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Critical Essays on Hip Hop and the Study of Hip Hop : Doing the Knowledge / / edited by P. Khalil Saucier
| Critical Essays on Hip Hop and the Study of Hip Hop : Doing the Knowledge / / edited by P. Khalil Saucier |
| Autore | Saucier P. Khalil |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (178 pages) |
| Disciplina | 781.63 |
| Soggetto topico |
Popular music
Music African Americans Culture Popular Music African American Culture |
| ISBN |
9783031807633
3031807634 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: “Doing the Knowledge:” A Critical Introduction -- Chapter 2: 'Peep the Technique’: Afro-Pessimism and Hip Hop’s ‘Turn Toward Blackness -- Chapter 3: TransCultural Flow and the Problem of the Cipher -- Chapter 4: Jay-Z’s afro-pessimism black femme(inism)s makes black all lives matter -- Chapter 5: Towards a [Black] Hip-Hop Aesthetic: Against Manifestations of the Neoliberal Universal -- Chapter 6: On the Dilemmas of MAN: Intersections Reconsidered. |
| Record Nr. | UNINA-9910986136803321 |
Saucier P. Khalil
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Dalla Provenza al Monferrato : percorsi medievali di testi e musiche : atti del Convegno : Rocca Grimalda, Ovada, 26-27 giugno 2004 / a cura di Sonia Maura Barillari
| Dalla Provenza al Monferrato : percorsi medievali di testi e musiche : atti del Convegno : Rocca Grimalda, Ovada, 26-27 giugno 2004 / a cura di Sonia Maura Barillari |
| Pubbl/distr/stampa | Alessandria : Edizioni dell'Orso, [2007] |
| Descrizione fisica | 99 p. : ill. ; 22 cm |
| Disciplina | 781.63 |
| Collana | L' immagine riflessa |
| Soggetto topico | Musica - Medioevo - Atti di Congressi |
| ISBN | 88-7694-951-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990003442720203316 |
| Alessandria : Edizioni dell'Orso, [2007] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Essays on Music, Adolescence, and Identity : The Adolescentia Project / / edited by Mary Beth Ray
| Essays on Music, Adolescence, and Identity : The Adolescentia Project / / edited by Mary Beth Ray |
| Autore | Ray Mary Beth |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (231 pages) |
| Disciplina | 781.63 |
| Soggetto topico |
Popular music
Youth - Social life and customs Popular Music Pop and Rock Youth Culture |
| ISBN |
9783031552175
9783031552168 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction – The Adolescentia Project -- Chapter 2: Part I – The 1980s -- Chapter 3: Something I can say, something I can do: I’ve come for my Emotional Rescue -- Chapter 4: “What’s it like to be a fucked-up teenager?”: Violent Femmes, A Primal Scream for Generation X -- Chapter 5: Cultivating a Rebel Without a Pause -- Chapter 6: Part II – The 1990s -- Chapter 7: “A Long Way from Boston”: Loving and Listening to New Kids on the Block as a Jamaican Adolescent -- Chapter 8: The Magic of “Blacks’ Magic” -- Chapter 9: Prude Pirates and other Contradictory Bodies: Gender, Ideology, and Identity in Adolescence -- Chapter 10: “Destroy the mind, destroy the body, but you cannot destroy the heart”: Mellon Collie and the Infinite Sadness, and the reclamation of a teenage fat body during the “Age of Fatphobia” -- Chapter 11: Rage Against the Machine’s Evil Empire: An Autoethnography of Music and Political Socialization in Early Adolescence -- Chapter 12: “What am I supposed to do?” Cher’s “Believe” and the Siren Call of a Gay Icon -- Chapter 13: Part III – The 2000s -- Chapter 14: Everything Will Change: Revisiting The Postal Service’s Give Up -- Chapter 15: OutKast’s Speakerboxxx/The Love Below: Musical Theatre, Performance, and Style -- Chapter 16: (Nonbinary Panic!) at the Disco: A Fever You Can’t Sweat Out -- Chapter 17: “I’m All Out of Love”: Nostalgic Music through the Lens of a Queer Asian Immigrant -- Chapter 18: Raising my voice: Japanese visual kei and musical (self-)discovery -- Chapter 19: The Little Trans Monster: Gender Actualization and Lady Gaga’s The Fame Monster -- Chapter 20: Conclusion: Looking Back and Moving Forward – The Courage to Become Who We Are. |
| Record Nr. | UNINA-9910865236603321 |
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Ray Mary Beth
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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How the Beatles destroyed rock 'n' roll [[electronic resource] ] : an alternative history of American popular music / / Elijah Wald
| How the Beatles destroyed rock 'n' roll [[electronic resource] ] : an alternative history of American popular music / / Elijah Wald |
| Autore | Wald Elijah |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2009 |
| Descrizione fisica | 1 online resource (338 p.) |
| Disciplina |
781.63
781.640973 781.660973 |
| Soggetto topico |
Popular music - United States - History and criticism
Music - United States - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-12530-3
9786612125300 0-19-971213-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; Introduction; 1 Amateurs and Executants; 2 The Ragtime Life; 3 Everybody's Doin' It; 4 Alexander's Got a Jazz Band Now; 5 Cake Eaters and Hooch Drinkers; 6 The King of Jazz; 7 The Record, the Song, and the Radio; 8 Sons of Whiteman; 9 Swing That Music; 10 Technology and Its Discontents; 11 Walking Floors and Jumpin' Jive; 12 Selling the American Ballad; 13 Rock the Joint; 14 Big Records for Adults; 15 Teen Idyll; 16 Twisting Girls Change the World; 17 Say You Want a Revolution . . .; EPILOGUE: The Rock Blot and the Disco Diagram; Notes; Bibliography; Index; A
BC; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910454035603321 |
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Wald Elijah
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| Oxford ; ; New York, : Oxford University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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How the Beatles destroyed rock 'n' roll [[electronic resource] ] : an alternative history of American popular music / / Elijah Wald
| How the Beatles destroyed rock 'n' roll [[electronic resource] ] : an alternative history of American popular music / / Elijah Wald |
| Autore | Wald Elijah |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2009 |
| Descrizione fisica | 1 online resource (338 p.) |
| Disciplina |
781.63
781.640973 781.660973 |
| Soggetto topico |
Popular music - United States - History and criticism
Music - United States - History and criticism |
| ISBN |
0-19-975356-3
1-282-12530-3 9786612125300 0-19-971213-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; Introduction; 1 Amateurs and Executants; 2 The Ragtime Life; 3 Everybody's Doin' It; 4 Alexander's Got a Jazz Band Now; 5 Cake Eaters and Hooch Drinkers; 6 The King of Jazz; 7 The Record, the Song, and the Radio; 8 Sons of Whiteman; 9 Swing That Music; 10 Technology and Its Discontents; 11 Walking Floors and Jumpin' Jive; 12 Selling the American Ballad; 13 Rock the Joint; 14 Big Records for Adults; 15 Teen Idyll; 16 Twisting Girls Change the World; 17 Say You Want a Revolution . . .; EPILOGUE: The Rock Blot and the Disco Diagram; Notes; Bibliography; Index; A
BC; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910777804903321 |
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Wald Elijah
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| Oxford ; ; New York, : Oxford University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music as Cultural Text : Performance Traditions in West Africa and its Diasporas / / edited by Babacar M'Baye, Fallou Ngom, Khadimou Rassoul Thiam, Alioune Willane
| Music as Cultural Text : Performance Traditions in West Africa and its Diasporas / / edited by Babacar M'Baye, Fallou Ngom, Khadimou Rassoul Thiam, Alioune Willane |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (XIII, 315 p. 9 illus.) |
| Disciplina | 781.63 |
| Soggetto topico |
Popular music
Ethnology - Africa Culture African languages Popular Music African Culture African Languages |
| ISBN | 3-031-85276-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Black Music in Contexts: Africa and the New Black Diasporas -- PART I: The Healing, Spiritual, Social, and Cultural Functions of African Music. 2. Between the Sacred and the Profane: Popular Music and the Dissemination and Policing of Islamic Knowledge in Senegal -- 3. Religious Songs and Nation-building in Postcolonial Ghana -- 4. Proverbs as Verbal Art Forms in Ghanaian Hiplife Songs -- PART II: Gender, Power, and Politics in African Music -- 5. Gendered Concerns: Subversion of Patriarchal Order and Women's Empowerment in Ngoyaan Songs -- 6. Playing with Class: Honor, Griotisme, and Professional Artists in the Tuareg Music Economy -- 7. The Past’s Haunting of the Present: Musical Memorializations of Patrice Lumumba and Thomas Sankara in West African Popular Culture -- PART III: Cosmopolitan and Transnational Features of African Music -- 8. In Search of Mahalia Jackson and Aminata Fall: A Comparative Study of Senegalese and African American Blues -- 9. From Zouk Lovers and Cabo Lovers to Mais Kizomba: Youth, Music, and Change in Urban Dakar, Senegal -- 10. Balafon Without Borders: The Case of Adamou Daou -- 11. “I am Only an African!”: The Image of West Africa in the Music of Afro-French Hip-Hop Collective Sexion d’Assaut. |
| Record Nr. | UNINA-9911007351603321 |
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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No Time for Losers : Charts, Listen und andere Kanonisierungen in der populären Musik / Dietrich Helms, Thomas Phleps (verst.)
| No Time for Losers : Charts, Listen und andere Kanonisierungen in der populären Musik / Dietrich Helms, Thomas Phleps (verst.) |
| Autore | Helms Dietrich |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (178) |
| Disciplina | 781.63 |
| Collana | Beiträge zur Popularmusikforschung |
| Soggetto topico | Populäre Musik; Kanonbildung; Hitlisten; Charts; Bestenlisten; Musik; Popkultur; Popmusik; Musikwissenschaft; Music; Popular Culture; Pop Music; Musicology |
| Soggetto non controllato |
Musicology
Pop Music Popular Culture |
| ISBN | 3-8394-0983-7 |
| Classificazione | EC 2440 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Editorial 7 Was heißt: »Das bleibt«? Bausteine zu einer kulturwissenschaftlichen Kanontheorie 11 Pop zwischen Historismus und Geschichtslosigkeit. Kanonbildungen in der populären Musik 25 Interaktive Kanonisierung populärer Musik - Möglichkeiten und Auswirkungen ihrer Manipulierbarkeit 51 Das Potpourri als Komplementärerscheinung zum Kanon bürgerlicher Kunst und Zeichen der Moderne 63 Was ist Salsa? 81 Grenzkontrollen im deutschen Jazz 95 Lob der Dilettanten: Kanonisierungen des Punk in der Zeitschrift Sounds 1977/1978 113 »Immer die gleichen Klassiker!« Heavy Metal und der Traditionsstrom 127 »...when I'm not put on this l ist...« Kanonisierungsprozesse im HipHop am Beispiel Eminem 145 Tadel verpflichtet. Indizierung von Musik und ihre Wirkung 161 Zu den Autoren 173 Backmatter 176 |
| Record Nr. | UNISA-996308846903316 |
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Helms Dietrich
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| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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No Time for Losers : Charts, Listen und andere Kanonisierungen in der populären Musik / Dietrich Helms, Thomas Phleps
| No Time for Losers : Charts, Listen und andere Kanonisierungen in der populären Musik / Dietrich Helms, Thomas Phleps |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (178) |
| Disciplina | 781.63 |
| Collana | Beiträge zur Popularmusikforschung |
| Soggetto topico |
Populäre Musik
Music Kanonbildung Popular Culture Hitlisten Pop Music Charts Musicology Bestenlisten Musik Popkultur Popmusik Musikwissenschaft |
| ISBN |
9783839409831
3839409837 |
| Classificazione | EC 2440 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Editorial 7 Was heißt: »Das bleibt«? Bausteine zu einer kulturwissenschaftlichen Kanontheorie 11 Pop zwischen Historismus und Geschichtslosigkeit. Kanonbildungen in der populären Musik 25 Interaktive Kanonisierung populärer Musik - Möglichkeiten und Auswirkungen ihrer Manipulierbarkeit 51 Das Potpourri als Komplementärerscheinung zum Kanon bürgerlicher Kunst und Zeichen der Moderne 63 Was ist Salsa? 81 Grenzkontrollen im deutschen Jazz 95 Lob der Dilettanten: Kanonisierungen des Punk in der Zeitschrift Sounds 1977/1978 113 »Immer die gleichen Klassiker!« Heavy Metal und der Traditionsstrom 127 »...when I'm not put on this l ist...« Kanonisierungsprozesse im HipHop am Beispiel Eminem 145 Tadel verpflichtet. Indizierung von Musik und ihre Wirkung 161 Zu den Autoren 173 Backmatter 176 |
| Altri titoli varianti | Helms/Phleps (Hg.), No Time Charts, Listen und andere Kanonisierungen in der populären Musik |
| Record Nr. | UNINA-9910372791803321 |
| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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On Popular Music and Its Unruly Entanglements / / edited by Nick Braae, Kai Arne Hansen
| On Popular Music and Its Unruly Entanglements / / edited by Nick Braae, Kai Arne Hansen |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (xiii, 269 pages) : illustrations |
| Disciplina |
781.64
781.63 |
| Collana | Pop Music, Culture and Identity |
| Soggetto topico |
Music
Popular culture Communication Culture - Study and teaching Music - Philosophy and aesthetics Popular Culture Media and Communication Cultural Theory Philosophy of Music |
| ISBN |
9783030180997
3030180999 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction; Nick Braae and Kai Arne Hansen -- Section I: Broad Strokes -- 1. Scratching the Surface: Texts and Textures in Music Studies-or, Musicology without Music; Kyle Devine -- 2. From Music Analysis to Narrative Reading: A Case Study of Recorded Popular Song; Alex C. Harden -- 3. Kristeva and Popular Music; Nathan Wiseman-Trowse -- 4. The Shape of the Voice: Analyzing Vocal Gestures in Irish Traditional Music and Popular Song; Bláithín Duggan -- 5. It's a Dark Philosophy: The Weeknd, Intermediality, and the Aestheticization of Provocative Themes; Kai Arne Hansen -- Section II: Second Takes -- 6. Treating Cultural Trauma with Music: The Representation of War in the Music of Bruce Springsteen; Susanna Välimäki -- 7. Linear Temporality in Popular Song; Nick Braae -- 8. "To Prepare a Face to Meet the Faces that you Meet": The Instrumental Retrowave Persona; Andrei Sora -- 9. Electric Affinities: Wagner, Hendrix, and the Thingness of Sound; Erik Steinskog -- Section III: Entanglements -- 10. Timbre, Genre, and Polystylism in Video Game Music; Megan Lavengood -- 11. A Musical Exploration of Incongruity and its Humorous Effects; Ragnhild Brøvig-Hanssen -- 12. The Empowerment of the Listener in Kendrick Lamar's "Backseat Freestyle"; Steven Gamble -- 13. Psychedelic Ways of Listening: A Gothic Case Study; Claire Rebecca Bannister -- 14. Taken by Strum: Ukulele Jamming as Musical Experience; Matthew Bannister -- Afterword; Allan F. Moore. |
| Record Nr. | UNINA-9910484278003321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Pop Music Made in Småland : Music Production and Entrepreneurship in Sweden / / edited by Martin Knust
| Pop Music Made in Småland : Music Production and Entrepreneurship in Sweden / / edited by Martin Knust |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (XXIII, 177 p. 2 illus.) |
| Disciplina | 781.63 |
| Collana | Pop Music, Culture and Identity |
| Soggetto topico |
Popular music
Service industries Popular Music Entertainment Industry Pop and Rock |
| ISBN |
9783031663635
3031663632 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Creativity and creation: How music was and is created -- 2. From beginner to expert: How to learn and teach to be a professional music producer -- 3. Markets and entrepreneurs: How copyright, distribution and media products -- 4. Marketing and entrepreneurship: How the relation between music producers and music consumers has changed during the past 40 years -- 5. Genres and media: How media employed in music production and entrepreneurship have multiplied and diversified -- 6. Technology and product: How digital music production places itself apart from analogue. |
| Record Nr. | UNINA-9910988081603321 |
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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