"Cashville" : dilution of original country music identity through increasing commercialization / / Stephanie Schafer |
Autore | Schafer Stephanie |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Hamburg, : Diplomica Verlag, 2012 |
Descrizione fisica | 1 online resource (120 p.) |
Disciplina | 781.642 |
Soggetto topico |
Country music - History and criticism
Music trade - Tennessee - Nashville |
ISBN | 3-8428-2845-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
"Cashville": Dilution of Original Country Music Identity through Increasing Commercialization; Table of Contents; I. Introduction: Country Music as Manifestation of Identity and Cultural Expression; II. Stereotypes and Recognition of American Country Music; III. Perspectives of Identity and Music: Social Identity Theory; 1. Country Music Identity; 2. Where I Come From: Southern Working Class Identity and Country Music; 2.1 Peculiarities of Southern Culture: Sense of Place; 2.2 Working-Class Culture; IV. Generic Themes of Country Music
V. History of Country Music: Blending of Cultures vs. Preservation of Identity 1. Cowboy Music; 2. 1930's: Western Swing: Bob Wills; 3. The 1940's and 1950's; 3.1 Hillbilly/Honky-Tonk; 3.2 The Bar: An Alternative Home; 4. Reaching a Broader Audience: The Emergence of Radio Broadcasting; 5. Early 1970's: Cosmic Cowboy/ Outlaw Movement; 6. 1970's: Mainstream Country/Country-Pop; 7. Late 1970's/1980's: Urban Cowboy; 8. 1980's: New Traditionalists; 9. 1990's - Today: Young Country; VI. Musical Hybrids; 1. Alternative Country; 2. Country-Rock/Southern Rock/Americana 3. Blending of Cultures: Conjunto and Tejano Music VII. "Don't Get Above Your Raisin'": Authentic Regional Identity vs.Commercialization; 1. Class Identity; 2. Authenticity and Commodification; 3. Back to the Roots: Country Identity and Regional Pride; 3.1 Texas Country; 3.2 Texas Regional Pride; 3.3 Austin and Lubbock - Lone Star Country Music Arenas; 3.4 Anti-Nashville Sentiments; 4. Nashville Country; 4.1 The (Countrypolitan) Nashville Sound; 4.2 Commercialization and Performance; 4.3 Grand Ol' Opry; 4.4 Cowboy Lifestyle; 4.5 Back to the Roots: The Story of Willie Nelson 4.6 "Gone Country": The Changing Face of Nashville VIII. Preliminary Conclusion; IX. Red, White, and Blue: National Expansion of Country Music; 1. Country Music Goes to War; 1.1 World War II; 1.2 United Forces against Communism; 2. Walls came tumbling down: Country Music after 9/11; 2.1 Unity in Crisis: National Identity; 2.1.1 Toby Keith: "Courtesy of the Red, White, and Blue (The Angry American)"; 2.1.2 Alan Jackson: "Where Were You (When the World Stopped Turning)"; 2.2 Country Songs in the Patriotic Tradition; 2.2.1 Darryl Worley: "Have you Forgotten"; 2.2.2 Brooks & Dunn: "Holy War" 3. Political Campaigns and Country Music 4. Country Musicians in Political Battle: Dixie Chicks vs. Toby Keith; X. Conclusion; XI. Bibliography; Author's Profile |
Record Nr. | UNINA-9910810152403321 |
Schafer Stephanie | ||
Hamburg, : Diplomica Verlag, 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
"Cashville" [[electronic resource] ] : dilution of original country music identity through increasing commercialization / / Stephanie Schäfer |
Autore | Schäfer Stephanie |
Pubbl/distr/stampa | Hamburg, : Diplomica Verlag, 2012 |
Descrizione fisica | 1 online resource (120 p.) |
Disciplina | 781.642 |
Soggetto topico |
Country music - History and criticism
Music trade - Tennessee - Nashville |
Soggetto genere / forma | Electronic books. |
ISBN | 3-8428-2845-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
"Cashville": Dilution of Original Country Music Identity through Increasing Commercialization; Table of Contents; I. Introduction: Country Music as Manifestation of Identity and Cultural Expression; II. Stereotypes and Recognition of American Country Music; III. Perspectives of Identity and Music: Social Identity Theory; 1. Country Music Identity; 2. Where I Come From: Southern Working Class Identity and Country Music; 2.1 Peculiarities of Southern Culture: Sense of Place; 2.2 Working-Class Culture; IV. Generic Themes of Country Music
V. History of Country Music: Blending of Cultures vs. Preservation of Identity 1. Cowboy Music; 2. 1930's: Western Swing: Bob Wills; 3. The 1940's and 1950's; 3.1 Hillbilly/Honky-Tonk; 3.2 The Bar: An Alternative Home; 4. Reaching a Broader Audience: The Emergence of Radio Broadcasting; 5. Early 1970's: Cosmic Cowboy/ Outlaw Movement; 6. 1970's: Mainstream Country/Country-Pop; 7. Late 1970's/1980's: Urban Cowboy; 8. 1980's: New Traditionalists; 9. 1990's - Today: Young Country; VI. Musical Hybrids; 1. Alternative Country; 2. Country-Rock/Southern Rock/Americana 3. Blending of Cultures: Conjunto and Tejano Music VII. "Don't Get Above Your Raisin'": Authentic Regional Identity vs.Commercialization; 1. Class Identity; 2. Authenticity and Commodification; 3. Back to the Roots: Country Identity and Regional Pride; 3.1 Texas Country; 3.2 Texas Regional Pride; 3.3 Austin and Lubbock - Lone Star Country Music Arenas; 3.4 Anti-Nashville Sentiments; 4. Nashville Country; 4.1 The (Countrypolitan) Nashville Sound; 4.2 Commercialization and Performance; 4.3 Grand Ol' Opry; 4.4 Cowboy Lifestyle; 4.5 Back to the Roots: The Story of Willie Nelson 4.6 "Gone Country": The Changing Face of Nashville VIII. Preliminary Conclusion; IX. Red, White, and Blue: National Expansion of Country Music; 1. Country Music Goes to War; 1.1 World War II; 1.2 United Forces against Communism; 2. Walls came tumbling down: Country Music after 9/11; 2.1 Unity in Crisis: National Identity; 2.1.1 Toby Keith: "Courtesy of the Red, White, and Blue (The Angry American)"; 2.1.2 Alan Jackson: "Where Were You (When the World Stopped Turning)"; 2.2 Country Songs in the Patriotic Tradition; 2.2.1 Darryl Worley: "Have you Forgotten"; 2.2.2 Brooks & Dunn: "Holy War" 3. Political Campaigns and Country Music 4. Country Musicians in Political Battle: Dixie Chicks vs. Toby Keith; X. Conclusion; XI. Bibliography; Author's Profile |
Record Nr. | UNINA-9910461667303321 |
Schäfer Stephanie | ||
Hamburg, : Diplomica Verlag, 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
"Cashville" [[electronic resource] ] : dilution of original country music identity through increasing commercialization / / Stephanie Schäfer |
Autore | Schäfer Stephanie |
Pubbl/distr/stampa | Hamburg, : Diplomica Verlag, 2012 |
Descrizione fisica | 1 online resource (120 p.) |
Disciplina | 781.642 |
Soggetto topico |
Country music - History and criticism
Music trade - Tennessee - Nashville |
ISBN | 3-8428-2845-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
"Cashville": Dilution of Original Country Music Identity through Increasing Commercialization; Table of Contents; I. Introduction: Country Music as Manifestation of Identity and Cultural Expression; II. Stereotypes and Recognition of American Country Music; III. Perspectives of Identity and Music: Social Identity Theory; 1. Country Music Identity; 2. Where I Come From: Southern Working Class Identity and Country Music; 2.1 Peculiarities of Southern Culture: Sense of Place; 2.2 Working-Class Culture; IV. Generic Themes of Country Music
V. History of Country Music: Blending of Cultures vs. Preservation of Identity 1. Cowboy Music; 2. 1930's: Western Swing: Bob Wills; 3. The 1940's and 1950's; 3.1 Hillbilly/Honky-Tonk; 3.2 The Bar: An Alternative Home; 4. Reaching a Broader Audience: The Emergence of Radio Broadcasting; 5. Early 1970's: Cosmic Cowboy/ Outlaw Movement; 6. 1970's: Mainstream Country/Country-Pop; 7. Late 1970's/1980's: Urban Cowboy; 8. 1980's: New Traditionalists; 9. 1990's - Today: Young Country; VI. Musical Hybrids; 1. Alternative Country; 2. Country-Rock/Southern Rock/Americana 3. Blending of Cultures: Conjunto and Tejano Music VII. "Don't Get Above Your Raisin'": Authentic Regional Identity vs.Commercialization; 1. Class Identity; 2. Authenticity and Commodification; 3. Back to the Roots: Country Identity and Regional Pride; 3.1 Texas Country; 3.2 Texas Regional Pride; 3.3 Austin and Lubbock - Lone Star Country Music Arenas; 3.4 Anti-Nashville Sentiments; 4. Nashville Country; 4.1 The (Countrypolitan) Nashville Sound; 4.2 Commercialization and Performance; 4.3 Grand Ol' Opry; 4.4 Cowboy Lifestyle; 4.5 Back to the Roots: The Story of Willie Nelson 4.6 "Gone Country": The Changing Face of Nashville VIII. Preliminary Conclusion; IX. Red, White, and Blue: National Expansion of Country Music; 1. Country Music Goes to War; 1.1 World War II; 1.2 United Forces against Communism; 2. Walls came tumbling down: Country Music after 9/11; 2.1 Unity in Crisis: National Identity; 2.1.1 Toby Keith: "Courtesy of the Red, White, and Blue (The Angry American)"; 2.1.2 Alan Jackson: "Where Were You (When the World Stopped Turning)"; 2.2 Country Songs in the Patriotic Tradition; 2.2.1 Darryl Worley: "Have you Forgotten"; 2.2.2 Brooks & Dunn: "Holy War" 3. Political Campaigns and Country Music 4. Country Musicians in Political Battle: Dixie Chicks vs. Toby Keith; X. Conclusion; XI. Bibliography; Author's Profile |
Record Nr. | UNINA-9910785825903321 |
Schäfer Stephanie | ||
Hamburg, : Diplomica Verlag, 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Country Music Changed My Life [[electronic resource] ] : Tales of Tough Times and Triumph from Country's Legends |
Autore | Burke Ken K |
Pubbl/distr/stampa | Chicago, IL, : Chicago Review Press, 2005 |
Descrizione fisica | 1 online resource (354 p.) |
Disciplina |
781.642
781.642092 781.642092273 782.4216420922 |
Soggetto topico |
Country musicians --United States --Biography
Country musicians --United States --Interviews Country musicians |
Soggetto genere / forma | Electronic books. |
ISBN | 1-55652-990-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Cover; Table of Contents; Acknowledgments; Introduction; 1 Rags to Riches; 2 Close Encounters of the Country Kind; 3 Coming Back and Coming Home; 4 Spirituality; 5 The Elvis Factor; 6 Country Comedy; 7 Big Stars and an Icon; 8 Redemption; Index |
Record Nr. | UNINA-9910454176803321 |
Burke Ken K | ||
Chicago, IL, : Chicago Review Press, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Country Music Changed My Life [[electronic resource] ] : Tales of Tough Times and Triumph from Country's Legends |
Autore | Burke Ken K |
Pubbl/distr/stampa | Chicago, IL, : Chicago Review Press, 2005 |
Descrizione fisica | 1 online resource (354 p.) |
Disciplina |
781.642
781.642092 781.642092273 782.4216420922 |
Soggetto topico |
Country musicians --United States --Biography
Country musicians --United States --Interviews Country musicians |
ISBN | 1-55652-990-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Cover; Table of Contents; Acknowledgments; Introduction; 1 Rags to Riches; 2 Close Encounters of the Country Kind; 3 Coming Back and Coming Home; 4 Spirituality; 5 The Elvis Factor; 6 Country Comedy; 7 Big Stars and an Icon; 8 Redemption; Index |
Record Nr. | UNINA-9910782691103321 |
Burke Ken K | ||
Chicago, IL, : Chicago Review Press, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Discovering country music [[electronic resource] /] / Don Cusic |
Autore | Cusic Don |
Pubbl/distr/stampa | Westport, Conn., : Praeger, 2008 |
Descrizione fisica | 1 online resource (240 p.) |
Disciplina | 781.642 |
Soggetto topico | Country music - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-02672-0
9786612026720 0-313-35246-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Country music: what is it? -- Early country music -- On radio & in the movies -- Country music in the 1940s -- Country music in the 1950s -- Politics and country music -- Country music & the national media -- Country music in the 1960s and 1970s -- The 1980s and 1990s -- Country radio -- Country music international -- Politics and religion -- The twenty-first century -- The road ahead. |
Record Nr. | UNINA-9910454294203321 |
Cusic Don | ||
Westport, Conn., : Praeger, 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Discovering country music [[electronic resource] /] / Don Cusic |
Autore | Cusic Don |
Pubbl/distr/stampa | Westport, Conn. : , : Praeger Publishers, , 2008 |
Descrizione fisica | 1 online resource (240 p.) |
Disciplina | 781.642 |
Soggetto topico | Country music - History and criticism |
ISBN |
979-84-00-64117-6
1-282-02672-0 9786612026720 0-313-35246-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Country music : what is it? -- Early country music -- On radio & in the movies -- Country music in the '40s -- Country music in the '50s -- Politics and country music -- Country music & the national media -- Country music in the '60s and '70s -- The '80s and '90s -- Country radio -- International -- Politics and religion -- The 21st century -- The road ahead. |
Record Nr. | UNINA-9910782739703321 |
Cusic Don | ||
Westport, Conn. : , : Praeger Publishers, , 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Discovering country music / / Don Cusic |
Autore | Cusic Don |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Westport, Conn. : , : Praeger Publishers, , 2008 |
Descrizione fisica | 1 online resource (240 p.) |
Disciplina | 781.642 |
Soggetto topico | Country music - History and criticism |
ISBN |
979-84-00-64117-6
1-282-02672-0 9786612026720 0-313-35246-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Country music : what is it? -- Early country music -- On radio & in the movies -- Country music in the '40s -- Country music in the '50s -- Politics and country music -- Country music & the national media -- Country music in the '60s and '70s -- The '80s and '90s -- Country radio -- International -- Politics and religion -- The 21st century -- The road ahead. |
Record Nr. | UNINA-9910823963503321 |
Cusic Don | ||
Westport, Conn. : , : Praeger Publishers, , 2008 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
La country music / Gérard Herzhaft |
Autore | Herzhaft, Gérard |
Pubbl/distr/stampa | Paris : Presses Universitaires de France, 1984 |
Descrizione fisica | 127 p. ; 18 cm |
Disciplina | 781.642 |
Collana | Que sais-je? |
ISBN | 2-13-038168-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | fre |
Record Nr. | UNINA-990008812690403321 |
Herzhaft, Gérard | ||
Paris : Presses Universitaires de France, 1984 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
True to the roots [[electronic resource] ] : Americana music revealed / / Monte Dutton |
Autore | Dutton Monte |
Pubbl/distr/stampa | Lincoln, : University of Nebraska Press, c2006 |
Descrizione fisica | 1 online resource (224 p.) |
Disciplina | 781.642 |
Collana | Bison Original |
Soggetto topico | Country music - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-280-70529-9
9786610705290 0-8032-0716-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Waiting for Jack Ingram -- Music city -- Praise the Lord and pass the weed -- Home on the range -- Charlie Dunn, he's the man to see -- To thine own self be true -- Not the way they do things "up north" -- Forever young -- Getting religious-- about country -- If it's broken, don't fix it -- A man of the people -- Who are "those guys"? -- A unique take on cowboys and Indians -- One-chord song -- The soul of Marty Robbins -- Son of a gypsy songman -- Six days on the road -- Contrary to, uh, anything -- The last angry cowboy -- Ain't no place for no poor boy like me -- Hondo's legacy -- Demented genius -- The last true Texas troubadour -- The novelist begat the songwriter -- Two-night stand -- The ones that got away. |
Record Nr. | UNINA-9910451590303321 |
Dutton Monte | ||
Lincoln, : University of Nebraska Press, c2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|