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Music in the Making of Modern Japan : Essays on Reception, Transformation and Cultural Flows / / edited by Kei Hibino, Barnaby Ralph, Henry Johnson
| Music in the Making of Modern Japan : Essays on Reception, Transformation and Cultural Flows / / edited by Kei Hibino, Barnaby Ralph, Henry Johnson |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
| Descrizione fisica | 1 online resource (222 pages) |
| Disciplina |
781.630952
306.48420952 |
| Collana | Pop Music, Culture and Identity |
| Soggetto topico |
Music
Ethnology - Asia Culture Popular culture Asian Culture Popular Culture |
| ISBN |
9783030738273
3030738272 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction (Kei Hibino, Barnaby Ralph and Henry Johnson) -- PART I. Reception -- 2. Western Art Music in Pre-Edo and Meiji Japan: Historical Reception, Cultural Change and Education (Ayako Otomo) -- 3. Western Musical Elements in Japanese Koto Music from the 19th to 21st Centuries: Sonic, Visual and Behavioral Spheres in a Context of Cultural Change (Henry Johnson) -- 4. Guitar Making and Intercultural Communication in Japan and Australia (Gavin Carfoot) -- PART II. Transformation -- 5. Black Intentions: Maki Ishii, Ryohei Hirose, Makoto Shinohara and the Japanese Avant-Garde (Barnaby Ralph) -- 6. Scarlett, an American Musical Made in Japan; or, How Japanese Learned to Stop Worrying and Love Integrated Musicals (Kei Hibino) -- 7. Like Some Cat from Japan: Masayoshi Sukita's Photographs of David Bowie as Japan's First Appearance in the History of Rock Music (Yuki Gennaka) -- PART III. Cultural Flow -- 8.The Flow of Jazz in Japan: Why Jazz Resonates So Far from Home (Michael Pronko) -- 9. Juna's Groove and Emi's Beat: Women and Rock in Modern Japan (Barnaby Ralph in conversation with Emi Yonekubo and Juna Serita) -- 10. Manufacturing Identity: Femininity, Discourse and Representation in Japanese Popular Music (Aya Sato and Ayako Otomo). |
| Record Nr. | UNINA-9910495234903321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sonic multiplicities [[electronic resource] ] : Hong Kong pop and the global circulation of sound and image / / Yiu Fai Chow and Jeroen de Kloet
| Sonic multiplicities [[electronic resource] ] : Hong Kong pop and the global circulation of sound and image / / Yiu Fai Chow and Jeroen de Kloet |
| Autore | Chow Yiu Fai |
| Pubbl/distr/stampa | Chicago, : Intellect, 2013 |
| Descrizione fisica | 1 online resource (190 p.) |
| Disciplina |
781.63095125
781.630952 |
| Altri autori (Persone) | KloetJeroen de |
| Soggetto topico |
Popular music - China - Hong Kong
Popular music - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-84150-761-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Table of Contents; Acknowledgements; List of Figures and Table; INTRODUCTION: SONIC MULTIPLICITIES; Sonic disappearances; What is going on?; Overview; Chapter 1: ME AND THE DRAGON: A LYRICAL ENGAGEMENT WITH THE POLITICS OF CHINESENESS; Nationalistic songs; Another approach; Re-nationalization I: Descendants of the dragon; Re-nationalization II: Home and nation; Re-nationalization III: Performing acts (i) - writing against the grain; Re-nationalization IV: Performing acts (ii) - writing with a twist; Shoot the dragon
Chapter 2: THE PRODUCTION OF LOCALITY IN GLOBAL POP - A COMPARATIVE STUDY OF POP FANS IN THE NETHERLANDS AND HONG KONGIntroduction; Globalization: A sense of locality; Fandom: On fans of local stars; Methodology; Production of locality: The linguistic and the heroic; Production of locality: The social, the charitable and the personal; Community; Charity; Character; Conclusion; Chapter 3: BLOWING IN THE CHINA WIND: ENGAGEMENTS WITH CHINESENESS IN HONG KONG'S ZHONGGUOFENG MUSIC VIDEOS; Destabilizing Chineseness; Feminizing Chineseness; Whither China Wind?; Chapter 4: SEX, MORALITY AND CANTOPOP Picture GateThe Edison Chen scandal; The Confucian cum Victorian ethics and the spirit of global capitalism; Spectacle and image; Eye see you as I see you; Coda; Chapter 5: BUILDING MEMORIES - A STUDY OF POP VENUES IN HONG KONG; Fluid sounds; Monumental buildings; Building memories; The Coliseum; Belonging and temporality; Chapter 6: OLYMPIC CELEBRATIONS AND PERFORMATIVE CONTESTATIONS; The constative and the performative; Welcome to Olympic Beijing; Performing Olympic China from Hong Kong; Shanghai also welcomes you!; Criticality and popular culture Chapter 7: MUSIC, DESIRE AND THE TRANSNATIONAL POLITICS OF CHINESENESS: FOLLOWING DIANAFollowing Diana; Diasporic hope: Rewriting migration narrative; Musical hope: Rewriting modernity narrative; Language; Music; Body; Methodological endnote; The flow; The bodily; The political; The personal; Bibliography; Index; Back Cover |
| Record Nr. | UNINA-9910461975503321 |
Chow Yiu Fai
|
||
| Chicago, : Intellect, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sonic multiplicities [[electronic resource] ] : Hong Kong pop and the global circulation of sound and image / / Yiu Fai Chow and Jeroen de Kloet
| Sonic multiplicities [[electronic resource] ] : Hong Kong pop and the global circulation of sound and image / / Yiu Fai Chow and Jeroen de Kloet |
| Autore | Chow Yiu Fai |
| Pubbl/distr/stampa | Chicago, : Intellect, 2013 |
| Descrizione fisica | 1 online resource (190 p.) |
| Disciplina |
781.63095125
781.630952 |
| Altri autori (Persone) | KloetJeroen de |
| Soggetto topico |
Popular music - China - Hong Kong
Popular music - Social aspects |
| ISBN | 1-84150-761-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title; Copyright; Table of Contents; Acknowledgements; List of Figures and Table; INTRODUCTION: SONIC MULTIPLICITIES; Sonic disappearances; What is going on?; Overview; Chapter 1: ME AND THE DRAGON: A LYRICAL ENGAGEMENT WITH THE POLITICS OF CHINESENESS; Nationalistic songs; Another approach; Re-nationalization I: Descendants of the dragon; Re-nationalization II: Home and nation; Re-nationalization III: Performing acts (i) - writing against the grain; Re-nationalization IV: Performing acts (ii) - writing with a twist; Shoot the dragon
Chapter 2: THE PRODUCTION OF LOCALITY IN GLOBAL POP - A COMPARATIVE STUDY OF POP FANS IN THE NETHERLANDS AND HONG KONGIntroduction; Globalization: A sense of locality; Fandom: On fans of local stars; Methodology; Production of locality: The linguistic and the heroic; Production of locality: The social, the charitable and the personal; Community; Charity; Character; Conclusion; Chapter 3: BLOWING IN THE CHINA WIND: ENGAGEMENTS WITH CHINESENESS IN HONG KONG'S ZHONGGUOFENG MUSIC VIDEOS; Destabilizing Chineseness; Feminizing Chineseness; Whither China Wind?; Chapter 4: SEX, MORALITY AND CANTOPOP Picture GateThe Edison Chen scandal; The Confucian cum Victorian ethics and the spirit of global capitalism; Spectacle and image; Eye see you as I see you; Coda; Chapter 5: BUILDING MEMORIES - A STUDY OF POP VENUES IN HONG KONG; Fluid sounds; Monumental buildings; Building memories; The Coliseum; Belonging and temporality; Chapter 6: OLYMPIC CELEBRATIONS AND PERFORMATIVE CONTESTATIONS; The constative and the performative; Welcome to Olympic Beijing; Performing Olympic China from Hong Kong; Shanghai also welcomes you!; Criticality and popular culture Chapter 7: MUSIC, DESIRE AND THE TRANSNATIONAL POLITICS OF CHINESENESS: FOLLOWING DIANAFollowing Diana; Diasporic hope: Rewriting migration narrative; Musical hope: Rewriting modernity narrative; Language; Music; Body; Methodological endnote; The flow; The bodily; The political; The personal; Bibliography; Index; Back Cover |
| Record Nr. | UNINA-9910786489903321 |
|
Chow Yiu Fai
|
||
| Chicago, : Intellect, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||