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The Dark Mirror [[electronic resource] ] : German Cinema between Hitler and Hollywood
The Dark Mirror [[electronic resource] ] : German Cinema between Hitler and Hollywood
Autore Koepnick Lutz P
Pubbl/distr/stampa Berkeley, : University of California Press, 2002
Descrizione fisica 1 online resource (339 p.)
Disciplina 791.43/0943
Soggetto topico Germans
Germans - California - Los Angeles
Motion picture producers and directors
Motion pictures
Motion pictures-- Germany-- History
Soggetto genere / forma Electronic books.
ISBN 0-520-93635-3
1-59734-573-3
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Illustrations; Acknowledgments; Introduction: The Dark Mirror; 1 Sounds of Silence Nazi Cinema and the Quest for a National Culture Industry; 2 Incorporating the Underground Curtis Bernhardt's The Tunnel; 3 Engendering Mass Culture: Zarah Leander and the Economy of Desire; 4 Siegfried Rides Again: Nazi Westerns and Modernity; 5 Wagner at Warner's: German Sounds and Hollywood Studio Visions; 6 Berlin Noir: Robert Siodmak's Hollywood; 7 Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism; 8 Isolde Resurrected: Curtis Bernhardt's Interrupted Melody
Epilogue: "Talking about Germany" Notes; Index
Record Nr. UNINA-9910455602603321
Koepnick Lutz P  
Berkeley, : University of California Press, 2002
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The dark mirror [[electronic resource] ] : German cinema between Hitler and Hollywood
The dark mirror [[electronic resource] ] : German cinema between Hitler and Hollywood
Autore Koepnick Lutz P
Pubbl/distr/stampa Berkeley, : University of California Press, 2002
Descrizione fisica 1 online resource (339 p.)
Disciplina 791.43/0943
Soggetto topico Germans
Germans - California - Los Angeles
Motion picture producers and directors
Motion pictures
Motion pictures-- Germany-- History
ISBN 0-520-93635-3
1-59734-573-3
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Illustrations; Acknowledgments; Introduction: The Dark Mirror; 1 Sounds of Silence Nazi Cinema and the Quest for a National Culture Industry; 2 Incorporating the Underground Curtis Bernhardt's The Tunnel; 3 Engendering Mass Culture: Zarah Leander and the Economy of Desire; 4 Siegfried Rides Again: Nazi Westerns and Modernity; 5 Wagner at Warner's: German Sounds and Hollywood Studio Visions; 6 Berlin Noir: Robert Siodmak's Hollywood; 7 Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism; 8 Isolde Resurrected: Curtis Bernhardt's Interrupted Melody
Epilogue: "Talking about Germany" Notes; Index
Record Nr. UNINA-9910780247203321
Koepnick Lutz P  
Berkeley, : University of California Press, 2002
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Feminism, Film, Fascism : Women's Autobiographical Film in Postwar Germany [[electronic resource]]
Feminism, Film, Fascism : Women's Autobiographical Film in Postwar Germany [[electronic resource]]
Autore Linville Susan E
Pubbl/distr/stampa Austin, TX, USA, : University of Texas Press, 19980401
Descrizione fisica 1 online resource (208 p.)
Disciplina 791.43/0943
Soggetto topico PERFORMING ARTS
Film & Video / General
Motion pictures - History - Germany
Women in motion pictures - Psychological aspects - Germany
Women motion picture producers and directors - Germany
Motion pictures
Guilt
Music, Dance, Drama & Film
Film
ISBN 0-292-79972-1
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- Contents -- Acknowledgments -- Introduction: Seeing Through he "Postwar" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Idenity Politics of Jutta Brückner;s Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index
Record Nr. UNINA-9910450115203321
Linville Susan E  
Austin, TX, USA, : University of Texas Press, 19980401
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Feminism, Film, Fascism : Women's Autobiographical Film in Postwar Germany [[electronic resource]]
Feminism, Film, Fascism : Women's Autobiographical Film in Postwar Germany [[electronic resource]]
Autore Linville Susan E
Pubbl/distr/stampa Austin, TX, USA, : University of Texas Press, 19980401
Descrizione fisica 1 online resource (208 p.)
Disciplina 791.43/0943
Soggetto topico Motion pictures - History - Germany
Women in motion pictures - Psychological aspects - Germany
Women motion picture producers and directors - Germany
Motion pictures
Guilt
ISBN 0-292-79972-1
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Acknowledgments -- Introduction: Seeing Through he "Postwar" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Identity Politics of Jutta Brückner;s Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index
Record Nr. UNINA-9910777359903321
Linville Susan E  
Austin, TX, USA, : University of Texas Press, 19980401
Materiale a stampa
Lo trovi qui: Univ. Federico II
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German essays on film / / edited by Richard W. McCormick and Alison Guenther-Pal
German essays on film / / edited by Richard W. McCormick and Alison Guenther-Pal
Pubbl/distr/stampa New York : , : Continum, , 2004
Descrizione fisica 1 online resource (336 p.)
Disciplina 791.43/0943
Collana German Library
Soggetto topico Motion pictures - Germany
Motion pictures
ISBN 1-62892-875-1
1-283-27207-5
9786613272072
1-4411-5963-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction: Richard W. McCormick and Alison Guenther-Pal --   -- 1. LATE WILHELMINE GERMANY --   -- Artists, Critics, and Scholars -- ALFRED DOBLIN -- The Theater of the Little People --   -- HERBERT TANNENBAUM -- Art at the Cinema --   -- MALWINE RENNERT -- An Abyss Not to Be Bridged --   -- GEORG LUKACS -- Thoughts on an Aesthetics of Cinema --   -- WALTER SERNER -- Cinema and the Desire to Watch --   -- HANNS HEINZ EWERS -- Film and I --   -- MALWINE RENNERT -- War Films --   -- EMILIE ALTENLOH -- From On the Sociology of the Cinema --   -- All translated by Lance W. Garmer --   -- 2. WEIMAR REPUBLIC, 1918-33 --   -- Writers, Critics, and Artists --   -- HERBERT IHERING -- An Expressionist Film -- Translated by Lance W. Garmer --   -- CLAIRE GOLL -- American Cinema -- Translated by Lance W. Garmer --   -- HUGO VON HOFMANNSTHAL -- The Substitute for Dreams -- Translated by Lance W. Garmer --   -- CARL EINSTEIN -- The Bankruptcy of German Films -- Translated by Lance W. Garmer --   -- FRITZ LANG -- The Artistic Composition of the Film Drama -- Translated by Lance W. Garmer --   -- F.W. MURNAU -- The Ideal Picture Needs No Titles: By Its Very Nature the Art of the Screen Should Tell a Complete Story Pictorially -- Translated by Theatre magazine --   -- Theorists --   -- BELA BALAZS -- From The Visible Human -- Translated by Lance W. Garmer --   -- SIEGFRIED KRACAUER -- The Little Shopgirls Go to the Movies -- Translated by Thomas Y. Levin --   -- BERTOLT BRECHT -- From The Three Penny Trial: A Sociological Experiment -- Translated by Lance W. Garmer --   -- RUDOLF ARNHEIM -- From Film -- Translated by L.M. Sieveking and Ian F.D. Morrow --   -- 3. NAZI GERMANY 1933-45--AND THOSE WHO FLED.... --   -- Artists and Bureaucrats in the "Third Reich" --   -- JOSEPH GOEBBELS -- Dr. Goebbels's Speech at teh Kaiserhof on March 28, 1933 --   -- LENI RIEFENSTAHL -- May the Strength and Beauty of Youth Have Found Cinematic Form --   -- VEIT HARLAN -- History and Film --   -- FRITZ HIPPLER -- The Formative Power of Film --   -- HELMUT KAUTNER -- Gratitude toward the Theater --   -- All translated by Lance W. Garmer --   -- Intellectuals in Exile --   -- MAX HORKHEIMER AND THEODOR W. ADORNO -- The Culture Industry: Enlightenment as Mass Deception -- Translated by John Cumming --   -- SIEGFRIED KRACAUER -- Introduction to From Caligari to Hitler: A Psychological History of German Film --   -- LOTTE H. EISNER -- Introduction to The Haunted Screen: Experssionism in the German Cinema and the Influcence of Max Reinhardt -- Translated by Roger Greaves --   -- 4. POSTWAR GERMANY: 1945 TO THE PRESENT --   -- Film Artists --   -- WOLFGANG STAUDTE -- A Letter to the Central Military Commander of the Soviet Occupation Zone -- Translated by Lance W. Garmer --   -- GUNTER GROLL, HELMUT KAUTNER, AND WALTER TALMON-GOS -- Every Audience, as Everybody Knows, Has the Film It Deserves -- Translated by Lance W. Garmer --   -- THE OBERHAUSEN MANIFESTO -- Translated by Eric Rentschler --   -- ALEXANDER KLUGE -- What Do the "Oberhauseners" Want? -- Translated by Eric Rentschler --   -- WOLFGANG STAUDTE -- A Reflection: Befouling Our Own Nest? -- Translated by Lance W. Garmer --   -- WIM WENDERS -- That's Entertainment: Hitler -- Translated and abridged by Eric Rentschler --   -- HELKE SANDER -- Feminism and Film -- Translated by Ramona Curry --   -- KONRAD WOLF -- On the Possibilities of Socialist Film Art: Reactions to Mama, I'm Alive -- Translated by Lance W. Garmer --   -- RAINER WERNER FASSBINDER -- From The Third Generation -- Translated by Krishna Winston --   -- THE MANIFESTO OF THE WOMEN FILM WORKERS -- Translated by Eric Rentschler --   -- JUTTA BRUCKNER -- Women's Films Are Searches for Traces -- Translated by Antje Masten --   -- WOLFGANG KOHLHAASE -- DEFA: A Personal View -- Translated by Margaret Vallance --   -- Critics, Scholars, and Theorists --   -- ENNO PATALAS -- On German Postwar Film -- Translated by Lance W. Garmer --   -- THEODOR W. ADORNO -- Transparencies on Film -- Translated by Thomas Y. Levin --   -- GERTRUD KOCH -- Ex-Changing the Gaze: Re-Visioning Feminist Film Theory --   -- HEIDE SCHLUPMANN -- Melodrama and Social Drama in the Early German Cinema -- Translated by Jamie Owen Daniel --   -- KARSTEN WITTE -- The Indivisible Legacy of Nazi Cinema --   -- Bibliography: Primary Sources --
Record Nr. UNINA-9910456806203321
New York : , : Continum, , 2004
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
German essays on film / / edited by Richard W. McCormick and Alison Guenther-Pal
German essays on film / / edited by Richard W. McCormick and Alison Guenther-Pal
Pubbl/distr/stampa New York : , : Continum, , 2004
Descrizione fisica 1 online resource (336 p.)
Disciplina 791.43/0943
Collana German Library
Soggetto topico Motion pictures - Germany
Motion pictures
ISBN 9780826415067
1-62892-875-1
1-283-27207-5
9786613272072
1-4411-5963-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction: Richard W. McCormick and Alison Guenther-Pal --   -- 1. LATE WILHELMINE GERMANY --   -- Artists, Critics, and Scholars -- ALFRED DOBLIN -- The Theater of the Little People --   -- HERBERT TANNENBAUM -- Art at the Cinema --   -- MALWINE RENNERT -- An Abyss Not to Be Bridged --   -- GEORG LUKACS -- Thoughts on an Aesthetics of Cinema --   -- WALTER SERNER -- Cinema and the Desire to Watch --   -- HANNS HEINZ EWERS -- Film and I --   -- MALWINE RENNERT -- War Films --   -- EMILIE ALTENLOH -- From On the Sociology of the Cinema --   -- All translated by Lance W. Garmer --   -- 2. WEIMAR REPUBLIC, 1918-33 --   -- Writers, Critics, and Artists --   -- HERBERT IHERING -- An Expressionist Film -- Translated by Lance W. Garmer --   -- CLAIRE GOLL -- American Cinema -- Translated by Lance W. Garmer --   -- HUGO VON HOFMANNSTHAL -- The Substitute for Dreams -- Translated by Lance W. Garmer --   -- CARL EINSTEIN -- The Bankruptcy of German Films -- Translated by Lance W. Garmer --   -- FRITZ LANG -- The Artistic Composition of the Film Drama -- Translated by Lance W. Garmer --   -- F.W. MURNAU -- The Ideal Picture Needs No Titles: By Its Very Nature the Art of the Screen Should Tell a Complete Story Pictorially -- Translated by Theatre magazine --   -- Theorists --   -- BELA BALAZS -- From The Visible Human -- Translated by Lance W. Garmer --   -- SIEGFRIED KRACAUER -- The Little Shopgirls Go to the Movies -- Translated by Thomas Y. Levin --   -- BERTOLT BRECHT -- From The Three Penny Trial: A Sociological Experiment -- Translated by Lance W. Garmer --   -- RUDOLF ARNHEIM -- From Film -- Translated by L.M. Sieveking and Ian F.D. Morrow --   -- 3. NAZI GERMANY 1933-45--AND THOSE WHO FLED.... --   -- Artists and Bureaucrats in the "Third Reich" --   -- JOSEPH GOEBBELS -- Dr. Goebbels's Speech at teh Kaiserhof on March 28, 1933 --   -- LENI RIEFENSTAHL -- May the Strength and Beauty of Youth Have Found Cinematic Form --   -- VEIT HARLAN -- History and Film --   -- FRITZ HIPPLER -- The Formative Power of Film --   -- HELMUT KAUTNER -- Gratitude toward the Theater --   -- All translated by Lance W. Garmer --   -- Intellectuals in Exile --   -- MAX HORKHEIMER AND THEODOR W. ADORNO -- The Culture Industry: Enlightenment as Mass Deception -- Translated by John Cumming --   -- SIEGFRIED KRACAUER -- Introduction to From Caligari to Hitler: A Psychological History of German Film --   -- LOTTE H. EISNER -- Introduction to The Haunted Screen: Experssionism in the German Cinema and the Influcence of Max Reinhardt -- Translated by Roger Greaves --   -- 4. POSTWAR GERMANY: 1945 TO THE PRESENT --   -- Film Artists --   -- WOLFGANG STAUDTE -- A Letter to the Central Military Commander of the Soviet Occupation Zone -- Translated by Lance W. Garmer --   -- GUNTER GROLL, HELMUT KAUTNER, AND WALTER TALMON-GOS -- Every Audience, as Everybody Knows, Has the Film It Deserves -- Translated by Lance W. Garmer --   -- THE OBERHAUSEN MANIFESTO -- Translated by Eric Rentschler --   -- ALEXANDER KLUGE -- What Do the "Oberhauseners" Want? -- Translated by Eric Rentschler --   -- WOLFGANG STAUDTE -- A Reflection: Befouling Our Own Nest? -- Translated by Lance W. Garmer --   -- WIM WENDERS -- That's Entertainment: Hitler -- Translated and abridged by Eric Rentschler --   -- HELKE SANDER -- Feminism and Film -- Translated by Ramona Curry --   -- KONRAD WOLF -- On the Possibilities of Socialist Film Art: Reactions to Mama, I'm Alive -- Translated by Lance W. Garmer --   -- RAINER WERNER FASSBINDER -- From The Third Generation -- Translated by Krishna Winston --   -- THE MANIFESTO OF THE WOMEN FILM WORKERS -- Translated by Eric Rentschler --   -- JUTTA BRUCKNER -- Women's Films Are Searches for Traces -- Translated by Antje Masten --   -- WOLFGANG KOHLHAASE -- DEFA: A Personal View -- Translated by Margaret Vallance --   -- Critics, Scholars, and Theorists --   -- ENNO PATALAS -- On German Postwar Film -- Translated by Lance W. Garmer --   -- THEODOR W. ADORNO -- Transparencies on Film -- Translated by Thomas Y. Levin --   -- GERTRUD KOCH -- Ex-Changing the Gaze: Re-Visioning Feminist Film Theory --   -- HEIDE SCHLUPMANN -- Melodrama and Social Drama in the Early German Cinema -- Translated by Jamie Owen Daniel --   -- KARSTEN WITTE -- The Indivisible Legacy of Nazi Cinema --   -- Bibliography: Primary Sources --
Record Nr. UNINA-9910781774803321
New York : , : Continum, , 2004
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
German essays on film / / edited by Richard W. McCormick and Alison Guenther-Pal
German essays on film / / edited by Richard W. McCormick and Alison Guenther-Pal
Edizione [1st ed.]
Pubbl/distr/stampa New York, : Continum, c2004
Descrizione fisica 1 online resource (336 p.)
Disciplina 791.43/0943
Altri autori (Persone) McCormickRichard W. <1951->
Guenther-PalAlison
Collana German Library
Soggetto topico Motion pictures
Motion pictures - Germany
ISBN 9780826415067
1-62892-875-1
1-283-27207-5
9786613272072
1-4411-5963-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction: Richard W. McCormick and Alison Guenther-Pal --   -- 1. LATE WILHELMINE GERMANY --   -- Artists, Critics, and Scholars -- ALFRED DOBLIN -- The Theater of the Little People --   -- HERBERT TANNENBAUM -- Art at the Cinema --   -- MALWINE RENNERT -- An Abyss Not to Be Bridged --   -- GEORG LUKACS -- Thoughts on an Aesthetics of Cinema --   -- WALTER SERNER -- Cinema and the Desire to Watch --   -- HANNS HEINZ EWERS -- Film and I --   -- MALWINE RENNERT -- War Films --   -- EMILIE ALTENLOH -- From On the Sociology of the Cinema --   -- All translated by Lance W. Garmer --   -- 2. WEIMAR REPUBLIC, 1918-33 --   -- Writers, Critics, and Artists --   -- HERBERT IHERING -- An Expressionist Film -- Translated by Lance W. Garmer --   -- CLAIRE GOLL -- American Cinema -- Translated by Lance W. Garmer --   -- HUGO VON HOFMANNSTHAL -- The Substitute for Dreams -- Translated by Lance W. Garmer --   -- CARL EINSTEIN -- The Bankruptcy of German Films -- Translated by Lance W. Garmer --   -- FRITZ LANG -- The Artistic Composition of the Film Drama -- Translated by Lance W. Garmer --   -- F.W. MURNAU -- The Ideal Picture Needs No Titles: By Its Very Nature the Art of the Screen Should Tell a Complete Story Pictorially -- Translated by Theatre magazine --   -- Theorists --   -- BELA BALAZS -- From The Visible Human -- Translated by Lance W. Garmer --   -- SIEGFRIED KRACAUER -- The Little Shopgirls Go to the Movies -- Translated by Thomas Y. Levin --   -- BERTOLT BRECHT -- From The Three Penny Trial: A Sociological Experiment -- Translated by Lance W. Garmer --   -- RUDOLF ARNHEIM -- From Film -- Translated by L.M. Sieveking and Ian F.D. Morrow --   -- 3. NAZI GERMANY 1933-45--AND THOSE WHO FLED.... --   -- Artists and Bureaucrats in the "Third Reich" --   -- JOSEPH GOEBBELS -- Dr. Goebbels's Speech at teh Kaiserhof on March 28, 1933 --   -- LENI RIEFENSTAHL -- May the Strength and Beauty of Youth Have Found Cinematic Form --   -- VEIT HARLAN -- History and Film --   -- FRITZ HIPPLER -- The Formative Power of Film --   -- HELMUT KAUTNER -- Gratitude toward the Theater --   -- All translated by Lance W. Garmer --   -- Intellectuals in Exile --   -- MAX HORKHEIMER AND THEODOR W. ADORNO -- The Culture Industry: Enlightenment as Mass Deception -- Translated by John Cumming --   -- SIEGFRIED KRACAUER -- Introduction to From Caligari to Hitler: A Psychological History of German Film --   -- LOTTE H. EISNER -- Introduction to The Haunted Screen: Experssionism in the German Cinema and the Influcence of Max Reinhardt -- Translated by Roger Greaves --   -- 4. POSTWAR GERMANY: 1945 TO THE PRESENT --   -- Film Artists --   -- WOLFGANG STAUDTE -- A Letter to the Central Military Commander of the Soviet Occupation Zone -- Translated by Lance W. Garmer --   -- GUNTER GROLL, HELMUT KAUTNER, AND WALTER TALMON-GOS -- Every Audience, as Everybody Knows, Has the Film It Deserves -- Translated by Lance W. Garmer --   -- THE OBERHAUSEN MANIFESTO -- Translated by Eric Rentschler --   -- ALEXANDER KLUGE -- What Do the "Oberhauseners" Want? -- Translated by Eric Rentschler --   -- WOLFGANG STAUDTE -- A Reflection: Befouling Our Own Nest? -- Translated by Lance W. Garmer --   -- WIM WENDERS -- That's Entertainment: Hitler -- Translated and abridged by Eric Rentschler --   -- HELKE SANDER -- Feminism and Film -- Translated by Ramona Curry --   -- KONRAD WOLF -- On the Possibilities of Socialist Film Art: Reactions to Mama, I'm Alive -- Translated by Lance W. Garmer --   -- RAINER WERNER FASSBINDER -- From The Third Generation -- Translated by Krishna Winston --   -- THE MANIFESTO OF THE WOMEN FILM WORKERS -- Translated by Eric Rentschler --   -- JUTTA BRUCKNER -- Women's Films Are Searches for Traces -- Translated by Antje Masten --   -- WOLFGANG KOHLHAASE -- DEFA: A Personal View -- Translated by Margaret Vallance --   -- Critics, Scholars, and Theorists --   -- ENNO PATALAS -- On German Postwar Film -- Translated by Lance W. Garmer --   -- THEODOR W. ADORNO -- Transparencies on Film -- Translated by Thomas Y. Levin --   -- GERTRUD KOCH -- Ex-Changing the Gaze: Re-Visioning Feminist Film Theory --   -- HEIDE SCHLUPMANN -- Melodrama and Social Drama in the Early German Cinema -- Translated by Jamie Owen Daniel --   -- KARSTEN WITTE -- The Indivisible Legacy of Nazi Cinema --   -- Bibliography: Primary Sources --
Record Nr. UNINA-9910820049103321
New York, : Continum, c2004
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The Gorgon's gaze : German cinema, expressionism, and the image of horror / / Paul Coates [[electronic resource]]
The Gorgon's gaze : German cinema, expressionism, and the image of horror / / Paul Coates [[electronic resource]]
Autore Coates Paul <1953->
Pubbl/distr/stampa Cambridge : , : Cambridge University Press, , 1991
Descrizione fisica 1 online resource (xiv, 287 pages) : digital, PDF file(s)
Disciplina 791.43/0943
Collana Cambridge studies in film
Soggetto topico Motion pictures - Germany - History
Expressionism
Monsters in motion pictures
Film noir - History and criticism
ISBN 0-511-52712-8
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Introduction: the uncanny and the gorgon's gaze -- 1. Silent cinema and expressionism -- 2. The sleep of reason: monstrosity and disavowal -- 3. Memory and repression in recent German cinema -- 4. Expressionism in America -- 5. Elective affinities and family resemblances: for Margarethe von Trotta.
Record Nr. UNISA-996248128603316
Coates Paul <1953->  
Cambridge : , : Cambridge University Press, , 1991
Materiale a stampa
Lo trovi qui: Univ. di Salerno
Opac: Controlla la disponibilità qui
Hollywood in Berlin [[electronic resource] ] : American cinema and Weimar, Germany / / Thomas J. Saunders
Hollywood in Berlin [[electronic resource] ] : American cinema and Weimar, Germany / / Thomas J. Saunders
Autore Saunders Thomas J
Edizione [1 frontisp., Reprint 2020]
Pubbl/distr/stampa Berkeley, : University of California Press, c1994
Descrizione fisica 1 online resource (x, 332 p. ) : ill. ;
Disciplina 791.43/0943
Collana Weimar and now
Soggetto topico Motion pictures - Germany - History
Motion pictures, American - Germany - Influence
Motion pictures, German - United States - Influence
National characteristics, American, in motion pictures
National characteristics, German, in motion pictures
Motion pictures - History - Germany
Motion pictures, American - Influence - Germany
Motion pictures, German - Influence - United States
ISBN 0-520-91416-3
0-585-07922-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- INTRODUCTION -- CHAPTER 1. THE SETTING: WEIMAR GERMANY AND THE MOTION PICTURE -- CHAPTER 2. GERMAN-AMERICAN FILM RELATIONS: COMPETITION AND COOPERATION -- CHAPTER 3. HOLLYWOOD IN BERLIN: THE INITIATION, 1921-1923 -- CHAPTER 4. THE HOLLYWOOD INVASION: AMERIKANISMUS AND AMERIKAMÛDIGKEIT -- CHAPTER 5. EXCURSUS: POPULAR CULTURE AND AMERICAN HEGEMONY -- CHAPTER 6. COMIC REDEMPTION: THE SLAPSTICK SYNTHESIS -- CHAPTER 7. GERMAN-AMERICAN PRODUCTION IN HOLLYWOOD AND THE MEANING OF NATIONAL CINEMA -- CHAPTER 8. THE COMING OF SOUND AND THE WANING OF AMERICA -- CONCLUSION -- NOTES -- SELECT BIBLIOGRAPHY -- INDEX
Record Nr. UNISA-996248175703316
Saunders Thomas J  
Berkeley, : University of California Press, c1994
Materiale a stampa
Lo trovi qui: Univ. di Salerno
Opac: Controlla la disponibilità qui
Hollywood in Berlin : American cinema and Weimar, Germany / / Thomas J. Saunders
Hollywood in Berlin : American cinema and Weimar, Germany / / Thomas J. Saunders
Autore Saunders Thomas J
Edizione [1 frontisp., Reprint 2020]
Pubbl/distr/stampa Berkeley, : University of California Press, c1994
Descrizione fisica 1 online resource (x, 332 p. ) : ill. ;
Disciplina 791.43/0943
Collana Weimar and now
Soggetto topico Motion pictures - Germany - History
Motion pictures - American influences
Motion pictures - Germany - Foreign influences
Motion pictures - United States - German influences
Motion pictures - German influences
National characteristics, American, in motion pictures
National characteristics, German, in motion pictures
ISBN 0-520-91416-3
0-585-07922-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- INTRODUCTION -- CHAPTER 1. THE SETTING: WEIMAR GERMANY AND THE MOTION PICTURE -- CHAPTER 2. GERMAN-AMERICAN FILM RELATIONS: COMPETITION AND COOPERATION -- CHAPTER 3. HOLLYWOOD IN BERLIN: THE INITIATION, 1921-1923 -- CHAPTER 4. THE HOLLYWOOD INVASION: AMERIKANISMUS AND AMERIKAMÛDIGKEIT -- CHAPTER 5. EXCURSUS: POPULAR CULTURE AND AMERICAN HEGEMONY -- CHAPTER 6. COMIC REDEMPTION: THE SLAPSTICK SYNTHESIS -- CHAPTER 7. GERMAN-AMERICAN PRODUCTION IN HOLLYWOOD AND THE MEANING OF NATIONAL CINEMA -- CHAPTER 8. THE COMING OF SOUND AND THE WANING OF AMERICA -- CONCLUSION -- NOTES -- SELECT BIBLIOGRAPHY -- INDEX
Record Nr. UNINA-9910495960203321
Saunders Thomas J  
Berkeley, : University of California Press, c1994
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui