Adaptation theory and criticism : postmodern literature and cinema in the USA / / Gordon E. Slethaug |
Autore | Slethaug Gordon |
Pubbl/distr/stampa | New York : , : Bloomsbury, , 2014 |
Descrizione fisica | 1 online resource (289 p.) |
Disciplina | 791.43/6 |
Soggetto topico |
Film adaptations - United States - History and criticism
Intertextuality Postmodernism (Literature) - United States |
ISBN |
1-62356-440-9
1-5013-0011-3 1-62356-058-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Chapter 1. -- Modernism -- Postmodernism and Origin -- Intertextual Play in Adaptation Theory -- Chapter 2. -- Adaptation, Surplus Value, and Supplementation in Six Degrees of Separation and Short Cuts -- 2.1 Surplus, Supplementation, and Transformation in John Guare's Six Degrees of Separation -- 2.2 E Pluribus Unum: Raymond Carver's Fiction and Robert Altman's Short Cuts -- Chapter 3. -- Intertextual Doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- 3.1 Tribalization as Intertextual Symptom: Scorsese's The Age of Innocence and Gangs of New York -- 3.2 Ironized Intertextuality: The Age of Innocence and The Great Gatsby -- Chapter 4. -- Freeplay, Citation, and Ethnocriticism: Single and Multiple Sources in Smoke Signals, Smoke, and Do the Right Thing -- 4.1 Ethnocriticism and Adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- 4.2 From Lee to Auster and Wang: Postmodern Indeterminacy and Racial Relations in Do the Right Thing and SMOKE -- Chapter 5. -- Palimpsests and Bricolage: Playful and Serious Citation in Broken Flowers and Snow White's Offspring -- 5.1 Palimpsest, Play, and the Myth of Filiation in Broken Flowers: Clues, Signs, and Referential Mania -- 5.2 Snow White's Offspring: The Hyper-Palimpsest -- Conclusion -- Works Cited -- Index |
Record Nr. | UNINA-9910511374903321 |
Slethaug Gordon
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New York : , : Bloomsbury, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Adaptation theory and criticism : postmodern literature and cinema in the USA / / Gordon E. Slethaug |
Autore | Slethaug Gordon |
Pubbl/distr/stampa | New York : , : Bloomsbury, , 2014 |
Descrizione fisica | 1 online resource (289 p.) |
Disciplina | 791.43/6 |
Soggetto topico |
Film adaptations - United States - History and criticism
Intertextuality Postmodernism (Literature) - United States |
ISBN |
1-62356-440-9
1-5013-0011-3 1-62356-058-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Chapter 1. -- Modernism -- Postmodernism and Origin -- Intertextual Play in Adaptation Theory -- Chapter 2. -- Adaptation, Surplus Value, and Supplementation in Six Degrees of Separation and Short Cuts -- 2.1 Surplus, Supplementation, and Transformation in John Guare's Six Degrees of Separation -- 2.2 E Pluribus Unum: Raymond Carver's Fiction and Robert Altman's Short Cuts -- Chapter 3. -- Intertextual Doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- 3.1 Tribalization as Intertextual Symptom: Scorsese's The Age of Innocence and Gangs of New York -- 3.2 Ironized Intertextuality: The Age of Innocence and The Great Gatsby -- Chapter 4. -- Freeplay, Citation, and Ethnocriticism: Single and Multiple Sources in Smoke Signals, Smoke, and Do the Right Thing -- 4.1 Ethnocriticism and Adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- 4.2 From Lee to Auster and Wang: Postmodern Indeterminacy and Racial Relations in Do the Right Thing and SMOKE -- Chapter 5. -- Palimpsests and Bricolage: Playful and Serious Citation in Broken Flowers and Snow White's Offspring -- 5.1 Palimpsest, Play, and the Myth of Filiation in Broken Flowers: Clues, Signs, and Referential Mania -- 5.2 Snow White's Offspring: The Hyper-Palimpsest -- Conclusion -- Works Cited -- Index |
Record Nr. | UNINA-9910786457203321 |
Slethaug Gordon
![]() |
||
New York : , : Bloomsbury, , 2014 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Adaptation theory and criticism : postmodern literature and cinema in the USA / / Gordon E. Slethaug |
Autore | Slethaug Gordon |
Pubbl/distr/stampa | New York : , : Bloomsbury, , 2014 |
Descrizione fisica | 1 online resource (289 p.) |
Disciplina | 791.43/6 |
Soggetto topico |
Film adaptations - United States - History and criticism
Intertextuality Postmodernism (Literature) - United States |
ISBN |
1-62356-440-9
1-5013-0011-3 1-62356-058-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Chapter 1. -- Modernism -- Postmodernism and Origin -- Intertextual Play in Adaptation Theory -- Chapter 2. -- Adaptation, Surplus Value, and Supplementation in Six Degrees of Separation and Short Cuts -- 2.1 Surplus, Supplementation, and Transformation in John Guare's Six Degrees of Separation -- 2.2 E Pluribus Unum: Raymond Carver's Fiction and Robert Altman's Short Cuts -- Chapter 3. -- Intertextual Doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- 3.1 Tribalization as Intertextual Symptom: Scorsese's The Age of Innocence and Gangs of New York -- 3.2 Ironized Intertextuality: The Age of Innocence and The Great Gatsby -- Chapter 4. -- Freeplay, Citation, and Ethnocriticism: Single and Multiple Sources in Smoke Signals, Smoke, and Do the Right Thing -- 4.1 Ethnocriticism and Adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- 4.2 From Lee to Auster and Wang: Postmodern Indeterminacy and Racial Relations in Do the Right Thing and SMOKE -- Chapter 5. -- Palimpsests and Bricolage: Playful and Serious Citation in Broken Flowers and Snow White's Offspring -- 5.1 Palimpsest, Play, and the Myth of Filiation in Broken Flowers: Clues, Signs, and Referential Mania -- 5.2 Snow White's Offspring: The Hyper-Palimpsest -- Conclusion -- Works Cited -- Index |
Record Nr. | UNINA-9910825043603321 |
Slethaug Gordon
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New York : , : Bloomsbury, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Altman and after [[electronic resource] ] : multiple narratives in film / / Peter F. Parshall |
Autore | Parshall Peter F. <1937-> |
Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2012 |
Descrizione fisica | 1 online resource (264 p.) |
Disciplina | 791.43/6 |
Soggetto topico | Motion picture plays - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8108-8507-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: the potential of complex narratives mosaic narrative -- Nashville: pitching songs and selling politicians network narrative -- Pulp Fiction pop culture's poster child -- Amores perros of dogs and rats and goats -- Code unknown -- Cinematic cryptogram -- The edge of heaven parallel paths database narrative -- Virgin stripped bare by her bachelors the end of idealism -- Run Lola run into the labyrinth of Berlin -- The double life of Véronique a haunting sense of connection -- Conclusion: tying up the threads -- Appendix: further complex narratives of interest. |
Record Nr. | UNINA-9910465370803321 |
Parshall Peter F. <1937->
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Lanham, Md., : Scarecrow Press, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Altman and after [[electronic resource] ] : multiple narratives in film / / Peter F. Parshall |
Autore | Parshall Peter F. <1937-> |
Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2012 |
Descrizione fisica | 1 online resource (264 p.) |
Disciplina | 791.43/6 |
Soggetto topico | Motion picture plays - History and criticism |
ISBN | 0-8108-8507-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: the potential of complex narratives mosaic narrative -- Nashville: pitching songs and selling politicians network narrative -- Pulp Fiction pop culture's poster child -- Amores perros of dogs and rats and goats -- Code unknown -- Cinematic cryptogram -- The edge of heaven parallel paths database narrative -- Virgin stripped bare by her bachelors the end of idealism -- Run Lola run into the labyrinth of Berlin -- The double life of Véronique a haunting sense of connection -- Conclusion: tying up the threads -- Appendix: further complex narratives of interest. |
Record Nr. | UNINA-9910792011103321 |
Parshall Peter F. <1937->
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Lanham, Md., : Scarecrow Press, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Altman and after [[electronic resource] ] : multiple narratives in film / / Peter F. Parshall |
Autore | Parshall Peter F. <1937-> |
Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2012 |
Descrizione fisica | 1 online resource (264 p.) |
Disciplina | 791.43/6 |
Soggetto topico | Motion picture plays - History and criticism |
ISBN | 0-8108-8507-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: the potential of complex narratives mosaic narrative -- Nashville: pitching songs and selling politicians network narrative -- Pulp Fiction pop culture's poster child -- Amores perros of dogs and rats and goats -- Code unknown -- Cinematic cryptogram -- The edge of heaven parallel paths database narrative -- Virgin stripped bare by her bachelors the end of idealism -- Run Lola run into the labyrinth of Berlin -- The double life of Véronique a haunting sense of connection -- Conclusion: tying up the threads -- Appendix: further complex narratives of interest. |
Record Nr. | UNINA-9910815471403321 |
Parshall Peter F. <1937->
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Lanham, Md., : Scarecrow Press, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Cambridge companion to Shakespeare on film / / edited by Russell Jackson [[electronic resource]] |
Edizione | [Second edition.] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2007 |
Descrizione fisica | 1 online resource (xii, 349 pages) : digital, PDF file(s) |
Disciplina | 791.43/6 |
Collana | Cambridge companions to literature |
Soggetto topico |
Literatura anglesa
Adaptacions cinematogràfiques English drama Film adaptations - History and criticism |
Soggetto genere / forma | Llibres electrònics |
ISBN |
1-107-48153-8
1-107-48655-6 1-139-00143-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michèle Willems -- Critical junctures in Shakespeare screen history : the case of Richard III / Barbara Freedman -- Shakespeare and movie genre : the case of Hamlet / Harry Keyishian -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history : three films of Richard III / H.R. Coursen -- Hamlet, Lady Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film / Patricia Tatspaugh -- The Shakespeare films of Laurence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist : Kenneth Branagh / Samuel Crowl -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist : filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard. |
Record Nr. | UNISA-996201335403316 |
Cambridge : , : Cambridge University Press, , 2007 | ||
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Lo trovi qui: Univ. di Salerno | ||
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The Cambridge companion to Shakespeare on film / / edited by Russell Jackson [[electronic resource]] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2000 |
Descrizione fisica | 1 online resource (xiv, 342 pages) : digital, PDF file(s) |
Disciplina | 791.43/6 |
Collana | Cambridge companions to literature |
Soggetto topico |
English drama
Film adaptations - History and criticism |
ISBN | 0-511-99921-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Shakespeare, films and the marketplace ; From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michèle Willems -- Critical junctures in Shakespeare screen history : the case of Richard III / Barbara Freedman -- Shakespeare and movie genre : the case of Hamlet / Harry Keyishian -- Comedies on film / Michael Hattaway -- Filming Shakespeare's history : three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- Tragedies of love on film / Patricia Tatspaugh -- Shakespeare films of Laurence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist : Kenneth Branagh / Samuel Crowl -- Looking at Shakespeare's women on film / Carol Chillington Rutter.
National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist : filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard. |
Record Nr. | UNISA-996202593703316 |
Cambridge : , : Cambridge University Press, , 2000 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Chaucer on screen : absence, presence, and adapting the Canterbury tales / / edited by Kathleen Coyne Kelly and Tison Pugh ; foreword by Terry Jones |
Pubbl/distr/stampa | Columbus, [Ohio] : , : The Ohio State University Press, , 2016 |
Descrizione fisica | 1 online resource (233 pages) : illustrations |
Disciplina | 791.43/6 |
Collana | Interventions: New Studies Medieval Culture |
Soggetto topico | Tales, Medieval - History and criticism |
ISBN | 0-8142-7436-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Naked yet invisible: filming Chaucer's narrator / Elizabeth Scala -- "The play's the thing": the cinematic fortunes of Chaucer and Shakespeare / Susan Aronstein and Peter Parolin -- Chaucer, film, and the desert of the real; or, why Geoffrey Chaucer will never be Jane Austen / Larry Scanlon -- Profit, politics, and prurience; or, why Chaucer is bad box office / Kathleen Forni -- Chaucer and the moving image in pre-world War II America / Lynn Arner -- Lost Chaucer: Natalie Wood's "The deadly riddle" and the golden age of American television / Candace Barrington -- Chaucerian history and cinematic perversions in Michael Powell and Emeric Pressburger's A Canterbury tale / Tison Pugh -- Idols of the marketplace: Chaucer/Pasolini / Kathryn L. Lynch -- "Sorry, Chaucer": mixed feelings and Hyapatia Lee's Ribald tales of Canterbury / George Shuffelton -- The naked truth: Chaucerian spectacle in Brian Helgeland's A knight's tale / Sian Echard -- Putting the second first: the BBC "Miller's tale" / Steve Ellis -- Midlife sex and the BBC "Wife of bath" / Sarah Stanbury -- Serving time: the BBC "Knight's tale" in the prison-house of free adaptation / Louise D'Arcens -- The color of money: the BBC "Ssea captain's tale" / Kathleen Coyne Kelly -- Sex, plague, and resonance: reflections on the BBC "Pardoner's tale" / Arthur Bahr -- Time, memory, and desire in the BBC "Man of law's tale" / Kathleen Davis -- Marketing Chaucer: mad men and the wife of Bath / Laurie Finke and Martin B. Shichtman. |
Record Nr. | UNINA-9910163930303321 |
Columbus, [Ohio] : , : The Ohio State University Press, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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The cinema of poetry |
Autore | Sitney P. Adams |
Pubbl/distr/stampa | New York : , : Oxford University Press, , 2015 |
Descrizione fisica | 1 online resource : illustrations (black and white) |
Disciplina | 791.43/6 |
Soggetto topico |
Experimental films - History and criticism - Europe
Experimental films - History and criticism - United States Poetry in motion pictures - Aesthetics Motion pictures Music, Dance, Drama & Film Film |
ISBN | 0-19-937040-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910154323403321 |
Sitney P. Adams
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New York : , : Oxford University Press, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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