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Animating Film Theory / Karen Redrobe Beckman
| Animating Film Theory / Karen Redrobe Beckman |
| Pubbl/distr/stampa | [s.l.] : , : Duke University Press, , 2014 |
| Descrizione fisica | 1 online resource (370 p.) |
| Disciplina | 791.43/34 |
| Soggetto topico |
Performing Arts / Film / History & Criticism
Performing Arts / Animation Performing arts |
| ISBN |
9781478091950
1478091959 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Animating Film Theory: An Introduction -- I : : Time and Space -- 1 : : Animation and History -- 2 : : Animating the Instant: The Secret Symmetry between Animation and Photography -- 3 : : Polygraphic Photography and the Origins of 3-D Animation -- 4 : : “A Living, Developing Egg Is Present before You”: Animation, Scientific Visualization, Modeling -- II : : Cinema and Animation -- 5 : : André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms -- 6 : : “First Principles” of Animation -- 7 : : Animation, in Theory -- III : : The Experiment -- 8 : : Film as Experiment in Animation: Are Films Experiments on Human Beings? -- 9 : : Frame Shot: Vertov’s Ideologies of Animation -- 10 : : Signatures of Motion: Len Lye’s Scratch Films and the Energy of the Line -- 11 : : Animating Copies: Japanese Graphic Design, the Xerox Machine, and Walter Benjamin -- 12 : : Framing the Postmodern: The Rhetoric of Animated Form in Experimental Identity-Politics Documentary Video in the 1980s and 1990s -- IV : : Animation and the World -- 13 : : Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and Photography -- 14 : : African American Representation through the Combination of Live Action and Animation -- 15 : : Animating Uncommon Life: U.S. Military Malaria Films (1942–1945) and the Pacific Theater -- 16 : : Realism in the Animation Media Environment: Animation Theory from Japan -- 17 : : Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine -- Bibliography -- Contributors -- Index |
| Record Nr. | UNINA-9910645999103321 |
| [s.l.] : , : Duke University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Disney fetish / / Seán Harrington
| The Disney fetish / / Seán Harrington |
| Autore | Harrington Sean |
| Pubbl/distr/stampa | Hertfordshire, England : , : John Libbey Publishing, , 2015 |
| Descrizione fisica | 1 online resource (380 p.) |
| Disciplina | 791.43/34 |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-86196-908-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half title; Title; Copyright; Contents; Preface; Acknowledgements; Introduction; Part One The Homunculus; Chapter 1 A Theoretical Context; Chapter 2 Psycho-mythology; Walt Disney; Alice in Cartoon-land; Chapter 3 The Phallus and Disney Animation; Oswald the Lucky Rabbit; Mickey Mouse and Donald Duck, the Ego Ideal and the Id; Steamboat Willy; The Duck; Analysis; Chapter 4 The Conceptual Homunculus; Fetishism; Anality and Rivalry in the Silly Symphonies series; Part Two The Regressive Apparatus; Chapter 5 Disney Character Tropes; Mass Appeal and Regression; A Disney Apparatus
Snow White Disney Character Tropes; Chapter 6 The Industrial Process and the Father; A Lexicon of Regression; Absent Fathers: Disney and the Real Boy; Malevolence and the Castrating Fathers; Threat to the Homuncule Body; Chapter 7 Fantasia and Eroticism; Fantasia's Utopia; Pastoral Symphony; The Sorcerer's Apprentice; Death of the Dinosaurs; A Night on Bald Mountain; Chapter 8 Regression and Jouissance; The Regressive; The Law and the Primordial in Regression; Dumbo: Regressive Narratives; Ugly Children; Bambi: Death of the Mother and Jouissance; Violence and the Cartoon Body in Bambi Part Three The Hybrid Utopia Chapter 9 Hegemony; Unionisation and the Disney Strike; Films Made in Studio During the Strike; Chapter 10 Disney's 'Good Neighbour'; The Three Caballeros: Hyper-real Sexuality and Cartoon Jouissance; Communist witch-hunts and red fear; Chapter 11 World War II and Propaganda; The Production of Canadian Propaganda; The United States Enters the War; Donald gets Drafted; The Cartoon Body: Sadism, Exaggeration and Manipulation; Propaganda, pornography and utopia; Chapter 12 The Consumerist Utopia; Television and Disneyland Feature-length Films of the 50's and 60's: Familial Sexuality Walt Disney's Death and Walt Disney World; Conclusion; Future Research and End Notes; References, Filmography, Studios, Digital Rights; Index |
| Record Nr. | UNINA-9910460987603321 |
Harrington Sean
|
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| Hertfordshire, England : , : John Libbey Publishing, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Disney fetish [[electronic resource] /] / Seán Harrington
| The Disney fetish [[electronic resource] /] / Seán Harrington |
| Autore | Harrington Sean |
| Pubbl/distr/stampa | Hertfordshire, England : , : John Libbey Publishing, , 2015 |
| Descrizione fisica | 1 online resource (380 p.) |
| Disciplina | 791.43/34 |
| ISBN | 0-86196-908-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half title; Title; Copyright; Contents; Preface; Acknowledgements; Introduction; Part One The Homunculus; Chapter 1 A Theoretical Context; Chapter 2 Psycho-mythology; Walt Disney; Alice in Cartoon-land; Chapter 3 The Phallus and Disney Animation; Oswald the Lucky Rabbit; Mickey Mouse and Donald Duck, the Ego Ideal and the Id; Steamboat Willy; The Duck; Analysis; Chapter 4 The Conceptual Homunculus; Fetishism; Anality and Rivalry in the Silly Symphonies series; Part Two The Regressive Apparatus; Chapter 5 Disney Character Tropes; Mass Appeal and Regression; A Disney Apparatus
Snow White Disney Character Tropes; Chapter 6 The Industrial Process and the Father; A Lexicon of Regression; Absent Fathers: Disney and the Real Boy; Malevolence and the Castrating Fathers; Threat to the Homuncule Body; Chapter 7 Fantasia and Eroticism; Fantasia's Utopia; Pastoral Symphony; The Sorcerer's Apprentice; Death of the Dinosaurs; A Night on Bald Mountain; Chapter 8 Regression and Jouissance; The Regressive; The Law and the Primordial in Regression; Dumbo: Regressive Narratives; Ugly Children; Bambi: Death of the Mother and Jouissance; Violence and the Cartoon Body in Bambi Part Three The Hybrid Utopia Chapter 9 Hegemony; Unionisation and the Disney Strike; Films Made in Studio During the Strike; Chapter 10 Disney's 'Good Neighbour'; The Three Caballeros: Hyper-real Sexuality and Cartoon Jouissance; Communist witch-hunts and red fear; Chapter 11 World War II and Propaganda; The Production of Canadian Propaganda; The United States Enters the War; Donald gets Drafted; The Cartoon Body: Sadism, Exaggeration and Manipulation; Propaganda, pornography and utopia; Chapter 12 The Consumerist Utopia; Television and Disneyland Feature-length Films of the 50's and 60's: Familial Sexuality Walt Disney's Death and Walt Disney World; Conclusion; Future Research and End Notes; References, Filmography, Studios, Digital Rights; Index |
| Record Nr. | UNINA-9910797003503321 |
|
Harrington Sean
|
||
| Hertfordshire, England : , : John Libbey Publishing, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Disney fetish [[electronic resource] /] / Seán Harrington
| The Disney fetish [[electronic resource] /] / Seán Harrington |
| Autore | Harrington Sean |
| Pubbl/distr/stampa | Hertfordshire, England : , : John Libbey Publishing, , 2015 |
| Descrizione fisica | 1 online resource (380 p.) |
| Disciplina | 791.43/34 |
| ISBN | 0-86196-908-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half title; Title; Copyright; Contents; Preface; Acknowledgements; Introduction; Part One The Homunculus; Chapter 1 A Theoretical Context; Chapter 2 Psycho-mythology; Walt Disney; Alice in Cartoon-land; Chapter 3 The Phallus and Disney Animation; Oswald the Lucky Rabbit; Mickey Mouse and Donald Duck, the Ego Ideal and the Id; Steamboat Willy; The Duck; Analysis; Chapter 4 The Conceptual Homunculus; Fetishism; Anality and Rivalry in the Silly Symphonies series; Part Two The Regressive Apparatus; Chapter 5 Disney Character Tropes; Mass Appeal and Regression; A Disney Apparatus
Snow White Disney Character Tropes; Chapter 6 The Industrial Process and the Father; A Lexicon of Regression; Absent Fathers: Disney and the Real Boy; Malevolence and the Castrating Fathers; Threat to the Homuncule Body; Chapter 7 Fantasia and Eroticism; Fantasia's Utopia; Pastoral Symphony; The Sorcerer's Apprentice; Death of the Dinosaurs; A Night on Bald Mountain; Chapter 8 Regression and Jouissance; The Regressive; The Law and the Primordial in Regression; Dumbo: Regressive Narratives; Ugly Children; Bambi: Death of the Mother and Jouissance; Violence and the Cartoon Body in Bambi Part Three The Hybrid Utopia Chapter 9 Hegemony; Unionisation and the Disney Strike; Films Made in Studio During the Strike; Chapter 10 Disney's 'Good Neighbour'; The Three Caballeros: Hyper-real Sexuality and Cartoon Jouissance; Communist witch-hunts and red fear; Chapter 11 World War II and Propaganda; The Production of Canadian Propaganda; The United States Enters the War; Donald gets Drafted; The Cartoon Body: Sadism, Exaggeration and Manipulation; Propaganda, pornography and utopia; Chapter 12 The Consumerist Utopia; Television and Disneyland Feature-length Films of the 50's and 60's: Familial Sexuality Walt Disney's Death and Walt Disney World; Conclusion; Future Research and End Notes; References, Filmography, Studios, Digital Rights; Index |
| Record Nr. | UNINA-9910824635103321 |
|
Harrington Sean
|
||
| Hertfordshire, England : , : John Libbey Publishing, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Global animation theory [[electronic resource] ] : international perspectives at Animafest Zagreb / / edited by Franziska Bruckner, Nikica Gilić, Holger Lang, Daniel Šuljić, and Hrvoje Turković
| Global animation theory [[electronic resource] ] : international perspectives at Animafest Zagreb / / edited by Franziska Bruckner, Nikica Gilić, Holger Lang, Daniel Šuljić, and Hrvoje Turković |
| Pubbl/distr/stampa | New York, : Bloomsbury Academic, Bloomsbury Publishing Inc, 2018 |
| Descrizione fisica | 1 online resource (xvi, 272 pages) : illustrations, portraits |
| Disciplina | 791.43/34 |
| Soggetto topico |
Animated films
Animation (Cinematography) |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Animation since 1980 : a personal journey / Marcin Giżcki -- Beyond the self-images : the context and development of animated documentaries, the cornerstones of modern animation in Sweden / Midhat "Ajan" Ajanović -- Lynsey Martin : a case study in 1970s Australian experimental animation / Dirk de Bruyn.
Section 1. Historical and theoretical approaches from international animation studies -- Section 2. Case studies from around the world. |
| Record Nr. | UNINA-9910346035503321 |
| New York, : Bloomsbury Academic, Bloomsbury Publishing Inc, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Pixar and the Aesthetic Imagination : Animation, Storytelling, and Digital Culture / / Eric Herhuth
| Pixar and the Aesthetic Imagination : Animation, Storytelling, and Digital Culture / / Eric Herhuth |
| Autore | Herhuth Eric |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2017] |
| Descrizione fisica | 1 online resource (253 pages) : illustrations, photographs |
| Disciplina | 791.43/34 |
| Soggetto topico |
Motion pictures - Aesthetics
Animated films - United States - Psychological aspects |
| ISBN | 0-520-96605-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Aesthetic Storytelling: A Tradition and Theory of Animated Film -- 2. The Uncanny Integrity of Digital Commodities (Toy Story) -- 3. From the Technological to the Postmodern Sublime (Monsters, Inc.) -- 4. The Exceptional Dialectic of the Fantastic and the Mundane (The Incredibles) -- 5. Disruptive Sensation and the Politics of the New (Ratatouille) -- Conclusion -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910154714403321 |
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Herhuth Eric
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| Berkeley, CA : , : University of California Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The teachers' animation toolkit [[electronic resource] /] / Britta Pollmüller and Martin Sercombe
| The teachers' animation toolkit [[electronic resource] /] / Britta Pollmüller and Martin Sercombe |
| Autore | Pollmüller Britta |
| Pubbl/distr/stampa | New York, : Continuum, 2011 |
| Descrizione fisica | 1 online resource (181 p.) |
| Disciplina | 791.43/34 |
| Altri autori (Persone) | SercombeMartin |
| Soggetto topico |
Animated films - Study and teaching (Secondary)
Animation (Cinematography) - Study and teaching (Secondary) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-24581-7
9786613245816 1-4411-3107-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Half-title; Title; Copyright; CONTENTS; INTRODUCTION; PART ONE: GETTING STARTED; PART TWO: CINELITERACY; PART THREE: ANIMATION STYLES; PART FOUR: SCHEMES OF WORK; PART FIVE: RESOURCES; GLOSSARY OF TERMS |
| Record Nr. | UNINA-9910461307803321 |
|
Pollmüller Britta
|
||
| New York, : Continuum, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The teachers' animation toolkit [[electronic resource] /] / Britta Pollmüller and Martin Sercombe
| The teachers' animation toolkit [[electronic resource] /] / Britta Pollmüller and Martin Sercombe |
| Autore | Pollmüller Britta |
| Pubbl/distr/stampa | New York, : Continuum, 2011 |
| Descrizione fisica | 1 online resource (181 p.) |
| Disciplina | 791.43/34 |
| Altri autori (Persone) | SercombeMartin |
| Soggetto topico |
Animated films - Study and teaching (Secondary)
Animation (Cinematography) - Study and teaching (Secondary) |
| ISBN |
1-4411-4796-9
1-283-24581-7 9786613245816 1-4411-3107-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Half-title; Title; Copyright; CONTENTS; INTRODUCTION; PART ONE: GETTING STARTED; PART TWO: CINELITERACY; PART THREE: ANIMATION STYLES; PART FOUR: SCHEMES OF WORK; PART FIVE: RESOURCES; GLOSSARY OF TERMS |
| Record Nr. | UNINA-9910789767203321 |
|
Pollmüller Britta
|
||
| New York, : Continuum, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
That's all folks? [[electronic resource] ] : ecocritical readings of American animated features / / Robin L. Murray and Joseph K. Heumann
| That's all folks? [[electronic resource] ] : ecocritical readings of American animated features / / Robin L. Murray and Joseph K. Heumann |
| Autore | Murray Robin L |
| Pubbl/distr/stampa | Lincoln [Neb.], : University of Nebraska Press, c2011 |
| Descrizione fisica | 1 online resource (296 p.) |
| Disciplina | 791.43/34 |
| Altri autori (Persone) | HeumannJoseph K |
| Soggetto topico |
Environmentalism in motion pictures
Animated films |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-49783-1
9786613593061 0-8032-3964-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: A foundation for contemporary enviro-toons -- Bambi and Mr. Bug Goes to Town: nature with or without us -- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement -- The UPA and the environment: a modernist look at urban nature -- Animation and live action: a demonstration of interdependence? -- Rankin/Bass Studios, nature, and the supernatural: where technology serves and destroys -- Disney in the 1960s and 1970s: blurring boundaries between human and nonhuman nature -- Dinosaurs return: evolution outplays Disney's binaries -- DreamWorks and human and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie -- Pixar and the case of WALL-E: moving between environmental adaptation and sentimental nostalgia -- The Simpsons Movie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaotic approaches to ecology -- Conclusion: Animation's movement to green?. |
| Record Nr. | UNINA-9910461091003321 |
|
Murray Robin L
|
||
| Lincoln [Neb.], : University of Nebraska Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
That's all folks? [[electronic resource] ] : ecocritical readings of American animated features / / Robin L. Murray and Joseph K. Heumann
| That's all folks? [[electronic resource] ] : ecocritical readings of American animated features / / Robin L. Murray and Joseph K. Heumann |
| Autore | Murray Robin L |
| Pubbl/distr/stampa | Lincoln [Neb.], : University of Nebraska Press, c2011 |
| Descrizione fisica | 1 online resource (296 p.) |
| Disciplina | 791.43/34 |
| Altri autori (Persone) | HeumannJoseph K |
| Soggetto topico |
Environmentalism in motion pictures
Animated films |
| ISBN |
1-280-49783-1
9786613593061 0-8032-3964-5 |
| Classificazione | PER004030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: A foundation for contemporary enviro-toons -- Bambi and Mr. Bug Goes to Town: nature with or without us -- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement -- The UPA and the environment: a modernist look at urban nature -- Animation and live action: a demonstration of interdependence? -- Rankin/Bass Studios, nature, and the supernatural: where technology serves and destroys -- Disney in the 1960s and 1970s: blurring boundaries between human and nonhuman nature -- Dinosaurs return: evolution outplays Disney's binaries -- DreamWorks and human and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie -- Pixar and the case of WALL-E: moving between environmental adaptation and sentimental nostalgia -- The Simpsons Movie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaotic approaches to ecology -- Conclusion: Animation's movement to green?. |
| Record Nr. | UNINA-9910790115003321 |
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Murray Robin L
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||
| Lincoln [Neb.], : University of Nebraska Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||