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Cent Ans D'aller Au Cinéma: Le Spectacle Cinématographique Aux Etats-Unis, 1896-1995
| Cent Ans D'aller Au Cinéma: Le Spectacle Cinématographique Aux Etats-Unis, 1896-1995 |
| Autore | Bordat F |
| Pubbl/distr/stampa | Presses universitaires de Rennes, 1995 |
| Descrizione fisica | 1 online resource (214 p.) |
| Disciplina | 791.43/0973 |
| Soggetto topico |
Music, Dance, Drama & Film
Film |
| Soggetto non controllato |
Hollywood
cinéma |
| ISBN |
2-7535-2685-0
2-8218-1803-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910131788403321 |
Bordat F
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| Presses universitaires de Rennes, 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The coming of sound : a history / / Douglas Gomery
| The coming of sound : a history / / Douglas Gomery |
| Autore | Gomery Douglas. |
| Pubbl/distr/stampa | New York : , : Routledge, , 2005, [2021] |
| Descrizione fisica | 1 online resource (213 pages) |
| Disciplina | 791.43/0973 |
| Soggetto topico |
Sound motion pictures - United States - History
Motion picture industry - United States - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-135-92394-9
1-135-92395-7 1-280-10704-9 0-203-99772-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Copyright; Table of Contents; Acknowledgments; Photographs; Preface The Research Question the Method and the Data; 1 A Preview Order and Profit Not Chaos; 2 The Preconditions for Innovation; 3 The Warner Bros Innovate Sound; 4 William Fox Innovates Sound; 5 Warners' Blockbuster: The Singing Fool; 6 Paramount and Loew's Wait and Then Make Their Deal; 7 The Rise of RKO The Failure of All Others; 8 The Diffusion of Sound in the United States; 9 Diffusion of Sound Throughout the World; 10 The Formation of the Studio System Merger Mania; 11 Mopping up the Loose Ends
12 The Coming of Sound A ReinterpretationEndnotes; Index |
| Record Nr. | UNINA-9910450931503321 |
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Gomery Douglas.
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| New York : , : Routledge, , 2005, [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The coming of sound : a history / / Douglas Gomery
| The coming of sound : a history / / Douglas Gomery |
| Autore | Gomery Douglas |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : Zed Books, , 2005 |
| Descrizione fisica | 1 online resource (213 pages) |
| Disciplina | 791.43/0973 |
| Soggetto topico |
Sound motion pictures - History
Motion picture industry - United States - History |
| ISBN |
1-135-92394-9
1-135-92395-7 1-280-10704-9 0-203-99772-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1 A Preview -- chapter 2 The Preconditions for Innovation -- chapter 3 The Warner Bros. Innovate Sound -- chapter 4 William Fox Innovates Sound -- chapter 5 Warners' Blockbuster -- chapter 6 Paramount and Loew's Wait, and Then Make Their Deal -- chapter 7 The Rise of RKO -- chapter 8 The Diffusion of Sound in the United States -- chapter 9 Diffusion of Sound Throughout the World -- chapter 10 The Formation of the Studio System -- chapter 11 Mopping up the Loose Ends -- chapter 12 The Coming of Sound. |
| Record Nr. | UNINA-9910783974403321 |
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Gomery Douglas
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| London, England : , : Zed Books, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The coming of sound : a history / / Douglas Gomery
| The coming of sound : a history / / Douglas Gomery |
| Autore | Gomery Douglas |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York, : Routledge, 2005 |
| Descrizione fisica | 1 online resource (213 pages) |
| Disciplina | 791.43/0973 |
| Soggetto topico |
Sound motion pictures - United States - History
Motion picture industry - United States - History |
| ISBN |
1-135-92394-9
1-135-92395-7 1-280-10704-9 0-203-99772-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1 A Preview -- chapter 2 The Preconditions for Innovation -- chapter 3 The Warner Bros. Innovate Sound -- chapter 4 William Fox Innovates Sound -- chapter 5 Warners' Blockbuster -- chapter 6 Paramount and Loew's Wait, and Then Make Their Deal -- chapter 7 The Rise of RKO -- chapter 8 The Diffusion of Sound in the United States -- chapter 9 Diffusion of Sound Throughout the World -- chapter 10 The Formation of the Studio System -- chapter 11 Mopping up the Loose Ends -- chapter 12 The Coming of Sound. |
| Record Nr. | UNINA-9910825399903321 |
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Gomery Douglas
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| New York, : Routledge, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Contemporary American independent film : from the margins to the mainstream / / edited by Chris Holmlund and Justin Wyatt
| Contemporary American independent film : from the margins to the mainstream / / edited by Chris Holmlund and Justin Wyatt |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791.43/0973 |
| Altri autori (Persone) |
HolmlundChris
WyattJustin <1963-> |
| Soggetto topico |
Motion pictures - United States - History
Independent filmmakers - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-57621-8
1-280-24034-2 0-203-31296-1 9786610240340 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Dedication; Contents; List of illustrations; Notes on contributors; Acknowledgements; 1 Introduction: from the margins to the mainstream; PART I Critical formations; 2 Introduction to 'critical formations'; 3 Ordinary people, European-style: or how to spot an independent feature; 4 Independence for independents; 5 Dimension Pictures: portrait of a 1970s' independent; 6 End of the indies: Death of the Sayles men; 7 Alternative cinemas; PART II Cult film/cool film; 8 'Queen of the indies': Parker Posey's niche stardom and the taste cultures of independent film
9 Dark, disturbing, intelligent, provocative, and quirky: avant-garde cinema of the 1980s and 1990s10 Communitarianism, film entrepreneurism, and the crusade of Troma Entertainment; PART III Iconoclasts and auteurs; 11 John Sayles, independent filmmaker: 'Bet on yourself'; 12 Haile Gerima: 'Sacred shield of culture'; 13 Seminal fantasies: Wakefield Poole, pornography, independent cinema and the avant-garde; PART IV Identity hooks cultural binds; 14 Generation Q's ABCs: queer kids and 1990s' independent films; 15 Just another girl outside the neo-indie 16 Guests at The Wedding Banquet: the cinema of the Chinese diaspora and the rise of the American independentsPART V Shifting markets, changing media; 17 Revisiting 1970s' independent distribution and marketing strategies; 18 Digital deployment(s); 19 The IFC and Sundance: channeling independence; Index |
| Record Nr. | UNINA-9910450739603321 |
| London ; ; New York : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Contemporary American independent film : from the margins to the mainstream / / edited by Chris Holmlund and Justin Wyatt
| Contemporary American independent film : from the margins to the mainstream / / edited by Chris Holmlund and Justin Wyatt |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791.43/0973 |
| Altri autori (Persone) |
HolmlundChris
WyattJustin <1963-> |
| Soggetto topico |
Motion pictures - United States - History
Independent filmmakers - United States |
| ISBN |
1-134-57620-X
1-134-57621-8 1-280-24034-2 0-203-31296-1 9786610240340 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Dedication; Contents; List of illustrations; Notes on contributors; Acknowledgements; 1 Introduction: from the margins to the mainstream; PART I Critical formations; 2 Introduction to 'critical formations'; 3 Ordinary people, European-style: or how to spot an independent feature; 4 Independence for independents; 5 Dimension Pictures: portrait of a 1970s' independent; 6 End of the indies: Death of the Sayles men; 7 Alternative cinemas; PART II Cult film/cool film; 8 'Queen of the indies': Parker Posey's niche stardom and the taste cultures of independent film
9 Dark, disturbing, intelligent, provocative, and quirky: avant-garde cinema of the 1980s and 1990s10 Communitarianism, film entrepreneurism, and the crusade of Troma Entertainment; PART III Iconoclasts and auteurs; 11 John Sayles, independent filmmaker: 'Bet on yourself'; 12 Haile Gerima: 'Sacred shield of culture'; 13 Seminal fantasies: Wakefield Poole, pornography, independent cinema and the avant-garde; PART IV Identity hooks cultural binds; 14 Generation Q's ABCs: queer kids and 1990s' independent films; 15 Just another girl outside the neo-indie 16 Guests at The Wedding Banquet: the cinema of the Chinese diaspora and the rise of the American independentsPART V Shifting markets, changing media; 17 Revisiting 1970s' independent distribution and marketing strategies; 18 Digital deployment(s); 19 The IFC and Sundance: channeling independence; Index |
| Record Nr. | UNINA-9910777428503321 |
| London ; ; New York : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary American independent film : from the margins to the mainstream / / edited by Chris Holmlund and Justin Wyatt
| Contemporary American independent film : from the margins to the mainstream / / edited by Chris Holmlund and Justin Wyatt |
| Pubbl/distr/stampa | London ; ; New York, : Routledge, 2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791.43/0973 |
| Altri autori (Persone) |
HolmlundChris
WyattJustin <1963-> |
| Soggetto topico |
Motion pictures - United States - History
Independent filmmakers - United States |
| ISBN |
1-134-57620-X
1-134-57621-8 1-280-24034-2 0-203-31296-1 9786610240340 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Dedication; Contents; List of illustrations; Notes on contributors; Acknowledgements; 1 Introduction: from the margins to the mainstream; PART I Critical formations; 2 Introduction to 'critical formations'; 3 Ordinary people, European-style: or how to spot an independent feature; 4 Independence for independents; 5 Dimension Pictures: portrait of a 1970s' independent; 6 End of the indies: Death of the Sayles men; 7 Alternative cinemas; PART II Cult film/cool film; 8 'Queen of the indies': Parker Posey's niche stardom and the taste cultures of independent film
9 Dark, disturbing, intelligent, provocative, and quirky: avant-garde cinema of the 1980s and 1990s10 Communitarianism, film entrepreneurism, and the crusade of Troma Entertainment; PART III Iconoclasts and auteurs; 11 John Sayles, independent filmmaker: 'Bet on yourself'; 12 Haile Gerima: 'Sacred shield of culture'; 13 Seminal fantasies: Wakefield Poole, pornography, independent cinema and the avant-garde; PART IV Identity hooks cultural binds; 14 Generation Q's ABCs: queer kids and 1990s' independent films; 15 Just another girl outside the neo-indie 16 Guests at The Wedding Banquet: the cinema of the Chinese diaspora and the rise of the American independentsPART V Shifting markets, changing media; 17 Revisiting 1970s' independent distribution and marketing strategies; 18 Digital deployment(s); 19 The IFC and Sundance: channeling independence; Index |
| Record Nr. | UNINA-9910812111403321 |
| London ; ; New York, : Routledge, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Eloquent Gestures : The Transformation of Performance Style in the Griffith Biograph Films / / Roberta E. Pearson
| Eloquent Gestures : The Transformation of Performance Style in the Griffith Biograph Films / / Roberta E. Pearson |
| Autore | Pearson Roberta E. |
| Edizione | [Reprint 2019] |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1992] |
| Descrizione fisica | 1 online resource (x, 184 p. ) : ill. ; |
| Disciplina | 791.43/0973 |
| Soggetto topico |
Silent films - United States - History
Motion picture acting Movement (Acting) Silent films - History and criticism - United States |
| ISBN |
0-585-29940-4
0-520-91104-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- 1. Introduction -- 2. The Theatrical Heritage -- 3. The Histrionic and Verisimilar Codes in the Biograph Films -- 4. Performance Style and the Interaction of Signifying Practices -- 5. D. W. Griffith and the Biograph Company -- 6. Henry B. Walthall -- 7. Trade Press Discourse -- 8. Conclusion -- Notes -- Bibliography -- Index |
| Record Nr. | UNISA-996248213003316 |
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Pearson Roberta E.
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| Berkeley, CA : , : University of California Press, , [1992] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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The fun factory : the Keystone Film Company and the emergence of mass culture / / Rob King [[electronic resource]]
| The fun factory : the Keystone Film Company and the emergence of mass culture / / Rob King [[electronic resource]] |
| Autore | King Rob <1975-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (xv, 355 p. ) : ill. ; |
| Disciplina | 791.43/0973 |
| Soggetto genere / forma | Electronic books |
| ISBN | 0-520-25538-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | "The Fun Factory": Class, Comedy, and Popular Culture, 1912-1914 -- "Funny Germans" and "Funny Drunks": Clowns, Class, and Ethnicity at Keystone, 1913-1915 -- "The Impossible Attained!" Tillie's Punctured Romance and the Challenge of Feature-Length Slapstick, 1914-1915 -- "Made for the Masses with an Appeal to the Classes": Keystone, the Triangle Film Corporation, and the Failure of Highbrow Film Culture, 1915-1917 -- "Uproarious Inventions": Keystone, Modernity, and the Machine, 1915-1917 -- From "Diving Venus" to "Bathing Beauties": Reification and Feminine Spectacle, 1916-1917. |
| Altri titoli varianti | Fun Factory |
| Record Nr. | UNISA-996248199903316 |
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King Rob <1975->
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| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Invisible storytellers [[electronic resource] ] : voice-over narration in American fiction film / / Sarah Kozloff
| Invisible storytellers [[electronic resource] ] : voice-over narration in American fiction film / / Sarah Kozloff |
| Autore | Kozloff Sarah |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c1988 |
| Descrizione fisica | 1 online resource (178 p.) |
| Disciplina | 791.43/0973 |
| Soggetto topico |
Voice-overs
Motion picture plays, American - History and criticism Motion pictures - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-35560-0
9786612355608 0-520-90966-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Prejudices against Voice-Over Narration -- 2. Ancestors, Influences, and Development -- 3. First-Person Narrators -- 4. Third-Person Narrators -- 5. Irony in Voice-Over Films -- Conclusion -- Notes -- Filmography -- Bibliography of Works Cited -- Index |
| Record Nr. | UNINA-9910455307303321 |
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Kozloff Sarah
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| Berkeley, : University of California Press, c1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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