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Epic sound : music in postwar Hollywood biblical films / / Stephen C. Meyer
| Epic sound : music in postwar Hollywood biblical films / / Stephen C. Meyer |
| Autore | Meyer Stephen C. <1963-> |
| Pubbl/distr/stampa | Bloomington, Indiana : , : Indiana University Press, , 2015 |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina | 781.5/420973 |
| Soggetto topico |
Motion picture music - History and criticism
Bible films - United States Film composers |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-253-01459-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A biblical story for the post-World War II generation? : Victor Young's music for DeMille's Samson and Delilah -- Turning away from "concocted spectacle" : Alfred Newman's score for David and Bathsheba -- Spectacle and authenticity in Miklós Rózsa's Quo vadis score -- Novel and film, music and miracle : Alfred Newman's score to The robe -- Spirit and empire : Elmer Bernstein's score to The Ten Commandments -- The law of genre and the music for Ben-Hur -- King of kings and the problem of repetition -- Suoni nuovi, suoni antich i: the soundscapes of Barabbas -- Universality, transcendence, and collapse : music and the greatest story ever told. |
| Record Nr. | UNINA-9910459880403321 |
Meyer Stephen C. <1963->
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| Bloomington, Indiana : , : Indiana University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Epic sound : music in postwar Hollywood biblical films / / Stephen C. Meyer
| Epic sound : music in postwar Hollywood biblical films / / Stephen C. Meyer |
| Autore | Meyer Stephen C. <1963-> |
| Pubbl/distr/stampa | Bloomington, Indiana : , : Indiana University Press, , 2015 |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina | 781.5/420973 |
| Soggetto topico |
Motion picture music - History and criticism
Bible films - United States Film composers |
| ISBN | 0-253-01459-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A biblical story for the post-World War II generation? : Victor Young's music for DeMille's Samson and Delilah -- Turning away from "concocted spectacle" : Alfred Newman's score for David and Bathsheba -- Spectacle and authenticity in Miklós Rózsa's Quo vadis score -- Novel and film, music and miracle : Alfred Newman's score to The robe -- Spirit and empire : Elmer Bernstein's score to The Ten Commandments -- The law of genre and the music for Ben-Hur -- King of kings and the problem of repetition -- Suoni nuovi, suoni antich i: the soundscapes of Barabbas -- Universality, transcendence, and collapse : music and the greatest story ever told. |
| Record Nr. | UNINA-9910787039403321 |
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Meyer Stephen C. <1963->
|
||
| Bloomington, Indiana : , : Indiana University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Epic sound : music in postwar Hollywood biblical films / / Stephen C. Meyer
| Epic sound : music in postwar Hollywood biblical films / / Stephen C. Meyer |
| Autore | Meyer Stephen C. <1963-> |
| Pubbl/distr/stampa | Bloomington, Indiana : , : Indiana University Press, , 2015 |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina | 781.5/420973 |
| Soggetto topico |
Motion picture music - History and criticism
Bible films - United States Film composers |
| ISBN | 0-253-01459-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A biblical story for the post-World War II generation? : Victor Young's music for DeMille's Samson and Delilah -- Turning away from "concocted spectacle" : Alfred Newman's score for David and Bathsheba -- Spectacle and authenticity in Miklós Rózsa's Quo vadis score -- Novel and film, music and miracle : Alfred Newman's score to The robe -- Spirit and empire : Elmer Bernstein's score to The Ten Commandments -- The law of genre and the music for Ben-Hur -- King of kings and the problem of repetition -- Suoni nuovi, suoni antich i: the soundscapes of Barabbas -- Universality, transcendence, and collapse : music and the greatest story ever told. |
| Record Nr. | UNINA-9910820913003321 |
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Meyer Stephen C. <1963->
|
||
| Bloomington, Indiana : , : Indiana University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hymns for the Fallen : Combat Movie Music and Sound after Vietnam / / Todd Decker
| Hymns for the Fallen : Combat Movie Music and Sound after Vietnam / / Todd Decker |
| Autore | Decker Todd |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2017] |
| Descrizione fisica | 1 online resource (315 pages) |
| Disciplina | 781.5/420973 |
| Soggetto topico |
Film soundtracks - History and criticism
Motion picture music - History and criticism War films - History and criticism |
| ISBN | 0-520-96654-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- Part I: The Prestige Combat Film -- 1. Movies and Memorials -- 2. Soundtracks and Scores -- Part II: Dialogue -- 3. Soldiers' Talk -- 4. Soldiers' Song -- 5. Disembodied Voices -- Part III: Sound Effects -- 6. Nothing Sounds Like an M-16 -- 7. Helicopter Music -- Part IV: Music -- 8. Unmetered -- 9. Metered -- 10. Elegies -- 11. End Titles -- Acknowledgments -- Abbreviations -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910156243203321 |
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Decker Todd
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| Berkeley, CA : , : University of California Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook
| Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook |
| Autore | Holbrook Morris B. |
| Pubbl/distr/stampa | New York : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (395 p.) |
| Disciplina | 781.5/420973 |
| Collana | Routledge interpretive marketing research series |
| Soggetto topico |
Motion picture music - United States - History and criticism
Jazz in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-15090-5
9786613150905 1-136-71576-2 0-203-81553-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : ambi-diegetic music in motion pictures. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land -- Ambi-diegetic jazz and the development of character. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956) -- The cinemusical role of "My funny Valentine" in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999) -- The plot thickens : cinemusical meanings in the crime-plus-jazz genre. Pete Kelly's blues (1955) -- The Cotton Club (1984) -- Kansas City (1996) -- Jazz, films, and macromarketing themes : art versus commerce in the young man-with-a-horn genre. Young man with a horn (1949) -- Paris blues (1961) -- Mo' better blues (1990) -- Ambi-diegetic, nondiegetic, and diegetic cinemusical meanings in motion pictures : commerce, art, and Brando loyalty-- or-- De Niro, my God, to thee. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro -- Art and Heart beat (1980) : stars fell on Algolagnia -- Brando loyalty and The score (2001) : how do you keep the music paying? -- God is in the details. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis -- Small-but-significant implications of the man who isn't there in Sweet smell of success (1957) -- Jazz biopics as tragedy and comedy : pivotal ambi-diegetic. Cinemusical moments in tragedepictions and comedepictions of jazz heroes -- When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen -- A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no. |
| Record Nr. | UNINA-9910461319003321 |
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Holbrook Morris B.
|
||
| New York : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook
| Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook |
| Autore | Holbrook Morris B. |
| Pubbl/distr/stampa | New York : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (395 p.) |
| Disciplina | 781.5/420973 |
| Collana | Routledge interpretive marketing research series |
| Soggetto topico |
Motion picture music - United States - History and criticism
Jazz in motion pictures |
| ISBN |
1-136-71575-4
1-283-15090-5 9786613150905 1-136-71576-2 0-203-81553-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : ambi-diegetic music in motion pictures. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land -- Ambi-diegetic jazz and the development of character. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956) -- The cinemusical role of "My funny Valentine" in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999) -- The plot thickens : cinemusical meanings in the crime-plus-jazz genre. Pete Kelly's blues (1955) -- The Cotton Club (1984) -- Kansas City (1996) -- Jazz, films, and macromarketing themes : art versus commerce in the young man-with-a-horn genre. Young man with a horn (1949) -- Paris blues (1961) -- Mo' better blues (1990) -- Ambi-diegetic, nondiegetic, and diegetic cinemusical meanings in motion pictures : commerce, art, and Brando loyalty-- or-- De Niro, my God, to thee. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro -- Art and Heart beat (1980) : stars fell on Algolagnia -- Brando loyalty and The score (2001) : how do you keep the music paying? -- God is in the details. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis -- Small-but-significant implications of the man who isn't there in Sweet smell of success (1957) -- Jazz biopics as tragedy and comedy : pivotal ambi-diegetic. Cinemusical moments in tragedepictions and comedepictions of jazz heroes -- When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen -- A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no. |
| Record Nr. | UNINA-9910789545203321 |
|
Holbrook Morris B.
|
||
| New York : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook
| Music, movies, meanings, and markets : cinemajazzamatazz / / Morris B. Holbrook |
| Autore | Holbrook Morris B. |
| Pubbl/distr/stampa | New York, : Routledge, 2011 |
| Descrizione fisica | 1 online resource (395 p.) |
| Disciplina | 781.5/420973 |
| Collana | Routledge interpretive marketing research series |
| Soggetto topico |
Motion picture music - United States - History and criticism
Jazz in motion pictures |
| ISBN |
1-136-71575-4
1-283-15090-5 9786613150905 1-136-71576-2 0-203-81553-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : ambi-diegetic music in motion pictures. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land -- Ambi-diegetic jazz and the development of character. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956) -- The cinemusical role of "My funny Valentine" in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999) -- The plot thickens : cinemusical meanings in the crime-plus-jazz genre. Pete Kelly's blues (1955) -- The Cotton Club (1984) -- Kansas City (1996) -- Jazz, films, and macromarketing themes : art versus commerce in the young man-with-a-horn genre. Young man with a horn (1949) -- Paris blues (1961) -- Mo' better blues (1990) -- Ambi-diegetic, nondiegetic, and diegetic cinemusical meanings in motion pictures : commerce, art, and Brando loyalty-- or-- De Niro, my God, to thee. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro -- Art and Heart beat (1980) : stars fell on Algolagnia -- Brando loyalty and The score (2001) : how do you keep the music paying? -- God is in the details. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis -- Small-but-significant implications of the man who isn't there in Sweet smell of success (1957) -- Jazz biopics as tragedy and comedy : pivotal ambi-diegetic. Cinemusical moments in tragedepictions and comedepictions of jazz heroes -- When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen -- A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no. |
| Record Nr. | UNINA-9910810466903321 |
|
Holbrook Morris B.
|
||
| New York, : Routledge, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||