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Dissolving views : key writings on British cinema / / edited by Andrew Higson
| Dissolving views : key writings on British cinema / / edited by Andrew Higson |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Academic, , 2020 |
| Descrizione fisica | 1 online resource (290 p.) |
| Disciplina | 791.43/0941 |
| Collana | Bloomsbury academic collections. Film studies : European cinema |
| Soggetto topico |
Motion pictures - Great Britain - History
Films, cinema |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4742-9065-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Notes on Contributors; 1 -- Introduction; 2 -- Hitchcock's British Films Revisited; Preface (1995); Hypnagogic structures: Hitchcock's British period (1980); Afterword (1995); Notes; 3 -- The Production Designer and the Gesamtkunstwerk: German Film Technicians in the British Film Industry of the 1930s; Refugees, residents and the mobility of labour; Continental know-how for British films; Public opinion and the Union; A 'Teutonic' aesthetic?; Note; 4 -- Engendering the Nation: British Documentary Film, 1930-1939; Notes.
5 -- Neither Here nor There: National Identity in Gainsborough Costume Drama6 -- The Quality Film Adventure: British Critics and the Cinema, 1942-1948; Critics as contemporary historians; Human like oneself; Light in the darkness; Organic unities; Flow; The visual; In a restrained tone; The truth of the real; Concentrating the mind wonderfully; Duplication; Authenticity; The spirit of reality; The search for documentary; Who makes films?; Industry and audience; Disillusion; Notes; 7 -- From Holiday Camp to High Camp: Women in British Feature Films, 1945-1951; Notes; 8 -- Victim: Text as Context. Preface (1995)Introduction; Situating Victim: Conceptualization of homosexuality; Situating Victim: Sexuality and British film culture; Reading Vietimi an indictment of repression; Afterword (1995); Notes; 9 -- Space, Place, Spectacle: Landscape and Townscape in the 'Kitchen Sink' Film; Notes; 10 -- Landscapes and Stories in 1960s British Realism; The Moment of the uses of literacy; Looking back in gender; Coronation Street, or 'Whatever happened to our Mam?'; Domestic interiors of the British New Wave; Aesthetic strategies and urban landscapes; Note. 11 -- The British Avant-Garde and Art Cinema from the 1970s to the 1990sNote; 12 -- A Post-national European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II; Note; 13 -- Beyond The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s; 14 -- Crossing Thresholds: The Contemporary British Woman's Film; 15 -- The Heritage Film and British Cinema; Questions of genre; Historical antecedents; Ambivalence; Narratives of instability, images of stability; The question of emotionality; Melodrama and mise-en-scène; Marginal voices; Trivial histories. The question of receptionBibliography; Index. |
| Record Nr. | UNINA-9910465895303321 |
| London, England : , : Bloomsbury Academic, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dissolving views : key writings on British cinema / / edited by Andrew Higson
| Dissolving views : key writings on British cinema / / edited by Andrew Higson |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Academic, , 2020 |
| Descrizione fisica | 1 online resource (290 p.) |
| Disciplina | 791.43/0941 |
| Collana | Bloomsbury academic collections. Film studies : European cinema |
| Soggetto topico |
Motion pictures - Great Britain - History
Films, cinema |
| ISBN |
0-304-33529-0
1-4742-9066-3 1-4742-9065-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Notes on Contributors; 1 -- Introduction; 2 -- Hitchcock's British Films Revisited; Preface (1995); Hypnagogic structures: Hitchcock's British period (1980); Afterword (1995); Notes; 3 -- The Production Designer and the Gesamtkunstwerk: German Film Technicians in the British Film Industry of the 1930s; Refugees, residents and the mobility of labour; Continental know-how for British films; Public opinion and the Union; A 'Teutonic' aesthetic?; Note; 4 -- Engendering the Nation: British Documentary Film, 1930-1939; Notes.
5 -- Neither Here nor There: National Identity in Gainsborough Costume Drama6 -- The Quality Film Adventure: British Critics and the Cinema, 1942-1948; Critics as contemporary historians; Human like oneself; Light in the darkness; Organic unities; Flow; The visual; In a restrained tone; The truth of the real; Concentrating the mind wonderfully; Duplication; Authenticity; The spirit of reality; The search for documentary; Who makes films?; Industry and audience; Disillusion; Notes; 7 -- From Holiday Camp to High Camp: Women in British Feature Films, 1945-1951; Notes; 8 -- Victim: Text as Context. Preface (1995)Introduction; Situating Victim: Conceptualization of homosexuality; Situating Victim: Sexuality and British film culture; Reading Vietimi an indictment of repression; Afterword (1995); Notes; 9 -- Space, Place, Spectacle: Landscape and Townscape in the 'Kitchen Sink' Film; Notes; 10 -- Landscapes and Stories in 1960s British Realism; The Moment of the uses of literacy; Looking back in gender; Coronation Street, or 'Whatever happened to our Mam?'; Domestic interiors of the British New Wave; Aesthetic strategies and urban landscapes; Note. 11 -- The British Avant-Garde and Art Cinema from the 1970s to the 1990sNote; 12 -- A Post-national European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II; Note; 13 -- Beyond The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s; 14 -- Crossing Thresholds: The Contemporary British Woman's Film; 15 -- The Heritage Film and British Cinema; Questions of genre; Historical antecedents; Ambivalence; Narratives of instability, images of stability; The question of emotionality; Melodrama and mise-en-scène; Marginal voices; Trivial histories. The question of receptionBibliography; Index. |
| Record Nr. | UNINA-9910798659003321 |
| London, England : , : Bloomsbury Academic, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dissolving views : key writings on British cinema / / edited by Andrew Higson
| Dissolving views : key writings on British cinema / / edited by Andrew Higson |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Academic, , 2020 |
| Descrizione fisica | 1 online resource (290 p.) |
| Disciplina | 791.43/0941 |
| Collana | Bloomsbury academic collections. Film studies : European cinema |
| Soggetto topico |
Motion pictures - Great Britain - History
Films, cinema |
| ISBN |
0-304-33529-0
1-4742-9066-3 1-4742-9065-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Notes on Contributors; 1 -- Introduction; 2 -- Hitchcock's British Films Revisited; Preface (1995); Hypnagogic structures: Hitchcock's British period (1980); Afterword (1995); Notes; 3 -- The Production Designer and the Gesamtkunstwerk: German Film Technicians in the British Film Industry of the 1930s; Refugees, residents and the mobility of labour; Continental know-how for British films; Public opinion and the Union; A 'Teutonic' aesthetic?; Note; 4 -- Engendering the Nation: British Documentary Film, 1930-1939; Notes.
5 -- Neither Here nor There: National Identity in Gainsborough Costume Drama6 -- The Quality Film Adventure: British Critics and the Cinema, 1942-1948; Critics as contemporary historians; Human like oneself; Light in the darkness; Organic unities; Flow; The visual; In a restrained tone; The truth of the real; Concentrating the mind wonderfully; Duplication; Authenticity; The spirit of reality; The search for documentary; Who makes films?; Industry and audience; Disillusion; Notes; 7 -- From Holiday Camp to High Camp: Women in British Feature Films, 1945-1951; Notes; 8 -- Victim: Text as Context. Preface (1995)Introduction; Situating Victim: Conceptualization of homosexuality; Situating Victim: Sexuality and British film culture; Reading Vietimi an indictment of repression; Afterword (1995); Notes; 9 -- Space, Place, Spectacle: Landscape and Townscape in the 'Kitchen Sink' Film; Notes; 10 -- Landscapes and Stories in 1960s British Realism; The Moment of the uses of literacy; Looking back in gender; Coronation Street, or 'Whatever happened to our Mam?'; Domestic interiors of the British New Wave; Aesthetic strategies and urban landscapes; Note. 11 -- The British Avant-Garde and Art Cinema from the 1970s to the 1990sNote; 12 -- A Post-national European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II; Note; 13 -- Beyond The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s; 14 -- Crossing Thresholds: The Contemporary British Woman's Film; 15 -- The Heritage Film and British Cinema; Questions of genre; Historical antecedents; Ambivalence; Narratives of instability, images of stability; The question of emotionality; Melodrama and mise-en-scène; Marginal voices; Trivial histories. The question of receptionBibliography; Index. |
| Record Nr. | UNINA-9910807307203321 |
| London, England : , : Bloomsbury Academic, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Historical dictionary of British cinema [[electronic resource]] / Alan Burton and Steve Chibnall
| Historical dictionary of British cinema [[electronic resource]] / Alan Burton and Steve Chibnall |
| Autore | Burton Alan <1962-> |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, c2013 |
| Descrizione fisica | 1 online resource (586 p.) |
| Disciplina | 791.43/0941 |
| Altri autori (Persone) | ChibnallSteve |
| Collana | Historical dictionaries of literature and the arts |
| Soggetto topico | Motion pictures - Great Britain |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8108-8026-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Editor's Foreword; Preface; Reader's Notes; Acronyms and Abbreviations; Chronology; Introduction; THE DICTIONARY; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Appendix 1; Appendix 2; Bibliography; About the Authors |
| Record Nr. | UNINA-9910452641003321 |
Burton Alan <1962->
|
||
| Lanham, Md., : Scarecrow Press, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Historical dictionary of British cinema [[electronic resource]] / Alan Burton and Steve Chibnall
| Historical dictionary of British cinema [[electronic resource]] / Alan Burton and Steve Chibnall |
| Autore | Burton Alan <1962-> |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, c2013 |
| Descrizione fisica | 1 online resource (586 p.) |
| Disciplina | 791.43/0941 |
| Altri autori (Persone) | ChibnallSteve |
| Collana | Historical dictionaries of literature and the arts |
| Soggetto topico | Motion pictures - Great Britain |
| ISBN | 0-8108-8026-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Editor's Foreword; Preface; Reader's Notes; Acronyms and Abbreviations; Chronology; Introduction; THE DICTIONARY; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Appendix 1; Appendix 2; Bibliography; About the Authors |
| Record Nr. | UNINA-9910779899403321 |
|
Burton Alan <1962->
|
||
| Lanham, Md., : Scarecrow Press, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Historical dictionary of British cinema / / Alan Burton and Steve Chibnall
| Historical dictionary of British cinema / / Alan Burton and Steve Chibnall |
| Autore | Burton Alan <1962-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, c2013 |
| Descrizione fisica | 1 online resource (586 p.) |
| Disciplina | 791.43/0941 |
| Altri autori (Persone) | ChibnallSteve |
| Collana | Historical dictionaries of literature and the arts |
| Soggetto topico | Motion pictures - Great Britain |
| ISBN | 0-8108-8026-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Editor's Foreword; Preface; Reader's Notes; Acronyms and Abbreviations; Chronology; Introduction; THE DICTIONARY; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Appendix 1; Appendix 2; Bibliography; About the Authors |
| Record Nr. | UNINA-9910812109703321 |
|
Burton Alan <1962->
|
||
| Lanham, Md., : Scarecrow Press, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Searching for stars [[electronic resource] ] : stardom and screen acting in British cinema / / Geoffrey Macnab
| Searching for stars [[electronic resource] ] : stardom and screen acting in British cinema / / Geoffrey Macnab |
| Autore | Macnab Geoffrey <1965-> |
| Pubbl/distr/stampa | London ; ; New York, : Cassell, 2000 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 791.43/0941 |
| Collana | Rethinking British cinema |
| Soggetto topico |
Motion pictures - Great Britain - History
Motion picture actors and actresses - Great Britain - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-20746-X
9786613207463 1-4411-8425-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | CONTENTS; Preface; 1. Of Knights and Clowns; 2. The Not-So-Roaring 20s: Ivor Novello and Betty Balfour; 3. The King, the Queen and the Dancing Divinity; 4. Carnival and Consensus; 5. Stock Types; 6. Exotic Outsiders; 7. Lockwood, Calvert and Some Other Contract Artists; 8. Starmakers; 9. The End of the Studio System |
| Record Nr. | UNINA-9910461337503321 |
|
Macnab Geoffrey <1965->
|
||
| London ; ; New York, : Cassell, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Searching for stars [[electronic resource] ] : stardom and screen acting in British cinema / / Geoffrey Macnab
| Searching for stars [[electronic resource] ] : stardom and screen acting in British cinema / / Geoffrey Macnab |
| Autore | Macnab Geoffrey <1965-> |
| Pubbl/distr/stampa | London ; ; New York, : Cassell, 2000 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 791.43/0941 |
| Collana | Rethinking British cinema |
| Soggetto topico |
Motion pictures - Great Britain - History
Motion picture actors and actresses - Great Britain - History |
| ISBN |
1-283-20746-X
9786613207463 1-4411-8425-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | CONTENTS; Preface; 1. Of Knights and Clowns; 2. The Not-So-Roaring 20s: Ivor Novello and Betty Balfour; 3. The King, the Queen and the Dancing Divinity; 4. Carnival and Consensus; 5. Stock Types; 6. Exotic Outsiders; 7. Lockwood, Calvert and Some Other Contract Artists; 8. Starmakers; 9. The End of the Studio System |
| Record Nr. | UNINA-9910789779103321 |
|
Macnab Geoffrey <1965->
|
||
| London ; ; New York, : Cassell, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Searching for stars : stardom and screen acting in British cinema / / Geoffrey Macnab
| Searching for stars : stardom and screen acting in British cinema / / Geoffrey Macnab |
| Autore | Macnab Geoffrey <1965-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York, : Cassell, 2000 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 791.43/0941 |
| Collana | Rethinking British cinema |
| Soggetto topico |
Motion pictures - Great Britain - History
Motion picture actors and actresses - Great Britain - History |
| ISBN |
1-283-20746-X
9786613207463 1-4411-8425-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | CONTENTS; Preface; 1. Of Knights and Clowns; 2. The Not-So-Roaring 20s: Ivor Novello and Betty Balfour; 3. The King, the Queen and the Dancing Divinity; 4. Carnival and Consensus; 5. Stock Types; 6. Exotic Outsiders; 7. Lockwood, Calvert and Some Other Contract Artists; 8. Starmakers; 9. The End of the Studio System |
| Record Nr. | UNINA-9910829099003321 |
|
Macnab Geoffrey <1965->
|
||
| London ; ; New York, : Cassell, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Stairways to heaven : rebuilding the British film industry / / Geoffrey Macnab ; foreword by David Puttnam
| Stairways to heaven : rebuilding the British film industry / / Geoffrey Macnab ; foreword by David Puttnam |
| Autore | Macnab Geoffrey <1965-> |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London, England : , : I.B. Tauris & Co. Ltd, , 2018 |
| Descrizione fisica | 1 online resource (302 pages) : illustrations |
| Disciplina | 791.43/0941 |
| Soggetto topico |
Motion picture industry - Great Britain - History - 20th century
Motion picture industry - Great Britain - History - 21st century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-350-98818-9
1-78673-409-5 1-78672-409-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: the Downing Street Summit -- Back to the 1980s -- The video revolution -- PolyGram forever -- The working title magic -- The great British lotto bonanza -- The life and death of the film council -- Potter gold -- The name is still bound -- An uneasy partnership: British film and TV -- A taxing business -- Flying the flag: marketing Britain on screen -- Stepping up. |
| Record Nr. | UNINA-9910511724203321 |
|
Macnab Geoffrey <1965->
|
||
| London, England : , : I.B. Tauris & Co. Ltd, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
