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Performing the US Latina and Latino borderlands [[electronic resource] /] / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García
| Performing the US Latina and Latino borderlands [[electronic resource] /] / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2012 |
| Descrizione fisica | 1 online resource (523 p.) |
| Disciplina | 790.20868 |
| Altri autori (Persone) |
AldamaArturo J. <1964->
SandovalChela <1956-> GarcíaPeter J |
| Soggetto topico |
Hispanic Americans in the performing arts
Hispanic Americans - Ethnic identity |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-60873-1
9786613921185 0-253-00877-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutierrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Perez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo Mexico music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Perez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela. |
| Record Nr. | UNINA-9910462386703321 |
| Bloomington, : Indiana University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performing the US Latina and Latino borderlands [[electronic resource] /] / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García
| Performing the US Latina and Latino borderlands [[electronic resource] /] / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2012 |
| Descrizione fisica | 1 online resource (523 p.) |
| Disciplina | 790.20868 |
| Altri autori (Persone) |
AldamaArturo J. <1964->
SandovalChela <1956-> GarcíaPeter J |
| Soggetto topico |
Hispanic Americans in the performing arts
Hispanic Americans - Ethnic identity |
| ISBN |
1-283-60873-1
9786613921185 0-253-00877-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutierrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Perez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo Mexico music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Perez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela. |
| Record Nr. | UNINA-9910785503203321 |
| Bloomington, : Indiana University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performing the US Latina and Latino borderlands / / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García
| Performing the US Latina and Latino borderlands / / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2012 |
| Descrizione fisica | 1 online resource (523 p.) |
| Disciplina | 790.20868 |
| Altri autori (Persone) |
AldamaArturo J. <1964->
SandovalChela <1956-> GarcíaPeter J |
| Soggetto topico |
Hispanic Americans in the performing arts
Hispanic Americans - Ethnic identity |
| ISBN |
1-283-60873-1
9786613921185 0-253-00877-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutierrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Perez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo Mexico music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Perez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela. |
| Record Nr. | UNINA-9910961504903321 |
| Bloomington, : Indiana University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||