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Music beyond airports : appraising ambient music / / edited by Monty Adkins and Simon Cummings
| Music beyond airports : appraising ambient music / / edited by Monty Adkins and Simon Cummings |
| Pubbl/distr/stampa | Huddersfield, : University of Huddersfield Press, 2019 |
| Descrizione fisica | 1 online resource (254) |
| Disciplina | 781.648 |
| Soggetto topico | Music |
| Soggetto genere / forma | Conference papers and proceedings. |
| Soggetto non controllato |
Music
airports |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- How much world do you want?: ambient listening and its questions / David Toop -- Space in the ambience: is ambient music socially relevant? / Ambrose Field -- A question of background: sites of listening / Ulf Holbrook -- Three manifestations of spatiality in ambient music / Richard Talbot -- The steady state theory: recalibrating the quiddity of ambient music / Simon Cummings -- Fragility, noise, and atmosphere in ambient music / Monty Adkins -- Channeling the ecstasy of Hildegard von Bingen: "O Euchari" remixed / Lisa Colton -- Ambient house: "Little Fluffy Clouds" and the sampler as time machine / Justin Morey -- Adaptive game scoring with ambient music / Axel Berndt. |
| Record Nr. | UNINA-9910563074103321 |
| Huddersfield, : University of Huddersfield Press, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The New Age of Electronic Dance Music and Club Culture [[electronic resource] /] / edited by Anita Jóri, Martin Lücke
| The New Age of Electronic Dance Music and Club Culture [[electronic resource] /] / edited by Anita Jóri, Martin Lücke |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2020 |
| Descrizione fisica | 1 online resource (151 pages) |
| Disciplina | 781.648 |
| Collana | Music Business Research |
| Soggetto topico |
Music
Culture—Economic aspects Dance Digital media Management Mass media Law Cultural Economics Digital/New Media Cultural Management IT Law, Media Law, Intellectual Property |
| ISBN | 3-030-39002-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Part I -- Electronic Dance Music and Club Culture in Berlin -- Dimensions of Club Culture – Learning from Berlin -- Only the Echo is Left (Alive) -- The Berlin Techno Myth and Issues of Diversity About the connections between techno, the muting of diverse perspectives, inequalities and the persisting need for platforms like female:pressure -- Club Culture and Electronic Dance Music in Berlin: An Economical, Social and Aesthetical Perspective -- Researching Informal Musical Expertise and Mediations of Aesthetic Experiences among the Berlin Techno Audience -- Part II -- Musicians and Musickers -- The Influence of Berlin on Austrian and Polish Electronic Musickers -- “100% Expert!” Mastery and Equality in Darsha Hewitt’s Sideman 5000 Adventure -- Part III -- Electronic Musical Instruments and Their Users -- Sound Visions and Visible Sounds. Electronic Musical Instruments and Their Power to Change -- The Discourse Community of Electronic Dance Music Through the Example of the TB-303 Owners Club -- The Human Modular Synthesizer – The Musical Design and Live Performance of Elektro Guzzi’s Pentagonia. |
| Record Nr. | UNINA-9910483456003321 |
| Cham : , : Springer International Publishing : , : Imprint : Springer, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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