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Dalla Provenza al Monferrato : percorsi medievali di testi e musiche : atti del Convegno : Rocca Grimalda, Ovada, 26-27 giugno 2004 / a cura di Sonia Maura Barillari
| Dalla Provenza al Monferrato : percorsi medievali di testi e musiche : atti del Convegno : Rocca Grimalda, Ovada, 26-27 giugno 2004 / a cura di Sonia Maura Barillari |
| Pubbl/distr/stampa | Alessandria : Edizioni dell'Orso, [2007] |
| Descrizione fisica | 99 p. : ill. ; 22 cm |
| Disciplina | 781.63 |
| Collana | L' immagine riflessa |
| Soggetto topico | Musica - Medioevo - Atti di Congressi |
| ISBN | 88-7694-951-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990003442720203316 |
| Alessandria : Edizioni dell'Orso, [2007] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Essays on Music, Adolescence, and Identity : The Adolescentia Project / / edited by Mary Beth Ray
| Essays on Music, Adolescence, and Identity : The Adolescentia Project / / edited by Mary Beth Ray |
| Autore | Ray Mary Beth |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (231 pages) |
| Disciplina | 781.63 |
| Soggetto topico |
Popular music
Youth - Social life and customs Popular Music Pop and Rock Youth Culture |
| ISBN |
9783031552175
9783031552168 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction – The Adolescentia Project -- Chapter 2: Part I – The 1980s -- Chapter 3: Something I can say, something I can do: I’ve come for my Emotional Rescue -- Chapter 4: “What’s it like to be a fucked-up teenager?”: Violent Femmes, A Primal Scream for Generation X -- Chapter 5: Cultivating a Rebel Without a Pause -- Chapter 6: Part II – The 1990s -- Chapter 7: “A Long Way from Boston”: Loving and Listening to New Kids on the Block as a Jamaican Adolescent -- Chapter 8: The Magic of “Blacks’ Magic” -- Chapter 9: Prude Pirates and other Contradictory Bodies: Gender, Ideology, and Identity in Adolescence -- Chapter 10: “Destroy the mind, destroy the body, but you cannot destroy the heart”: Mellon Collie and the Infinite Sadness, and the reclamation of a teenage fat body during the “Age of Fatphobia” -- Chapter 11: Rage Against the Machine’s Evil Empire: An Autoethnography of Music and Political Socialization in Early Adolescence -- Chapter 12: “What am I supposed to do?” Cher’s “Believe” and the Siren Call of a Gay Icon -- Chapter 13: Part III – The 2000s -- Chapter 14: Everything Will Change: Revisiting The Postal Service’s Give Up -- Chapter 15: OutKast’s Speakerboxxx/The Love Below: Musical Theatre, Performance, and Style -- Chapter 16: (Nonbinary Panic!) at the Disco: A Fever You Can’t Sweat Out -- Chapter 17: “I’m All Out of Love”: Nostalgic Music through the Lens of a Queer Asian Immigrant -- Chapter 18: Raising my voice: Japanese visual kei and musical (self-)discovery -- Chapter 19: The Little Trans Monster: Gender Actualization and Lady Gaga’s The Fame Monster -- Chapter 20: Conclusion: Looking Back and Moving Forward – The Courage to Become Who We Are. |
| Record Nr. | UNINA-9910865236603321 |
Ray Mary Beth
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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How the Beatles destroyed rock 'n' roll [[electronic resource] ] : an alternative history of American popular music / / Elijah Wald
| How the Beatles destroyed rock 'n' roll [[electronic resource] ] : an alternative history of American popular music / / Elijah Wald |
| Autore | Wald Elijah |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2009 |
| Descrizione fisica | 1 online resource (338 p.) |
| Disciplina |
781.63
781.640973 781.660973 |
| Soggetto topico |
Popular music - United States - History and criticism
Music - United States - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-12530-3
9786612125300 0-19-971213-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; Introduction; 1 Amateurs and Executants; 2 The Ragtime Life; 3 Everybody's Doin' It; 4 Alexander's Got a Jazz Band Now; 5 Cake Eaters and Hooch Drinkers; 6 The King of Jazz; 7 The Record, the Song, and the Radio; 8 Sons of Whiteman; 9 Swing That Music; 10 Technology and Its Discontents; 11 Walking Floors and Jumpin' Jive; 12 Selling the American Ballad; 13 Rock the Joint; 14 Big Records for Adults; 15 Teen Idyll; 16 Twisting Girls Change the World; 17 Say You Want a Revolution . . .; EPILOGUE: The Rock Blot and the Disco Diagram; Notes; Bibliography; Index; A
BC; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910454035603321 |
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Wald Elijah
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| Oxford ; ; New York, : Oxford University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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How the Beatles destroyed rock 'n' roll [[electronic resource] ] : an alternative history of American popular music / / Elijah Wald
| How the Beatles destroyed rock 'n' roll [[electronic resource] ] : an alternative history of American popular music / / Elijah Wald |
| Autore | Wald Elijah |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2009 |
| Descrizione fisica | 1 online resource (338 p.) |
| Disciplina |
781.63
781.640973 781.660973 |
| Soggetto topico |
Popular music - United States - History and criticism
Music - United States - History and criticism |
| ISBN |
0-19-975356-3
1-282-12530-3 9786612125300 0-19-971213-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; Introduction; 1 Amateurs and Executants; 2 The Ragtime Life; 3 Everybody's Doin' It; 4 Alexander's Got a Jazz Band Now; 5 Cake Eaters and Hooch Drinkers; 6 The King of Jazz; 7 The Record, the Song, and the Radio; 8 Sons of Whiteman; 9 Swing That Music; 10 Technology and Its Discontents; 11 Walking Floors and Jumpin' Jive; 12 Selling the American Ballad; 13 Rock the Joint; 14 Big Records for Adults; 15 Teen Idyll; 16 Twisting Girls Change the World; 17 Say You Want a Revolution . . .; EPILOGUE: The Rock Blot and the Disco Diagram; Notes; Bibliography; Index; A
BC; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910777804903321 |
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Wald Elijah
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| Oxford ; ; New York, : Oxford University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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No Time for Losers : Charts, Listen und andere Kanonisierungen in der populären Musik / Dietrich Helms, Thomas Phleps (verst.)
| No Time for Losers : Charts, Listen und andere Kanonisierungen in der populären Musik / Dietrich Helms, Thomas Phleps (verst.) |
| Autore | Helms Dietrich |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (178) |
| Disciplina | 781.63 |
| Collana | Beiträge zur Popularmusikforschung |
| Soggetto topico | Populäre Musik; Kanonbildung; Hitlisten; Charts; Bestenlisten; Musik; Popkultur; Popmusik; Musikwissenschaft; Music; Popular Culture; Pop Music; Musicology |
| Soggetto non controllato |
Musicology
Pop Music Popular Culture |
| ISBN | 3-8394-0983-7 |
| Classificazione | EC 2440 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Editorial 7 Was heißt: »Das bleibt«? Bausteine zu einer kulturwissenschaftlichen Kanontheorie 11 Pop zwischen Historismus und Geschichtslosigkeit. Kanonbildungen in der populären Musik 25 Interaktive Kanonisierung populärer Musik - Möglichkeiten und Auswirkungen ihrer Manipulierbarkeit 51 Das Potpourri als Komplementärerscheinung zum Kanon bürgerlicher Kunst und Zeichen der Moderne 63 Was ist Salsa? 81 Grenzkontrollen im deutschen Jazz 95 Lob der Dilettanten: Kanonisierungen des Punk in der Zeitschrift Sounds 1977/1978 113 »Immer die gleichen Klassiker!« Heavy Metal und der Traditionsstrom 127 »...when I'm not put on this l ist...« Kanonisierungsprozesse im HipHop am Beispiel Eminem 145 Tadel verpflichtet. Indizierung von Musik und ihre Wirkung 161 Zu den Autoren 173 Backmatter 176 |
| Record Nr. | UNISA-996308846903316 |
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Helms Dietrich
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| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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No Time for Losers : Charts, Listen und andere Kanonisierungen in der populären Musik / Dietrich Helms, Thomas Phleps (verst.)
| No Time for Losers : Charts, Listen und andere Kanonisierungen in der populären Musik / Dietrich Helms, Thomas Phleps (verst.) |
| Autore | Helms Dietrich |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (178) |
| Disciplina | 781.63 |
| Collana | Beiträge zur Popularmusikforschung |
| Soggetto topico | Populäre Musik; Kanonbildung; Hitlisten; Charts; Bestenlisten; Musik; Popkultur; Popmusik; Musikwissenschaft; Music; Popular Culture; Pop Music; Musicology |
| Soggetto non controllato |
Musicology
Pop Music Popular Culture |
| ISBN | 3-8394-0983-7 |
| Classificazione | EC 2440 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Editorial 7 Was heißt: »Das bleibt«? Bausteine zu einer kulturwissenschaftlichen Kanontheorie 11 Pop zwischen Historismus und Geschichtslosigkeit. Kanonbildungen in der populären Musik 25 Interaktive Kanonisierung populärer Musik - Möglichkeiten und Auswirkungen ihrer Manipulierbarkeit 51 Das Potpourri als Komplementärerscheinung zum Kanon bürgerlicher Kunst und Zeichen der Moderne 63 Was ist Salsa? 81 Grenzkontrollen im deutschen Jazz 95 Lob der Dilettanten: Kanonisierungen des Punk in der Zeitschrift Sounds 1977/1978 113 »Immer die gleichen Klassiker!« Heavy Metal und der Traditionsstrom 127 »...when I'm not put on this l ist...« Kanonisierungsprozesse im HipHop am Beispiel Eminem 145 Tadel verpflichtet. Indizierung von Musik und ihre Wirkung 161 Zu den Autoren 173 Backmatter 176 |
| Record Nr. | UNINA-9910372791803321 |
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Helms Dietrich
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| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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On Popular Music and Its Unruly Entanglements / / edited by Nick Braae, Kai Arne Hansen
| On Popular Music and Its Unruly Entanglements / / edited by Nick Braae, Kai Arne Hansen |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (xiii, 269 pages) : illustrations |
| Disciplina |
781.64
781.63 |
| Collana | Pop Music, Culture and Identity |
| Soggetto topico |
Music
Popular Culture Communication Culture—Study and teaching Music—Philosophy and aesthetics Media and Communication Cultural Theory Philosophy of Music |
| ISBN | 3-030-18099-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction; Nick Braae and Kai Arne Hansen -- Section I: Broad Strokes -- 1. Scratching the Surface: Texts and Textures in Music Studies—or, Musicology without Music; Kyle Devine -- 2. From Music Analysis to Narrative Reading: A Case Study of Recorded Popular Song; Alex C. Harden -- 3. Kristeva and Popular Music; Nathan Wiseman-Trowse -- 4. The Shape of the Voice: Analyzing Vocal Gestures in Irish Traditional Music and Popular Song; Bláithín Duggan -- 5. It’s a Dark Philosophy: The Weeknd, Intermediality, and the Aestheticization of Provocative Themes; Kai Arne Hansen -- Section II: Second Takes -- 6. Treating Cultural Trauma with Music: The Representation of War in the Music of Bruce Springsteen; Susanna Välimäki -- 7. Linear Temporality in Popular Song; Nick Braae -- 8. “To Prepare a Face to Meet the Faces that you Meet”: The Instrumental Retrowave Persona; Andrei Sora -- 9. Electric Affinities: Wagner, Hendrix, and the Thingness of Sound; Erik Steinskog -- Section III: Entanglements -- 10. Timbre, Genre, and Polystylism in Video Game Music; Megan Lavengood -- 11. A Musical Exploration of Incongruity and its Humorous Effects; Ragnhild Brøvig-Hanssen -- 12. The Empowerment of the Listener in Kendrick Lamar’s “Backseat Freestyle”; Steven Gamble -- 13. Psychedelic Ways of Listening: A Gothic Case Study; Claire Rebecca Bannister -- 14. Taken by Strum: Ukulele Jamming as Musical Experience; Matthew Bannister -- Afterword; Allan F. Moore. |
| Record Nr. | UNINA-9910484278003321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Stir it up [[electronic resource] ] : musical mixes from roots to jazz / / Gene Santoro
| Stir it up [[electronic resource] ] : musical mixes from roots to jazz / / Gene Santoro |
| Autore | Santoro Gene |
| Pubbl/distr/stampa | New York, : Oxford University Press, 1997 |
| Descrizione fisica | 1 online resource (202 p.) |
| Disciplina |
781.63
781.6409 |
| Soggetto topico |
Popular music - History and criticism
Jazz - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-52821-4
0-19-535685-3 1-4294-1556-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Preface; Me and Julio; Arc of a Diver; Hippie Preacher; Every Breath You Take; Buck Naked; This Year's Model; 50-Foot Queenie; Who's The Boss; Punk Repunked; Bird on a Wire; Voodoo Child; Mr. Soul; R-E-S-P-E-C-T; Blues Walkin' Like a Man; The Black Liberace; Master of Space; Chasin' the Answer; Harmolodic Philosopher; The Turtle; Portrait in Three Colors; The Bulldog; The Two of Us; Across the Great Divide; Out of the Tradition; I Have a Dream; La Cucaracha; Stir It Up; Voodoo Rock; The Man from Bahia; Afropop's Avatar; The Lion of Zimbabwe; Lilt; Index |
| Record Nr. | UNINA-9910458367203321 |
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Santoro Gene
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| New York, : Oxford University Press, 1997 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Stir it up [[electronic resource] ] : musical mixes from roots to jazz / / Gene Santoro
| Stir it up [[electronic resource] ] : musical mixes from roots to jazz / / Gene Santoro |
| Autore | Santoro Gene |
| Pubbl/distr/stampa | New York, : Oxford University Press, 1997 |
| Descrizione fisica | 1 online resource (202 p.) |
| Disciplina |
781.63
781.6409 |
| Soggetto topico |
Popular music - History and criticism
Jazz - History and criticism |
| ISBN |
1-280-52821-4
0-19-535685-3 1-4294-1556-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Preface; Me and Julio; Arc of a Diver; Hippie Preacher; Every Breath You Take; Buck Naked; This Year's Model; 50-Foot Queenie; Who's The Boss; Punk Repunked; Bird on a Wire; Voodoo Child; Mr. Soul; R-E-S-P-E-C-T; Blues Walkin' Like a Man; The Black Liberace; Master of Space; Chasin' the Answer; Harmolodic Philosopher; The Turtle; Portrait in Three Colors; The Bulldog; The Two of Us; Across the Great Divide; Out of the Tradition; I Have a Dream; La Cucaracha; Stir It Up; Voodoo Rock; The Man from Bahia; Afropop's Avatar; The Lion of Zimbabwe; Lilt; Index |
| Record Nr. | UNINA-9910784511303321 |
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Santoro Gene
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| New York, : Oxford University Press, 1997 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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What's love got to do with it? : emotions and relationships in popular songs / / Thomas J. Scheff
| What's love got to do with it? : emotions and relationships in popular songs / / Thomas J. Scheff |
| Autore | Scheff Thomas J. |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (181 p.) |
| Disciplina | 781.63 |
| Soggetto topico |
Popular music - History and criticism
Love songs - History and criticism Emotions in music |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-24924-0
1-315-63117-2 1-317-24923-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Half Title; Title; Copyright; Contents; Preface: A Note to the Reader; Acknowledgments; 1 Introduction: What's in a Love Song?; 2 Conceptions of Love: The Eternal Debate; 3 Emotion Languages: Love, Pride, Anger, Grief, Fear, and Other Emotions; 4 Alienation in Top 40 Songs 1930-2000; 5 Nobody Knows but Me: Curtailment of Feeling; 6 Genuine Love and Connectedness; 7 What Emotion Is the Shadow of Love?; 8 The Beat Goes On: Alienation and Curtailment of Emotions; Afterword: Two Projects for Better Lyrics; References; Index; About the Author |
| Record Nr. | UNINA-9910460664103321 |
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Scheff Thomas J.
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| Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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