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Brutal vision [[electronic resource] ] : the neorealist body in postwar Italian cinema / / Karl Schoonover
| Brutal vision [[electronic resource] ] : the neorealist body in postwar Italian cinema / / Karl Schoonover |
| Autore | Schoonover Karl |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2012 |
| Descrizione fisica | 1 online resource (320 p.) |
| Disciplina | 791.43/612 |
| Soggetto topico |
Motion pictures - Italy
Realism in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4529-4756-2
0-8166-8024-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- An inevitably obscene cinema: Bazin and neorealism -- The North Atlantic ballyhoo of liberal humanism -- Rossellini's exemplary corpse and the sovereign bystander -- Spectacular suffering: De Sica's bodies and charity's gaze -- Neorealism undone: the resistant physicalities of the second generation -- Conclusion. |
| Record Nr. | UNINA-9910462557503321 |
Schoonover Karl
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| Minneapolis, : University of Minnesota Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Brutal vision [[electronic resource] ] : the neorealist body in postwar Italian cinema / / Karl Schoonover
| Brutal vision [[electronic resource] ] : the neorealist body in postwar Italian cinema / / Karl Schoonover |
| Autore | Schoonover Karl |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2012 |
| Descrizione fisica | 1 online resource (320 p.) |
| Disciplina | 791.43/612 |
| Soggetto topico |
Motion pictures - Italy
Realism in motion pictures |
| ISBN |
1-4529-4756-2
0-8166-8024-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- An inevitably obscene cinema: Bazin and neorealism -- The North Atlantic ballyhoo of liberal humanism -- Rossellini's exemplary corpse and the sovereign bystander -- Spectacular suffering: De Sica's bodies and charity's gaze -- Neorealism undone: the resistant physicalities of the second generation -- Conclusion. |
| Record Nr. | UNINA-9910785777503321 |
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Schoonover Karl
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| Minneapolis, : University of Minnesota Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The eyes have it [[electronic resource] ] : cinema and the reality effect / / Murray Pomerance
| The eyes have it [[electronic resource] ] : cinema and the reality effect / / Murray Pomerance |
| Autore | Pomerance Murray <1946-> |
| Pubbl/distr/stampa | New Brunswick, N.J., : Rutgers University Press, c2013 |
| Descrizione fisica | 1 online resource (279 p.) |
| Disciplina | 791.43/612 |
| Collana |
Techniques of the Moving Image
Techniques of the moving image |
| Soggetto topico | Realism in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8135-6060-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Vivid rivals -- The two of us -- Being there -- A fairy tale. |
| Record Nr. | UNINA-9910463544803321 |
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Pomerance Murray <1946->
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| New Brunswick, N.J., : Rutgers University Press, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The eyes have it [[electronic resource] ] : cinema and the reality effect / / Murray Pomerance
| The eyes have it [[electronic resource] ] : cinema and the reality effect / / Murray Pomerance |
| Autore | Pomerance Murray <1946-> |
| Pubbl/distr/stampa | New Brunswick, N.J., : Rutgers University Press, c2013 |
| Descrizione fisica | 1 online resource (279 p.) |
| Disciplina | 791.43/612 |
| Collana |
Techniques of the Moving Image
Techniques of the moving image |
| Soggetto topico | Realism in motion pictures |
| ISBN | 0-8135-6060-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Vivid rivals -- The two of us -- Being there -- A fairy tale. |
| Record Nr. | UNINA-9910788303203321 |
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Pomerance Murray <1946->
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||
| New Brunswick, N.J., : Rutgers University Press, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Global neorealism [[electronic resource] ] : the transnational history of a film style / / edited by Saverio Giovacchini and Robert Sklar
| Global neorealism [[electronic resource] ] : the transnational history of a film style / / edited by Saverio Giovacchini and Robert Sklar |
| Pubbl/distr/stampa | Jackson, : University Press of Mississippi, 2011 |
| Descrizione fisica | 1 online resource (283 p.) |
| Disciplina | 791.43/612 |
| Altri autori (Persone) |
GiovacchiniSaverio <1963->
SklarRobert |
| Soggetto topico |
Realism in motion pictures
Motion pictures - Italy - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-30929-7
9786613309297 1-61703-123-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: the geography and history of global neorealism / Saverio Giovacchini and Robert Sklar -- Before the (Neorealist) revolution / Vito Zagarrio -- Soviet-Italian cinematic exchanges, 1920's 1950's: from early Soviet film theory to neorealism / Masha Salazkina -- The role of documentary film in the formation of the neorealist cinema / Luca Caminati -- "The exalted spirit of the actual": James Agee, critic and filmmaker, and the U.S. response to neorealism / Robert Sklar -- Marketing meaning, branding neorealism: advertising and promoting Italian cinema in postwar America / Nathaniel Brennan -- Neorealism: another "cinema de papa" for the French new wave? / Caroline Eades -- "With an incredible realism that beats the best of the European cinemas": the making of Barrio Gris and the reception of Italian neorealism in Argentina, 1947-1955 / Paula Halperin -- Living in peace after the massacre: neorealism, colonialism, and race / Saverio Giovacchini -- From Italian neorealism to new Latin American cinema: ruptures and continuities during the 1960's / Mariano Mestman -- Importing neorealism, exporting cinema: Indian cinema and film festivals in the 1950's / Neepa Majumdar -- Neorealism and nationalist African cinema / Sada Niang -- Documenting the social reality of Brazil: Roberto Rossellini, the Paraban -- Documentary school, and the cinema novistas / Sarah Sarzynski -- Neorealism Iranian style / Hamid Naficy -- Epilogue: neorealism, cinema of poetry, and Italian contemporary cinema / Silvia Carlorosi. |
| Record Nr. | UNINA-9910457837303321 |
| Jackson, : University Press of Mississippi, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Global neorealism [[electronic resource] ] : the transnational history of a film style / / edited by Saverio Giovacchini and Robert Sklar
| Global neorealism [[electronic resource] ] : the transnational history of a film style / / edited by Saverio Giovacchini and Robert Sklar |
| Pubbl/distr/stampa | Jackson, : University Press of Mississippi, 2011 |
| Descrizione fisica | 1 online resource (283 p.) |
| Disciplina | 791.43/612 |
| Altri autori (Persone) |
GiovacchiniSaverio <1963->
SklarRobert |
| Soggetto topico |
Realism in motion pictures
Motion pictures - Italy - History - 20th century |
| ISBN |
1-283-30929-7
9786613309297 1-61703-123-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: the geography and history of global neorealism / Saverio Giovacchini and Robert Sklar -- Before the (Neorealist) revolution / Vito Zagarrio -- Soviet-Italian cinematic exchanges, 1920's 1950's: from early Soviet film theory to neorealism / Masha Salazkina -- The role of documentary film in the formation of the neorealist cinema / Luca Caminati -- "The exalted spirit of the actual": James Agee, critic and filmmaker, and the U.S. response to neorealism / Robert Sklar -- Marketing meaning, branding neorealism: advertising and promoting Italian cinema in postwar America / Nathaniel Brennan -- Neorealism: another "cinema de papa" for the French new wave? / Caroline Eades -- "With an incredible realism that beats the best of the European cinemas": the making of Barrio Gris and the reception of Italian neorealism in Argentina, 1947-1955 / Paula Halperin -- Living in peace after the massacre: neorealism, colonialism, and race / Saverio Giovacchini -- From Italian neorealism to new Latin American cinema: ruptures and continuities during the 1960's / Mariano Mestman -- Importing neorealism, exporting cinema: Indian cinema and film festivals in the 1950's / Neepa Majumdar -- Neorealism and nationalist African cinema / Sada Niang -- Documenting the social reality of Brazil: Roberto Rossellini, the Paraban -- Documentary school, and the cinema novistas / Sarah Sarzynski -- Neorealism Iranian style / Hamid Naficy -- Epilogue: neorealism, cinema of poetry, and Italian contemporary cinema / Silvia Carlorosi. |
| Record Nr. | UNINA-9910781841803321 |
| Jackson, : University Press of Mississippi, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Subjective realist cinema : from expressionism to Inception / / Matthew Campora
| Subjective realist cinema : from expressionism to Inception / / Matthew Campora |
| Autore | Campora Matthew |
| Pubbl/distr/stampa | New York, [New York] ; ; Oxford, [England] : , : Berghahn Books, , 2014 |
| Descrizione fisica | 1 online resource (160 p.) |
| Disciplina | 791.43/612 |
| Soggetto topico |
Motion pictures - Philosophy
Subjectivity in motion pictures Realism in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-78238-279-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Introduction; Three Periods of Narrative Experimentation; Multiform Narratives; Subjective Realism; 1. Complex Narratives; The New Hollywood and the Smart Film; New Hollywood Narration; Fragmented Narratives; Multi-strand Narratives; Multiform Narratives; Brazil; Puzzle Films; 2. Two Trajectories of the Cinema of Attractions; The Narrative Trajectory: Realism and Spectacle; The Avant-Garde Trajectory: Realism and Defamiliarization; 3. Subjective Realism and Multiform Narratives; Subjective Realism; Vertigo; The Fantastic; Wild Strawberries; 4. Mulholland Drive
Expressionism and the Uncanny in Mulholland DriveThree Views; As Surrealist or Trance Film; As Fragmented, Subjective Realist Film; As Supernatural Film; It Is All an Illusion; 5. Memento; The Four Strands; Unreliable Narration; Disrupted Expectations; Subjective Realism; 6. Eternal Sunshine of the Spotless Mind; The Philosophy of Eternal Sunshine; Temporal Inversions; Subjective Realism; Sonic Metalepsis; The Marvelous Real; Conclusion; Filmography; Bibliography; Index |
| Record Nr. | UNINA-9910464391603321 |
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Campora Matthew
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||
| New York, [New York] ; ; Oxford, [England] : , : Berghahn Books, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Subjective realist cinema : from expressionism to Inception / / Matthew Campora
| Subjective realist cinema : from expressionism to Inception / / Matthew Campora |
| Autore | Campora Matthew |
| Pubbl/distr/stampa | New York, [New York] ; ; Oxford, [England] : , : Berghahn Books, , 2014 |
| Descrizione fisica | 1 online resource (160 p.) |
| Disciplina | 791.43/612 |
| Soggetto topico |
Motion pictures - Philosophy
Subjectivity in motion pictures Realism in motion pictures |
| ISBN | 1-78238-279-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Introduction; Three Periods of Narrative Experimentation; Multiform Narratives; Subjective Realism; 1. Complex Narratives; The New Hollywood and the Smart Film; New Hollywood Narration; Fragmented Narratives; Multi-strand Narratives; Multiform Narratives; Brazil; Puzzle Films; 2. Two Trajectories of the Cinema of Attractions; The Narrative Trajectory: Realism and Spectacle; The Avant-Garde Trajectory: Realism and Defamiliarization; 3. Subjective Realism and Multiform Narratives; Subjective Realism; Vertigo; The Fantastic; Wild Strawberries; 4. Mulholland Drive
Expressionism and the Uncanny in Mulholland DriveThree Views; As Surrealist or Trance Film; As Fragmented, Subjective Realist Film; As Supernatural Film; It Is All an Illusion; 5. Memento; The Four Strands; Unreliable Narration; Disrupted Expectations; Subjective Realism; 6. Eternal Sunshine of the Spotless Mind; The Philosophy of Eternal Sunshine; Temporal Inversions; Subjective Realism; Sonic Metalepsis; The Marvelous Real; Conclusion; Filmography; Bibliography; Index |
| Record Nr. | UNINA-9910789016103321 |
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Campora Matthew
|
||
| New York, [New York] ; ; Oxford, [England] : , : Berghahn Books, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Subjective realist cinema : from expressionism to Inception / / Matthew Campora
| Subjective realist cinema : from expressionism to Inception / / Matthew Campora |
| Autore | Campora Matthew |
| Pubbl/distr/stampa | New York, [New York] ; ; Oxford, [England] : , : Berghahn Books, , 2014 |
| Descrizione fisica | 1 online resource (160 p.) |
| Disciplina | 791.43/612 |
| Soggetto topico |
Motion pictures - Philosophy
Subjectivity in motion pictures Realism in motion pictures |
| ISBN | 1-78238-279-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Introduction; Three Periods of Narrative Experimentation; Multiform Narratives; Subjective Realism; 1. Complex Narratives; The New Hollywood and the Smart Film; New Hollywood Narration; Fragmented Narratives; Multi-strand Narratives; Multiform Narratives; Brazil; Puzzle Films; 2. Two Trajectories of the Cinema of Attractions; The Narrative Trajectory: Realism and Spectacle; The Avant-Garde Trajectory: Realism and Defamiliarization; 3. Subjective Realism and Multiform Narratives; Subjective Realism; Vertigo; The Fantastic; Wild Strawberries; 4. Mulholland Drive
Expressionism and the Uncanny in Mulholland DriveThree Views; As Surrealist or Trance Film; As Fragmented, Subjective Realist Film; As Supernatural Film; It Is All an Illusion; 5. Memento; The Four Strands; Unreliable Narration; Disrupted Expectations; Subjective Realism; 6. Eternal Sunshine of the Spotless Mind; The Philosophy of Eternal Sunshine; Temporal Inversions; Subjective Realism; Sonic Metalepsis; The Marvelous Real; Conclusion; Filmography; Bibliography; Index |
| Record Nr. | UNINA-9910828476503321 |
|
Campora Matthew
|
||
| New York, [New York] ; ; Oxford, [England] : , : Berghahn Books, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||