Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910456396403321 |
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910781129403321 |
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music, mechanical reproduction / / Arved Ashby
| Absolute music, mechanical reproduction / / Arved Ashby |
| Autore | Ashby Arved Mark |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| ISBN |
9786612697661
9780520945692 0520945697 9781282697669 1282697668 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9911094440003321 |
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music, mechanical reproduction / / Arved Ashby
| Absolute music, mechanical reproduction / / Arved Ashby |
| Autore | Ashby Arved Mark |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| ISBN |
9786612697661
9780520945692 0520945697 9781282697669 1282697668 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9911151741603321 |
| Ashby Arved Mark | ||
| Berkeley, : University of California Press, c2010 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audio production tips : getting the sound right at the source / / Peter Dowsett
| Audio production tips : getting the sound right at the source / / Peter Dowsett |
| Autore | Dowsett Peter |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | New York, NY : , : Focal Press, , 2016 |
| Descrizione fisica | 1 online resource (538 p.) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction Sound - Recording and reproducing |
| ISBN |
1-317-61420-8
1-315-75112-7 1-317-61421-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Production philosophies, your ears and critical listening -- Project management and pre-production -- Basic music theory -- Song structure, lyrics and melody -- Advanced music theory -- Arrangement and orchestration -- Demystifying recording levels -- Microphone, pre-amp and live room choice -- The critical listening environment -- Decision-making and general recording techniques -- Tracking drums -- Tracking electric and bass guitar -- Tracking other instrumentation -- Tracking vocals. |
| Record Nr. | UNINA-9910797823403321 |
Dowsett Peter
|
||
| New York, NY : , : Focal Press, , 2016 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audio production tips : getting the sound right at the source / / Peter Dowsett
| Audio production tips : getting the sound right at the source / / Peter Dowsett |
| Autore | Dowsett Peter |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | New York, NY : , : Focal Press, , 2016 |
| Descrizione fisica | 1 online resource (538 p.) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction Sound - Recording and reproducing |
| ISBN |
9781317614203
1317614208 9781315751122 1315751127 9781317614210 1317614216 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Production philosophies, your ears and critical listening -- Project management and pre-production -- Basic music theory -- Song structure, lyrics and melody -- Advanced music theory -- Arrangement and orchestration -- Demystifying recording levels -- Microphone, pre-amp and live room choice -- The critical listening environment -- Decision-making and general recording techniques -- Tracking drums -- Tracking electric and bass guitar -- Tracking other instrumentation -- Tracking vocals. |
| Record Nr. | UNINA-9911094250503321 |
Dowsett Peter
|
||
| New York, NY : , : Focal Press, , 2016 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audio production tips : getting the sound right at the source / / Peter Dowsett
| Audio production tips : getting the sound right at the source / / Peter Dowsett |
| Autore | Dowsett Peter |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | New York, NY : , : Focal Press, , 2016 |
| Descrizione fisica | 1 online resource (538 p.) |
| Disciplina | 781.49 |
| Soggetto topico |
Popular music - Production and direction
Sound recordings - Production and direction Sound - Recording and reproducing |
| ISBN |
9781317614203
1317614208 9781315751122 1315751127 9781317614210 1317614216 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Production philosophies, your ears and critical listening -- Project management and pre-production -- Basic music theory -- Song structure, lyrics and melody -- Advanced music theory -- Arrangement and orchestration -- Demystifying recording levels -- Microphone, pre-amp and live room choice -- The critical listening environment -- Decision-making and general recording techniques -- Tracking drums -- Tracking electric and bass guitar -- Tracking other instrumentation -- Tracking vocals. |
| Record Nr. | UNINA-9911135117403321 |
| Dowsett Peter | ||
| New York, NY : , : Focal Press, , 2016 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Between air and electricity : microphones and loudspeakers as musical instruments / / Cathy van Eck
| Between air and electricity : microphones and loudspeakers as musical instruments / / Cathy van Eck |
| Autore | Eck Cathy van |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (217 pages) : illustrations |
| Disciplina | 781.49 |
| Soggetto topico |
Sound - Recording and reproducing - History
Electronic music - History and criticism Microphone Loudspeakers |
| ISBN |
1-5013-2763-1
1-5013-2762-3 1-5013-2761-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Beyond the Curtain: The True Nature' of Microphones and Loudspeakers -- Reproducing-- Supporting-- Generating-- Interacting: Four Approaches towards Microphones and Loudspeakers -- The Sound of Microphones and Loudspeakers -- Movement, Material and Space: Interacting with Microphones and Loudspeakers -- Composing with Microphones and Loudspeakers.
Machine generated contents note: 1. Beyond the Curtain: The True Nature' of Microphones and Loudspeakers -- An empty stage: Listening according to the Konzertreform -- A concert at home: The invention of sound reproduction technologies -- Storage of air pressure waves -- Transportation of air pressure waves -- Amplification of air pressure waves -- Between air and electricity -- A standard, almost perfect amplifier and loudspeaker -- Microphones and loudspeakers: The musical instruments of our age? -- |
| Record Nr. | UNINA-9910155078603321 |
Eck Cathy van
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||
| New York : , : Bloomsbury Academic, , 2017 | ||
| Lo trovi qui: Univ. Federico II | ||
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Capturing sound : how technology has changed music / Mark Katz
| Capturing sound : how technology has changed music / Mark Katz |
| Autore | KATZ, Mark <1970-> |
| Edizione | [Rev. ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2010 |
| Descrizione fisica | Testo elettronico (PDF) (XIV, 320 p.) |
| Disciplina | 781.49 |
| Soggetto topico | Musica - Innovazione tecnologia |
| ISBN | 9780520261051 |
| Formato | Risorse elettroniche |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996436253403316 |
KATZ, Mark <1970->
|
||
| Berkeley, : University of California Press, 2010 | ||
| Lo trovi qui: Univ. di Salerno | ||
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Capturing sound [[electronic resource] ] : how technology has changed music / / Mark Katz
| Capturing sound [[electronic resource] ] : how technology has changed music / / Mark Katz |
| Autore | Katz Mark <1970-> |
| Edizione | [Rev. ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (xiv, 320 p.) |
| Disciplina | 781.49 |
| Soggetto topico |
Sound recording industry
Music and technology |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-76403-9
9786612764035 0-520-94735-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. CAUSES -- 2. MAKING AMERICA MORE MUSICAL THE PHONOGRAPH AND "GOOD MUSIC " -- 3. CAPTURING JAZZ -- 4. AESTHETICS OUT OF EXIGENCY. VIOLIN VIBRATO AND THE PHONOGRAPH -- 5. THE RISE AND FALL OF GRAMMOPHONMUSIK -- 6. THE TURNTABLE AS WEAPON. UNTDERSTANDING THE HIP-HOP DJ BATTLE -- 7. MUSIC IN 1s AND 0s THE ART AND POLITICS OF DIGITAL SAMPLING -- 8. LISTENING IN CYBERSPACE -- CONCLUSION -- NOTES -- BIBLIOGRAPHY -- SUPPLEMENTARY WEB MATERIALS -- INDEX |
| Record Nr. | UNINA-9910460027203321 |
Katz Mark <1970->
|
||
| Berkeley, : University of California Press, c2010 | ||
| Lo trovi qui: Univ. Federico II | ||
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