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Chasing sound : technology, culture, and the art of studio recording from Edison to the LP / / Susan Schmidt Horning
| Chasing sound : technology, culture, and the art of studio recording from Edison to the LP / / Susan Schmidt Horning |
| Autore | Schmidt Horning Susan |
| Pubbl/distr/stampa | Baltimore : , : Johns Hopkins University Press, , 2013 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 781.490973 |
| Collana | Studies in industry and society |
| Soggetto topico |
Popular music - Production and direction - History
Sound recording industry - History Sound recordings - Production and direction - History Sound studios - History Sound - Recording and reproducing - History |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4214-1023-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; Introduction; 1 Capturing Sound in the Acoustic Era: Recording Professionals and Clever Mechanics; 2 The Studio Electrifies: Radio, Recording, and the Birth of the Small Studio Business; 3 A Passion for Sound: Amateur Recordists, the Audio Engineering Society, and the Evolution of a Profession; 4 When High Fidelity Was New: The Studio as Instrument; 5 Control Men in Technological Transition: Engineering the Performance in the Age of High Fidelity; 6 The Search for the Sound: Rhythm and Blues, Rock 'n' Roll, and the Rise of the Independents
7 Channeling Sound: Technology, Control, and Fixing It in the MixConclusion; Notes; Essay on Sources; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Illustrations |
| Record Nr. | UNINA-9910453746203321 |
Schmidt Horning Susan
|
||
| Baltimore : , : Johns Hopkins University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Chasing sound : technology, culture, and the art of studio recording from Edison to the LP / / Susan Schmidt Horning
| Chasing sound : technology, culture, and the art of studio recording from Edison to the LP / / Susan Schmidt Horning |
| Autore | Schmidt Horning Susan |
| Pubbl/distr/stampa | Baltimore : , : Johns Hopkins University Press, , 2013 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 781.490973 |
| Collana | Studies in industry and society |
| Soggetto topico |
Popular music - Production and direction - History
Sound recording industry - History Sound recordings - Production and direction - History Sound studios - History Sound - Recording and reproducing - History |
| ISBN | 1-4214-1023-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; Introduction; 1 Capturing Sound in the Acoustic Era: Recording Professionals and Clever Mechanics; 2 The Studio Electrifies: Radio, Recording, and the Birth of the Small Studio Business; 3 A Passion for Sound: Amateur Recordists, the Audio Engineering Society, and the Evolution of a Profession; 4 When High Fidelity Was New: The Studio as Instrument; 5 Control Men in Technological Transition: Engineering the Performance in the Age of High Fidelity; 6 The Search for the Sound: Rhythm and Blues, Rock 'n' Roll, and the Rise of the Independents
7 Channeling Sound: Technology, Control, and Fixing It in the MixConclusion; Notes; Essay on Sources; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Illustrations |
| Record Nr. | UNINA-9910790773303321 |
|
Schmidt Horning Susan
|
||
| Baltimore : , : Johns Hopkins University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Chasing sound : technology, culture, and the art of studio recording from Edison to the LP / / Susan Schmidt Horning
| Chasing sound : technology, culture, and the art of studio recording from Edison to the LP / / Susan Schmidt Horning |
| Autore | Schmidt Horning Susan |
| Pubbl/distr/stampa | Baltimore : , : Johns Hopkins University Press, , 2013 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 781.490973 |
| Collana | Studies in industry and society |
| Soggetto topico |
Popular music - Production and direction - History
Sound recording industry - History Sound recordings - Production and direction - History Sound studios - History Sound - Recording and reproducing - History |
| ISBN | 1-4214-1023-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgments; Introduction; 1 Capturing Sound in the Acoustic Era: Recording Professionals and Clever Mechanics; 2 The Studio Electrifies: Radio, Recording, and the Birth of the Small Studio Business; 3 A Passion for Sound: Amateur Recordists, the Audio Engineering Society, and the Evolution of a Profession; 4 When High Fidelity Was New: The Studio as Instrument; 5 Control Men in Technological Transition: Engineering the Performance in the Age of High Fidelity; 6 The Search for the Sound: Rhythm and Blues, Rock 'n' Roll, and the Rise of the Independents
7 Channeling Sound: Technology, Control, and Fixing It in the MixConclusion; Notes; Essay on Sources; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Illustrations |
| Record Nr. | UNINA-9910823148103321 |
|
Schmidt Horning Susan
|
||
| Baltimore : , : Johns Hopkins University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Making easy listening [[electronic resource] ] : material culture and postwar American recording / / Tim J. Anderson
| Making easy listening [[electronic resource] ] : material culture and postwar American recording / / Tim J. Anderson |
| Autore | Anderson Tim J |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2006 |
| Descrizione fisica | 1 online resource (282 p.) |
| Disciplina | 781.490973 |
| Collana | Commerce and mass culture series |
| Soggetto topico |
Sound recording industry - United States - History
Sound recordings - Production and direction - United States Popular culture - United States - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-9695-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : opening tracks -- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians -- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object -- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio -- Conclusion : the flip side (and a few concluding thoughts). |
| Record Nr. | UNINA-9910451632503321 |
|
Anderson Tim J
|
||
| Minneapolis, : University of Minnesota Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Making easy listening [[electronic resource] ] : material culture and postwar American recording / / Tim J. Anderson
| Making easy listening [[electronic resource] ] : material culture and postwar American recording / / Tim J. Anderson |
| Autore | Anderson Tim J |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2006 |
| Descrizione fisica | 1 online resource (282 p.) |
| Disciplina | 781.490973 |
| Collana | Commerce and mass culture series |
| Soggetto topico |
Sound recording industry - United States - History
Sound recordings - Production and direction - United States Popular culture - United States - History - 20th century |
| ISBN | 0-8166-9695-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : opening tracks -- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians -- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object -- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio -- Conclusion : the flip side (and a few concluding thoughts). |
| Record Nr. | UNINA-9910784108803321 |
|
Anderson Tim J
|
||
| Minneapolis, : University of Minnesota Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Making easy listening : material culture and postwar American recording / / Tim J. Anderson
| Making easy listening : material culture and postwar American recording / / Tim J. Anderson |
| Autore | Anderson Tim J |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2006 |
| Descrizione fisica | 1 online resource (282 p.) |
| Disciplina | 781.490973 |
| Collana | Commerce and mass culture series |
| Soggetto topico |
Sound recording industry - United States - History
Sound recordings - Production and direction - United States Popular culture - United States - History - 20th century |
| ISBN | 0-8166-9695-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : opening tracks -- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians -- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object -- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio -- Conclusion : the flip side (and a few concluding thoughts). |
| Record Nr. | UNINA-9910821070203321 |
|
Anderson Tim J
|
||
| Minneapolis, : University of Minnesota Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||