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The craft of modal counterpoint : a practical approach / / Thomas Benjamin
| The craft of modal counterpoint : a practical approach / / Thomas Benjamin |
| Autore | Benjamin Thomas. |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 781.2/86 |
| Soggetto topico | Counterpoint |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-135-87439-5
1-280-10688-3 0-203-99720-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | General stylistic aspects -- Two-voice counterpoint -- Three-voice counterpoint -- Counterpoint in four voices -- The motet. |
| Record Nr. | UNINA-9910450954503321 |
Benjamin Thomas.
|
||
| New York : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The craft of modal counterpoint : a practical approach / / Thomas Benjamin
| The craft of modal counterpoint : a practical approach / / Thomas Benjamin |
| Autore | Benjamin Thomas. |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 781.2/86 |
| Soggetto topico | Counterpoint |
| ISBN |
1-135-87438-7
1-135-87439-5 1-280-10688-3 0-203-99720-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | General stylistic aspects -- Two-voice counterpoint -- Three-voice counterpoint -- Counterpoint in four voices -- The motet. |
| Record Nr. | UNINA-9910783973203321 |
|
Benjamin Thomas.
|
||
| New York : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The craft of modal counterpoint : a practical approach / / Thomas Benjamin
| The craft of modal counterpoint : a practical approach / / Thomas Benjamin |
| Autore | Benjamin Thomas |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York, : Routledge, 2005 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 781.2/86 |
| Soggetto topico | Counterpoint |
| ISBN |
1-135-87438-7
1-135-87439-5 1-280-10688-3 0-203-99720-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | General stylistic aspects -- Two-voice counterpoint -- Three-voice counterpoint -- Counterpoint in four voices -- The motet. |
| Record Nr. | UNINA-9910811254203321 |
|
Benjamin Thomas
|
||
| New York, : Routledge, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The craft of tonal counterpoint / / Thomas Benjamin
| The craft of tonal counterpoint / / Thomas Benjamin |
| Autore | Benjamin Thomas. |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (650 p.) |
| Disciplina | 781.2/86 |
| Altri autori (Persone) |
BenjaminThomas
BachJohann Sebastian <1685-1750.> |
| Soggetto topico |
Counterpoint
Musical analysis |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-138-45331-5
1-135-94663-9 1-280-10778-2 9786610107780 0-203-49411-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Contents; Dedication; Acknowledgments; Preface to the Second Edition; Notes to the Instructor; Notes to the Student; Introduction; Chapter 1 Line and Other Elements of Style; Shape; Tonal Framework; Range and Tessitura; Structural Pitches; Filling In (Motivic) Figures; Phrase and Cadence; Cadence Figures; Meter and Rhythm; Melodic Intervals; Details of Line; Scales; Chromaticism; Tendency Tones; Nonharmonic (Nonchord) Tones; Means of Coherence; Compound Line; Suggestions for Melodic Writing; Melodic Writing Checklist; Chapter 2 Nonimitative Two-Voice Writing
General ObservationsSpecific Details of Voice Relationships; A Note on Compound Meter; Contrapuntal Analysis Checklist; Essentials of Two-Voice Counterpoint; Chapter 3 Chromaticism in Two Voices; Nonfunctional (Nonessential, Decorative, Melodic) Chromaticism; Functional (Essential, Harmonic) Chromaticism; Harmonies Related to Chromatic Lines; The Neapolitan Triad; Augmented-Sixth Chords; Chapter 4 Composition of Binary Dance Forms; Chapter 5 Double (Invertible) Counterpoint; Double Counterpoint at the Octave or Fifteenth; Double Counterpoint at the Twelfth; Double Counterpoint at the Tenth Chapter 6 Imitation Canon; Imitation; Canon; Variants in the Imitative Process; Chapter 7 The Two-Voice Invention; The Exposition: Theme and Countertheme; The Episode; The Invention as a Whole; Analysis of a Complete Invention; Chapter 8 Three-Voice Counterpoint I: Texture, Rhythm, Harmony; Texture and Rhythm; Range and Spacing; Relative Motion; Harmony; Cadential Figures; Nonharmonic Tones; Chapter 9 Three-Voice Counterpoint II: Chromaticism, Triple Counterpoint, Canon; Chromaticism; Cross-Relation; Triple (Triple Invertible) Counterpoint; Accompanied Two-Voice Canon; Canon in Three Voices Chapter 10 Fugue IThe Subject; The Answer; The Exposition; Chapter 11 Fugue II; Overall Structure; The Episode; Middle Entries; The Counterexposition; Augmentation and Diminution; Inversion; Stretto; Pedal Point; The Ending Section; Analysis of a Complete Fugue; Chapter 12 Four-Voice Counterpoint; Texture and Rhythm; Harmony; Four-Voice Fugue; Other Fugal Variants; Chapter 13 Variation Forms; The Passacaglia; The Chaconne; The Goldberg Variations (Clavierübung, Part IV); Chapter 14 Cantus Firmus Procedure: The Chorale Prelude; The Ornamented Chorale Harmonization Cantus with Motivic CounterpointsCanonic Treatment of Cantus and/or Accompanying Parts; Chorale Prelude Involving "Vorimitation" (Preimitation); Chorale Prelude with "Obbligato" Melody; Conclusion; Appendix 1: Harmony; Appendix 2: Composing for the Organ; Glossary; Bibliography; Anthology; Index |
| Record Nr. | UNINA-9910450955103321 |
|
Benjamin Thomas.
|
||
| New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The craft of tonal counterpoint / / Thomas Benjamin
| The craft of tonal counterpoint / / Thomas Benjamin |
| Autore | Benjamin Thomas. |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (650 p.) |
| Disciplina | 781.2/86 |
| Altri autori (Persone) |
BenjaminThomas
BachJohann Sebastian <1685-1750.> |
| Soggetto topico |
Counterpoint
Musical analysis |
| ISBN |
1-135-94662-0
1-138-45331-5 1-135-94663-9 1-280-10778-2 9786610107780 0-203-49411-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Contents; Dedication; Acknowledgments; Preface to the Second Edition; Notes to the Instructor; Notes to the Student; Introduction; Chapter 1 Line and Other Elements of Style; Shape; Tonal Framework; Range and Tessitura; Structural Pitches; Filling In (Motivic) Figures; Phrase and Cadence; Cadence Figures; Meter and Rhythm; Melodic Intervals; Details of Line; Scales; Chromaticism; Tendency Tones; Nonharmonic (Nonchord) Tones; Means of Coherence; Compound Line; Suggestions for Melodic Writing; Melodic Writing Checklist; Chapter 2 Nonimitative Two-Voice Writing
General ObservationsSpecific Details of Voice Relationships; A Note on Compound Meter; Contrapuntal Analysis Checklist; Essentials of Two-Voice Counterpoint; Chapter 3 Chromaticism in Two Voices; Nonfunctional (Nonessential, Decorative, Melodic) Chromaticism; Functional (Essential, Harmonic) Chromaticism; Harmonies Related to Chromatic Lines; The Neapolitan Triad; Augmented-Sixth Chords; Chapter 4 Composition of Binary Dance Forms; Chapter 5 Double (Invertible) Counterpoint; Double Counterpoint at the Octave or Fifteenth; Double Counterpoint at the Twelfth; Double Counterpoint at the Tenth Chapter 6 Imitation Canon; Imitation; Canon; Variants in the Imitative Process; Chapter 7 The Two-Voice Invention; The Exposition: Theme and Countertheme; The Episode; The Invention as a Whole; Analysis of a Complete Invention; Chapter 8 Three-Voice Counterpoint I: Texture, Rhythm, Harmony; Texture and Rhythm; Range and Spacing; Relative Motion; Harmony; Cadential Figures; Nonharmonic Tones; Chapter 9 Three-Voice Counterpoint II: Chromaticism, Triple Counterpoint, Canon; Chromaticism; Cross-Relation; Triple (Triple Invertible) Counterpoint; Accompanied Two-Voice Canon; Canon in Three Voices Chapter 10 Fugue IThe Subject; The Answer; The Exposition; Chapter 11 Fugue II; Overall Structure; The Episode; Middle Entries; The Counterexposition; Augmentation and Diminution; Inversion; Stretto; Pedal Point; The Ending Section; Analysis of a Complete Fugue; Chapter 12 Four-Voice Counterpoint; Texture and Rhythm; Harmony; Four-Voice Fugue; Other Fugal Variants; Chapter 13 Variation Forms; The Passacaglia; The Chaconne; The Goldberg Variations (Clavierübung, Part IV); Chapter 14 Cantus Firmus Procedure: The Chorale Prelude; The Ornamented Chorale Harmonization Cantus with Motivic CounterpointsCanonic Treatment of Cantus and/or Accompanying Parts; Chorale Prelude Involving "Vorimitation" (Preimitation); Chorale Prelude with "Obbligato" Melody; Conclusion; Appendix 1: Harmony; Appendix 2: Composing for the Organ; Glossary; Bibliography; Anthology; Index |
| Record Nr. | UNINA-9910783973103321 |
|
Benjamin Thomas.
|
||
| New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The craft of tonal counterpoint / / Thomas Benjamin
| The craft of tonal counterpoint / / Thomas Benjamin |
| Autore | Benjamin Thomas. |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (650 p.) |
| Disciplina | 781.2/86 |
| Altri autori (Persone) |
BenjaminThomas
BachJohann Sebastian <1685-1750.> |
| Soggetto topico |
Counterpoint
Musical analysis |
| ISBN |
1-135-94662-0
1-138-45331-5 1-135-94663-9 1-280-10778-2 9786610107780 0-203-49411-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Contents; Dedication; Acknowledgments; Preface to the Second Edition; Notes to the Instructor; Notes to the Student; Introduction; Chapter 1 Line and Other Elements of Style; Shape; Tonal Framework; Range and Tessitura; Structural Pitches; Filling In (Motivic) Figures; Phrase and Cadence; Cadence Figures; Meter and Rhythm; Melodic Intervals; Details of Line; Scales; Chromaticism; Tendency Tones; Nonharmonic (Nonchord) Tones; Means of Coherence; Compound Line; Suggestions for Melodic Writing; Melodic Writing Checklist; Chapter 2 Nonimitative Two-Voice Writing
General ObservationsSpecific Details of Voice Relationships; A Note on Compound Meter; Contrapuntal Analysis Checklist; Essentials of Two-Voice Counterpoint; Chapter 3 Chromaticism in Two Voices; Nonfunctional (Nonessential, Decorative, Melodic) Chromaticism; Functional (Essential, Harmonic) Chromaticism; Harmonies Related to Chromatic Lines; The Neapolitan Triad; Augmented-Sixth Chords; Chapter 4 Composition of Binary Dance Forms; Chapter 5 Double (Invertible) Counterpoint; Double Counterpoint at the Octave or Fifteenth; Double Counterpoint at the Twelfth; Double Counterpoint at the Tenth Chapter 6 Imitation Canon; Imitation; Canon; Variants in the Imitative Process; Chapter 7 The Two-Voice Invention; The Exposition: Theme and Countertheme; The Episode; The Invention as a Whole; Analysis of a Complete Invention; Chapter 8 Three-Voice Counterpoint I: Texture, Rhythm, Harmony; Texture and Rhythm; Range and Spacing; Relative Motion; Harmony; Cadential Figures; Nonharmonic Tones; Chapter 9 Three-Voice Counterpoint II: Chromaticism, Triple Counterpoint, Canon; Chromaticism; Cross-Relation; Triple (Triple Invertible) Counterpoint; Accompanied Two-Voice Canon; Canon in Three Voices Chapter 10 Fugue IThe Subject; The Answer; The Exposition; Chapter 11 Fugue II; Overall Structure; The Episode; Middle Entries; The Counterexposition; Augmentation and Diminution; Inversion; Stretto; Pedal Point; The Ending Section; Analysis of a Complete Fugue; Chapter 12 Four-Voice Counterpoint; Texture and Rhythm; Harmony; Four-Voice Fugue; Other Fugal Variants; Chapter 13 Variation Forms; The Passacaglia; The Chaconne; The Goldberg Variations (Clavierübung, Part IV); Chapter 14 Cantus Firmus Procedure: The Chorale Prelude; The Ornamented Chorale Harmonization Cantus with Motivic CounterpointsCanonic Treatment of Cantus and/or Accompanying Parts; Chorale Prelude Involving "Vorimitation" (Preimitation); Chorale Prelude with "Obbligato" Melody; Conclusion; Appendix 1: Harmony; Appendix 2: Composing for the Organ; Glossary; Bibliography; Anthology; Index |
| Record Nr. | UNINA-9910824449203321 |
|
Benjamin Thomas.
|
||
| New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Modal counterpoint, Renaissance style / Peter Schubert
| Modal counterpoint, Renaissance style / Peter Schubert |
| Autore | Schubert, Peter, 1946- |
| Pubbl/distr/stampa | New York : Oxford University Press, 1999 |
| Descrizione fisica | xii, 324 p. : ill. ; 29 cm. |
| Disciplina | 781.2/86 |
| Soggetto topico | Contappunto |
| ISBN | 0195109120 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISALENTO-991001097589707536 |
|
Schubert, Peter, 1946-
|
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| New York : Oxford University Press, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
| ||
The principles and practice of modal counterpoint / / Douglass Green and Evan Jones
| The principles and practice of modal counterpoint / / Douglass Green and Evan Jones |
| Autore | Green Douglass M (Douglass Marshall), <1926-1999.> |
| Pubbl/distr/stampa | New York : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (329 p.) |
| Disciplina | 781.2/86 |
| Altri autori (Persone) | JonesEvan Allan |
| Soggetto topico | Counterpoint |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-93509-6
1-136-93510-X 1-283-03856-0 9786613038562 0-203-84655-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Copyright; Contents; Foreword; Preface; Chapter 1 Modes and Monophony; Chapter 2 The Single Line; Chapter 3 Counterpoint During the Middle Ages; Chapter 4 First Species in Two Voices; Chapter 5 First Species in Three Voices; Chapter 6 Counterpoint During the Fourteenth Century; Chapter 7 Second Species in Two Voices; Chapter 8 Second Species in Three Voices; Chapter 9 Counterpoint During the Renaissance; Chapter 10 Fourth Species in Two Voices; Chapter 11 Fourth Species in Three Voices; Chapter 12 Texture, Melody, and Meter
Chapter 13 Further Aspects of Species CounterpointChapter 14 The Melodic Line; Chapter 15 Modal Counterpoint in Two Voices; Chapter 16 Modal Counterpoint in Three Voices; Chapter 17 Modal Counterpoint in Four or More Voices; Chapter 18 The Rise of Tonality in the Seventeenth Century; Epilogue: The Nature of Counterpoint; Answer Boxes for Self-Tests; Appendix A: Some Latin Texts; Appendix B: Pronunciation of Church Latin; Appendix C: Tones and Text of the Magnificat: The Canticle of the Blessed Virgin Mary (Luke 1: 46-55) Appendix D: Facsimile of Parts for Palestrina's Missa Sine Nomine, Agnus IINotes; Select Bibliographies; Index of Rules for Species Counterpoint; Index of Rules for Modal Counterpoint; Index of Musical Examples |
| Record Nr. | UNINA-9910458968403321 |
|
Green Douglass M (Douglass Marshall), <1926-1999.>
|
||
| New York : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The principles and practice of modal counterpoint / / Douglass Green and Evan Jones
| The principles and practice of modal counterpoint / / Douglass Green and Evan Jones |
| Autore | Green Douglass M (Douglass Marshall), <1926-1999.> |
| Pubbl/distr/stampa | New York : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (329 p.) |
| Disciplina | 781.2/86 |
| Altri autori (Persone) | JonesEvan Allan |
| Soggetto topico | Counterpoint |
| ISBN |
1-136-93509-6
1-136-93510-X 1-283-03856-0 9786613038562 0-203-84655-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Copyright; Contents; Foreword; Preface; Chapter 1 Modes and Monophony; Chapter 2 The Single Line; Chapter 3 Counterpoint During the Middle Ages; Chapter 4 First Species in Two Voices; Chapter 5 First Species in Three Voices; Chapter 6 Counterpoint During the Fourteenth Century; Chapter 7 Second Species in Two Voices; Chapter 8 Second Species in Three Voices; Chapter 9 Counterpoint During the Renaissance; Chapter 10 Fourth Species in Two Voices; Chapter 11 Fourth Species in Three Voices; Chapter 12 Texture, Melody, and Meter
Chapter 13 Further Aspects of Species CounterpointChapter 14 The Melodic Line; Chapter 15 Modal Counterpoint in Two Voices; Chapter 16 Modal Counterpoint in Three Voices; Chapter 17 Modal Counterpoint in Four or More Voices; Chapter 18 The Rise of Tonality in the Seventeenth Century; Epilogue: The Nature of Counterpoint; Answer Boxes for Self-Tests; Appendix A: Some Latin Texts; Appendix B: Pronunciation of Church Latin; Appendix C: Tones and Text of the Magnificat: The Canticle of the Blessed Virgin Mary (Luke 1: 46-55) Appendix D: Facsimile of Parts for Palestrina's Missa Sine Nomine, Agnus IINotes; Select Bibliographies; Index of Rules for Species Counterpoint; Index of Rules for Modal Counterpoint; Index of Musical Examples |
| Record Nr. | UNINA-9910791865803321 |
|
Green Douglass M (Douglass Marshall), <1926-1999.>
|
||
| New York : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The principles and practice of modal counterpoint / / Douglass Green and Evan Jones
| The principles and practice of modal counterpoint / / Douglass Green and Evan Jones |
| Autore | Green Douglass M (Douglass Marshall), <1926-1999.> |
| Pubbl/distr/stampa | New York : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (329 p.) |
| Disciplina | 781.2/86 |
| Altri autori (Persone) | JonesEvan Allan |
| Soggetto topico | Counterpoint |
| ISBN |
1-136-93509-6
1-136-93510-X 1-283-03856-0 9786613038562 0-203-84655-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Copyright; Contents; Foreword; Preface; Chapter 1 Modes and Monophony; Chapter 2 The Single Line; Chapter 3 Counterpoint During the Middle Ages; Chapter 4 First Species in Two Voices; Chapter 5 First Species in Three Voices; Chapter 6 Counterpoint During the Fourteenth Century; Chapter 7 Second Species in Two Voices; Chapter 8 Second Species in Three Voices; Chapter 9 Counterpoint During the Renaissance; Chapter 10 Fourth Species in Two Voices; Chapter 11 Fourth Species in Three Voices; Chapter 12 Texture, Melody, and Meter
Chapter 13 Further Aspects of Species CounterpointChapter 14 The Melodic Line; Chapter 15 Modal Counterpoint in Two Voices; Chapter 16 Modal Counterpoint in Three Voices; Chapter 17 Modal Counterpoint in Four or More Voices; Chapter 18 The Rise of Tonality in the Seventeenth Century; Epilogue: The Nature of Counterpoint; Answer Boxes for Self-Tests; Appendix A: Some Latin Texts; Appendix B: Pronunciation of Church Latin; Appendix C: Tones and Text of the Magnificat: The Canticle of the Blessed Virgin Mary (Luke 1: 46-55) Appendix D: Facsimile of Parts for Palestrina's Missa Sine Nomine, Agnus IINotes; Select Bibliographies; Index of Rules for Species Counterpoint; Index of Rules for Modal Counterpoint; Index of Musical Examples |
| Record Nr. | UNINA-9910819918703321 |
|
Green Douglass M (Douglass Marshall), <1926-1999.>
|
||
| New York : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||