The Dark Mirror [[electronic resource] ] : German Cinema between Hitler and Hollywood |
Autore | Koepnick Lutz P |
Pubbl/distr/stampa | Berkeley, : University of California Press, 2002 |
Descrizione fisica | 1 online resource (339 p.) |
Disciplina | 791.43/0943 |
Soggetto topico |
Germans
Germans - California - Los Angeles Motion picture producers and directors Motion pictures Motion pictures-- Germany-- History |
Soggetto genere / forma | Electronic books. |
ISBN |
0-520-93635-3
1-59734-573-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Illustrations; Acknowledgments; Introduction: The Dark Mirror; 1 Sounds of Silence Nazi Cinema and the Quest for a National Culture Industry; 2 Incorporating the Underground Curtis Bernhardt's The Tunnel; 3 Engendering Mass Culture: Zarah Leander and the Economy of Desire; 4 Siegfried Rides Again: Nazi Westerns and Modernity; 5 Wagner at Warner's: German Sounds and Hollywood Studio Visions; 6 Berlin Noir: Robert Siodmak's Hollywood; 7 Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism; 8 Isolde Resurrected: Curtis Bernhardt's Interrupted Melody
Epilogue: "Talking about Germany" Notes; Index |
Record Nr. | UNINA-9910455602603321 |
Koepnick Lutz P
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Berkeley, : University of California Press, 2002 | ||
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Lo trovi qui: Univ. Federico II | ||
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The dark mirror [[electronic resource] ] : German cinema between Hitler and Hollywood |
Autore | Koepnick Lutz P |
Pubbl/distr/stampa | Berkeley, : University of California Press, 2002 |
Descrizione fisica | 1 online resource (339 p.) |
Disciplina | 791.43/0943 |
Soggetto topico |
Germans
Germans - California - Los Angeles Motion picture producers and directors Motion pictures Motion pictures-- Germany-- History |
ISBN |
0-520-93635-3
1-59734-573-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Illustrations; Acknowledgments; Introduction: The Dark Mirror; 1 Sounds of Silence Nazi Cinema and the Quest for a National Culture Industry; 2 Incorporating the Underground Curtis Bernhardt's The Tunnel; 3 Engendering Mass Culture: Zarah Leander and the Economy of Desire; 4 Siegfried Rides Again: Nazi Westerns and Modernity; 5 Wagner at Warner's: German Sounds and Hollywood Studio Visions; 6 Berlin Noir: Robert Siodmak's Hollywood; 7 Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism; 8 Isolde Resurrected: Curtis Bernhardt's Interrupted Melody
Epilogue: "Talking about Germany" Notes; Index |
Record Nr. | UNINA-9910780247203321 |
Koepnick Lutz P
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Berkeley, : University of California Press, 2002 | ||
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Lo trovi qui: Univ. Federico II | ||
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Feminism, Film, Fascism : Women's Autobiographical Film in Postwar Germany [[electronic resource]] |
Autore | Linville Susan E |
Pubbl/distr/stampa | Austin, TX, USA, : University of Texas Press, 19980401 |
Descrizione fisica | 1 online resource (208 p.) |
Disciplina | 791.43/0943 |
Soggetto topico |
PERFORMING ARTS
Film & Video / General Motion pictures - History - Germany Women in motion pictures - Psychological aspects - Germany Women motion picture producers and directors - Germany Motion pictures Guilt Music, Dance, Drama & Film Film |
ISBN | 0-292-79972-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: Seeing Through he "Postwar" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Idenity Politics of Jutta Brückner;s Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index |
Record Nr. | UNINA-9910450115203321 |
Linville Susan E
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Austin, TX, USA, : University of Texas Press, 19980401 | ||
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Lo trovi qui: Univ. Federico II | ||
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Feminism, Film, Fascism : Women's Autobiographical Film in Postwar Germany [[electronic resource]] |
Autore | Linville Susan E |
Pubbl/distr/stampa | Austin, TX, USA, : University of Texas Press, 19980401 |
Descrizione fisica | 1 online resource (208 p.) |
Disciplina | 791.43/0943 |
Soggetto topico |
Motion pictures - History - Germany
Women in motion pictures - Psychological aspects - Germany Women motion picture producers and directors - Germany Motion pictures Guilt |
ISBN | 0-292-79972-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Seeing Through he "Postwar" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Identity Politics of Jutta Brückner;s Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index |
Record Nr. | UNINA-9910777359903321 |
Linville Susan E
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Austin, TX, USA, : University of Texas Press, 19980401 | ||
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Lo trovi qui: Univ. Federico II | ||
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German essays on film / / edited by Richard W. McCormick and Alison Guenther-Pal |
Pubbl/distr/stampa | New York : , : Continum, , 2004 |
Descrizione fisica | 1 online resource (336 p.) |
Disciplina | 791.43/0943 |
Collana | German Library |
Soggetto topico |
Motion pictures - Germany
Motion pictures |
ISBN |
1-62892-875-1
1-283-27207-5 9786613272072 1-4411-5963-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: Richard W. McCormick and Alison Guenther-Pal -- -- 1. LATE WILHELMINE GERMANY -- -- Artists, Critics, and Scholars -- ALFRED DOBLIN -- The Theater of the Little People -- -- HERBERT TANNENBAUM -- Art at the Cinema -- -- MALWINE RENNERT -- An Abyss Not to Be Bridged -- -- GEORG LUKACS -- Thoughts on an Aesthetics of Cinema -- -- WALTER SERNER -- Cinema and the Desire to Watch -- -- HANNS HEINZ EWERS -- Film and I -- -- MALWINE RENNERT -- War Films -- -- EMILIE ALTENLOH -- From On the Sociology of the Cinema -- -- All translated by Lance W. Garmer -- -- 2. WEIMAR REPUBLIC, 1918-33 -- -- Writers, Critics, and Artists -- -- HERBERT IHERING -- An Expressionist Film -- Translated by Lance W. Garmer -- -- CLAIRE GOLL -- American Cinema -- Translated by Lance W. Garmer -- -- HUGO VON HOFMANNSTHAL -- The Substitute for Dreams -- Translated by Lance W. Garmer -- -- CARL EINSTEIN -- The Bankruptcy of German Films -- Translated by Lance W. Garmer -- -- FRITZ LANG -- The Artistic Composition of the Film Drama -- Translated by Lance W. Garmer -- -- F.W. MURNAU -- The Ideal Picture Needs No Titles: By Its Very Nature the Art of the Screen Should Tell a Complete Story Pictorially -- Translated by Theatre magazine -- -- Theorists -- -- BELA BALAZS -- From The Visible Human -- Translated by Lance W. Garmer -- -- SIEGFRIED KRACAUER -- The Little Shopgirls Go to the Movies -- Translated by Thomas Y. Levin -- -- BERTOLT BRECHT -- From The Three Penny Trial: A Sociological Experiment -- Translated by Lance W. Garmer -- -- RUDOLF ARNHEIM -- From Film -- Translated by L.M. Sieveking and Ian F.D. Morrow -- -- 3. NAZI GERMANY 1933-45--AND THOSE WHO FLED.... -- -- Artists and Bureaucrats in the "Third Reich" -- -- JOSEPH GOEBBELS -- Dr. Goebbels's Speech at teh Kaiserhof on March 28, 1933 -- -- LENI RIEFENSTAHL -- May the Strength and Beauty of Youth Have Found Cinematic Form -- -- VEIT HARLAN -- History and Film -- -- FRITZ HIPPLER -- The Formative Power of Film -- -- HELMUT KAUTNER -- Gratitude toward the Theater -- -- All translated by Lance W. Garmer -- -- Intellectuals in Exile -- -- MAX HORKHEIMER AND THEODOR W. ADORNO -- The Culture Industry: Enlightenment as Mass Deception -- Translated by John Cumming -- -- SIEGFRIED KRACAUER -- Introduction to From Caligari to Hitler: A Psychological History of German Film -- -- LOTTE H. EISNER -- Introduction to The Haunted Screen: Experssionism in the German Cinema and the Influcence of Max Reinhardt -- Translated by Roger Greaves -- -- 4. POSTWAR GERMANY: 1945 TO THE PRESENT -- -- Film Artists -- -- WOLFGANG STAUDTE -- A Letter to the Central Military Commander of the Soviet Occupation Zone -- Translated by Lance W. Garmer -- -- GUNTER GROLL, HELMUT KAUTNER, AND WALTER TALMON-GOS -- Every Audience, as Everybody Knows, Has the Film It Deserves -- Translated by Lance W. Garmer -- -- THE OBERHAUSEN MANIFESTO -- Translated by Eric Rentschler -- -- ALEXANDER KLUGE -- What Do the "Oberhauseners" Want? -- Translated by Eric Rentschler -- -- WOLFGANG STAUDTE -- A Reflection: Befouling Our Own Nest? -- Translated by Lance W. Garmer -- -- WIM WENDERS -- That's Entertainment: Hitler -- Translated and abridged by Eric Rentschler -- -- HELKE SANDER -- Feminism and Film -- Translated by Ramona Curry -- -- KONRAD WOLF -- On the Possibilities of Socialist Film Art: Reactions to Mama, I'm Alive -- Translated by Lance W. Garmer -- -- RAINER WERNER FASSBINDER -- From The Third Generation -- Translated by Krishna Winston -- -- THE MANIFESTO OF THE WOMEN FILM WORKERS -- Translated by Eric Rentschler -- -- JUTTA BRUCKNER -- Women's Films Are Searches for Traces -- Translated by Antje Masten -- -- WOLFGANG KOHLHAASE -- DEFA: A Personal View -- Translated by Margaret Vallance -- -- Critics, Scholars, and Theorists -- -- ENNO PATALAS -- On German Postwar Film -- Translated by Lance W. Garmer -- -- THEODOR W. ADORNO -- Transparencies on Film -- Translated by Thomas Y. Levin -- -- GERTRUD KOCH -- Ex-Changing the Gaze: Re-Visioning Feminist Film Theory -- -- HEIDE SCHLUPMANN -- Melodrama and Social Drama in the Early German Cinema -- Translated by Jamie Owen Daniel -- -- KARSTEN WITTE -- The Indivisible Legacy of Nazi Cinema -- -- Bibliography: Primary Sources -- |
Record Nr. | UNINA-9910456806203321 |
New York : , : Continum, , 2004 | ||
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Lo trovi qui: Univ. Federico II | ||
|
German essays on film / / edited by Richard W. McCormick and Alison Guenther-Pal |
Pubbl/distr/stampa | New York : , : Continum, , 2004 |
Descrizione fisica | 1 online resource (336 p.) |
Disciplina | 791.43/0943 |
Collana | German Library |
Soggetto topico |
Motion pictures - Germany
Motion pictures |
ISBN |
9780826415067
1-62892-875-1 1-283-27207-5 9786613272072 1-4411-5963-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: Richard W. McCormick and Alison Guenther-Pal -- -- 1. LATE WILHELMINE GERMANY -- -- Artists, Critics, and Scholars -- ALFRED DOBLIN -- The Theater of the Little People -- -- HERBERT TANNENBAUM -- Art at the Cinema -- -- MALWINE RENNERT -- An Abyss Not to Be Bridged -- -- GEORG LUKACS -- Thoughts on an Aesthetics of Cinema -- -- WALTER SERNER -- Cinema and the Desire to Watch -- -- HANNS HEINZ EWERS -- Film and I -- -- MALWINE RENNERT -- War Films -- -- EMILIE ALTENLOH -- From On the Sociology of the Cinema -- -- All translated by Lance W. Garmer -- -- 2. WEIMAR REPUBLIC, 1918-33 -- -- Writers, Critics, and Artists -- -- HERBERT IHERING -- An Expressionist Film -- Translated by Lance W. Garmer -- -- CLAIRE GOLL -- American Cinema -- Translated by Lance W. Garmer -- -- HUGO VON HOFMANNSTHAL -- The Substitute for Dreams -- Translated by Lance W. Garmer -- -- CARL EINSTEIN -- The Bankruptcy of German Films -- Translated by Lance W. Garmer -- -- FRITZ LANG -- The Artistic Composition of the Film Drama -- Translated by Lance W. Garmer -- -- F.W. MURNAU -- The Ideal Picture Needs No Titles: By Its Very Nature the Art of the Screen Should Tell a Complete Story Pictorially -- Translated by Theatre magazine -- -- Theorists -- -- BELA BALAZS -- From The Visible Human -- Translated by Lance W. Garmer -- -- SIEGFRIED KRACAUER -- The Little Shopgirls Go to the Movies -- Translated by Thomas Y. Levin -- -- BERTOLT BRECHT -- From The Three Penny Trial: A Sociological Experiment -- Translated by Lance W. Garmer -- -- RUDOLF ARNHEIM -- From Film -- Translated by L.M. Sieveking and Ian F.D. Morrow -- -- 3. NAZI GERMANY 1933-45--AND THOSE WHO FLED.... -- -- Artists and Bureaucrats in the "Third Reich" -- -- JOSEPH GOEBBELS -- Dr. Goebbels's Speech at teh Kaiserhof on March 28, 1933 -- -- LENI RIEFENSTAHL -- May the Strength and Beauty of Youth Have Found Cinematic Form -- -- VEIT HARLAN -- History and Film -- -- FRITZ HIPPLER -- The Formative Power of Film -- -- HELMUT KAUTNER -- Gratitude toward the Theater -- -- All translated by Lance W. Garmer -- -- Intellectuals in Exile -- -- MAX HORKHEIMER AND THEODOR W. ADORNO -- The Culture Industry: Enlightenment as Mass Deception -- Translated by John Cumming -- -- SIEGFRIED KRACAUER -- Introduction to From Caligari to Hitler: A Psychological History of German Film -- -- LOTTE H. EISNER -- Introduction to The Haunted Screen: Experssionism in the German Cinema and the Influcence of Max Reinhardt -- Translated by Roger Greaves -- -- 4. POSTWAR GERMANY: 1945 TO THE PRESENT -- -- Film Artists -- -- WOLFGANG STAUDTE -- A Letter to the Central Military Commander of the Soviet Occupation Zone -- Translated by Lance W. Garmer -- -- GUNTER GROLL, HELMUT KAUTNER, AND WALTER TALMON-GOS -- Every Audience, as Everybody Knows, Has the Film It Deserves -- Translated by Lance W. Garmer -- -- THE OBERHAUSEN MANIFESTO -- Translated by Eric Rentschler -- -- ALEXANDER KLUGE -- What Do the "Oberhauseners" Want? -- Translated by Eric Rentschler -- -- WOLFGANG STAUDTE -- A Reflection: Befouling Our Own Nest? -- Translated by Lance W. Garmer -- -- WIM WENDERS -- That's Entertainment: Hitler -- Translated and abridged by Eric Rentschler -- -- HELKE SANDER -- Feminism and Film -- Translated by Ramona Curry -- -- KONRAD WOLF -- On the Possibilities of Socialist Film Art: Reactions to Mama, I'm Alive -- Translated by Lance W. Garmer -- -- RAINER WERNER FASSBINDER -- From The Third Generation -- Translated by Krishna Winston -- -- THE MANIFESTO OF THE WOMEN FILM WORKERS -- Translated by Eric Rentschler -- -- JUTTA BRUCKNER -- Women's Films Are Searches for Traces -- Translated by Antje Masten -- -- WOLFGANG KOHLHAASE -- DEFA: A Personal View -- Translated by Margaret Vallance -- -- Critics, Scholars, and Theorists -- -- ENNO PATALAS -- On German Postwar Film -- Translated by Lance W. Garmer -- -- THEODOR W. ADORNO -- Transparencies on Film -- Translated by Thomas Y. Levin -- -- GERTRUD KOCH -- Ex-Changing the Gaze: Re-Visioning Feminist Film Theory -- -- HEIDE SCHLUPMANN -- Melodrama and Social Drama in the Early German Cinema -- Translated by Jamie Owen Daniel -- -- KARSTEN WITTE -- The Indivisible Legacy of Nazi Cinema -- -- Bibliography: Primary Sources -- |
Record Nr. | UNINA-9910781774803321 |
New York : , : Continum, , 2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
German essays on film / / edited by Richard W. McCormick and Alison Guenther-Pal |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York, : Continum, c2004 |
Descrizione fisica | 1 online resource (336 p.) |
Disciplina | 791.43/0943 |
Altri autori (Persone) |
McCormickRichard W. <1951->
Guenther-PalAlison |
Collana | German Library |
Soggetto topico |
Motion pictures
Motion pictures - Germany |
ISBN |
9780826415067
1-62892-875-1 1-283-27207-5 9786613272072 1-4411-5963-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: Richard W. McCormick and Alison Guenther-Pal -- -- 1. LATE WILHELMINE GERMANY -- -- Artists, Critics, and Scholars -- ALFRED DOBLIN -- The Theater of the Little People -- -- HERBERT TANNENBAUM -- Art at the Cinema -- -- MALWINE RENNERT -- An Abyss Not to Be Bridged -- -- GEORG LUKACS -- Thoughts on an Aesthetics of Cinema -- -- WALTER SERNER -- Cinema and the Desire to Watch -- -- HANNS HEINZ EWERS -- Film and I -- -- MALWINE RENNERT -- War Films -- -- EMILIE ALTENLOH -- From On the Sociology of the Cinema -- -- All translated by Lance W. Garmer -- -- 2. WEIMAR REPUBLIC, 1918-33 -- -- Writers, Critics, and Artists -- -- HERBERT IHERING -- An Expressionist Film -- Translated by Lance W. Garmer -- -- CLAIRE GOLL -- American Cinema -- Translated by Lance W. Garmer -- -- HUGO VON HOFMANNSTHAL -- The Substitute for Dreams -- Translated by Lance W. Garmer -- -- CARL EINSTEIN -- The Bankruptcy of German Films -- Translated by Lance W. Garmer -- -- FRITZ LANG -- The Artistic Composition of the Film Drama -- Translated by Lance W. Garmer -- -- F.W. MURNAU -- The Ideal Picture Needs No Titles: By Its Very Nature the Art of the Screen Should Tell a Complete Story Pictorially -- Translated by Theatre magazine -- -- Theorists -- -- BELA BALAZS -- From The Visible Human -- Translated by Lance W. Garmer -- -- SIEGFRIED KRACAUER -- The Little Shopgirls Go to the Movies -- Translated by Thomas Y. Levin -- -- BERTOLT BRECHT -- From The Three Penny Trial: A Sociological Experiment -- Translated by Lance W. Garmer -- -- RUDOLF ARNHEIM -- From Film -- Translated by L.M. Sieveking and Ian F.D. Morrow -- -- 3. NAZI GERMANY 1933-45--AND THOSE WHO FLED.... -- -- Artists and Bureaucrats in the "Third Reich" -- -- JOSEPH GOEBBELS -- Dr. Goebbels's Speech at teh Kaiserhof on March 28, 1933 -- -- LENI RIEFENSTAHL -- May the Strength and Beauty of Youth Have Found Cinematic Form -- -- VEIT HARLAN -- History and Film -- -- FRITZ HIPPLER -- The Formative Power of Film -- -- HELMUT KAUTNER -- Gratitude toward the Theater -- -- All translated by Lance W. Garmer -- -- Intellectuals in Exile -- -- MAX HORKHEIMER AND THEODOR W. ADORNO -- The Culture Industry: Enlightenment as Mass Deception -- Translated by John Cumming -- -- SIEGFRIED KRACAUER -- Introduction to From Caligari to Hitler: A Psychological History of German Film -- -- LOTTE H. EISNER -- Introduction to The Haunted Screen: Experssionism in the German Cinema and the Influcence of Max Reinhardt -- Translated by Roger Greaves -- -- 4. POSTWAR GERMANY: 1945 TO THE PRESENT -- -- Film Artists -- -- WOLFGANG STAUDTE -- A Letter to the Central Military Commander of the Soviet Occupation Zone -- Translated by Lance W. Garmer -- -- GUNTER GROLL, HELMUT KAUTNER, AND WALTER TALMON-GOS -- Every Audience, as Everybody Knows, Has the Film It Deserves -- Translated by Lance W. Garmer -- -- THE OBERHAUSEN MANIFESTO -- Translated by Eric Rentschler -- -- ALEXANDER KLUGE -- What Do the "Oberhauseners" Want? -- Translated by Eric Rentschler -- -- WOLFGANG STAUDTE -- A Reflection: Befouling Our Own Nest? -- Translated by Lance W. Garmer -- -- WIM WENDERS -- That's Entertainment: Hitler -- Translated and abridged by Eric Rentschler -- -- HELKE SANDER -- Feminism and Film -- Translated by Ramona Curry -- -- KONRAD WOLF -- On the Possibilities of Socialist Film Art: Reactions to Mama, I'm Alive -- Translated by Lance W. Garmer -- -- RAINER WERNER FASSBINDER -- From The Third Generation -- Translated by Krishna Winston -- -- THE MANIFESTO OF THE WOMEN FILM WORKERS -- Translated by Eric Rentschler -- -- JUTTA BRUCKNER -- Women's Films Are Searches for Traces -- Translated by Antje Masten -- -- WOLFGANG KOHLHAASE -- DEFA: A Personal View -- Translated by Margaret Vallance -- -- Critics, Scholars, and Theorists -- -- ENNO PATALAS -- On German Postwar Film -- Translated by Lance W. Garmer -- -- THEODOR W. ADORNO -- Transparencies on Film -- Translated by Thomas Y. Levin -- -- GERTRUD KOCH -- Ex-Changing the Gaze: Re-Visioning Feminist Film Theory -- -- HEIDE SCHLUPMANN -- Melodrama and Social Drama in the Early German Cinema -- Translated by Jamie Owen Daniel -- -- KARSTEN WITTE -- The Indivisible Legacy of Nazi Cinema -- -- Bibliography: Primary Sources -- |
Record Nr. | UNINA-9910820049103321 |
New York, : Continum, c2004 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Gorgon's gaze : German cinema, expressionism, and the image of horror / / Paul Coates [[electronic resource]] |
Autore | Coates Paul <1953-> |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 1991 |
Descrizione fisica | 1 online resource (xiv, 287 pages) : digital, PDF file(s) |
Disciplina | 791.43/0943 |
Collana | Cambridge studies in film |
Soggetto topico |
Motion pictures - Germany - History
Expressionism Monsters in motion pictures Film noir - History and criticism |
ISBN | 0-511-52712-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: the uncanny and the gorgon's gaze -- 1. Silent cinema and expressionism -- 2. The sleep of reason: monstrosity and disavowal -- 3. Memory and repression in recent German cinema -- 4. Expressionism in America -- 5. Elective affinities and family resemblances: for Margarethe von Trotta. |
Record Nr. | UNISA-996248128603316 |
Coates Paul <1953->
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Cambridge : , : Cambridge University Press, , 1991 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Hollywood in Berlin [[electronic resource] ] : American cinema and Weimar, Germany / / Thomas J. Saunders |
Autore | Saunders Thomas J |
Edizione | [1 frontisp., Reprint 2020] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c1994 |
Descrizione fisica | 1 online resource (x, 332 p. ) : ill. ; |
Disciplina | 791.43/0943 |
Collana | Weimar and now |
Soggetto topico |
Motion pictures - Germany - History
Motion pictures, American - Germany - Influence Motion pictures, German - United States - Influence National characteristics, American, in motion pictures National characteristics, German, in motion pictures Motion pictures - History - Germany Motion pictures, American - Influence - Germany Motion pictures, German - Influence - United States |
ISBN |
0-520-91416-3
0-585-07922-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- INTRODUCTION -- CHAPTER 1. THE SETTING: WEIMAR GERMANY AND THE MOTION PICTURE -- CHAPTER 2. GERMAN-AMERICAN FILM RELATIONS: COMPETITION AND COOPERATION -- CHAPTER 3. HOLLYWOOD IN BERLIN: THE INITIATION, 1921-1923 -- CHAPTER 4. THE HOLLYWOOD INVASION: AMERIKANISMUS AND AMERIKAMÛDIGKEIT -- CHAPTER 5. EXCURSUS: POPULAR CULTURE AND AMERICAN HEGEMONY -- CHAPTER 6. COMIC REDEMPTION: THE SLAPSTICK SYNTHESIS -- CHAPTER 7. GERMAN-AMERICAN PRODUCTION IN HOLLYWOOD AND THE MEANING OF NATIONAL CINEMA -- CHAPTER 8. THE COMING OF SOUND AND THE WANING OF AMERICA -- CONCLUSION -- NOTES -- SELECT BIBLIOGRAPHY -- INDEX |
Record Nr. | UNISA-996248175703316 |
Saunders Thomas J
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Berkeley, : University of California Press, c1994 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Hollywood in Berlin : American cinema and Weimar, Germany / / Thomas J. Saunders |
Autore | Saunders Thomas J |
Edizione | [1 frontisp., Reprint 2020] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c1994 |
Descrizione fisica | 1 online resource (x, 332 p. ) : ill. ; |
Disciplina | 791.43/0943 |
Collana | Weimar and now |
Soggetto topico |
Motion pictures - Germany - History
Motion pictures - American influences Motion pictures - Germany - Foreign influences Motion pictures - United States - German influences Motion pictures - German influences National characteristics, American, in motion pictures National characteristics, German, in motion pictures |
ISBN |
0-520-91416-3
0-585-07922-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- INTRODUCTION -- CHAPTER 1. THE SETTING: WEIMAR GERMANY AND THE MOTION PICTURE -- CHAPTER 2. GERMAN-AMERICAN FILM RELATIONS: COMPETITION AND COOPERATION -- CHAPTER 3. HOLLYWOOD IN BERLIN: THE INITIATION, 1921-1923 -- CHAPTER 4. THE HOLLYWOOD INVASION: AMERIKANISMUS AND AMERIKAMÛDIGKEIT -- CHAPTER 5. EXCURSUS: POPULAR CULTURE AND AMERICAN HEGEMONY -- CHAPTER 6. COMIC REDEMPTION: THE SLAPSTICK SYNTHESIS -- CHAPTER 7. GERMAN-AMERICAN PRODUCTION IN HOLLYWOOD AND THE MEANING OF NATIONAL CINEMA -- CHAPTER 8. THE COMING OF SOUND AND THE WANING OF AMERICA -- CONCLUSION -- NOTES -- SELECT BIBLIOGRAPHY -- INDEX |
Record Nr. | UNINA-9910495960203321 |
Saunders Thomas J
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Berkeley, : University of California Press, c1994 | ||
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Lo trovi qui: Univ. Federico II | ||
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