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Beyond notes : improvisation in Western Music of the Eighteenth and Nineteenth Centuries / edited by Rudolf Rasch
| Beyond notes : improvisation in Western Music of the Eighteenth and Nineteenth Centuries / edited by Rudolf Rasch |
| Pubbl/distr/stampa | Turnhout : Brepols, 2011 |
| Descrizione fisica | XII, 387 p. : es. mus. ; 27 cm |
| Disciplina | 781.36 |
| Collana | Speculum musicae |
| Soggetto non controllato |
Improvvisazione |
| ISBN | 9782503542447 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910248459503321 |
| Turnhout : Brepols, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Children's guided participation in jazz improvisation : a study of the 'Improbasen' Learning Centre / / Guro Gravem Johansen
| Children's guided participation in jazz improvisation : a study of the 'Improbasen' Learning Centre / / Guro Gravem Johansen |
| Autore | Johansen Guro Gravem |
| Pubbl/distr/stampa | London ; ; New York, New York : , : Routledge, , [2021] |
| Descrizione fisica | 1 online resource (205 pages) : illustrations |
| Disciplina | 781.36 |
| Collana | SEMPRE Studies in the Psychology of Music |
| Soggetto topico | Improvisation (Music) |
| ISBN |
0-429-45169-5
0-429-83747-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910758476003321 |
Johansen Guro Gravem
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| London ; ; New York, New York : , : Routledge, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Free improvisation : history and perspectives / editors Alessandro Sbordoni, Antonio Rostagno ; collaborazione redazionale di Vera Vecchiarelli e Gianluca Chelini
| Free improvisation : history and perspectives / editors Alessandro Sbordoni, Antonio Rostagno ; collaborazione redazionale di Vera Vecchiarelli e Gianluca Chelini |
| Autore | Chelini, Gianluca |
| Pubbl/distr/stampa | Lucca : Libreria musicale italiana, 2018 |
| Descrizione fisica | XI, 335 p. : ill. ; 21 cm |
| Disciplina | 781.36 |
| Altri autori (Persone) | Sbordoni, Alessandro <1948- > |
| Soggetto non controllato | Improvvisazione in musica |
| ISBN | 978-88-7096-966-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910371457603321 |
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Chelini, Gianluca
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| Lucca : Libreria musicale italiana, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Fuor di metafora : sette osservazioni sull'improvvisazione musicale / Francesco D'Errico ; prefazione: Paolo de Vita ; postfazione: Mauro Maldonato
| Fuor di metafora : sette osservazioni sull'improvvisazione musicale / Francesco D'Errico ; prefazione: Paolo de Vita ; postfazione: Mauro Maldonato |
| Autore | D'Errico, Francesco |
| Pubbl/distr/stampa | Napoli, : Editoriale scientifica, 2015 |
| Descrizione fisica | 150 p. : ill. ; 21 cm |
| Disciplina | 781.36 |
| Collana | Punto org |
| Soggetto non controllato | Improvvisazione |
| ISBN | 978-88-6342-826-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-9910309543103321 |
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D'Errico, Francesco
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| Napoli, : Editoriale scientifica, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Improvisation and social aesthetics / / Georgina Born, Eric Lewis, and William Straw, eds
| Improvisation and social aesthetics / / Georgina Born, Eric Lewis, and William Straw, eds |
| Pubbl/distr/stampa | Durham : , : Duke University Press, , 2017 |
| Descrizione fisica | 1 online resource (361 pages) : illustrations |
| Disciplina | 781.36 |
| Collana | Improvisation, community, and social practice |
| Soggetto topico |
Improvisation (Music) - Social aspects
Music - Social aspects Aesthetics - Social aspects Arts and society |
| ISBN | 0-8223-6194-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | After relational aesthetics : improvised music, the social, and (re)theorizing the aesthetic / Georgina Born -- Scripting social interaction : improvisation, performance, and Western "art" music / Nicholas Cook -- From the American civil rights movement to Mali : reflections on social aesthetics and improvisation / Ingrid Monson -- From network bands to ubiquitous computing : Rich Gold and the social aesthetics of interactivity / George E. Lewis -- The social aesthetics of swing in the 1940s : or the distribution of the non-sensible / David Brackett -- What is "great Black music"? The social aesthetics of the AACM in Paris / Eric Lewis -- Kenneth Goldsmith and uncreative improvisation / Darren Wershler -- Strayhorn's queer arrangements / Lisa Barg -- What's love got to do with it? Creating art, creating community, creating a better world / Tracey Nicholls -- Improvisation in New Wave cinema : beneath the myth, the social / Marion Froger, translated by William Straw -- Social aesthetics and transcultural improvisation : Wayde Compton and the performance of Black time / Winfried Siemerling -- Devices of existence : contact improvisation, mobile performances, and dancing through Twitter / Susan Kozel -- The dramaturgy of spontaneity : improvising the social in theater / Zoë Svendsen. |
| Record Nr. | UNINA-9910169192303321 |
| Durham : , : Duke University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The lived experience of improvisation : in music, learning and life / / Simon Rose
| The lived experience of improvisation : in music, learning and life / / Simon Rose |
| Autore | Rose Simon <1961-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, England : , : Intellect Ltd., , [2017] |
| Descrizione fisica | 1 online resource (237 pages) |
| Disciplina | 781.36 |
| Collana | ISSN |
| Soggetto topico |
Improvisation in art
Improvisation in dance |
| ISBN | 1-78320-675-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910796713303321 |
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Rose Simon <1961->
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| Bristol, England : , : Intellect Ltd., , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The lived experience of improvisation : in music, learning and life / / Simon Rose
| The lived experience of improvisation : in music, learning and life / / Simon Rose |
| Autore | Rose Simon <1961-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, England : , : Intellect Ltd., , [2017] |
| Descrizione fisica | 1 online resource (237 pages) |
| Disciplina | 781.36 |
| Collana | ISSN |
| Soggetto topico |
Improvisation in art
Improvisation in dance |
| ISBN | 1-78320-675-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910817425403321 |
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Rose Simon <1961->
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| Bristol, England : , : Intellect Ltd., , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music therapy improvisation for groups : essential leadership competencies / / Susan C. Gardstrom
| Music therapy improvisation for groups : essential leadership competencies / / Susan C. Gardstrom |
| Autore | Gardstrom Susan C. |
| Pubbl/distr/stampa | Gilsum, New Hampshire : , : Barcelona Publishers, , 2007 |
| Descrizione fisica | 1 online resource (175 p.) |
| Disciplina | 781.36 |
| Soggetto topico |
Improvisation (Music)
Music therapy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-36700-9
9786613367006 1-891278-70-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Acknowledgments; Table of Contents; Chapter One: Introduction; Essential Competencies; Suggestions for Using This Book; Chapter Two: Terms and Nomenclature of Improvisation; Foundational Definitions; Methods, Procedures, Techniques; Referential and Nonreferential Improvisations; Givens; Improvisation Versus a Drum Circle; Chapter Three: Instruments of Improvisation; Instrumentarium; Mallets; Getting to Know Your Instruments; Ambidexterity; Selecting the Instruments; Quality; Number; Types; Client Age; Cautions; Needs and Objectives; The Therapist's Instrument
Arranging the EnvironmentPresenting the Instruments; Sound Vocabulary; Chapter Four: Musical Elements of Improvisation; Rhythmic Elements; Language and Rhythm; Tonal Elements; Textural Elements; Dynamic Elements; Timbral Elements; Chapter Five: Structures for Improvisation; Session Structures; Selecting and Presenting Givens and Referents; Selection; Presentation; Chapter Six: Nonmusical Facilitation Skills (Verbal & Gestural); Starting and Stopping; Starting; Stopping; Communicating During Improvisation; Movement; Physical Assistance; Chapter Seven: Musical Facilitation Skills Techniques of EmpathyImitating; Synchronizing; Incorporating; Pacing; Reflecting; Structuring Techniques; Rhythmic Grounding; Tonal Centering; Elicitation Techniques; Repeating; Modeling; Making Spaces; Interjecting; Redirection Techniques; Introducing Change; Intensifying; Intimacy Techniques; Sharing Instruments; Bonding; Soliloquizing; Procedural Techniques; Receding; Referential Techniques; Free Associating; Emotional Exploration Techniques; Holding; Doubling; Contrasting; Splitting; Transferring; Chapter Eight: Making Sense of What We Hear: The IAPs Improvisation Assessment Profiles (IAPs)Intramusical Relationships; Intermusical Relationships; The Profiles; Salience; Integration; Variability; Tension; Congruence; Autonomy; Summary and Caveats; Chapter Nine: Verbal Skills; To Process or Not to Process; Focal Point of Verbal Processing; Role of the Therapist; Verbal Techniques; Probe; Reflection of Feeling; Clarification; Checking Out; Self-Disclosure; Summary; Chapter Ten: Closing; Appendix A--Essential Competencies for Clinical Improvisation; Appendix B--Exercises; Appendix C--Referents for Clinical Music Improvisation Appendix D--Harmonic Progressions/VampsAppendix E--Givens/Parameters; Appendix F--IAP Profiles and Scales; References |
| Record Nr. | UNINA-9910461627303321 |
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Gardstrom Susan C.
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| Gilsum, New Hampshire : , : Barcelona Publishers, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music therapy improvisation for groups : essential leadership competencies / / Susan C. Gardstrom
| Music therapy improvisation for groups : essential leadership competencies / / Susan C. Gardstrom |
| Autore | Gardstrom Susan C. |
| Pubbl/distr/stampa | Gilsum, New Hampshire : , : Barcelona Publishers, , 2007 |
| Descrizione fisica | 1 online resource (175 p.) |
| Disciplina | 781.36 |
| Soggetto topico |
Improvisation (Music)
Music therapy |
| ISBN |
1-283-36700-9
9786613367006 1-891278-70-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Acknowledgments; Table of Contents; Chapter One: Introduction; Essential Competencies; Suggestions for Using This Book; Chapter Two: Terms and Nomenclature of Improvisation; Foundational Definitions; Methods, Procedures, Techniques; Referential and Nonreferential Improvisations; Givens; Improvisation Versus a Drum Circle; Chapter Three: Instruments of Improvisation; Instrumentarium; Mallets; Getting to Know Your Instruments; Ambidexterity; Selecting the Instruments; Quality; Number; Types; Client Age; Cautions; Needs and Objectives; The Therapist's Instrument
Arranging the EnvironmentPresenting the Instruments; Sound Vocabulary; Chapter Four: Musical Elements of Improvisation; Rhythmic Elements; Language and Rhythm; Tonal Elements; Textural Elements; Dynamic Elements; Timbral Elements; Chapter Five: Structures for Improvisation; Session Structures; Selecting and Presenting Givens and Referents; Selection; Presentation; Chapter Six: Nonmusical Facilitation Skills (Verbal & Gestural); Starting and Stopping; Starting; Stopping; Communicating During Improvisation; Movement; Physical Assistance; Chapter Seven: Musical Facilitation Skills Techniques of EmpathyImitating; Synchronizing; Incorporating; Pacing; Reflecting; Structuring Techniques; Rhythmic Grounding; Tonal Centering; Elicitation Techniques; Repeating; Modeling; Making Spaces; Interjecting; Redirection Techniques; Introducing Change; Intensifying; Intimacy Techniques; Sharing Instruments; Bonding; Soliloquizing; Procedural Techniques; Receding; Referential Techniques; Free Associating; Emotional Exploration Techniques; Holding; Doubling; Contrasting; Splitting; Transferring; Chapter Eight: Making Sense of What We Hear: The IAPs Improvisation Assessment Profiles (IAPs)Intramusical Relationships; Intermusical Relationships; The Profiles; Salience; Integration; Variability; Tension; Congruence; Autonomy; Summary and Caveats; Chapter Nine: Verbal Skills; To Process or Not to Process; Focal Point of Verbal Processing; Role of the Therapist; Verbal Techniques; Probe; Reflection of Feeling; Clarification; Checking Out; Self-Disclosure; Summary; Chapter Ten: Closing; Appendix A--Essential Competencies for Clinical Improvisation; Appendix B--Exercises; Appendix C--Referents for Clinical Music Improvisation Appendix D--Harmonic Progressions/VampsAppendix E--Givens/Parameters; Appendix F--IAP Profiles and Scales; References |
| Record Nr. | UNINA-9910789691303321 |
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Gardstrom Susan C.
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| Gilsum, New Hampshire : , : Barcelona Publishers, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music therapy improvisation for groups : essential leadership competencies / / Susan C. Gardstrom
| Music therapy improvisation for groups : essential leadership competencies / / Susan C. Gardstrom |
| Autore | Gardstrom Susan C. |
| Pubbl/distr/stampa | Gilsum, New Hampshire : , : Barcelona Publishers, , 2007 |
| Descrizione fisica | 1 online resource (175 p.) |
| Disciplina | 781.36 |
| Soggetto topico |
Improvisation (Music)
Music therapy |
| ISBN |
1-283-36700-9
9786613367006 1-891278-70-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright; Acknowledgments; Table of Contents; Chapter One: Introduction; Essential Competencies; Suggestions for Using This Book; Chapter Two: Terms and Nomenclature of Improvisation; Foundational Definitions; Methods, Procedures, Techniques; Referential and Nonreferential Improvisations; Givens; Improvisation Versus a Drum Circle; Chapter Three: Instruments of Improvisation; Instrumentarium; Mallets; Getting to Know Your Instruments; Ambidexterity; Selecting the Instruments; Quality; Number; Types; Client Age; Cautions; Needs and Objectives; The Therapist's Instrument
Arranging the EnvironmentPresenting the Instruments; Sound Vocabulary; Chapter Four: Musical Elements of Improvisation; Rhythmic Elements; Language and Rhythm; Tonal Elements; Textural Elements; Dynamic Elements; Timbral Elements; Chapter Five: Structures for Improvisation; Session Structures; Selecting and Presenting Givens and Referents; Selection; Presentation; Chapter Six: Nonmusical Facilitation Skills (Verbal & Gestural); Starting and Stopping; Starting; Stopping; Communicating During Improvisation; Movement; Physical Assistance; Chapter Seven: Musical Facilitation Skills Techniques of EmpathyImitating; Synchronizing; Incorporating; Pacing; Reflecting; Structuring Techniques; Rhythmic Grounding; Tonal Centering; Elicitation Techniques; Repeating; Modeling; Making Spaces; Interjecting; Redirection Techniques; Introducing Change; Intensifying; Intimacy Techniques; Sharing Instruments; Bonding; Soliloquizing; Procedural Techniques; Receding; Referential Techniques; Free Associating; Emotional Exploration Techniques; Holding; Doubling; Contrasting; Splitting; Transferring; Chapter Eight: Making Sense of What We Hear: The IAPs Improvisation Assessment Profiles (IAPs)Intramusical Relationships; Intermusical Relationships; The Profiles; Salience; Integration; Variability; Tension; Congruence; Autonomy; Summary and Caveats; Chapter Nine: Verbal Skills; To Process or Not to Process; Focal Point of Verbal Processing; Role of the Therapist; Verbal Techniques; Probe; Reflection of Feeling; Clarification; Checking Out; Self-Disclosure; Summary; Chapter Ten: Closing; Appendix A--Essential Competencies for Clinical Improvisation; Appendix B--Exercises; Appendix C--Referents for Clinical Music Improvisation Appendix D--Harmonic Progressions/VampsAppendix E--Givens/Parameters; Appendix F--IAP Profiles and Scales; References |
| Record Nr. | UNINA-9910810410903321 |
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Gardstrom Susan C.
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| Gilsum, New Hampshire : , : Barcelona Publishers, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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