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Contemporary Argentine Women Filmmakers / / edited by Mirna Vohnsen, Daniel Mourenza
| Contemporary Argentine Women Filmmakers / / edited by Mirna Vohnsen, Daniel Mourenza |
| Autore | Vohnsen Mirna |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (274 pages) |
| Disciplina |
791.4098
791.4302330982 |
| Altri autori (Persone) | MourenzaDaniel |
| Soggetto topico |
Motion pictures, American
Gender identity in mass media Motion pictures - Production and direction Latin American Film and TV Media and Gender Directing Film and Television Production Directores cinematogràfiques Dones en la cinematografia |
| Soggetto genere / forma | Llibres electrònics |
| ISBN |
9783031323461
3031323467 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction. Women Filmmakers in Argentina: Reworking Cinematic Practices Mirna Vohnsen & Daniel Mourenza Auteurs -- 2. Lita Stantic: "The Personal Is Political" Is Professional Constanza Burucúa -- 3. Jeanine Meerapfel: Cosmopolitan Auteur of the Immigrant Condition Matt Losada -- 4. María Victoria Menis's Counter-Cinema: La cámara oscura (2008) and María y el Araña (2013) Carolina Rocha -- Traumatic Experiences -- 5. Sisterhood on the Threshold in Julia Solomonoff's Hermanas (2005) Mirna Vohnsen -- 6. Screaming into the Abyss: Trauma and Witnessing in Albertina Carri's Los rubios (2003) and La rabia (2008) Fiona Clancy -- 7. Are You Listening? Voices and Images in Gabriela David's Taxi, un encuentro (2001) and Lucía Puenzo's El niño pez (2009) Ana Forcinito -- 8. Intersectionality in Gabriela David's La mosca en la ceniza (2010) Traci Roberts-Camps -- Aesthetics -- 9. They Are All around Us: Pain, Memory and Multisensory Images in Paula Markovitch's El premio (2011) Guillermo Severiche -- 10. The Oppositional Gaze in the Argentine Cinema of Migration: Negotiating Chinese Identity and Coloniality of Seeing in Nele Wohlatz's El futuro perfecto (2016) Pedro Cabello del Moral & Roberto Elvira Mathez -- 11. Manipulating the Gaze in La novia del desierto (dir. Cecilia Atán and Valeria Pivato, 2017) Andrea Meador Smith -- Genre Cinema -- 12. Women, Hybridity and Genre in the Films of Verónica Chen Beatriz Urraca -- 13. A Different Terror: Crudo Films and Women's Horror Cinema in Argentina Jonathan Risner -- 14. Girlhood and the Uncanny in the Coming-of-Age Genre: Abrir puertas y ventanas (dir. Milagros Mumenthaler, 2011) and Mamá, mamá, mamá (dir. Sol Berruezo Pichon-Rivière, 2020) Daniel Mourenza -- Epilogue. On Cinematic Disobedience Inela Selimović. |
| Record Nr. | UNINA-9910734835903321 |
Vohnsen Mirna
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Ecuadorian Cinema for the 21st Century / / by María Fernanda Miño Puga
| Ecuadorian Cinema for the 21st Century / / by María Fernanda Miño Puga |
| Autore | Fernanda Miño Puga María |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (227 pages) |
| Disciplina | 791.4098 |
| Soggetto topico |
Motion pictures, American
Latin American Film and TV |
| ISBN |
9783031409899
9783031409882 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Chapter 1: The case for an Ecuadorian cinema for the 21st century -- Chapter 2: The commercially released narrative feature during the Ley de cine years -- Chapter 3: Ecuador's vernacular cinema: underground, popular, and neoliberal? -- Chapter 4: Cinema and Ecuador's Buen Vivir: negotiating coloniality in the community -- Chapter 5: Making sense of the past: documentary and memory in Ecuadorian cinema for the 21st century -- Conclusion. |
| Record Nr. | UNINA-9910751397803321 |
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Fernanda Miño Puga María
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Female Agency in Films Made by Latin American Women / / edited by Vania Barraza, María Helena Rueda
| Female Agency in Films Made by Latin American Women / / edited by Vania Barraza, María Helena Rueda |
| Autore | Barraza Vania |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (400 pages) |
| Disciplina | 791.4098 |
| Altri autori (Persone) | RuedaMaría Helena |
| Collana | Global Cinema |
| Soggetto topico |
Motion pictures, American
Sex Motion pictures Latin American Film and TV Gender Studies Global Film and TV |
| ISBN | 3-031-72600-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction: Female Agency in Latin American Films: Women Autonomy and Empowerment Over the Patriarchal Gaze -- Part One: Agency, Perception, and the Female Gaze -- Chapter 2: Perturbed Genders in Lucrecia Martel -- Chapter 3: Memory, Disability and Space in Mafifa (Daniela Muñoz Barroso 2021) -- Chapter 4: Intimate Documentaries Made by Women in Colombia: Beyond the Patriarchal Gaze -- Part Two: Queering the Gaze: Politics, Sexualities, and Female Desire -- Chapter 5: A Journey with an Expiration Date: Notes on Amnesia Letal's Film Travesía Travesti -- Chapter 6: Reimagining the Sexual Subject: Feminist Politics and Visual Pleasure in Contemporary Argentine Cinema -- Chapter 7: Intersexuality, Polyamory, and Lesbianism in Women's Filmmaking: Patricia Ortega's Yo, Imposible (2018) and Ruth Caudeli's Petit Mal (2022) -- Part Three: Motherhood / Girlhood -- Chapter 8: Creating A Feminist Gaze?: Motherhood and Identity in Recent Costa Rican Cinema -- Chapter 9: Motherhood, Disappearance, and Agency in Mexican Films Made by Women: Sin señas particulares (Fernanda Valadez 2020) and La civil (Teodora Mihai 2021) -- Chapter 10: "Para verte mejor": Gaze and Aesthetics in Chilean Bildungsfilms -- Part Four: Female Affect: Care, Bonding, and Community -- Chapter 11: The Balance between Care and Self-affirmation: Disability and the Family in Latin American Film -- Chapter 12: Necronarratives, Ethics of Care, and Female Bonding in 21st Century Puerto Rican Cinema: Perfume de gardenias (2021) and La pecera (2023) -- Chapter 13: Kitchen Conversation and Photographic Memory: A Focus on Female-Centered Narratives of Lineage and Liberation in Brazilian Film -- Part Five: Intersectionality, Decolonization, and Subjectivities -- Chapter 14: Making Home: Feminist Activism in Two Peruvian Audiovisual Projects -- Chapter 15: Mexican Female Filmmakers: Shifting the Representation of Indigenous Women -- Chapter 16: Pathbreakers of Peruvian Fiction Cinema. |
| Record Nr. | UNINA-9910918698003321 |
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Barraza Vania
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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