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505 Mohawk minstrels' songs and ballads, as sung by them at the Royal Agricultural Hall, London
| 505 Mohawk minstrels' songs and ballads, as sung by them at the Royal Agricultural Hall, London |
| Pubbl/distr/stampa | London : Francis, Day & Hunter, [1891] |
| Descrizione fisica | 170 p. ; 19 cm. |
| Disciplina | 782.14 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Mohawk minstrels' songs and ballads |
| Record Nr. | UNIBAS-000012066 |
| London : Francis, Day & Hunter, [1891] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. della Basilicata | ||
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Gestures of Music Theatre [[electronic resource] ] : The Performativity of Song and Dance
| Gestures of Music Theatre [[electronic resource] ] : The Performativity of Song and Dance |
| Autore | Symonds Dominic |
| Pubbl/distr/stampa | Oxford, : Oxford University Press, USA, 2013 |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | 782.14 |
| Altri autori (Persone) | TaylorMillie |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-19-999717-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; GESTURES OF MUSIC THEATER; Copyright; CONTENTS; PART ONE: Singing the Dance, Dancing the Song; 1. The Song's the Thing: Capturing the "Sung"to Make It "Song"; 2. The (Un)Pleasure of Song: On the Enjoyment of Listening to Opera; PART TWO: Performativity as Dramaturgy; 3. Relocating the Song: Julie Taymor's Jukebox Musical, A cross the Universe (2007); 4. Dynamic Shape: The Dramaturgy of Song and Dance in Lloyd Webber's Cats; PART THREE: Performativity as Transition; 5. Dance Breaks and Dream Ballets: Transitional Moments in Musical Theater
6. "Love, Let Me Sing You": The Liminality of Song and Dance in LaChiusa's Bernarda Alba (2006)PART FOUR: Performativity as Identity; 7. Tapping the Ivories: Jazz and Tap Dance in Jelly's Last Jam (1992).; 8. "Everything's Coming up Kurt": The Broadway Song in Glee; 9. Angry Dance: Postmodern Innovation, Masculinities, and Gender Subversion; PART FIVE: Performativity as Context; 10. Deconstructing the Singer: The Concerts of Laurie Anderson; 11. Singing and a Song: The "Intimate Diff erence" in Susan Philipsz's Lowlands (2010) 12. Acting Operatically: Body, Voice, and the Actress in Beckett's TheaterPART SIX: Performativity as Practice; 13. Vox Elettronica: Song, Dance, and Live Electronics in the Practice of Sound Theater; 14. From Ear to Foot: How Choreographers Interpret Music; 15. Singing from Stones: Physiovocality and Gardzienice's Theater of Musicality Konstantinos Thomaidis; PART SEVEN: Performativity as Community; 16. Singing the Community: The Musical Theater Chorus as Character; 17. Singing and Dancing Ourselves: The Politics of the Ensemble in A Chorus Line (1975); EPILOGUE: Performativity as Writing BibliographyIndex |
| Record Nr. | UNINA-9910453319803321 |
Symonds Dominic
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| Oxford, : Oxford University Press, USA, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Guida alla rivista e all'operetta / Dino Falconi, Angelo Frattini
| Guida alla rivista e all'operetta / Dino Falconi, Angelo Frattini |
| Autore | Falconi, Dino |
| Pubbl/distr/stampa | Milano : Academia, 1953 |
| Descrizione fisica | 440 p. : ill. ; 22 cm |
| Disciplina | 782.14 |
| Altri autori (Persone) | Frattini, Angelo <1896-1967>author |
| Collana | Guide al pensiero |
| Soggetto topico |
Operette
Riviste teatrali |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991002943079707536 |
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Falconi, Dino
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| Milano : Academia, 1953 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Il bardo in musical / Paola Bono
| Il bardo in musical / Paola Bono |
| Autore | BONO, Paola |
| Pubbl/distr/stampa | Riano : Editoria & Spettacolo, 2009 |
| Descrizione fisica | 223 p. ; 18 cm |
| Disciplina | 782.14 |
| Collana | Disseminazioni, Shakespeare/Film/Genere |
| Soggetto (Persona) | Shakespeare, William Adattamenti Cinema |
| ISBN | 978-88-89036-74-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990003433290203316 |
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BONO, Paola
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| Riano : Editoria & Spettacolo, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Il bardo in musical / Paola Bono
| Il bardo in musical / Paola Bono |
| Autore | BONO, Paola |
| Pubbl/distr/stampa | Riano ( (Roma), : Editoria & Spettacolo, c2009 |
| Descrizione fisica | 223 p. ; 18 cm. |
| Disciplina | 782.14(Musical) |
| Soggetto topico |
SHAKESPEARE WILLIAM - Opere in musica
OPERE IN MUSICA |
| ISBN | 978-88-89036-74-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNIOR-UON00348284 |
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BONO, Paola
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| Riano ( (Roma), : Editoria & Spettacolo, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. L'Orientale | ||
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Il merito premiato : o sia Don Ciccio Nicolini eletto giudice di Lecce : le avventurose elezioni a Lecce in una commedia musicale del 700 / a cura di Giovanna Fumarola Costanzo ; presentazione di Alessandro Laporta
| Il merito premiato : o sia Don Ciccio Nicolini eletto giudice di Lecce : le avventurose elezioni a Lecce in una commedia musicale del 700 / a cura di Giovanna Fumarola Costanzo ; presentazione di Alessandro Laporta |
| Pubbl/distr/stampa | Lecce : Edizioni del Grifo, 2007 |
| Descrizione fisica | 110 p. : ill. ; 21 cm |
| Disciplina | 782.14 |
| Altri autori (Persone) |
Fumarola Costanzo, Giovanna
Laporta, Alessandro |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991004309037007536 |
| Lecce : Edizioni del Grifo, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Jerome Kern’s Jewel Box : The Princess Musicals and the Little Theatre Movement / / by Stephanie Ruozzo
| Jerome Kern’s Jewel Box : The Princess Musicals and the Little Theatre Movement / / by Stephanie Ruozzo |
| Autore | Ruozzo Stephanie |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (XVII, 223 p. 16 illus.) |
| Disciplina | 782.14 |
| Collana | Literature, Cultural and Media Studies |
| Soggetto topico |
Musical theater
Music - History and criticism Popular music Music Theatre History of Music Popular Music |
| ISBN | 3-031-83410-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. American Realism in the Wake of World War one -- 2. Nobody Home and the “Intimate Musical Comedy” -- 3. Very Good Eddie and the Libretti of Guy Bolton -- 4. Oh, Boy! and the Lyrics of PG Wodehouse -- 5. Leave it to Jane and the Reality of America at War -- 6. Oh, Lady! Lady!! and the End of the Trio of Musical Fame. |
| Record Nr. | UNINA-9910988392903321 |
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Ruozzo Stephanie
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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My fair Lady : a musical play in two acts based on Pygmalion by Bernard Shaw / adaptation and lyrics by Alan Jay Lerner ; music by Frederick Loewe
| My fair Lady : a musical play in two acts based on Pygmalion by Bernard Shaw / adaptation and lyrics by Alan Jay Lerner ; music by Frederick Loewe |
| Autore | Lerner, Alan Jay |
| Pubbl/distr/stampa | Harmondsworth : Penguin books, 1959 |
| Descrizione fisica | 127, [8] p. di tav. ; 18 cm |
| Disciplina | 782.14 |
| Altri autori (Persone) |
Shaw, Bernard
Loewe, Frederick |
| Collana | Penguin books ; 1364 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISALENTO-991004373133307536 |
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Lerner, Alan Jay
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| Harmondsworth : Penguin books, 1959 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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The Routledge companion to the contemporary musical / / edited by Jessica Sternfeld and Elizabeth L. Wollman
| The Routledge companion to the contemporary musical / / edited by Jessica Sternfeld and Elizabeth L. Wollman |
| Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2019 |
| Descrizione fisica | 1 online resource (497 pages) |
| Disciplina | 782.14 |
| Soggetto topico | Musicals - History and criticism |
| ISBN |
1-134-85185-5
1-315-54370-2 1-134-85178-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910793604103321 |
| New York ; ; London : , : Routledge, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Routledge companion to the contemporary musical / / edited by Jessica Sternfeld and Elizabeth L. Wollman
| The Routledge companion to the contemporary musical / / edited by Jessica Sternfeld and Elizabeth L. Wollman |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2019 |
| Descrizione fisica | 1 online resource (497 pages) |
| Disciplina | 782.14 |
| Soggetto topico | Musicals - History and criticism |
| ISBN |
1-134-85185-5
1-315-54370-2 1-134-85178-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- PART 1 Setting the Stage: An Introduction to Analyzing the Musical Theater -- 1 Musical Theater Reception Theory, or What Happens When You See a Show? -- 2 "[Title of Chapter]" -- PART 2 Starting with the '70s -- 3 They're Playing My Song: The American Musical in the Me-Decade -- 4 "My Corner of the Sky": Adolescence and Coming of Age in the Musicals of Stephen Schwartz -- 5 Style as Star: Bob Fosse and Sixty Seconds That Changed Broadway -- 6 Recreating the Ephemeral: Broadway Revivals since 1971 -- PART 3 Aesthetic Transformations -- 7 Sing: Musical Theater Voices from Superstar to Hamilton -- 8 Amplifying Broadway after the Golden Age -- 9 Starlight Expression and Phantom Operatics: Technology, Performance, and the Megamusical's Aesthetic of the Voice -- 10 The Sung and the Spoken in Michael John LaChiusa's Musicals -- 11 The New "Sounds of Broadway": Orchestrating Electronic Instruments in Contemporary Musicals -- 12 Chart-Toppers to Showstoppers: Pop Artists Scoring the Broadway Stage -- 13 Scenographic Aesthetics and Automated Technologies in Broadway Musicals -- PART 4 Reading the Musical through Gender -- 14 Do-Re-#MeToo: Women, Work, and Representation in the Broadway Musical -- 15 It's Still Working: Collaborating to Perform the Stories of Everyday Americans, Then and Now -- 16 The Pink Elephant in the Room -- 17 "A Little More Mascara": Drag and the Broadway Musical from La Cage aux Folles to Kinky Boots -- PART 5 Reading the Musical through Race and Ethnicity -- 18 The Multiracial Musical Metropolis: Casting and Race after A Chorus Line -- 19 "Before the Parade Passes By": All-Black and All-Asian Hello, Dolly! as Celebration of Difference -- 20 Race and the City: Racial Formation in Avenue Q.
21 Can We "Leave Behind the World We Know"?: Exploring Race and Ethnicity in the Musicals of Lin-Manuel Miranda -- 22 Falsettos and Indecent in the Shadow of Fiddler on the Roof: Reconsidering Jewish Identity on Broadway in the New Millennium -- PART 6 Reading the Musical through Dance -- 23 What Makes a Musical?: Contact (2000) and Debates about Genre at the Dawn of the Twenty-First Century -- 24 Dance in Musical Theater Revival and Adaptation: Engaging with the Past While Creating Dances for the Present -- 25 The Convergence of Dance Styles in Hamilton: An American Musical -- PART 7 Reading the Musical through Interdisciplinary Lenses -- 26 Post-Secular Musicals in a Post-Truth World -- 27 Let's Do the Time Warp Again: Performing Time, Genre, and Spectatorship -- 28 The Eye of the Storm: Reading Next to Normal with Psychoanalysis -- 29 Parent/Child Relationships in the Musicals of Stephen Schwartz -- 30 John Kander: The First Ninety-Two Years -- 31 Unlikely Subjects: The Critical Reception of History Musicals -- PART 8 Beyond Broadway: New Media and Fan Studies -- 32 Worshipping Lin-Manuel Miranda: Fans and Totems in the Digital Age -- 33 "Trash Talk and Virtual Protests": The Musical Genre's Personal and Political Interactivity in the Age of Social Media -- 34 The Great Generational Divide: Stage-to-Screen Hollywood Musical Adaptations and the Enactment of Fandom -- 35 Play It Again (and Again, and Again): The Superfan and Musical Theater -- 36 Joss Whedon and the Geek Musical -- 37 "YouTube! Musicals! YouTubesicals!": Cultivating Theater Fandom through New Media -- 38 Dual-Focus Strategy in a Serial Narrative: Smash, Nashville, and the Television Musical Series -- PART 9 Growth and Expansion: Across the Country and Around the World -- 39 Sharon McQueen And Milwaukee's Alternative Regional Musical Theater -- 40 Musicals in the Regional Theater. 41 Big River: A New Road to Broadway -- 42 The Third Biggest Market: Musical Theater in Germany since 1990 -- 43 The Korean Self/American Other: Korean Musical Theater in the Context of National Cultural Development -- 44 The Lion King: An International History -- Author Biographies -- Index. |
| Record Nr. | UNINA-9910966362903321 |
| New York ; ; London : , : Routledge, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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