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Analyzing classical form : an approach for the classroom / / William E. Caplin
| Analyzing classical form : an approach for the classroom / / William E. Caplin |
| Autore | Caplin William Earl <1948-> |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
| Descrizione fisica | 1 online resource (759 p.) |
| Disciplina | 784.18 |
| Soggetto topico |
Musical form
Sonata form Musical analysis Classicism in music |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-974718-0
0-19-998730-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Preface; About the Companion Website; 1 A Review of Harmony; The Basics; Harmonic Vocabulary; Harmonic Progressions; Let's Practice; More Details; Tonic Function; Dominant Function; Pre-dominant Function; Prolongational Progressions; Cadential Progressions; Sequential Progressions; Guide to Harmonic Annotation; Reviewing the Theory; Examples for Analysis; PART I: CONVENTIONAL THEME TYPES; 2 The Sentence; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 3 The Period; The Basics; Let's Practice; More Details
Finer PointsReviewing the Theory; Examples for Analysis; Model Composition; 4 Hybrid Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 5 Phrase Deviations, Cadential Deviations, and Framing Functions; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 6 Compound Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 7 The Small Ternary (Rounded Binary); The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 8 The Small Binary; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Model Composition; PART II: SONATA FORM; 9 Sonata Form: An Overview; Large-scale Formal Structure; Large-scale Tonal Structure; Exposition; Let's Practice; Development; Let's Practice; Recapitulation; Let's Practice; 10 Exposition (I): Main Theme; The Basics; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 11 Exposition (II): Transition; The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; 12 Exposition (III): Subordinate Theme; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 13 Development; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 14 Recapitulation; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 15 Coda; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; 16 Slow Introduction; The Basics Let's PracticeMore Details; Reviewing the Theory; Examples for Analysis; PART III: OTHER FULL-MOVEMENT FORMS; 17 Slow-Movement Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 18 Minuet/Trio Form; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 19 Rondo Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 20 Concerto Form; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Notes Glossary of Terms |
| Record Nr. | UNINA-9910453103303321 |
Caplin William Earl <1948->
|
||
| New York : , : Oxford University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analyzing classical form : an approach for the classroom / William E. Caplin
| Analyzing classical form : an approach for the classroom / William E. Caplin |
| Autore | Caplin, William Earl <1948-> |
| Pubbl/distr/stampa | New York, : Oxford University Press, [2013] |
| Descrizione fisica | XIX, 736 p. ; 28 cm |
| Disciplina | 784.18 |
| ISBN |
9780199747184
9780199987290 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910596900803321 |
|
Caplin, William Earl <1948->
|
||
| New York, : Oxford University Press, [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analyzing classical form : an approach for the classroom / / William E. Caplin
| Analyzing classical form : an approach for the classroom / / William E. Caplin |
| Autore | Caplin William Earl <1948-> |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
| Descrizione fisica | 1 online resource (759 p.) |
| Disciplina | 784.18 |
| Soggetto topico |
Musical form
Sonata form Musical analysis Classicism in music |
| ISBN |
0-19-974718-0
0-19-998730-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Preface; About the Companion Website; 1 A Review of Harmony; The Basics; Harmonic Vocabulary; Harmonic Progressions; Let's Practice; More Details; Tonic Function; Dominant Function; Pre-dominant Function; Prolongational Progressions; Cadential Progressions; Sequential Progressions; Guide to Harmonic Annotation; Reviewing the Theory; Examples for Analysis; PART I: CONVENTIONAL THEME TYPES; 2 The Sentence; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 3 The Period; The Basics; Let's Practice; More Details
Finer PointsReviewing the Theory; Examples for Analysis; Model Composition; 4 Hybrid Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 5 Phrase Deviations, Cadential Deviations, and Framing Functions; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 6 Compound Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 7 The Small Ternary (Rounded Binary); The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 8 The Small Binary; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Model Composition; PART II: SONATA FORM; 9 Sonata Form: An Overview; Large-scale Formal Structure; Large-scale Tonal Structure; Exposition; Let's Practice; Development; Let's Practice; Recapitulation; Let's Practice; 10 Exposition (I): Main Theme; The Basics; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 11 Exposition (II): Transition; The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; 12 Exposition (III): Subordinate Theme; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 13 Development; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 14 Recapitulation; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 15 Coda; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; 16 Slow Introduction; The Basics Let's PracticeMore Details; Reviewing the Theory; Examples for Analysis; PART III: OTHER FULL-MOVEMENT FORMS; 17 Slow-Movement Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 18 Minuet/Trio Form; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 19 Rondo Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 20 Concerto Form; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Notes Glossary of Terms |
| Record Nr. | UNINA-9910790634803321 |
|
Caplin William Earl <1948->
|
||
| New York : , : Oxford University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analyzing classical form : an approach for the classroom / / William E. Caplin
| Analyzing classical form : an approach for the classroom / / William E. Caplin |
| Autore | Caplin William Earl <1948-> |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2013 |
| Descrizione fisica | 1 online resource (759 p.) |
| Disciplina | 784.18 |
| Soggetto topico |
Musical form
Sonata form Musical analysis Classicism in music |
| ISBN |
0-19-974718-0
0-19-998730-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Preface; About the Companion Website; 1 A Review of Harmony; The Basics; Harmonic Vocabulary; Harmonic Progressions; Let's Practice; More Details; Tonic Function; Dominant Function; Pre-dominant Function; Prolongational Progressions; Cadential Progressions; Sequential Progressions; Guide to Harmonic Annotation; Reviewing the Theory; Examples for Analysis; PART I: CONVENTIONAL THEME TYPES; 2 The Sentence; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 3 The Period; The Basics; Let's Practice; More Details
Finer PointsReviewing the Theory; Examples for Analysis; Model Composition; 4 Hybrid Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 5 Phrase Deviations, Cadential Deviations, and Framing Functions; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 6 Compound Themes; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 7 The Small Ternary (Rounded Binary); The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; Model Composition; 8 The Small Binary; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Model Composition; PART II: SONATA FORM; 9 Sonata Form: An Overview; Large-scale Formal Structure; Large-scale Tonal Structure; Exposition; Let's Practice; Development; Let's Practice; Recapitulation; Let's Practice; 10 Exposition (I): Main Theme; The Basics; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 11 Exposition (II): Transition; The Basics Let's PracticeMore Details; Finer Points; Reviewing the Theory; Examples for Analysis; 12 Exposition (III): Subordinate Theme; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 13 Development; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 14 Recapitulation; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 15 Coda; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; 16 Slow Introduction; The Basics Let's PracticeMore Details; Reviewing the Theory; Examples for Analysis; PART III: OTHER FULL-MOVEMENT FORMS; 17 Slow-Movement Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 18 Minuet/Trio Form; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 19 Rondo Forms; The Basics; Let's Practice; More Details; Finer Points; Reviewing the Theory; Examples for Analysis; 20 Concerto Form; The Basics; Let's Practice; More Details; Reviewing the Theory; Examples for Analysis; Notes Glossary of Terms |
| Record Nr. | UNINA-9910808841903321 |
|
Caplin William Earl <1948->
|
||
| New York : , : Oxford University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / / William E. Caplin
| Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / / William E. Caplin |
| Autore | Caplin William E. |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York ; , : Oxford University Press, , 2023 |
| Descrizione fisica | 1 online resource (xii, 307 p.) |
| Disciplina | 784.18 |
| Collana | Oxford scholarship online |
| Soggetto topico |
Instrumental music - Analysis, appreciation
Musical form |
| ISBN |
0-19-772766-2
0-19-988175-8 1-280-45264-1 0-19-535575-X 1-60256-121-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form. |
| Altri titoli varianti | Theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |
| Record Nr. | UNINA-9910808651603321 |
|
Caplin William E.
|
||
| New York ; , : Oxford University Press, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / / William E. Caplin
| Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / / William E. Caplin |
| Autore | Caplin William Earl <1948-> |
| Pubbl/distr/stampa | New York ; ; Oxford : , : Oxford University Press, , 1998 |
| Descrizione fisica | 1 online resource (xii, 307 p.) |
| Disciplina | 784.18 |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-988175-8
1-280-45264-1 0-19-535575-X 1-60256-121-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form. |
| Record Nr. | UNINA-9910458515203321 |
|
Caplin William Earl <1948->
|
||
| New York ; ; Oxford : , : Oxford University Press, , 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / William E. Caplin
| Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / William E. Caplin |
| Autore | CAPLIN, William Earl <1948-> |
| Pubbl/distr/stampa | New York ; Oxford, : Oxford University Press, , 1998 |
| Descrizione fisica | Testo elettronico (PDF) (XII, 307 p. : mus. ) |
| Disciplina | 784.18 |
| Soggetto topico | Forme musicali - 1750-1790 |
| ISBN | 0-19-510480-3 |
| Formato | Risorse elettroniche  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996447151903316 |
|
CAPLIN, William Earl <1948->
|
||
| New York ; Oxford, : Oxford University Press, , 1998 | ||
| Risorse elettroniche | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / / William E. Caplin
| Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / / William E. Caplin |
| Autore | Caplin William Earl <1948-> |
| Pubbl/distr/stampa | New York ; ; Oxford : , : Oxford University Press, , 1998 |
| Descrizione fisica | 1 online resource (xii, 307 p.) |
| Disciplina | 784.18 |
| Soggetto topico |
Musical form
Instrumental music - 18th century - Analysis, appreciation Instrumental music - 19th century - Analysis, appreciation Musical analysis Classicism in music Music theory - History - 20th century |
| ISBN |
0-19-772766-2
0-19-988175-8 1-280-45264-1 0-19-535575-X 1-60256-121-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form. |
| Altri titoli varianti | Theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven |
| Record Nr. | UNINA-9910784555303321 |
|
Caplin William Earl <1948->
|
||
| New York ; ; Oxford : , : Oxford University Press, , 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fenomenología del bolero / Rafael Castillo Zapata
| Fenomenología del bolero / Rafael Castillo Zapata |
| Edizione | [2. ed.] |
| Pubbl/distr/stampa | Caracas : Monte Avila, 1991 |
| Descrizione fisica | 155 p. ; 20 cm |
| Disciplina | 784.18 |
| Collana | ESTUDIOS |
| Soggetto topico | Musica - Bolero - Storia |
| ISBN | 980-01-0327-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | spa |
| Record Nr. | UNISA-990006157390203316 |
| Caracas : Monte Avila, 1991 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||