The country music reader / / Travis D. Stimeling |
Autore | Stimeling Travis D. |
Pubbl/distr/stampa | New York : , : Oxford University Press, , [2014] |
Descrizione fisica | 1 online resource (409 p.) |
Disciplina | 781.64209 |
Soggetto topico | Country music - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
0-19-023373-7
0-19-931491-8 0-19-931493-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; The Country Music Reader; Copyright; Dedication; Contents; Preface; Acknowledgments; Note on Sources; 1 Linton K. Starr, "Georgia's Unwritten Airs Played by Old 'Fiddlers' for Atlanta Prizes: Untutored Players from Hillsides and Marshes Perform Traditional Southern Melodies on Wire-Stringed Violins-Society Folk and Workers in Audiences 'Shuffle Feet'; 2 Cecil B. Sharp, English Folk Songs from the Southern Appalachians (1917) [excerpt]; 3 John A. Lomax, Cowboy Songs and Other Frontier Ballads (1910) ; 4 "What the Popularity of Hill-Billy Songs Means in Retail Profit Sensibilities
5 "Mountain Songs Recorded Here by Victor Co.: Notable Performers of This Section at Work at Station in This City" (1927)6 Ralph Peer, "Discovery of the 1st Hillbilly Great" (1953); 7 Bill Williams, "Interview with Mother Maybelle Carter" (1968/1971); 8 Harold A. Safford, "Bradley Kincaid" (1928); 9 Paul Hobson, "Radio's Hillbilly King, Carson Robison, who is, with his Pioneers, a regular attraction for Oxydol every Sunday from Luxembourg, Lyons and Normandy, tells us in this interview how he writes his world-famous songs" (1938); 10 John Wright, "J. E. Mainer" (1993) 11 Virginia Seeds, "Back Stage Ramble: Cowboys and Cow Belles Enjoy the Barn Dance" (1936)12 "No Hill Billies in Radio: Ballads Are Still Written, Says John Lair" (1935); 13 Alva Johnston, "Tenor on Horseback" (1939); 14 George D. Hay, A Story of the Grand Old Opry (1945); 15 Janis Stout, "The Light Crust Doughboys Were on the Air: A Memoir" (1996); 16 "Okies Reverse Order of Steinbeck's Tale" (1941); 17 Maurice Zolotow, "Hillbilly Boom" (1944); 18 Nicholas Dawidoff, "Earl Scruggs: Three Fast Fingers" (1997); 19 Rufus Jarman, "Country Music Goes to Town" (1953) 20 Johnny Cash on Recording at Sun with Sam Phillips, Cash: The Autobiography (1997)21 Charlie Louvin, "Elvis" (2012); 22 Murray Nash, "Miss Country Music and Her Family" (1955); 23 Linda Lamendola, "Steve Sholes-Star Maker" (1956); 24 Ben A. Green, "Chet Makes Guitar Talk with Rhythm and Melody" (1957); 25 "Coast Country Biz Booms" (1957); 26 Alan Lomax, "Bluegrass Background: Folk Music with Overdrive" (1959); 27 Tom T. Hall, The Storyteller's Nashville, on Song Writing and Song Plugging (1979); 28 "The Story of the Country Music Association" (1968); 29 "Ask Trina" (1968) 30 John Grissim Jr., "California White Man's Shit Kickin' Blues" (1969)31 Lee Arnold, "A DJ Tells Why-There's Country Music in the City Air" (1975); 32 Michael Bane, The Outlaws: Revolution in Country Music (1978); 33 Rex Rutkoski, "The Pill: Should It Be Banned from Airplay?" (1975); 34 George F. Will, "Of Pride and Country Music" (1975); 35 Aaron Latham, "The Ballad of the Urban Cowboy: America's Search for True Grit" (1978); 36 Tom Anthony, "Kenny Rogers: Drawing Full Houses" (1981); 37 Alanna Nash, "Emmylou Harris" (1988); 38 Holly G. Miller, "Randy Travis: Nice Guy Finishes First" (1988) 39 Bruce Feiler, Dreaming Out Loud: Garth Brooks, Wynonna Judd, Wade Hayes, and the Changing Face of Nashville (1998) |
Record Nr. | UNINA-9910463579703321 |
Stimeling Travis D. | ||
New York : , : Oxford University Press, , [2014] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The country music reader / / Travis D. Stimeling |
Autore | Stimeling Travis D. |
Pubbl/distr/stampa | New York : , : Oxford University Press, , [2014] |
Descrizione fisica | 1 online resource (409 p.) |
Disciplina | 781.64209 |
Soggetto topico | Country music - History and criticism |
ISBN |
0-19-023373-7
0-19-931491-8 0-19-931493-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; The Country Music Reader; Copyright; Dedication; Contents; Preface; Acknowledgments; Note on Sources; 1 Linton K. Starr, "Georgia's Unwritten Airs Played by Old 'Fiddlers' for Atlanta Prizes: Untutored Players from Hillsides and Marshes Perform Traditional Southern Melodies on Wire-Stringed Violins-Society Folk and Workers in Audiences 'Shuffle Feet'; 2 Cecil B. Sharp, English Folk Songs from the Southern Appalachians (1917) [excerpt]; 3 John A. Lomax, Cowboy Songs and Other Frontier Ballads (1910) ; 4 "What the Popularity of Hill-Billy Songs Means in Retail Profit Sensibilities
5 "Mountain Songs Recorded Here by Victor Co.: Notable Performers of This Section at Work at Station in This City" (1927)6 Ralph Peer, "Discovery of the 1st Hillbilly Great" (1953); 7 Bill Williams, "Interview with Mother Maybelle Carter" (1968/1971); 8 Harold A. Safford, "Bradley Kincaid" (1928); 9 Paul Hobson, "Radio's Hillbilly King, Carson Robison, who is, with his Pioneers, a regular attraction for Oxydol every Sunday from Luxembourg, Lyons and Normandy, tells us in this interview how he writes his world-famous songs" (1938); 10 John Wright, "J. E. Mainer" (1993) 11 Virginia Seeds, "Back Stage Ramble: Cowboys and Cow Belles Enjoy the Barn Dance" (1936)12 "No Hill Billies in Radio: Ballads Are Still Written, Says John Lair" (1935); 13 Alva Johnston, "Tenor on Horseback" (1939); 14 George D. Hay, A Story of the Grand Old Opry (1945); 15 Janis Stout, "The Light Crust Doughboys Were on the Air: A Memoir" (1996); 16 "Okies Reverse Order of Steinbeck's Tale" (1941); 17 Maurice Zolotow, "Hillbilly Boom" (1944); 18 Nicholas Dawidoff, "Earl Scruggs: Three Fast Fingers" (1997); 19 Rufus Jarman, "Country Music Goes to Town" (1953) 20 Johnny Cash on Recording at Sun with Sam Phillips, Cash: The Autobiography (1997)21 Charlie Louvin, "Elvis" (2012); 22 Murray Nash, "Miss Country Music and Her Family" (1955); 23 Linda Lamendola, "Steve Sholes-Star Maker" (1956); 24 Ben A. Green, "Chet Makes Guitar Talk with Rhythm and Melody" (1957); 25 "Coast Country Biz Booms" (1957); 26 Alan Lomax, "Bluegrass Background: Folk Music with Overdrive" (1959); 27 Tom T. Hall, The Storyteller's Nashville, on Song Writing and Song Plugging (1979); 28 "The Story of the Country Music Association" (1968); 29 "Ask Trina" (1968) 30 John Grissim Jr., "California White Man's Shit Kickin' Blues" (1969)31 Lee Arnold, "A DJ Tells Why-There's Country Music in the City Air" (1975); 32 Michael Bane, The Outlaws: Revolution in Country Music (1978); 33 Rex Rutkoski, "The Pill: Should It Be Banned from Airplay?" (1975); 34 George F. Will, "Of Pride and Country Music" (1975); 35 Aaron Latham, "The Ballad of the Urban Cowboy: America's Search for True Grit" (1978); 36 Tom Anthony, "Kenny Rogers: Drawing Full Houses" (1981); 37 Alanna Nash, "Emmylou Harris" (1988); 38 Holly G. Miller, "Randy Travis: Nice Guy Finishes First" (1988) 39 Bruce Feiler, Dreaming Out Loud: Garth Brooks, Wynonna Judd, Wade Hayes, and the Changing Face of Nashville (1998) |
Record Nr. | UNINA-9910788085503321 |
Stimeling Travis D. | ||
New York : , : Oxford University Press, , [2014] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The country music reader / / Travis D. Stimeling |
Autore | Stimeling Travis D. |
Pubbl/distr/stampa | New York : , : Oxford University Press, , [2014] |
Descrizione fisica | 1 online resource (409 p.) |
Disciplina | 781.64209 |
Soggetto topico | Country music - History and criticism |
ISBN |
0-19-023373-7
0-19-931491-8 0-19-931493-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; The Country Music Reader; Copyright; Dedication; Contents; Preface; Acknowledgments; Note on Sources; 1 Linton K. Starr, "Georgia's Unwritten Airs Played by Old 'Fiddlers' for Atlanta Prizes: Untutored Players from Hillsides and Marshes Perform Traditional Southern Melodies on Wire-Stringed Violins-Society Folk and Workers in Audiences 'Shuffle Feet'; 2 Cecil B. Sharp, English Folk Songs from the Southern Appalachians (1917) [excerpt]; 3 John A. Lomax, Cowboy Songs and Other Frontier Ballads (1910) ; 4 "What the Popularity of Hill-Billy Songs Means in Retail Profit Sensibilities
5 "Mountain Songs Recorded Here by Victor Co.: Notable Performers of This Section at Work at Station in This City" (1927)6 Ralph Peer, "Discovery of the 1st Hillbilly Great" (1953); 7 Bill Williams, "Interview with Mother Maybelle Carter" (1968/1971); 8 Harold A. Safford, "Bradley Kincaid" (1928); 9 Paul Hobson, "Radio's Hillbilly King, Carson Robison, who is, with his Pioneers, a regular attraction for Oxydol every Sunday from Luxembourg, Lyons and Normandy, tells us in this interview how he writes his world-famous songs" (1938); 10 John Wright, "J. E. Mainer" (1993) 11 Virginia Seeds, "Back Stage Ramble: Cowboys and Cow Belles Enjoy the Barn Dance" (1936)12 "No Hill Billies in Radio: Ballads Are Still Written, Says John Lair" (1935); 13 Alva Johnston, "Tenor on Horseback" (1939); 14 George D. Hay, A Story of the Grand Old Opry (1945); 15 Janis Stout, "The Light Crust Doughboys Were on the Air: A Memoir" (1996); 16 "Okies Reverse Order of Steinbeck's Tale" (1941); 17 Maurice Zolotow, "Hillbilly Boom" (1944); 18 Nicholas Dawidoff, "Earl Scruggs: Three Fast Fingers" (1997); 19 Rufus Jarman, "Country Music Goes to Town" (1953) 20 Johnny Cash on Recording at Sun with Sam Phillips, Cash: The Autobiography (1997)21 Charlie Louvin, "Elvis" (2012); 22 Murray Nash, "Miss Country Music and Her Family" (1955); 23 Linda Lamendola, "Steve Sholes-Star Maker" (1956); 24 Ben A. Green, "Chet Makes Guitar Talk with Rhythm and Melody" (1957); 25 "Coast Country Biz Booms" (1957); 26 Alan Lomax, "Bluegrass Background: Folk Music with Overdrive" (1959); 27 Tom T. Hall, The Storyteller's Nashville, on Song Writing and Song Plugging (1979); 28 "The Story of the Country Music Association" (1968); 29 "Ask Trina" (1968) 30 John Grissim Jr., "California White Man's Shit Kickin' Blues" (1969)31 Lee Arnold, "A DJ Tells Why-There's Country Music in the City Air" (1975); 32 Michael Bane, The Outlaws: Revolution in Country Music (1978); 33 Rex Rutkoski, "The Pill: Should It Be Banned from Airplay?" (1975); 34 George F. Will, "Of Pride and Country Music" (1975); 35 Aaron Latham, "The Ballad of the Urban Cowboy: America's Search for True Grit" (1978); 36 Tom Anthony, "Kenny Rogers: Drawing Full Houses" (1981); 37 Alanna Nash, "Emmylou Harris" (1988); 38 Holly G. Miller, "Randy Travis: Nice Guy Finishes First" (1988) 39 Bruce Feiler, Dreaming Out Loud: Garth Brooks, Wynonna Judd, Wade Hayes, and the Changing Face of Nashville (1998) |
Record Nr. | UNINA-9910810232103321 |
Stimeling Travis D. | ||
New York : , : Oxford University Press, , [2014] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
He Stopped Loving Her Today [[electronic resource] ] : George Jones, Billy Sherrill, and the Pretty-Much Totally True Story of the Making of the Greatest Country Record of All Time / / Jack Isenhour |
Autore | Isenhour Jack |
Pubbl/distr/stampa | Jackson, : University Press of Mississippi, c2011 |
Descrizione fisica | 1 online resource (228 p.) |
Disciplina | 781.64209 |
Collana | American made music series |
Soggetto topico |
Country music - Production and direction - History
Country music - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-17378-6
9786613173782 1-61703-102-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | pt. 1. George Jones live -- pt. 2. Authenticity, a.k.a. the real deal -- pt. 3. The Nashville sound -- pt. 4. Music makers -- pt. 5. George Glenn -- pt. 6. The making of "he stopped lover her today". |
Record Nr. | UNINA-9910781800003321 |
Isenhour Jack | ||
Jackson, : University Press of Mississippi, c2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
He stopped loving her today : George Jones, Billy Sherrill, and the pretty-much totally true story of the making of the greatest country record of all time / / Jack Isenhour |
Autore | Isenhour Jack |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Jackson, : University Press of Mississippi, c2011 |
Descrizione fisica | 1 online resource (228 p.) |
Disciplina | 781.64209 |
Collana | American made music series |
Soggetto topico |
Country music - History and criticism
Country music - Production and direction - History |
ISBN |
1-283-17378-6
9786613173782 1-61703-102-X |
Classificazione | MUS000000 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | pt. 1. George Jones live -- pt. 2. Authenticity, a.k.a. the real deal -- pt. 3. The Nashville sound -- pt. 4. Music makers -- pt. 5. George Glenn -- pt. 6. The making of "he stopped lover her today". |
Record Nr. | UNINA-9910814880903321 |
Isenhour Jack | ||
Jackson, : University Press of Mississippi, c2011 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The history of country music / / Stuart A. Kallen |
Autore | Kallen Stuart A. <1955-> |
Pubbl/distr/stampa | Detroit : , : Lucent Books, , 2012 |
Descrizione fisica | 1 online resource (136 pages) : illustrations (some color) |
Disciplina | 781.64209 |
Collana | The music library |
Soggetto topico | Country music - History and criticism |
ISBN | 1-4205-0974-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Country roots -- Cowboy music and western swing -- Honky tonk music -- The Nashville sound -- Country rock and outlaws -- Old and new traditions -- Alt, progressive, and pop country. |
Record Nr. | UNINA-9910131149503321 |
Kallen Stuart A. <1955-> | ||
Detroit : , : Lucent Books, , 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Homegrown Music [[electronic resource] ] : Discovering Bluegrass |
Autore | Ledgin Stephanie P |
Pubbl/distr/stampa | Santa Barbara, : ABC-CLIO, 2004 |
Descrizione fisica | 1 online resource (217 p.) |
Disciplina |
781.642/09
781.64209 |
Collana | Music in American life Homegrown music |
Soggetto topico |
Bluegrass music -- History and criticism
Bluegrass music - History and criticism Music Music, Dance, Drama & Film Music History & Criticism, Popular - Jazz, Rock, etc |
Soggetto genere / forma | Electronic books. |
ISBN |
1-280-46958-7
9780313052050 9786610469581 0-313-05205-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Foreword; Preface; Acknowledgments; Introduction: O Bluegrass, Where Art Thou?; Chapter 1 Homegrown Music: What Is Bluegrass?; Chapter 2 The Evolution of Bluegrass: A Mosaic of Influences; Chapter 3 Banjo Meets the High Lonesome Sound; Chapter 4 Bluegrass Bends and Blends; Chapter 5 Fiddling to Flatpicking; Chapter 6 Songs of Love, Death, Faith, and Family; A photo essay; Chapter 7 Popular Culture: Got Bluegrass?; Chapter 8 The International Language of Bluegrass; Chapter 9 Up Close: Concerts, Festivals, and Parking Lot Pickin'; Chapter 10 Pick It Up, Pass It On!
Chapter 11 On the HorizonChapter 12 Down the Road: Continuing the Tradition; Afterword: Rediscovering Bluegrass; Twenty-Five Recordings to Jump-Start Your Collection ... Plus a Random Sampling of Videos; Where to from Here: Suggested Resources; Selected Works Consulted; Index |
Record Nr. | UNINA-9910451766303321 |
Ledgin Stephanie P | ||
Santa Barbara, : ABC-CLIO, 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Homegrown Music [[electronic resource] ] : Discovering Bluegrass |
Autore | Ledgin Stephanie P |
Pubbl/distr/stampa | Santa Barbara, : ABC-CLIO, 2004 |
Descrizione fisica | 1 online resource (217 p.) |
Disciplina |
781.642/09
781.64209 |
Collana | Music in American life Homegrown music |
Soggetto topico |
Bluegrass music -- History and criticism
Bluegrass music - History and criticism Music Music, Dance, Drama & Film Music History & Criticism, Popular - Jazz, Rock, etc |
ISBN |
1-280-46958-7
9780313052050 9786610469581 0-313-05205-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Foreword; Preface; Acknowledgments; Introduction: O Bluegrass, Where Art Thou?; Chapter 1 Homegrown Music: What Is Bluegrass?; Chapter 2 The Evolution of Bluegrass: A Mosaic of Influences; Chapter 3 Banjo Meets the High Lonesome Sound; Chapter 4 Bluegrass Bends and Blends; Chapter 5 Fiddling to Flatpicking; Chapter 6 Songs of Love, Death, Faith, and Family; A photo essay; Chapter 7 Popular Culture: Got Bluegrass?; Chapter 8 The International Language of Bluegrass; Chapter 9 Up Close: Concerts, Festivals, and Parking Lot Pickin'; Chapter 10 Pick It Up, Pass It On!
Chapter 11 On the HorizonChapter 12 Down the Road: Continuing the Tradition; Afterword: Rediscovering Bluegrass; Twenty-Five Recordings to Jump-Start Your Collection ... Plus a Random Sampling of Videos; Where to from Here: Suggested Resources; Selected Works Consulted; Index |
Record Nr. | UNINA-9910777414903321 |
Ledgin Stephanie P | ||
Santa Barbara, : ABC-CLIO, 2004 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|