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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music - History and criticism
Motion picture music -- History and criticism Symphony |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Frontmatter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910459979403321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910785691503321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910825955803321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Film music [[electronic resource] ] : a history / / James Wierzbicki
| Film music [[electronic resource] ] : a history / / James Wierzbicki |
| Autore | Wierzbicki James Eugene |
| Pubbl/distr/stampa | New York, : Routledge, 2009 |
| Descrizione fisica | 1 online resource (329 p.) |
| Disciplina |
781.5/4209
781.54209 |
| Soggetto topico |
Motion picture music - History and criticism
Motion pictures and music |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-135-85143-3
1-281-90100-8 9786611901004 0-203-88447-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
BOOK COVER; TITLE; COPYRIGHT; CONTENTS; LIST OF ILLUSTRATIONS; PREFACE; ACKNOWLEDGMENTS; 1 INTRODUCTION; Part 1 MUSIC AND THE "SILENT" FILM (1894-1927); 2 ORIGINS, 1894-1905; 3 THE NICKELODEON, 1905-15; 4 FEATURE FILMS, 1915-27; Part 2 MUSIC AND THE EARLY SOUND FILM (1894-1933); 5 THE LONG ADVENT OF SOUND, 1894-1926; 6 VITAPHONE AND MOVIETONE, 1926-8; 7 HOLLYWOOD'S EARLY SOUND FILMS, 1928-33; Part 3 MUSIC IN THE "CLASSICAL-STYLE" HOLLYWOOD FILM (1933-60); 8 THE "GOLDEN AGE" OF FILM MUSIC, 1933-49; 9 POSTWAR INNOVATIONS AND THE STRUGGLE FOR SURVIVAL, 1949-58
Part 4 FILM MUSIC IN THE POST-CLASSIC PERIOD (1958-2008)10 A "NEW WAVE" OF FILM MUSIC, 1958-78; 11 ECLECTICISM, 1978-2001; 12 EPILOGUE, 2001-8; NOTES; BIBLIOGRAPHY; INDEX |
| Record Nr. | UNINA-9910453675403321 |
Wierzbicki James Eugene
|
||
| New York, : Routledge, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Film music [[electronic resource] ] : a history / / James Wierzbicki
| Film music [[electronic resource] ] : a history / / James Wierzbicki |
| Autore | Wierzbicki James Eugene |
| Pubbl/distr/stampa | New York, : Routledge, 2009 |
| Descrizione fisica | 1 online resource (329 p.) |
| Disciplina |
781.5/4209
781.54209 |
| Soggetto topico |
Motion picture music - History and criticism
Motion pictures and music |
| ISBN |
1-135-85143-3
1-281-90100-8 9786611901004 0-203-88447-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
BOOK COVER; TITLE; COPYRIGHT; CONTENTS; LIST OF ILLUSTRATIONS; PREFACE; ACKNOWLEDGMENTS; 1 INTRODUCTION; Part 1 MUSIC AND THE "SILENT" FILM (1894-1927); 2 ORIGINS, 1894-1905; 3 THE NICKELODEON, 1905-15; 4 FEATURE FILMS, 1915-27; Part 2 MUSIC AND THE EARLY SOUND FILM (1894-1933); 5 THE LONG ADVENT OF SOUND, 1894-1926; 6 VITAPHONE AND MOVIETONE, 1926-8; 7 HOLLYWOOD'S EARLY SOUND FILMS, 1928-33; Part 3 MUSIC IN THE "CLASSICAL-STYLE" HOLLYWOOD FILM (1933-60); 8 THE "GOLDEN AGE" OF FILM MUSIC, 1933-49; 9 POSTWAR INNOVATIONS AND THE STRUGGLE FOR SURVIVAL, 1949-58
Part 4 FILM MUSIC IN THE POST-CLASSIC PERIOD (1958-2008)10 A "NEW WAVE" OF FILM MUSIC, 1958-78; 11 ECLECTICISM, 1978-2001; 12 EPILOGUE, 2001-8; NOTES; BIBLIOGRAPHY; INDEX |
| Record Nr. | UNINA-9910782229003321 |
|
Wierzbicki James Eugene
|
||
| New York, : Routledge, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Film music : a history / / James Wierzbicki
| Film music : a history / / James Wierzbicki |
| Autore | Wierzbicki James Eugene |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Routledge, 2009 |
| Descrizione fisica | 1 online resource (329 p.) |
| Disciplina |
781.5/4209
781.54209 |
| Soggetto topico |
Motion picture music - History and criticism
Motion pictures and music |
| ISBN |
1-135-85143-3
1-281-90100-8 9786611901004 0-203-88447-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
BOOK COVER; TITLE; COPYRIGHT; CONTENTS; LIST OF ILLUSTRATIONS; PREFACE; ACKNOWLEDGMENTS; 1 INTRODUCTION; Part 1 MUSIC AND THE "SILENT" FILM (1894-1927); 2 ORIGINS, 1894-1905; 3 THE NICKELODEON, 1905-15; 4 FEATURE FILMS, 1915-27; Part 2 MUSIC AND THE EARLY SOUND FILM (1894-1933); 5 THE LONG ADVENT OF SOUND, 1894-1926; 6 VITAPHONE AND MOVIETONE, 1926-8; 7 HOLLYWOOD'S EARLY SOUND FILMS, 1928-33; Part 3 MUSIC IN THE "CLASSICAL-STYLE" HOLLYWOOD FILM (1933-60); 8 THE "GOLDEN AGE" OF FILM MUSIC, 1933-49; 9 POSTWAR INNOVATIONS AND THE STRUGGLE FOR SURVIVAL, 1949-58
Part 4 FILM MUSIC IN THE POST-CLASSIC PERIOD (1958-2008)10 A "NEW WAVE" OF FILM MUSIC, 1958-78; 11 ECLECTICISM, 1978-2001; 12 EPILOGUE, 2001-8; NOTES; BIBLIOGRAPHY; INDEX |
| Record Nr. | UNINA-9910808542703321 |
|
Wierzbicki James Eugene
|
||
| New York, : Routledge, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The invisible art of film music [[electronic resource] ] : a comprehensive history / / Laurence E. MacDonald
| The invisible art of film music [[electronic resource] ] : a comprehensive history / / Laurence E. MacDonald |
| Autore | MacDonald Laurence E |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Lanham, MD, : Scarecrow Press, 2013 |
| Descrizione fisica | 1 online resource (624 p.) |
| Disciplina |
781.5/4209
781.54209 |
| Soggetto topico |
Motion picture music - History and criticism
Dramatic music - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8108-8398-8
0-8108-9058-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Biographical Sketches; Preface; Acknowledgments; Introduction: Music and the Birth of Film; CHAPTER 1. The Evolution of Synchronized Sound: 1920-1929; CHAPTER 2. The Dawn of the Golden Age: 1930-1939; CHAPTER 3. World War II and Its Aftermath: 1940-1949; CHAPTER 4. The Decline of the Studio System: 1950-1959; CHAPTER 5. The Changing of the Guard: 1960-1969; CHAPTER 6. The Revival of the Symphonic Film Score: 1970-1979; CHAPTER 7. The Influence of Synthesized Sound: 1980-1989; CHAPTER 8. The Rise of Independent Films: 1990-1999; CHAPTER 9. The Derivative Decade: 2000-2009
Epilogue: INTO THE SECOND DECADE OF THE TWENTY-FIRST CENTURYBibliography; General Index; Title Index; Name Index; About the Author |
| Record Nr. | UNINA-9910452551703321 |
|
MacDonald Laurence E
|
||
| Lanham, MD, : Scarecrow Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The invisible art of film music [[electronic resource] ] : a comprehensive history / / Laurence E. MacDonald
| The invisible art of film music [[electronic resource] ] : a comprehensive history / / Laurence E. MacDonald |
| Autore | MacDonald Laurence E |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Lanham, MD, : Scarecrow Press, 2013 |
| Descrizione fisica | 1 online resource (624 p.) |
| Disciplina |
781.5/4209
781.54209 |
| Soggetto topico |
Motion picture music - History and criticism
Dramatic music - History and criticism |
| ISBN |
0-8108-8398-8
0-8108-9058-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Biographical Sketches; Preface; Acknowledgments; Introduction: Music and the Birth of Film; CHAPTER 1. The Evolution of Synchronized Sound: 1920-1929; CHAPTER 2. The Dawn of the Golden Age: 1930-1939; CHAPTER 3. World War II and Its Aftermath: 1940-1949; CHAPTER 4. The Decline of the Studio System: 1950-1959; CHAPTER 5. The Changing of the Guard: 1960-1969; CHAPTER 6. The Revival of the Symphonic Film Score: 1970-1979; CHAPTER 7. The Influence of Synthesized Sound: 1980-1989; CHAPTER 8. The Rise of Independent Films: 1990-1999; CHAPTER 9. The Derivative Decade: 2000-2009
Epilogue: INTO THE SECOND DECADE OF THE TWENTY-FIRST CENTURYBibliography; General Index; Title Index; Name Index; About the Author |
| Record Nr. | UNINA-9910779973303321 |
|
MacDonald Laurence E
|
||
| Lanham, MD, : Scarecrow Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The invisible art of film music : a comprehensive history / / Laurence E. MacDonald
| The invisible art of film music : a comprehensive history / / Laurence E. MacDonald |
| Autore | MacDonald Laurence E |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Lanham, MD, : Scarecrow Press, 2013 |
| Descrizione fisica | 1 online resource (624 p.) |
| Disciplina |
781.5/4209
781.54209 |
| Soggetto topico |
Motion picture music - History and criticism
Dramatic music - History and criticism |
| ISBN |
0-8108-8398-8
0-8108-9058-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Biographical Sketches; Preface; Acknowledgments; Introduction: Music and the Birth of Film; CHAPTER 1. The Evolution of Synchronized Sound: 1920-1929; CHAPTER 2. The Dawn of the Golden Age: 1930-1939; CHAPTER 3. World War II and Its Aftermath: 1940-1949; CHAPTER 4. The Decline of the Studio System: 1950-1959; CHAPTER 5. The Changing of the Guard: 1960-1969; CHAPTER 6. The Revival of the Symphonic Film Score: 1970-1979; CHAPTER 7. The Influence of Synthesized Sound: 1980-1989; CHAPTER 8. The Rise of Independent Films: 1990-1999; CHAPTER 9. The Derivative Decade: 2000-2009
Epilogue: INTO THE SECOND DECADE OF THE TWENTY-FIRST CENTURYBibliography; General Index; Title Index; Name Index; About the Author |
| Record Nr. | UNINA-9910807284703321 |
|
MacDonald Laurence E
|
||
| Lanham, MD, : Scarecrow Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
La Musique au cinéma / Michel Chion
| La Musique au cinéma / Michel Chion |
| Autore | Chion, Michel, 1947- |
| Pubbl/distr/stampa | [Paris] : Fayard, c1995 |
| Descrizione fisica | 475 p. ; 24 cm. |
| Disciplina | 781.5/4209 |
| Collana | Les Chemins de la musique |
| Soggetto topico |
Musica per film - Storia e critica
Cinema e musica |
| ISBN | 221359466X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNISALENTO-991002306809707536 |
|
Chion, Michel, 1947-
|
||
| [Paris] : Fayard, c1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
| ||