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Musical symbolism in the operas of Debussy and Bartok [[electronic resource] ] : trauma, gender, and the unfolding of the unconscious / / Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz
| Musical symbolism in the operas of Debussy and Bartok [[electronic resource] ] : trauma, gender, and the unfolding of the unconscious / / Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz |
| Autore | Antokoletz Elliott |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2004 |
| Descrizione fisica | 1 online resource (xiv, 346 p. ) : ill |
| Disciplina | 782.1/092/2 |
| Altri autori (Persone) | AntokoletzJuana Canabal |
| Soggetto topico | Symbolism in music |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-45250-1
9786610452507 0-19-535595-4 1-4237-2631-6 1-60256-109-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910450267603321 |
Antokoletz Elliott
|
||
| Oxford ; ; New York, : Oxford University Press, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musical symbolism in the operas of Debussy and Bartok [[electronic resource] ] : trauma, gender, and the unfolding of the unconscious / / Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz
| Musical symbolism in the operas of Debussy and Bartok [[electronic resource] ] : trauma, gender, and the unfolding of the unconscious / / Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz |
| Autore | Antokoletz Elliott |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2004 |
| Descrizione fisica | 1 online resource (xiv, 346 p. ) : ill |
| Disciplina | 782.1/092/2 |
| Altri autori (Persone) | AntokoletzJuana Canabal |
| Soggetto topico | Symbolism in music |
| ISBN |
1-280-45250-1
9786610452507 0-19-535595-4 1-4237-2631-6 1-60256-109-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910783689703321 |
|
Antokoletz Elliott
|
||
| Oxford ; ; New York, : Oxford University Press, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musical symbolism in the operas of Debussy and Bartok : trauma, gender, and the unfolding of the unconscious / / Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz
| Musical symbolism in the operas of Debussy and Bartok : trauma, gender, and the unfolding of the unconscious / / Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz |
| Autore | Antokoletz Elliott |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2004 |
| Descrizione fisica | 1 online resource (xiv, 346 p. ) : ill |
| Disciplina | 782.1/092/2 |
| Altri autori (Persone) | AntokoletzJuana Canabal |
| Soggetto topico | Symbolism in music |
| ISBN |
1-280-45250-1
9786610452507 0-19-535595-4 1-4237-2631-6 1-60256-109-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Contents -- 1. Backgrounds and Development: The New Musical Language and Its Correspondence with Psycho-Dramatic Principles of Symbolist Opera -- 2. The New Musical Language -- 3. Trauma, Gender, and the Unfolding of the Unconscious -- 4. Pelléas et Mélisande: Polarity of Characterizations: Human Beings as Real-Life Individuals and Instruments of Fate -- 5. Pelléas et Mélisande: Fate and the Unconscious: Transformational Function of the Dominant Ninth Chord -- Symbolism of Sonority -- 6. Pelléas et Mélisande: Musico-Dramatic Turning Point: Intervallic Expansion as Symbol of Dramatic Tension and Change of Mood -- 7. Pelléas et Mélisande: Mélisande as Christ Symbol-Life, Death, and Resurrection-and Motivic Reinterpretations of the Whole-Tone Dyad -- 8. Pelléas et Mélisande: Circuity of Fate and Resolution of Mélisande's Dissonant Pentatonic-Whole-Tone Conflict -- 9. Duke Bluebeard's Castle: Psychological Motivation: Symbolic Interaction of Diatonic, Whole-Tone, and Chromatic Extremes -- 10. Duke Bluebeard's Castle: Toward Character Reversal: Reassignment of Pentatonic and Whole-Tone Spheres -- 11. Duke Bluebeard's Castle: The Nietzschean Condition and Polarity of Characterizations: Diatonic-Chromatic Extremes -- 12. Duke Bluebeard's Castle: Final Transformation and Retreat into Eternal Darkness: Synthesis of Pentatonic/Diatonic and Whole-Tone Spheres -- 13. Symbolism and Expressionism in Other Early Twentieth-Century Operas -- Epilogue -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z. |
| Record Nr. | UNINA-9910957965803321 |
|
Antokoletz Elliott
|
||
| Oxford ; ; New York, : Oxford University Press, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||