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Hip hop Africa [[electronic resource] ] : new African music in a globalizing world / / edited by Eric Charry
| Hip hop Africa [[electronic resource] ] : new African music in a globalizing world / / edited by Eric Charry |
| Pubbl/distr/stampa | Bloomington ; ; Indianapolis, : Indiana University Press, 2012 |
| Descrizione fisica | 1 online resource (405 p.) |
| Disciplina |
781.63096
782.421649096 |
| Altri autori (Persone) | CharryEric S |
| Collana | African expressive cultures |
| Soggetto topico |
Rap (Music) - Africa - History and criticism
Popular music - Africa - History and criticism Hip-hop - Africa Music and youth - Africa Music and globalization - Africa Popular music - Social aspects - Africa |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-253-00582-5
1-283-60865-0 9786613921109 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A capsule history of African rap \ Eric Charry -- Rap stories (Ghana and South Africa). The birth of Ghanaian hiplife : urban style, black thought, proverbial speech \ Jesse Weaver Shipley ; A genre coming of age : transformation, difference, and authenticity in the rap music and hip hop culture of South Africa \ Lee Watkins -- Griots and messengers (Senegal, Côte d'Ivoire, and Malawi). The rapper as modern griot : reclaiming ancient traditions \ Patricia Tang ; Promises of the chameleon : reggae artist Tiken Jah Fakoly's intertextual contestation of power in Côte d'Ivoire \ Daniel B. Reed ; Style, message, and meaning in Malawian youth rap and ragga performances \ John Fenn -- Identity and hybridity (Mali and Nigeria). Mapping cosmopolitan identities : rap music and male youth culture in Mali \ Dorothea E. Schulz ; Nigerian hip hop : exploring a black world hybrid \ Stephanie Shonekan -- East coast (Kenya and Tanzania). The local and global in Kenyan rap and hip hop culture \ Jean Ngoya Kidula ; Imitation and innovation in the music, dress, and camps of Tanzanian youth \ Alex Perullo -- Popular music panoramas (Ghana and Malawi). Contemporary Ghanaian popular music since the 1980's \ John Collins ; Popular music and young male audiences in contemporary Malawi \ Jochen Seebode -- Drumming (Mali). Urban drumming : traditional jembe celebration music in a west African city (Bamako) \ Rainer Polak -- Music for an African twenty-first century \ Eric Charry. |
| Record Nr. | UNINA-9910462387303321 |
| Bloomington ; ; Indianapolis, : Indiana University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hip hop Africa [[electronic resource] ] : new African music in a globalizing world / / edited by Eric Charry
| Hip hop Africa [[electronic resource] ] : new African music in a globalizing world / / edited by Eric Charry |
| Pubbl/distr/stampa | Bloomington ; ; Indianapolis, : Indiana University Press, 2012 |
| Descrizione fisica | 1 online resource (405 p.) |
| Disciplina |
781.63096
782.421649096 |
| Altri autori (Persone) | CharryEric S |
| Collana | African expressive cultures |
| Soggetto topico |
Rap (Music) - Africa - History and criticism
Popular music - Africa - History and criticism Hip-hop - Africa Music and youth - Africa Music and globalization - Africa Popular music - Social aspects - Africa |
| ISBN |
0-253-00582-5
1-283-60865-0 9786613921109 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A capsule history of African rap \ Eric Charry -- Rap stories (Ghana and South Africa). The birth of Ghanaian hiplife : urban style, black thought, proverbial speech \ Jesse Weaver Shipley ; A genre coming of age : transformation, difference, and authenticity in the rap music and hip hop culture of South Africa \ Lee Watkins -- Griots and messengers (Senegal, Côte d'Ivoire, and Malawi). The rapper as modern griot : reclaiming ancient traditions \ Patricia Tang ; Promises of the chameleon : reggae artist Tiken Jah Fakoly's intertextual contestation of power in Côte d'Ivoire \ Daniel B. Reed ; Style, message, and meaning in Malawian youth rap and ragga performances \ John Fenn -- Identity and hybridity (Mali and Nigeria). Mapping cosmopolitan identities : rap music and male youth culture in Mali \ Dorothea E. Schulz ; Nigerian hip hop : exploring a black world hybrid \ Stephanie Shonekan -- East coast (Kenya and Tanzania). The local and global in Kenyan rap and hip hop culture \ Jean Ngoya Kidula ; Imitation and innovation in the music, dress, and camps of Tanzanian youth \ Alex Perullo -- Popular music panoramas (Ghana and Malawi). Contemporary Ghanaian popular music since the 1980's \ John Collins ; Popular music and young male audiences in contemporary Malawi \ Jochen Seebode -- Drumming (Mali). Urban drumming : traditional jembe celebration music in a west African city (Bamako) \ Rainer Polak -- Music for an African twenty-first century \ Eric Charry. |
| Record Nr. | UNINA-9910785503403321 |
| Bloomington ; ; Indianapolis, : Indiana University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hip hop Africa : new African music in a globalizing world / / edited by Eric Charry
| Hip hop Africa : new African music in a globalizing world / / edited by Eric Charry |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bloomington ; ; Indianapolis, : Indiana University Press, 2012 |
| Descrizione fisica | 1 online resource (405 p.) |
| Disciplina |
781.63096
782.421649096 |
| Altri autori (Persone) | CharryEric S |
| Collana | African expressive cultures |
| Soggetto topico |
Rap (Music) - Africa - History and criticism
Popular music - Africa - History and criticism Hip-hop - Africa Music and youth - Africa Music and globalization - Africa Popular music - Social aspects - Africa |
| ISBN |
0-253-00582-5
1-283-60865-0 9786613921109 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A capsule history of African rap \ Eric Charry -- Rap stories (Ghana and South Africa). The birth of Ghanaian hiplife : urban style, black thought, proverbial speech \ Jesse Weaver Shipley ; A genre coming of age : transformation, difference, and authenticity in the rap music and hip hop culture of South Africa \ Lee Watkins -- Griots and messengers (Senegal, Côte d'Ivoire, and Malawi). The rapper as modern griot : reclaiming ancient traditions \ Patricia Tang ; Promises of the chameleon : reggae artist Tiken Jah Fakoly's intertextual contestation of power in Côte d'Ivoire \ Daniel B. Reed ; Style, message, and meaning in Malawian youth rap and ragga performances \ John Fenn -- Identity and hybridity (Mali and Nigeria). Mapping cosmopolitan identities : rap music and male youth culture in Mali \ Dorothea E. Schulz ; Nigerian hip hop : exploring a black world hybrid \ Stephanie Shonekan -- East coast (Kenya and Tanzania). The local and global in Kenyan rap and hip hop culture \ Jean Ngoya Kidula ; Imitation and innovation in the music, dress, and camps of Tanzanian youth \ Alex Perullo -- Popular music panoramas (Ghana and Malawi). Contemporary Ghanaian popular music since the 1980's \ John Collins ; Popular music and young male audiences in contemporary Malawi \ Jochen Seebode -- Drumming (Mali). Urban drumming : traditional jembe celebration music in a west African city (Bamako) \ Rainer Polak -- Music for an African twenty-first century \ Eric Charry. |
| Record Nr. | UNINA-9910965415003321 |
| Bloomington ; ; Indianapolis, : Indiana University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Indigenous African Popular Music, Volume 1 : Prophets and Philosophers / / edited by Abiodun Salawu, Israel A. Fadipe
| Indigenous African Popular Music, Volume 1 : Prophets and Philosophers / / edited by Abiodun Salawu, Israel A. Fadipe |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (409 pages) |
| Disciplina |
781.63096
781.629606 |
| Collana | Pop Music, Culture and Identity |
| Soggetto topico |
Popular music
Ethnology - Africa Culture African languages Intercultural communication Emigration and immigration Digital media Popular Music African Culture African Languages Intercultural Communication Diaspora Studies Digital and New Media |
| ISBN |
9783030978846
3030978842 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction: Indigenous African Popular Music -- SECTION A: THE NATURE, PHILOSOPHIES AND GENRES OF INDIGENOUS AFRICAN POPULAR MUSIC -- Chapter 2: Indigenous and modern Zimbabwean music: Reflections from Thomas Mapfumo's Chimurenga music genre -- Chapter 3: Rhythmic signifying in popular Venda music -- Chapter 4: Baansi ni Yila: A critical history of the music industry in Northern Ghana -- Chapter 5: Indigenous and Indigenised Yoruba Popular Music -- Chapter 6: Social Cognition and Advertisement in Yusuf Olatunji's Music -- Chapter 7: Exploring the value systems embedded in indigenous Yorùbá music genres and Yorùbá nursery rhymes -- Chapter 8: Cultural Frames: Socio-Cultural Metaphors in Owerri-Igbo Bongo Music -- Chapter 9: Thematic Deconstructions of Urhobo/Isoko Musicology and Brand Identity Negotiation, Normalization & Contradictions: Discourse Narrative -- Chapter 10: Dung Chollom and Berom Ethnic Popular Music -- SECTION B: INDIGENOUS AFRICAN POPULAR MUSIC ARTISTES AS PROPHETS AND PHILOSOPHERS -- Chapter 11: Corpus of Prophecy, Philosophy and Crusading in Ayinla Omowura's Music -- Chapter 12: Forewarned is forearmed: Exploring the apocalyptic voice of popular music in the post-colonial Zimbabwe -- Chapter 13: Reeling Nostalgia: 'Aremote' and the enduring Sakara music in Nigeria -- Chapter 14: Celebration as Choice in Nigerian Indigenous and Modern Music: A Critical Analysis of Osondi Owendi by Osita Osadebe and Chinedu Okoli (Flavour) -- Chapter 15: Yoruba Socio-Cultural Norms and Values in Selected Songs of Bukola Elemide (Asa) -- Chapter 16: Rethinking Values and Principles: An Examination of Osita Osadebe Songs in Igbo Cultural Value Preservation -- SECTION C: INDIGENOUS AFRICAN POPULAR MUSIC AND THE WORLD -- Chapter 17: Valodia: A Transatlantic Praise Song -- Chapter 18: The adaptation of Zimbabwean mbira dzavadzimu music, from traditional to modern popular band format; the case of Thomas Mapfumo -- Chapter 19: Macheso's Sungura and Socialidentity narratives in Postcolonial Zimbabwe -- Chapter 20: "One Beat, One Pound" - Kasumu Isola Sanni: The Sákárà Master Drummer -- Chapter 21: When Culture and Tradition Aren't Archaic: The Song Semantics of Zimbabwean Mbira's International Appeal. |
| Record Nr. | UNINA-9910574086903321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Indigenous African Popular Music, Volume 2 : Social Crusades and the Future / / edited by Abiodun Salawu, Israel A. Fadipe
| Indigenous African Popular Music, Volume 2 : Social Crusades and the Future / / edited by Abiodun Salawu, Israel A. Fadipe |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (474 pages) |
| Disciplina |
782.42
781.63096 |
| Collana | Pop Music, Culture and Identity |
| Soggetto topico |
Popular music
Ethnology - Africa Culture African languages Intercultural communication Emigration and immigration Africa - History Popular Music African Culture African Languages Intercultural Communication Diaspora Studies African History |
| ISBN |
9783030987053
3030987051 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I Indigenous African Popular Music, Democracy, Politics and Social Crusade -- 1 Extra-Mundane Communication in Ayinla Omowura's Music: Exploring Connections Between a Tool and an Agent -- 2 The Role of Politicians in Democratizing Musical Production in Northern Nigeria -- 3 Popular Music, Political Mobilisation and Grandstanding: An Analysis of Maskandi in Legitimisation of Jacob Zuma (2008-2018) -- 4 Popular Music and the Concept of the Dissident in Post-Independence Zimbabwe -- 5 Indigenous African Popular Music, Democracy and Politics6 Music and Political Protests in Africa: Analysis of Selected Fela Anikulapo-Kuti's Songs in Nigeria -- 7 Singing Democracy and Politics in Post-Independence Zimbabwe: A Critical Discourse Analysis of Selfcensorship in Zimbabwean Indigenous Theological-Sungura Music -- 8 Indigenous African Artistes as Social Critics: A Study of Evangelist Bayo Adegboyega of Yoruba Extraction -- 9 State-Minded Praise Music Culture Through Electoral Nigeria -- 10 Beyond Mere Entertainment: Moral Reorientation in Ogundare Foyanmu's Ijala Song-Texts -- 11 Nigerian Indigenous Music as an Instrument of Social Crusade and Enlightenment: An Appraisal of Selected Albums of Sikiru Ayinde Barrister, Dauda Epo Akara and Odolaye Aremu -- Part II Indigenous African Popular Music and Environmental Health Communication -- 12 Yorùbá Indigenous Musical Jingles on COVID-19: A Content Appraisal.-13 Promotion of Food Sovereignty in Africa Through Yoruba's Indigenous Music -- 14 Mainstreaming Afro-hip-hop Music in Redressing the Spread of Infodemics on COVID-19 -- Part III Indigenous African Popular Music and Gender Empowerment -- 15 Why Not Call a Spade a Spade? Unpacking Paul Matavire's Gender Philosophy -- 16 The Communicativeness of Select Nigerian Afro-hip-hop Lyrics and Sociological Perception of Women -- 17 Content and Reception of Eswatini's Indigenous and Popular Music on Women Empowerment -- Part IV Indigenous African Popular Music, African Youths and African Future -- 18 Ngoma Songs as Tanzanian Youths' Third Space for Political Participation -- 19 The Future of the Indigenous African Popular Music -- 20 The Popular Cultural Practice of Hip-Hop Among The Indigenous !Xun and Khwe Youth of Platfontein, South Africa -- 21 Zimdancehall Music as Rules ofSexual Engagement -- Part V Indigenous African Popular Music, Advanced Broadcast Technologies and the Digital Media -- 22 Tradi-Modern Musical Genres Amidst Neo-Colonial Western Digital Recording Towards Development in Benue State -- 23 The Evolution of the Roles of Producers in the Zimbabwe Recording Industry.-24 Topic: Indigenous African Music Economics: Survival Strategies in the Face of Web Technologies -- 25 Commodification of Music in the Digital Age: Locating Namibia's Oviritje Popular Music Genre in the Capitalist Music Economy -- 26 The Role of Sound Archiving of Indigenous Popular Music in the Conflict Zones of North-Eastern Nigeria. |
| Record Nr. | UNINA-9910578689003321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musica migrante : dall'Africa all'Italia passando per il Mediterraneo / Luca D'Ambrosio ; prefazione di Angélique Kidjo e Valerio Corzano
| Musica migrante : dall'Africa all'Italia passando per il Mediterraneo / Luca D'Ambrosio ; prefazione di Angélique Kidjo e Valerio Corzano |
| Autore | D'Ambrosio, Luca |
| Pubbl/distr/stampa | Milano, : Arcana, 2019 |
| Descrizione fisica | 219 p. : ill. ; 21 cm |
| Disciplina | 781.63096 |
| Soggetto non controllato | Musica africana |
| ISBN | 978-88-6231-694-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-9910401860403321 |
D'Ambrosio, Luca
|
||
| Milano, : Arcana, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Recording History : Jews, Muslims, and Music across Twentieth-Century North Africa / / Christopher Silver
| Recording History : Jews, Muslims, and Music across Twentieth-Century North Africa / / Christopher Silver |
| Autore | Silver Christopher |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Stanford, CA : , : Stanford University Press, , [2022] |
| Descrizione fisica | 1 online resource (320 p.) |
| Disciplina | 781.63096 |
| Soggetto topico |
Arabs - Africa, North - Music - History and criticism
Jews - Africa, North - Music - History and criticism Popular music - Africa, North - History and criticism Sound recording industry - Africa, North - History - 20th century HISTORY / Africa / North |
| Soggetto non controllato |
Algeria
Jews Memory Morocco Music Muslims Nationalism Popular Culture Records Tunisia |
| ISBN | 1-5036-3169-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- MAP AND FIGURES -- NOTE ON TRANSLITERATION AND TRANSLATION -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1 THE BIRTH OF THE RECORDING INDUSTRY IN NORTH AFRICA -- 2 THE ARAB FOXTROT AND THE CHARLESTON -- 3 NATIONALIST RECORDS -- 4 LISTENING FOR WORLD WAR II -- 5 SINGING INDEPENDENCE -- 6 CURTAIN CALL -- CONCLUSION -- NOTES -- DISCOGRAPHY AND BIBLIOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910862093603321 |
|
Silver Christopher
|
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| Stanford, CA : , : Stanford University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||