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Expression in the performing arts [[electronic resource] /] / edited by Inma Alvarez, Hector J. Perez, and Francisca Perez-Carreno
| Expression in the performing arts [[electronic resource] /] / edited by Inma Alvarez, Hector J. Perez, and Francisca Perez-Carreno |
| Pubbl/distr/stampa | Newcastle upon Tyne, : Cambridge Scholars Publishing, 2010 |
| Descrizione fisica | 1 online resource (303 p.) |
| Disciplina | 791.01 |
| Altri autori (Persone) |
AlvarezInma
PerezHector J Perez-CarrenoFrancisca HamiltonJames R |
| Soggetto topico |
Performing arts - Technique
Subjectivity in literature |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-77637-1
9786612776373 1-4438-2024-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | TABLE OF CONTENTS; LIST OF FIGURES; PREFACE; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART II; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; PART III; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; PART IV; CHAPTER ELEVEN; CHAPTER TWELVE; PART V; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CONTRIBUTORS; INDEX |
| Record Nr. | UNINA-9910464598803321 |
| Newcastle upon Tyne, : Cambridge Scholars Publishing, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Expression in the performing arts [[electronic resource] /] / edited by Inma Alvarez, Hector J. Perez, and Francisca Perez-Carreno
| Expression in the performing arts [[electronic resource] /] / edited by Inma Alvarez, Hector J. Perez, and Francisca Perez-Carreno |
| Pubbl/distr/stampa | Newcastle upon Tyne, : Cambridge Scholars Publishing, 2010 |
| Descrizione fisica | 1 online resource (303 p.) |
| Disciplina | 791.01 |
| Altri autori (Persone) |
AlvarezInma
PerezHector J Perez-CarrenoFrancisca HamiltonJames R |
| Soggetto topico |
Performing arts - Technique
Subjectivity in literature |
| ISBN |
1-282-77637-1
9786612776373 1-4438-2024-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | TABLE OF CONTENTS; LIST OF FIGURES; PREFACE; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART II; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; PART III; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; PART IV; CHAPTER ELEVEN; CHAPTER TWELVE; PART V; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CONTRIBUTORS; INDEX |
| Record Nr. | UNINA-9910788702003321 |
| Newcastle upon Tyne, : Cambridge Scholars Publishing, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Expression in the performing arts [[electronic resource] /] / edited by Inma Alvarez, Hector J. Perez, and Francisca Perez-Carreno
| Expression in the performing arts [[electronic resource] /] / edited by Inma Alvarez, Hector J. Perez, and Francisca Perez-Carreno |
| Pubbl/distr/stampa | Newcastle upon Tyne, : Cambridge Scholars Publishing, 2010 |
| Descrizione fisica | 1 online resource (303 p.) |
| Disciplina | 791.01 |
| Altri autori (Persone) |
AlvarezInma
PerezHector J Perez-CarrenoFrancisca HamiltonJames R |
| Soggetto topico |
Performing arts - Technique
Subjectivity in literature |
| ISBN |
1-282-77637-1
9786612776373 1-4438-2024-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | TABLE OF CONTENTS; LIST OF FIGURES; PREFACE; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART II; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; PART III; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; PART IV; CHAPTER ELEVEN; CHAPTER TWELVE; PART V; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; CONTRIBUTORS; INDEX |
| Record Nr. | UNINA-9910825607003321 |
| Newcastle upon Tyne, : Cambridge Scholars Publishing, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The future of live / / Karin van Es
| The future of live / / Karin van Es |
| Autore | Van Es Karin |
| Pubbl/distr/stampa | Cambridge, UK ; Malden, MA : , : Polity Press, , 2016 |
| Descrizione fisica | 1 online resource (159 pages) : illustrations |
| Disciplina | 791.01 |
| Soggetto topico |
Social media - Philosophy
Live television programs - Philosophy SOCIAL SCIENCE / Media Studies |
| ISBN | 1-5095-0267-X |
| Classificazione | SOC052000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Contents page Acknowledgments Chapter One: Introduction Chapter Two: Constellations of Liveness Chapter Three: Liveness and Institutionalization Chapter Four: "Live" as an Evaluative Category Chapter Five: Social TV and the Multiplicity of the Live Chapter Six: Social Media's New Relation to the Live Conclusions. |
| Record Nr. | UNINA-9910154894603321 |
Van Es Karin
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| Cambridge, UK ; Malden, MA : , : Polity Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Mapping multimodal performance studies / edited by Maria Grazia Sindoni, Janina Wildfeuer, and Kay L. O'Halloran
| Mapping multimodal performance studies / edited by Maria Grazia Sindoni, Janina Wildfeuer, and Kay L. O'Halloran |
| Pubbl/distr/stampa | New York ; London, : Routledge, 2017 |
| Descrizione fisica | viii, 209 p. : ill. ; 24 cm |
| Disciplina | 791.01(Spettacoli pubblici. Filosofia e teoria) |
| Soggetto topico |
COMUNICAZIONE
TEATRO - Semiotica |
| ISBN | 978-11-386-5774-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNIOR-UON00477435 |
| New York ; London, : Routledge, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. L'Orientale | ||
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Performance philosophy
| Performance philosophy |
| Pubbl/distr/stampa | Guildford, United Kingdom : , : Performance Philosophy |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.01 |
| Soggetto topico |
Performing arts - Philosophy
Arts du spectacle - Philosophie |
| Soggetto genere / forma | Periodicals. |
| ISSN | 2057-7176 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996321600703316 |
| Guildford, United Kingdom : , : Performance Philosophy | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Performance philosophy
| Performance philosophy |
| Pubbl/distr/stampa | Guildford, United Kingdom : , : Performance Philosophy |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.01 |
| Soggetto topico |
Performing arts - Philosophy
Arts du spectacle - Philosophie |
| Soggetto genere / forma | Periodicals. |
| ISSN | 2057-7176 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910268956203321 |
| Guildford, United Kingdom : , : Performance Philosophy | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Re-performance, mourning and death : specters of the past / / Sarah Julius
| Re-performance, mourning and death : specters of the past / / Sarah Julius |
| Autore | Julius Sarah |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2022] |
| Descrizione fisica | 1 online resource (206 pages) |
| Disciplina | 791.01 |
| Collana | Adaptation in theatre and performance |
| Soggetto topico | Performing arts - Philosophy |
| ISBN | 3-030-84774-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Book Abstract -- Contents -- List of Image -- Chapter 1: Introduction: Re-performance Now-Loss, Adaptation and Survival -- Research Methodologies -- Case Studies -- Themes and Theories -- Echoes and Traces -- Bodily Transmission: The Bodily Archive -- Haunting and Specters -- The Process of Dying -- Afterlives, Survival and Re-performance -- Chapter 2-Re-performance, Death, Mourning and Survival: A Theoretical Discourse -- Chapter 3-Abjection and Memorial: Death and Finitude -- Chapter 4-Adaptation, Echoes, Traces and Remains -- Chapter 5-Loss and Mourning -- Chapter 6-Re-performance, Adaptation, Legacy and the Future -- Chapter 7-Mourning and Memorial -- References -- Chapter 2: Re-performance, Death, Mourning and Survival: A Theoretical Discourse -- Re-performance and Temporality: The Return of the Specter -- Time Is Out of Joint -- Death, Absence and Leftovers: Dead, Not Dead and Not Not Dead -- Witnessing Loss: the Desire to Hold On -- Mourning and Melancholia -- Survival Versus Annihilation -- Transformation and Adaptation -- References -- Chapter 3: Abjection and Memorial: Death and Finitude -- Dangerous Bodies: The Risk of Contamination -- Inside/Outside: Wounds and Bodily Boundaries -- Visible Illnesses -- Surviving with Illness, the Living Corpse -- Bodily Transmission -- The Masochistic Mother Figure -- The Object of the Mother -- Bodily Transmission and the Male/Female Binary -- The Sky Remains the Same but Everything Else Changes? -- Male/Female and Masculine/Feminine -- Bodily Transmission and the Body as Archive -- Repetition, the Copy, the Fake -- Bodily Archives, Memorial and Melancholia -- References -- Chapter 4: Adaptation, Echoes, Traces and Remains -- Things Left Behind -- Bodily Remnants and Excess -- Healing and Harm -- Echoes, Traces and Repetition -- Haunting and Specters -- Interacting with the Archive.
Re-performance as Documentation -- References -- Chapter 5: Loss and Mourning -- Performing Loss -- Melancholia and Substitution -- Loss and Presence -- Performance and Loss -- Photography and Death: Presence and Time -- Film and Movement: Bodies in Process -- Presence and Absence: Photography and Dying -- The Process of Mourning -- Past, Not Past and Not Not Past -- References -- Chapter 6: Re-performance, Adaptation, Legacy and the Future -- Legacy and Passing On -- Time and Multiplicity: Past, Present and Future -- The Drive to Archive-Bodily Transmission -- Performance's Returns: The Return of the Author -- Legacy and Posthumous Authorship -- Death, Loss and Legacy -- References -- Chapter 7: Mourning and Memorial -- Monuments and Sculptures/Art and Memorial -- Memorial, Multiplicity and Rebirth -- False Documentation -- The Interrelation Between the Archive and the Bodily Archive: Substituting and Doubling -- Performative Monuments: Alternative Modes of Remembering and Memorialising -- Living Memorials -- The Temporalities of Illness and Death -- Militant Mourning, Public Grief and Grievable Lives -- References -- Chapter 8: Conclusion: Adaptation, Afterlives, Survival and Re-performance -- Echoes and Traces -- Bodily Transmission: The Bodily Archive -- Haunting and Specters -- The Process of Dying -- Afterlives, Survival and Re-performance -- Final Conclusion -- References -- Index. |
| Record Nr. | UNINA-9910508465403321 |
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Julius Sarah
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| Cham, Switzerland : , : Palgrave Macmillan, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Routledge companion to performance philosophy / / edited by Laura Cull Ó Maoilearca and Alice Lagaay
| The Routledge companion to performance philosophy / / edited by Laura Cull Ó Maoilearca and Alice Lagaay |
| Autore | Cull Ó Maoilearca Laura |
| Edizione | [1st.] |
| Pubbl/distr/stampa | Taylor & Francis, 2020 |
| Descrizione fisica | 1 online resource (xxv, 463 pages) |
| Disciplina | 791.01 |
| Collana | Routledge theatre and performance companions |
| Soggetto topico | Performing arts - Philosophy |
| Soggetto non controllato | Anna Seitz; Jörg Holkenbrink; dramaturgy; performance; performance studies; actors; audience; theory; practice; stage; atmosphere; academia in performance |
| ISBN |
1-00-303531-0
1-000-05691-0 1-003-03531-0 1-000-05689-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Introduction; Laura Cull Ó Maoilearca & Alice Lagaay; Part 1: Genealogies, Contexts & Traditions; 1. Suddenly the philosopher enters the stage Ira Avneri & Freddie Rokem; 2. Theravādin Buddhist Philosophy and Practice in Relation to Performance Jerri Daboo; 3. Performance Philosophy and Spirituality: The Way of Tasawwuf; Michael Ellison & Hannah McClure; 4. Whose Tempest? Performance Philosophy and/as Decolonial Cacophony; Andrés Fabián Henao Castro; 5. The Playwright as Thinker: Modern Drama and Performance Philosophy David Kornhaber; 6. Performance Philosophy seen through Nishida's 'Acting Intuition'; Mayuko Uehara & Elisabeth Belgrano; 7. Performance in Anglo-American Philosophy Anna Pakes & David Davies; 8. Performance Philosophy in Latin America -- How to Perform a Utopia called America?; Luciana Dias; 9. Diminishing Returns. On the performativity of musical sound Anthony Gritten; 10. The Philosophy of Mediality Jörg Sternagel, Elisabeth Schäfer & Volkmar Mühleis; 11. The Theatre of Research Anke Haarmann; Part 2: Questions & Debates; 12. Opening the Circle, Towards a Radical Equality: Performance Philosophy & Animals Laura Cull Ó Maoilearca; 13. Performance Philosophy as Inter-philosophical Dialogue Cosimo Zene; 14. Decolonising Performance Philosophies Melissa Blanco Borelli, Anamaría Tamayo-Duque & Cristina Fernandes Rosa; 15. Theatre-thinking: philosophy from the stage Flore Garcin-Marrou; 16. Philosophy and Theatre: Incestuous Beginnings, Looking Daggers and other Dangerous Liaisons Emmanuel Alloa & Sophie-Thérèse Krempl; 17. Aesthetics of the Invisible: Presence in Indian Performance Theory Sreenath Nair; Part 3: Methods, Techniques, Genres & Forms; 18. Performing Phenomenological Methodology Maxine Sheets-Johnstone; 19. Daring to transform academic routines Jörg Holkenbrink & Anna Seitz; 20. Resonance of Two Karen Christopher; 21. Lying Fallow Rajni Shah; 22. Play in Performance Philosophy Alice Koubová; 23. Landscape performance Tess Denman-Cleaver; 24. Re-telling the self: the lived experience of modern yoga practice Theodora Wildcroft; 25. The Think Tank: Institution as Performance Sonya Dyer; 26. Touch Naomi Woo; 27. In-Between: A Methodology of Performative Philosophy Eva Maria Gauss & Katrin Felgenhauer; 28. Africanist choreography as cultural citizenship 'Funmi Adewole; Part 4: Figures; 29. Rūmī Will Daddario; 30. Adrian Piper Lauren Fournier; 31. Diogenes Yunus Tuncel; 32. A dice-thrower Mischa Twitchin; 33. Hélène Cixous/Ariane Mnouchkine Elisabeth Schäfer, Esther Hutfless & Gertrude Postl; 34. Roger Federer Einav Katan-Schmid; 35. John Cage Anthony Gritten; 36. Confucius Mi You; 37. Rudolf Laban Juliet Chambers-Coe; Part 5: Performance as Philosophy & Philosophy as Performance; 38. Theatre As If Theory Yelena Gluzman & Esther Neff; 39. Dance as Embodied Ethics Aili Bresnahan, Einav Katan-Schmid, & Sara Houston; 40. Philosophy on Stage Arno Böhler & Suzanne Granzer; 41. Pas de Deux: Écriture Féminine Performative Tina Chanter & Tawny Andersen; 42. Onanism, Handjobs, Smut: Performances of Self-valorization Fumi Okiji; 43. Explosions of 'Creative Indifference'. Salomo Friedlaender, Sun Ra, Serendipity and the Idea of a 'Heliocentre' Alice Lagaay in conversation with Hartmut Geerken; 44. In the Making -- an incomplete consideration of the first decade of Every house has a door 2008 to 2018 as performance philosophy Will Daddario, Matthew Goulish & Lin Hixson; 45. Blackout: thinking with darkness Tru Paraha & Theron Schmidt; Index |
| Record Nr. | UNINA-9910831845303321 |
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Cull Ó Maoilearca Laura
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| Taylor & Francis, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Smagliature : esperienze di estetica relazionale fra teatro, danza e fotografia / Simone Azzoni
| Smagliature : esperienze di estetica relazionale fra teatro, danza e fotografia / Simone Azzoni |
| Autore | Azzoni, Simone <1972- > |
| Pubbl/distr/stampa | Milano ; Udine, : Mimesis, 2020 |
| Descrizione fisica | 157 p. : ill. ; 17 cm |
| Disciplina | 791.01 |
| Collana | Mimesis. Eterotopie |
| Soggetto non controllato |
Teatro
Spettacoli - Estetica |
| ISBN | 978-88-575-6093-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-9910489549803321 |
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Azzoni, Simone <1972- >
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| Milano ; Udine, : Mimesis, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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