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Carnal thoughts [[electronic resource] ] : embodiment and moving image culture / / Vivian Sobchack
| Carnal thoughts [[electronic resource] ] : embodiment and moving image culture / / Vivian Sobchack |
| Autore | Sobchack Vivian Carol |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 791.43/01/5 |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures - Psychological aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-520-93782-1
9786613303943 1-283-30394-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- PART I. Sensible Scenes -- PART II. Responsible Visions -- Index |
| Record Nr. | UNINA-9910450454203321 |
Sobchack Vivian Carol
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| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Carnal thoughts [[electronic resource] ] : embodiment and moving image culture / / Vivian Sobchack
| Carnal thoughts [[electronic resource] ] : embodiment and moving image culture / / Vivian Sobchack |
| Autore | Sobchack Vivian Carol |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 791.43/01/5 |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures - Psychological aspects |
| Soggetto non controllato |
carnality
cinema media studies cinema scholars cinematic experiences contemporary culture corporeal selves emotional experiences essay collection film studies film theory image saturated world media consumption mind body split modern culture modern philosophy moving image culture nonfiction essays nonfiction phenomenological philosophy photographic spaces physical experiences sense making sensory experiences subjects and objects thoughts and senses |
| ISBN |
0-520-93782-1
9786613303943 1-283-30394-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- PART I. Sensible Scenes -- PART II. Responsible Visions -- Index |
| Record Nr. | UNINA-9910783386303321 |
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Sobchack Vivian Carol
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| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From Antz to Titanic [[electronic resource] ] : reinventing film analysis / / Martin Barker, with Thomas Austin
| From Antz to Titanic [[electronic resource] ] : reinventing film analysis / / Martin Barker, with Thomas Austin |
| Autore | Barker Martin |
| Pubbl/distr/stampa | London ; ; Sterling, Va., : Pluto Press, 2000 |
| Descrizione fisica | 1 online resource (227 p.) |
| Disciplina | 791.43/01/5 |
| Altri autori (Persone) | AustinThomas |
| Soggetto topico | Film criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-585-42619-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910454780403321 |
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Barker Martin
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| London ; ; Sterling, Va., : Pluto Press, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From Antz to Titanic [[electronic resource] ] : reinventing film analysis / / Martin Barker, with Thomas Austin
| From Antz to Titanic [[electronic resource] ] : reinventing film analysis / / Martin Barker, with Thomas Austin |
| Autore | Barker Martin |
| Pubbl/distr/stampa | London ; ; Sterling, Va., : Pluto Press, 2000 |
| Descrizione fisica | 1 online resource (227 p.) |
| Disciplina | 791.43/01/5 |
| Altri autori (Persone) | AustinThomas |
| Soggetto topico | Film criticism |
| ISBN | 0-585-42619-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910779913603321 |
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Barker Martin
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| London ; ; Sterling, Va., : Pluto Press, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Making meaning [[electronic resource] ] : inference and rhetoric in the interpretation of cinema / / David Bordwell
| Making meaning [[electronic resource] ] : inference and rhetoric in the interpretation of cinema / / David Bordwell |
| Autore | Bordwell David |
| Pubbl/distr/stampa | Cambridge, MA, : Harvard University Press, 1989 |
| Descrizione fisica | xvi, 334 p. : ill |
| Disciplina | 791.43/01/5 |
| Collana | Harvard film studies |
| Soggetto topico |
Film criticism
Motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-674-02853-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface -- 1. Making Films Mean -- Interpretation as Construction -- Meaning Made -- Interpretive Doctrines -- 2. Routines and Practices -- Introduction -- Interpretation Inc. -- The Logic of Discovery or Problem-Solving -- The Logic of Justification or Rhetoric -- An Anatomy of Interpretation -- 3. Interpretation as Explication -- The French Connection -- Explication Academicized -- Picture Planes -- Meaning and Unity -- 4. Symptomatic Interpretation -- Introduction -- Culture Dream and Lauren Bacall -- Myth as Antinomy -- Systeme a la Mode -- The Contradictory Text -- Symptoms and Explications -- 5. Semantic Fields -- Introduction -- Meanings in Structures -- Structures of Meaning -- The Role of Semantic Fields -- 6. Schemata and Heuristics -- Mapping as Making -- Knowledge Structures and Routines -- Mapping as Modeling -- 7. Two Basic Schemata -- Is There a Class for This Text? -- Making Films Personal -- 8. Text Schemata -- Introduction -- A Bull's-Eye Schema -- Meaning Inside Out and Outside In -- Textual Trajectories -- Doctrines into Diachronies -- 9. Interpretation as Rhetoric -- Introduction -- Sample Strategies -- Theory Talk -- 10. Rhetoric in Action: Seven Models of Psycho -- Jean Douchet, "Hitch and His Public" (1960) -- Robin Wood, "Psycho," Hitchcock's Films (1965) -- Raymond Durgnat, "Inside Norman Bates," Films and Feelings (1967) -- V. F. Perkins, "The World and Its Image," Film as Film (1972) -- Raymond Bellour, "Psychosis, Neurosis, Perversion" (1979) -- Barbara Klinger, "Psycho: The Institutionalization of Female Sexuality" (1982) -- Leland Poague, "Links in a Chain: Psycho and Film Classicism" (1986) -- 11. Why Not to Read a Film -- The Ends of Interpretation -- The End of Interpretation? -- Prospects for a Poetics -- Notes -- Index |
| Record Nr. | UNINA-9910451274103321 |
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Bordwell David
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| Cambridge, MA, : Harvard University Press, 1989 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Making meaning : inference and rhetoric in the interpretation of cinema / / David Bordwell
| Making meaning : inference and rhetoric in the interpretation of cinema / / David Bordwell |
| Autore | Bordwell David |
| Pubbl/distr/stampa | Cambridge, Mass. : , : Harvard University Press, , 1989 |
| Descrizione fisica | 1 online resource (xvi, 334 pages) : ill |
| Disciplina | 791.43/01/5 |
| Collana | Harvard film studies |
| Soggetto topico |
Film criticism
Motion pictures |
| ISBN | 0-674-02853-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- 1. Making Films Mean -- Interpretation as Construction -- Meaning Made -- Interpretive Doctrines -- 2. Routines and Practices -- Introduction -- Interpretation Inc. -- The Logic of Discovery or Problem-Solving -- The Logic of Justification or Rhetoric -- An Anatomy of Interpretation -- 3. Interpretation as Explication -- The French Connection -- Explication Academicized -- Picture Planes -- Meaning and Unity -- 4. Symptomatic Interpretation -- Introduction -- Culture Dream and Lauren Bacall -- Myth as Antinomy -- Systeme a la Mode -- The Contradictory Text -- Symptoms and Explications -- 5. Semantic Fields -- Introduction -- Meanings in Structures -- Structures of Meaning -- The Role of Semantic Fields -- 6. Schemata and Heuristics -- Mapping as Making -- Knowledge Structures and Routines -- Mapping as Modeling -- 7. Two Basic Schemata -- Is There a Class for This Text? -- Making Films Personal -- 8. Text Schemata -- Introduction -- A Bull's-Eye Schema -- Meaning Inside Out and Outside In -- Textual Trajectories -- Doctrines into Diachronies -- 9. Interpretation as Rhetoric -- Introduction -- Sample Strategies -- Theory Talk -- 10. Rhetoric in Action: Seven Models of Psycho -- Jean Douchet, "Hitch and His Public" (1960) -- Robin Wood, "Psycho," Hitchcock's Films (1965) -- Raymond Durgnat, "Inside Norman Bates," Films and Feelings (1967) -- V. F. Perkins, "The World and Its Image," Film as Film (1972) -- Raymond Bellour, "Psychosis, Neurosis, Perversion" (1979) -- Barbara Klinger, "Psycho: The Institutionalization of Female Sexuality" (1982) -- Leland Poague, "Links in a Chain: Psycho and Film Classicism" (1986) -- 11. Why Not to Read a Film -- The Ends of Interpretation -- The End of Interpretation? -- Prospects for a Poetics -- Notes -- Index |
| Record Nr. | UNINA-9910777459703321 |
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Bordwell David
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| Cambridge, Mass. : , : Harvard University Press, , 1989 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The memory of Tiresias : intertextuality and film / / Mikhail Iampolski ; translated by Harsha Ram
| The memory of Tiresias : intertextuality and film / / Mikhail Iampolski ; translated by Harsha Ram |
| Autore | I͡Ampolʹskiĭ M. B |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c1998 |
| Descrizione fisica | 1 online resource (326 p. ) |
| Disciplina | 791.43/01/5 |
| Soggetto topico |
Motion pictures
Intertextuality Film Music, Dance, Drama & Film |
| ISBN |
0-585-22844-2
0-520-91472-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cinema and the theory of intertextuality -- Repressing the source : D.W. Griffith and Browning -- Intertextuality and the evolution of cinematic language : Griffith and the poetic tradition -- Cinematic language as quotation : Cendrars and Léger -- Intertext against intertext : Buñuel and Dali's Un chien andalou -- The hero as an "Intertextual body" : Iurii Tynianov's Lieutenant Kizhe -- The invisible text as a universal equivalent : Sergei Eisenstein. |
| Record Nr. | UNISA-996248237103316 |
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I͡Ampolʹskiĭ M. B
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| Berkeley, : University of California Press, c1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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The memory of Tiresias : intertextuality and film / / Mikhail Iampolski ; translated by Harsha Ram
| The memory of Tiresias : intertextuality and film / / Mikhail Iampolski ; translated by Harsha Ram |
| Autore | I︠A︡mpolʹskiĭ M. B |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c1998 |
| Descrizione fisica | 1 online resource (326 p. ) |
| Disciplina | 791.43/01/5 |
| Soggetto topico |
Motion pictures
Intertextuality Film Music, Dance, Drama & Film |
| ISBN |
0-585-22844-2
0-520-91472-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cinema and the theory of intertextuality -- Repressing the source : D.W. Griffith and Browning -- Intertextuality and the evolution of cinematic language : Griffith and the poetic tradition -- Cinematic language as quotation : Cendrars and Léger -- Intertext against intertext : Buñuel and Dali's Un chien andalou -- The hero as an "Intertextual body" : Iurii Tynianov's Lieutenant Kizhe -- The invisible text as a universal equivalent : Sergei Eisenstein. |
| Record Nr. | UNINA-9910495883803321 |
|
I︠A︡mpolʹskiĭ M. B
|
||
| Berkeley, : University of California Press, c1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||