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Carnal thoughts [[electronic resource] ] : embodiment and moving image culture / / Vivian Sobchack
| Carnal thoughts [[electronic resource] ] : embodiment and moving image culture / / Vivian Sobchack |
| Autore | Sobchack Vivian Carol |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 791.43/01/5 |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures - Psychological aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-520-93782-1
9786613303943 1-283-30394-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- PART I. Sensible Scenes -- PART II. Responsible Visions -- Index |
| Record Nr. | UNINA-9910450454203321 |
Sobchack Vivian Carol
|
||
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Carnal thoughts [[electronic resource] ] : embodiment and moving image culture / / Vivian Sobchack
| Carnal thoughts [[electronic resource] ] : embodiment and moving image culture / / Vivian Sobchack |
| Autore | Sobchack Vivian Carol |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 791.43/01/5 |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures - Psychological aspects |
| Soggetto non controllato |
carnality
cinema media studies cinema scholars cinematic experiences contemporary culture corporeal selves emotional experiences essay collection film studies film theory image saturated world media consumption mind body split modern culture modern philosophy moving image culture nonfiction essays nonfiction phenomenological philosophy photographic spaces physical experiences sense making sensory experiences subjects and objects thoughts and senses |
| ISBN |
0-520-93782-1
9786613303943 1-283-30394-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- PART I. Sensible Scenes -- PART II. Responsible Visions -- Index |
| Record Nr. | UNINA-9910783386303321 |
|
Sobchack Vivian Carol
|
||
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Carnal thoughts : embodiment and moving image culture / / Vivian Sobchack
| Carnal thoughts : embodiment and moving image culture / / Vivian Sobchack |
| Autore | Sobchack Vivian Carol |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 791.43/01/5 |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures - Psychological aspects |
| Soggetto non controllato |
carnality
cinema media studies cinema scholars cinematic experiences contemporary culture corporeal selves emotional experiences essay collection film studies film theory image saturated world media consumption mind body split modern culture modern philosophy moving image culture nonfiction essays nonfiction phenomenological philosophy photographic spaces physical experiences sense making sensory experiences subjects and objects thoughts and senses |
| ISBN |
0-520-93782-1
9786613303943 1-283-30394-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- PART I. Sensible Scenes -- PART II. Responsible Visions -- Index |
| Record Nr. | UNINA-9910816780403321 |
|
Sobchack Vivian Carol
|
||
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From Antz to Titanic [[electronic resource] ] : reinventing film analysis / / Martin Barker, with Thomas Austin
| From Antz to Titanic [[electronic resource] ] : reinventing film analysis / / Martin Barker, with Thomas Austin |
| Autore | Barker Martin |
| Pubbl/distr/stampa | London ; ; Sterling, Va., : Pluto Press, 2000 |
| Descrizione fisica | 1 online resource (227 p.) |
| Disciplina | 791.43/01/5 |
| Altri autori (Persone) | AustinThomas |
| Soggetto topico | Film criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-585-42619-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910454780403321 |
|
Barker Martin
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||
| London ; ; Sterling, Va., : Pluto Press, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From Antz to Titanic [[electronic resource] ] : reinventing film analysis / / Martin Barker, with Thomas Austin
| From Antz to Titanic [[electronic resource] ] : reinventing film analysis / / Martin Barker, with Thomas Austin |
| Autore | Barker Martin |
| Pubbl/distr/stampa | London ; ; Sterling, Va., : Pluto Press, 2000 |
| Descrizione fisica | 1 online resource (227 p.) |
| Disciplina | 791.43/01/5 |
| Altri autori (Persone) | AustinThomas |
| Soggetto topico | Film criticism |
| ISBN | 0-585-42619-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910779913603321 |
|
Barker Martin
|
||
| London ; ; Sterling, Va., : Pluto Press, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
From Antz to Titanic [[electronic resource] ] : reinventing film analysis / / Martin Barker, with Thomas Austin
| From Antz to Titanic [[electronic resource] ] : reinventing film analysis / / Martin Barker, with Thomas Austin |
| Autore | Barker Martin |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; Sterling, Va., : Pluto Press, 2000 |
| Descrizione fisica | 1 online resource (227 p.) |
| Disciplina | 791.43/01/5 |
| Altri autori (Persone) | AustinThomas |
| Soggetto topico | Film criticism |
| ISBN | 0-585-42619-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- Acknowledgements -- 1. Films, Audiences and Analyses -- Why Bother Analysing Films? -- The Embedded Audience -- It's a Wonderful Assumption -- Conclusion -- Notes 1-20 -- 21-36 -- 37 -- 2. Formalism and the Implied Audience -- The Formalist Tradition -- Expanding from Formalism -- Reader Response Criticism -- The Implied Audience - a Formal Definition -- How This Book Is Organised, Henceforth -- Notes 1-15 -- 16-20 -- 3. Usual Suspects, Unusual Devices -- Analytic Description -- Preliminary Analysis -- How Is Understanding The Usual Suspects Possible? -- Zooming In -- Conclusion -- Note 1 -- 2-6 -- 4. 'An Ant With Ideas . . .' -- Analytic Description -- Preliminary Analysis -- Zooming In -- Conclusion -- Note 1 -- 2-13 -- 14-15 -- 5. Titanic: A Knight to Remember -- Analytic Description -- Preliminary Analysis -- Zooming In -- Conclusion -- Notes 1-9 -- 6. In the Jungle, the Mighty Jungle -- Analytic Description -- Preliminary Analysis -- Zooming In -- A Bad Case of the Hyenas -- The Implied Audience -- Notes 1-11 -- 12-13 -- 7. 'Like Food Processors, But Nasty' -- Analytic Description -- Preliminary Analysis -- Zooming In -- The Implied Audience -- Notes 1-8 -- 9-12 -- 8. Dear Meg, Dearest Tom -- Analytic Description -- Preliminary Analysis -- Zooming In ( 1) -- Zooming In ( 2) -- The Implied Audience -- Notes 1-10 -- 11-17 -- 9. A Very Deep Impact -- Analytic Description -- Preliminary Analysis -- Zooming In ( 1) -- Zooming In ( 2) -- Zooming In ( 3) -- The Moral Meanings of Effects -- Deep Impact and the Disaster Tradition -- Notes 1-4 -- 5-14 -- 15-21 -- 10. Showing That It Is What It Is -- Testing, Testing -- Some Criteria for Evaluating Textual Analyses -- Staging Stagecoach -- Post-analysis -- Susan Sontag's Critique -- Naming and Shamaning -- Notes 1-15 -- 16-30 -- 31-33 -- Notes.
Chapter 1. Films, Audiences and Analyses -- Chapter 2. Formalism and the Implied Audience -- Chapter 3. Usual Suspects, Unusual Devices -- Chapter 4. An Ant With Ideas -- Chapter 5. -- : A Knight to Remember -- Chapter 6. In the Jungle, the Mighty Jungle -- Chapter 7. Like Food Processors, But Nasty -- Chapter 8. Dear Meg, Dearest Tom -- Chapter 9. A Very Deep Impact -- Chapter 10. Showing That It Is What It Is -- Bibliography -- Filmography -- Index -- Aesthetic responses -- 31 -- 48 -- 188 -- 191 -- 193 -- Affair to Remember, An -- 141-2 -- 148 -- Alien -- 30 -- 129 -- Aliens 88 -- All Quiet on the Western Front 181 -- All the President's Men 164 -- Altman, Rick -- 156 -- 173 -- 177-8 -- 206n -- 208n -- Ang, Ien 204n -- Antz -- 72-86 -- 199n -- Armageddon 155-6 -- Audience -- Embedded/implicit 3 -- Embedded/implicit 5-31 -- Embedded/implicit 180-1 -- Empirical research 49 -- Empirical research 49 -- Empirical research 175 -- Empirical research 175 -- Empirical research 187 -- Empirical research 187 -- Empirical research 190 -- Empirical research 190 -- Awful Truth, The 137 -- Babington, Bruce 204n -- Baker, Robin -- 83 -- 200n -- Baker, Steve 202n -- Basic Instinct 120 -- Berger, John -- 47-8 -- 129 -- 198n -- 204n -- Bigger Than Life 16 -- Birth of a Nation, The 189 -- Blade Runner 201n -- Blair Witch Project, The -- 181 -- 195n -- Bondebjerg, Ib 206n -- Booth, Wayne -- 42-4 -- 46 -- 197n -- Bordwell, David -- 11-13 -- 15-16 -- 20 -- 29 -- 32 -- 34 -- Bourdieu, Pierre 35 -- British Board of Film Classification 9 -- Browne, Kevin -- 9-11 -- 195n -- Browne, Nick -- 183-6 -- 208n -- Bryman, Alan -- 106 -- 202n -- Buckland, Warren -- 180 -- 183 -- 201n -- 207n -- 208n -- Bug's Life, A -- 72 -- 80 -- 199n -- Byrne, Eleanor -- 202n -- 209n -- Cannibal Holocaust -- 10 -- 195n -- Capra, Frank 15-29 -- Carroll, Noel 207n. Cavell, Stanley 22 -- Christie, Ian -- 137-8 -- 197n -- Cognitive processes -- 11-13 -- 30-1 -- 34 -- 36 -- 40 -- 70 -- Cueing 11-13 -- Cueing 34 -- Cueing 39 -- Cueing 48 -- Cueing 137 -- Cueing 144 -- Knowledge, Hierarchies of 19-20 -- Knowledge, Hierarchies of 19-20 -- Knowledge, Hierarchies of 28 -- Knowledge, Hierarchies of 28 -- Knowledge, Hierarchies of 99 -- Knowledge, Hierarchies of 99 -- Knowledge, Hierarchies of 113 -- Knowledge, Hierarchies of 113 -- Knowledge, Hierarchies of 116 -- Knowledge, Hierarchies of 116 -- Knowledge, Hierarchies of 149 -- Knowledge, Hierarchies of 149 -- Cormack, Mike -- 181-2 -- 208n -- Corner, John 197n -- Crash -- 41 -- 176 -- 189 -- 208n -- Culler, Jonathan -- 45 -- 197n -- Dante's Peak 155 -- Darnton, Robert 208n -- Davis, Mike 205n -- Deep Impact -- 155-73 -- 205n -- 206n -- Defamiliarisation -- 33 -- 36 -- 58 -- 192 -- Deleyto, Celestino 204n -- Devil's Island, The 38 -- Die Hard 156 -- Dirth Dozen, The -- 142 -- 148 -- Disaster films -- 155-6 -- 163 -- 172-3 -- Disney -- 72 -- 105-6 -- 115 -- 118 -- 189 -- Dorfman, Ariel 204n -- Dostoyevsky, Feodor 44 -- Double Indemnity 6 -- DreamWorks -- 72 -- 156 -- Driller Killer 11 -- Dyer, Richard -- 3 -- 118 -- 195n -- 203n -- 205n -- Effects tradition -- 3 -- 9-11 -- 13 -- Eikhenbaum, Boris -- 32 -- 37-8 -- 39 -- Elley, Derek 201n -- Emotional responses -- 13 -- 28 -- 29 -- 30-1 -- 32 -- 34-5 -- Evans, Peter William -- 204n -- 205n -- Falling Down 117 -- Fascism -- 120-2 -- 133 -- Fatal Attraction 143 -- Few Good Men, A 77 -- Film noir -- 6 -- 154 -- Formalism/Neo-Formalism -- 32-41 -- 45 -- 53 -- 192 -- 198n -- Forrest Gump 145 -- Franklin, John Hope 209n -- Gabriel, John 203n -- Gauntlett, David 195n -- Genre -- 34 -- 129 -- 133 -- 163-4 -- Gilbert, James 203n -- Girgus, Sam -- 15 -- 25-9 -- 196n -- Gledhill, Christine 205n. Gone with the Wind 88 -- Goodman, Nelson 34 -- Grease 78 -- Hainsworth, J. B. 201n -- Heard, Christopher 201n -- Heinlein, Robert -- 120-1 -- 203n -- Howells, Richard -- 87 -- 201n -- Hunt, Susan 209n -- Identification -- 4 -- 13-20 -- 116 -- 179 -- 184-6 -- Ideology -- 4 -- 8 -- 21 -- 29-30 -- 119 -- 165 -- Imaginative universe -- 33 -- 37 -- 55 -- 152-3 -- 175 -- 193 -- Implied audience -- Formal definition 48-9 -- Role of 37 -- Role of 37 -- Role of 39 -- Role of 39 -- Role of 41 -- Role of 41 -- Role of 55 -- Role of 55 -- Role of 57-8 -- Role of 57-8 -- Role of 63-71 -- Role of 63-71 -- Independence Day -- 81 -- 83 -- 200n -- Indiana Jones and the Temple of Doom 13-15 -- Ingarten, Roman 45 -- Iser, Wolfgang -- 45-7 -- 197n -- It Started with a Kiss 136 -- It's a Wonderful Life 15-29 -- Jaws 206n -- Jazz Singer, The 182-6 -- Jeffords, Susan 205n -- Johnson, Claire 199n -- Judge Dredd -- 29 -- 121 -- 187 -- 189 -- Jurassic Park 36 -- Karnick, Kristine -- 137 -- 204n -- Kavanagh, James -- 30 -- 196n -- Kellner, Douglas -- 7-8 -- 10 -- 195n -- King, Barry -- 146 -- 205n -- Kramer, Peter -- 106 -- 113 -- 202n -- 204n -- 206n -- Krutnik, Frank -- 135-7 -- 204n -- Landon, Brooks -- 84 -- 200n -- Laura 34 -- LaValley, Albert J. -- 82-3 -- 200n -- Lewis, Justin 199n -- Lion King, The -- 105-19 -- 194 -- 202n -- Little Big Man 36 -- Matrix, The 198n -- Mattelart, Armand 204n -- McDonald, Paul 195n -- McQuillan, Martin -- 202n -- 209n -- Moby Dick 161 -- Modality of response -- 55 -- 79 -- 81 -- 118 -- 154 -- Modern Times 73 -- Modleski, Tania -- 202n -- 204n -- Morley, David 188 -- Mulvey, Laura -- 6 -- 195n -- Narration -- 21 -- 44 -- 48 -- 54 -- 57-8 -- 100 -- Narrative components -- 47 -- 49 -- 53 -- 144 -- 198n -- Narrative retellings -- 49-53 -- 54 -- 58-63 -- 73-6 -- Nash, Melanie 209n -- Natural Born Killers -- 11 -- 176 -- 198n. Neale, Steve -- 83 -- 135-7 -- 153-4 -- 200n -- 204n -- Negra, Diane 205n -- Newman, Kim 205n -- Old San Francisco 182 -- Out for Justice 10 -- Parallax View, The 164 -- Parisi, Paula 201n -- Pateman, Trevor 199n -- Patton 77 -- Peacemaker, The 72 -- Pierson, Michelle -- 201n -- 207n -- Place, Janey -- 6 -- 8 -- 195n -- Poague, Leland -- 15 -- 17 -- 19 -- 21 -- 22-5 -- 196n -- Pro-filmic theory 193-4 -- Psychoanalysis -- 6 -- 13-15 -- 17-20 -- 29-30 -- 34 -- Public Access -- 50 -- 56 -- Pulp Fiction 78 -- Purdie, Susan 204n -- Rabinowitz, Howard 206n -- Rabinowitz, Peter -- 44 -- 197n -- Radway, Janice 204n -- Raiders of the Lost Ark 180 -- Rambo -- 10 -- 11 -- Ray, Robert B. -- 15 -- 17 -- 20-2 -- 27 -- 30-1 -- 196n -- Reader-response criticism 42-8 -- Rear Window -- 12-13 -- 179 -- Rebel Without a Cause 120 -- Reds -- 36 -- 183 -- Representation -- 53-4 -- 116-17 -- 147 -- 191 -- Ricoeur, Paul 198n -- Robocop -- 85 -- 120-1 -- Rocky 11 -- Roddick, Nick 206n -- Rogin, Michael -- 83-4 -- 198n -- 200n -- 209n -- Romance 176 -- Romantic comedy 134-7 -- Rowe, Kathleen 204n -- Ruthrof, Horst 197n -- Sammon, Paul M. 203n -- Sandler, Kevin S 201n -- Saved from the Titanic 87 -- Saving Private Ryan 11 -- Schindler's List -- 10 -- 36 -- Schlovsky, Victor 32 -- Sensory response -- 31 -- 48 -- 190-2 -- 193 -- Show of Shows 182 -- Showgirls 120 -- Silverman, Kaja -- 15 -- 17-20 -- 22 -- 25 -- 196n -- Silverstone, Roger 210n -- Simpsons, The 200n -- Sleepless in Seattle -- 134-54 -- 196n -- 204n -- Small Soldiers 80 -- Snitow, Ann 204n -- Sontag, Susan -- 190-2 -- 193 -- 209n -- Sound of Music, The 88 -- Sound, Components of -- 59 -- 68 -- 91 -- 110-11 -- 118 -- 144 -- Special effects -- 68 -- 72 -- 77 -- 80-2 -- 103-4 -- 120 -- Spignesi, Stephen J 201n -- Spillane, Mickey 43 -- Stage Fright 57 -- Stagecoach 183-6 -- Staiger, Janet -- 32 -- 34 -- 209n. Star Wars. |
| Record Nr. | UNINA-9910809369903321 |
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Barker Martin
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| London ; ; Sterling, Va., : Pluto Press, 2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Making meaning [[electronic resource] ] : inference and rhetoric in the interpretation of cinema / / David Bordwell
| Making meaning [[electronic resource] ] : inference and rhetoric in the interpretation of cinema / / David Bordwell |
| Autore | Bordwell David |
| Pubbl/distr/stampa | Cambridge, MA, : Harvard University Press, 1989 |
| Descrizione fisica | xvi, 334 p. : ill |
| Disciplina | 791.43/01/5 |
| Collana | Harvard film studies |
| Soggetto topico |
Film criticism
Motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-674-02853-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Preface -- 1. Making Films Mean -- Interpretation as Construction -- Meaning Made -- Interpretive Doctrines -- 2. Routines and Practices -- Introduction -- Interpretation Inc. -- The Logic of Discovery or Problem-Solving -- The Logic of Justification or Rhetoric -- An Anatomy of Interpretation -- 3. Interpretation as Explication -- The French Connection -- Explication Academicized -- Picture Planes -- Meaning and Unity -- 4. Symptomatic Interpretation -- Introduction -- Culture Dream and Lauren Bacall -- Myth as Antinomy -- Systeme a la Mode -- The Contradictory Text -- Symptoms and Explications -- 5. Semantic Fields -- Introduction -- Meanings in Structures -- Structures of Meaning -- The Role of Semantic Fields -- 6. Schemata and Heuristics -- Mapping as Making -- Knowledge Structures and Routines -- Mapping as Modeling -- 7. Two Basic Schemata -- Is There a Class for This Text? -- Making Films Personal -- 8. Text Schemata -- Introduction -- A Bull's-Eye Schema -- Meaning Inside Out and Outside In -- Textual Trajectories -- Doctrines into Diachronies -- 9. Interpretation as Rhetoric -- Introduction -- Sample Strategies -- Theory Talk -- 10. Rhetoric in Action: Seven Models of Psycho -- Jean Douchet, "Hitch and His Public" (1960) -- Robin Wood, "Psycho," Hitchcock's Films (1965) -- Raymond Durgnat, "Inside Norman Bates," Films and Feelings (1967) -- V. F. Perkins, "The World and Its Image," Film as Film (1972) -- Raymond Bellour, "Psychosis, Neurosis, Perversion" (1979) -- Barbara Klinger, "Psycho: The Institutionalization of Female Sexuality" (1982) -- Leland Poague, "Links in a Chain: Psycho and Film Classicism" (1986) -- 11. Why Not to Read a Film -- The Ends of Interpretation -- The End of Interpretation? -- Prospects for a Poetics -- Notes -- Index |
| Record Nr. | UNINA-9910451274103321 |
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Bordwell David
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| Cambridge, MA, : Harvard University Press, 1989 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Making meaning : inference and rhetoric in the interpretation of cinema / / David Bordwell
| Making meaning : inference and rhetoric in the interpretation of cinema / / David Bordwell |
| Autore | Bordwell David |
| Pubbl/distr/stampa | Cambridge, Mass. : , : Harvard University Press, , 1989 |
| Descrizione fisica | 1 online resource (xvi, 334 pages) : ill |
| Disciplina | 791.43/01/5 |
| Collana | Harvard film studies |
| Soggetto topico |
Film criticism
Motion pictures |
| ISBN | 0-674-02853-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- 1. Making Films Mean -- Interpretation as Construction -- Meaning Made -- Interpretive Doctrines -- 2. Routines and Practices -- Introduction -- Interpretation Inc. -- The Logic of Discovery or Problem-Solving -- The Logic of Justification or Rhetoric -- An Anatomy of Interpretation -- 3. Interpretation as Explication -- The French Connection -- Explication Academicized -- Picture Planes -- Meaning and Unity -- 4. Symptomatic Interpretation -- Introduction -- Culture Dream and Lauren Bacall -- Myth as Antinomy -- Systeme a la Mode -- The Contradictory Text -- Symptoms and Explications -- 5. Semantic Fields -- Introduction -- Meanings in Structures -- Structures of Meaning -- The Role of Semantic Fields -- 6. Schemata and Heuristics -- Mapping as Making -- Knowledge Structures and Routines -- Mapping as Modeling -- 7. Two Basic Schemata -- Is There a Class for This Text? -- Making Films Personal -- 8. Text Schemata -- Introduction -- A Bull's-Eye Schema -- Meaning Inside Out and Outside In -- Textual Trajectories -- Doctrines into Diachronies -- 9. Interpretation as Rhetoric -- Introduction -- Sample Strategies -- Theory Talk -- 10. Rhetoric in Action: Seven Models of Psycho -- Jean Douchet, "Hitch and His Public" (1960) -- Robin Wood, "Psycho," Hitchcock's Films (1965) -- Raymond Durgnat, "Inside Norman Bates," Films and Feelings (1967) -- V. F. Perkins, "The World and Its Image," Film as Film (1972) -- Raymond Bellour, "Psychosis, Neurosis, Perversion" (1979) -- Barbara Klinger, "Psycho: The Institutionalization of Female Sexuality" (1982) -- Leland Poague, "Links in a Chain: Psycho and Film Classicism" (1986) -- 11. Why Not to Read a Film -- The Ends of Interpretation -- The End of Interpretation? -- Prospects for a Poetics -- Notes -- Index |
| Record Nr. | UNINA-9910777459703321 |
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Bordwell David
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||
| Cambridge, Mass. : , : Harvard University Press, , 1989 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Making meaning : inference and rhetoric in the interpretation of cinema / / David Bordwell
| Making meaning : inference and rhetoric in the interpretation of cinema / / David Bordwell |
| Autore | Bordwell David |
| Pubbl/distr/stampa | Cambridge, Mass. : , : Harvard University Press, , 1989 |
| Descrizione fisica | 1 online resource (xvi, 334 pages) : ill |
| Disciplina | 791.43/01/5 |
| Collana | Harvard film studies |
| Soggetto topico |
Film criticism
Motion pictures |
| ISBN | 0-674-02853-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- 1. Making Films Mean -- Interpretation as Construction -- Meaning Made -- Interpretive Doctrines -- 2. Routines and Practices -- Introduction -- Interpretation Inc. -- The Logic of Discovery or Problem-Solving -- The Logic of Justification or Rhetoric -- An Anatomy of Interpretation -- 3. Interpretation as Explication -- The French Connection -- Explication Academicized -- Picture Planes -- Meaning and Unity -- 4. Symptomatic Interpretation -- Introduction -- Culture Dream and Lauren Bacall -- Myth as Antinomy -- Systeme a la Mode -- The Contradictory Text -- Symptoms and Explications -- 5. Semantic Fields -- Introduction -- Meanings in Structures -- Structures of Meaning -- The Role of Semantic Fields -- 6. Schemata and Heuristics -- Mapping as Making -- Knowledge Structures and Routines -- Mapping as Modeling -- 7. Two Basic Schemata -- Is There a Class for This Text? -- Making Films Personal -- 8. Text Schemata -- Introduction -- A Bull's-Eye Schema -- Meaning Inside Out and Outside In -- Textual Trajectories -- Doctrines into Diachronies -- 9. Interpretation as Rhetoric -- Introduction -- Sample Strategies -- Theory Talk -- 10. Rhetoric in Action: Seven Models of Psycho -- Jean Douchet, "Hitch and His Public" (1960) -- Robin Wood, "Psycho," Hitchcock's Films (1965) -- Raymond Durgnat, "Inside Norman Bates," Films and Feelings (1967) -- V. F. Perkins, "The World and Its Image," Film as Film (1972) -- Raymond Bellour, "Psychosis, Neurosis, Perversion" (1979) -- Barbara Klinger, "Psycho: The Institutionalization of Female Sexuality" (1982) -- Leland Poague, "Links in a Chain: Psycho and Film Classicism" (1986) -- 11. Why Not to Read a Film -- The Ends of Interpretation -- The End of Interpretation? -- Prospects for a Poetics -- Notes -- Index |
| Record Nr. | UNINA-9910821420303321 |
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Bordwell David
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| Cambridge, Mass. : , : Harvard University Press, , 1989 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The memory of Tiresias : intertextuality and film / / Mikhail Iampolski ; translated by Harsha Ram
| The memory of Tiresias : intertextuality and film / / Mikhail Iampolski ; translated by Harsha Ram |
| Autore | I͡Ampolʹskiĭ M. B |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c1998 |
| Descrizione fisica | 1 online resource (326 p. ) |
| Disciplina | 791.43/01/5 |
| Soggetto topico |
Motion pictures
Intertextuality Film Music, Dance, Drama & Film |
| ISBN |
0-585-22844-2
0-520-91472-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cinema and the theory of intertextuality -- Repressing the source : D.W. Griffith and Browning -- Intertextuality and the evolution of cinematic language : Griffith and the poetic tradition -- Cinematic language as quotation : Cendrars and Léger -- Intertext against intertext : Buñuel and Dali's Un chien andalou -- The hero as an "Intertextual body" : Iurii Tynianov's Lieutenant Kizhe -- The invisible text as a universal equivalent : Sergei Eisenstein. |
| Record Nr. | UNISA-996248237103316 |
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I͡Ampolʹskiĭ M. B
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| Berkeley, : University of California Press, c1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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