antifascist film : radical projection / / Jennifer Lynde Barker |
Autore | Barker Jennifer Lynde |
Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (303 p.) |
Disciplina | 791.4301 |
Collana | Routledge advances in film studies |
Soggetto topico |
Fascism in motion pictures
Anti-fascist movements in motion pictures Motion pictures - Political aspects Motion pictures - Aesthetics World War, 1939-1945 - Motion pictures and the war Cold War in motion pictures Fascist aesthetics |
ISBN |
1-136-22744-X
0-203-09853-6 1-283-84171-1 1-136-22745-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The Aesthetics of Antifascist Film: Radical Projection; Copyright; Contents; List of Figures; List of Permissions; Acknowledgments; 1 Introduction: Face-to-Face with the Angel of History; Part I: Murderers Among Us: WWII, Antifascism and Film; 2 The Swastika World and the Aesthetics of Resistance; 3 Radical Projection; 4 Great Dictators; 5 Paranoia and Pedagogy; Part II: Global Exiles During the Cold War; 6 Radical Beauty; 7 Forbidden Games; 8 Perversion and Pervasion; 9 Radical Transmissions; Notes; Bibliography; Index |
Record Nr. | UNINA-9910786599503321 |
Barker Jennifer Lynde
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New York ; ; London : , : Routledge, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Affirmative Aesthetics and Wilful Women : Gender, Space and Mobility in Contemporary Cinema / / by Maud Ceuterick |
Autore | Ceuterick Maud |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Springer Nature, 2020 |
Descrizione fisica | 1 online resource (XVI, 186 p. 40 illus., 38 illus. in color.) |
Disciplina |
791.4301
791.43653 |
Soggetto topico |
Motion pictures
Culture Gender Film Theory Culture and Gender |
Soggetto non controllato |
Film Theory
Culture and Gender Gender and Culture Gender Affect and Form Space Affirmative Ethics Wilfulness Contemporary Cinema Open Access Film history, theory & criticism Cultural studies |
ISBN | 3-030-37039-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics. |
Record Nr. | UNINA-9910424948403321 |
Ceuterick Maud
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Springer Nature, 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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