Don Giovanni in musica / Nino Pirrotta ; prefazione di Ellen Rosand |
Autore | PIRROTTA, Nino |
Pubbl/distr/stampa | Venezia : Marsilio, 1999 |
Descrizione fisica | 198 p. ; 22 cm |
Disciplina | 782.109033 |
Collana | Saggi Marsilio, Musica critica |
Soggetto topico | Don Giovanni nell'opera in musica - Sec. 17.-18 |
ISBN | 88-317-7187-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNISA-990005828460203316 |
PIRROTTA, Nino
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Venezia : Marsilio, 1999 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Magic Flutes and Enchanted Forests : The Supernatural in Eighteenth-Century Musical Theater / / David J. Buch |
Autore | Buch David J. |
Pubbl/distr/stampa | Chicago : , : University of Chicago Press, , [2009] |
Descrizione fisica | 1 online resource (483 p.) |
Disciplina |
782.109/033
782.109033 |
Soggetto topico |
Mozart, Wolfgang Amadeus, 1756-1791
Music and magic Musical theater - Europe - History - 18th century Musical theater Supernatural in musical theater Zauberflo ̈te Musical theater - History - 18th century - Europe Music History & Criticism, Vocal Music Music, Dance, Drama & Film |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-23943-0
9786612239434 0-226-07811-6 |
Classificazione | LR 54171 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Preface -- Abbreviations -- INTRODUCTION. Precedents & Sources of Magic & the "Marvelous" -- 1. L'Académie Royale de Musique -- 2. Opéra-comique -- 3. Italian Serious Genres -- 4. Italian Comic Genres -- 5. German Musical Theater -- 6. The Supernatural in the Operas of Mozart -- POSTSCRIPT. The Significance & Influence of Supernatural Topics -- APPENDIX A. Chronological List of Operas, Ballets, Comédies, Féeries, Pantomimes & Other Plays with Magic & Supernatural Content, 1699-1791 -- APPENDIX B. Selected Italian Circe, Medea & Orpheus Operas, 1700-1791 -- APPENDIX C. Operas Based on Ariosto & Tasso, 1700-1791 -- APPENDIX D. Some Eighteenth-Century Italian Don Juan Settings -- APPENDIX E. Chronological List of German Theatrical Works with Magic & Supernatural Content, 1728-92 -- Bibliography -- Index |
Record Nr. | UNINA-9910455157203321 |
Buch David J.
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Chicago : , : University of Chicago Press, , [2009] | ||
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Lo trovi qui: Univ. Federico II | ||
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Magic Flutes and Enchanted Forests : The Supernatural in Eighteenth-Century Musical Theater / / David J. Buch |
Autore | Buch David J. |
Pubbl/distr/stampa | Chicago : , : University of Chicago Press, , [2009] |
Descrizione fisica | 1 online resource (483 p.) |
Disciplina |
782.109/033
782.109033 |
Soggetto topico |
Musical theater - Europe - History - 18th century
Musical theater Zauberflöte Musical theater - History - 18th century - Europe Supernatural in musical theater Music and magic Music History & Criticism, Vocal Music Music, Dance, Drama & Film |
Soggetto non controllato | supernatural, 18th century, musicals, musical theater, theatre, performance, performer, song, dance, singing, dancing, acting, actor, actress, stage, theatrical, opera, singspiel, genre, play, ballet, themes, enlightenment, fantasy, era, time period, composer, playwright, art, artistic, entertainment, critics, audience, french, france, german, germany, italian, italy, magic flute, don giovanni, mozart |
ISBN |
1-282-23943-0
9786612239434 0-226-07811-6 |
Classificazione | LR 54171 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Preface -- Abbreviations -- INTRODUCTION. Precedents & Sources of Magic & the "Marvelous" -- 1. L'Académie Royale de Musique -- 2. Opéra-comique -- 3. Italian Serious Genres -- 4. Italian Comic Genres -- 5. German Musical Theater -- 6. The Supernatural in the Operas of Mozart -- POSTSCRIPT. The Significance & Influence of Supernatural Topics -- APPENDIX A. Chronological List of Operas, Ballets, Comédies, Féeries, Pantomimes & Other Plays with Magic & Supernatural Content, 1699-1791 -- APPENDIX B. Selected Italian Circe, Medea & Orpheus Operas, 1700-1791 -- APPENDIX C. Operas Based on Ariosto & Tasso, 1700-1791 -- APPENDIX D. Some Eighteenth-Century Italian Don Juan Settings -- APPENDIX E. Chronological List of German Theatrical Works with Magic & Supernatural Content, 1728-92 -- Bibliography -- Index |
Record Nr. | UNINA-9910778059803321 |
Buch David J.
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Chicago : , : University of Chicago Press, , [2009] | ||
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Lo trovi qui: Univ. Federico II | ||
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Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Berthold Over, Gesa zur Nieden |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
Descrizione fisica | 1 online resource (798 p.) |
Disciplina | 782.109033 |
Collana | Mainzer Historische Kulturwissenschaften |
Soggetto topico | Opera; Pastiche; Work Concept; Music Aesthetics; Arts; Cultural History; Art; Art History; European Art; Fine Arts |
Soggetto non controllato |
Art History
Art Arts Cultural History European Art Fine Arts Music Aesthetics Pastiche Work Concept |
ISBN | 3-8394-4885-9 |
Classificazione | LR 54171 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Editorial -- Content -- Introduction -- The World of Pasticcio Reflections on Pre-Existing T ext and Music -- Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau’s pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians – Traveling Music? -- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda’s Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios – Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement – Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places |
Record Nr. | UNINA-9910642294903321 |
Bielefeld, : transcript Verlag, 2021 | ||
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Lo trovi qui: Univ. Federico II | ||
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Operatic Pasticcios in 18th-Century Europe : Contexts, Materials and Aesthetics / Berthold Over, Gesa zur Nieden |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
Descrizione fisica | 1 online resource (798 p.) |
Disciplina | 782.109033 |
Collana | Mainzer Historische Kulturwissenschaften |
Soggetto topico | Opera; Pastiche; Work Concept; Music Aesthetics; Arts; Cultural History; Art; Art History; European Art; Fine Arts |
Soggetto non controllato |
Art History
Art Arts Cultural History European Art Fine Arts Music Aesthetics Pastiche Work Concept |
ISBN | 3-8394-4885-9 |
Classificazione | LR 54171 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Editorial -- Content -- Introduction -- The World of Pasticcio Reflections on Pre-Existing T ext and Music -- Italian Pasticcio Opera, 1700-1750 Practices and Repertoires -- 1. Pasticcio Principles in Different Arts -- Antoine Watteau’s pasticci -- Pasticcio Practice in 18th-Century German Theater -- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio’ s drammi per musica -- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- 2. Pasticcio vs. Pastiche -- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- Pasticcio en littérature? -- On the New Significance of the Pastiche in Copyright Law -- 3. Traveling Musicians – Traveling Music? -- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- 4. Local Conditions of Pasticcio Production and Reception -- Collaboration, Arrangement, ‘Dressing’: The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario’s Role -- Artaserse (Rome, 1721), Nicola Porpora’s First Pasticcio -- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- The Book of Pasticcios: Listening to Ormisda’s Material Texts -- Borrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and Moravia -- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis’ s Common Practice? -- A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- 5. Pasticcio Practices Beyond Opera -- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800 -- Dance in Pasticcios – Pasticcios in Dance -- Ballet Performance as Motivation for Pasticcio Practices – Gluck’ s and Berton’s Cythère assiégée (1775) -- The Use of Extracts of Mozart’ s Operas in Polish Sacred Music -- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18th Century -- 6. Pasticcio Between Philology and Materiality -- Apostolo Zeno’s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- The Musical and Physical Mobility of Material in Handel Sources -- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- Gluck’s Contribution to the Pasticcios Arsace and La finta schiava -- Digital Music Editions Beyond [Edited] Musical Text -- The pasticci Tree: Manual and Computing Solutions -- Ways of Replacement – Loss and Enrichment -- Epilogue -- List of Contributors -- Index of Persons -- Index of Places |
Record Nr. | UNISA-996509963903316 |
Bielefeld, : transcript Verlag, 2021 | ||
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Lo trovi qui: Univ. di Salerno | ||
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