From music to sound : the emergence of sound in 20th- and 21st-century music / / Makis Solomos |
Autore | Solomos Makis |
Edizione | [First edition.] |
Pubbl/distr/stampa | London, England : , : Zed Books, , 2019 |
Descrizione fisica | 1 online resource (295 pages) : illustrations |
Disciplina | 781.2/3 |
Collana | Routledge research in music series |
Soggetto topico |
Music - 20th century - Philosophy and aesthetics
Music - 21st century - Philosophy and aesthetics Sound (Philosophy) Noise (Philosophy) Listening (Philosophy) Tone color (Music) |
ISBN |
0-429-57712-5
0-429-57501-7 0-429-20111-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | On timbre -- On noise -- Listenting (sounds) -- Immersion in sound -- Composing sound -- Sound-space. |
Record Nr. | UNINA-9910793960203321 |
Solomos Makis | ||
London, England : , : Zed Books, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
From music to sound : the emergence of sound in 20th- and 21st-century music / / Makis Solomos |
Autore | Solomos Makis |
Edizione | [First edition.] |
Pubbl/distr/stampa | London, England : , : Zed Books, , 2019 |
Descrizione fisica | 1 online resource (295 pages) : illustrations |
Disciplina | 781.2/3 |
Collana | Routledge research in music series |
Soggetto topico |
Music - 20th century - Philosophy and aesthetics
Music - 21st century - Philosophy and aesthetics Sound (Philosophy) Noise (Philosophy) Listening (Philosophy) Tone color (Music) |
ISBN |
0-429-57712-5
0-429-57501-7 0-429-20111-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | On timbre -- On noise -- Listenting (sounds) -- Immersion in sound -- Composing sound -- Sound-space. |
Record Nr. | UNINA-9910813338503321 |
Solomos Makis | ||
London, England : , : Zed Books, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Music, sound and space : transformations of public and private experience / / edited by Georgina Born [[electronic resource]] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (xv, 358 pages) : digital, PDF file(s) |
Disciplina | 781.2/3 |
Soggetto topico |
Music - Social aspects
Sound - Social aspects |
ISBN |
1-107-30104-1
1-107-23326-7 1-107-30612-4 1-107-30539-X 1-107-31167-5 1-299-00890-9 1-107-31387-2 1-107-30832-1 0-511-67585-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | pt. I. The design of mediated music and sound -- pt. II. Space, sound and affect in everyday lifeworlds -- pt. III. Music, identity, alterity and the politics of space -- pt. IV. Music and sound : torture, healing and love. |
Altri titoli varianti | Music, Sound & Space |
Record Nr. | UNINA-9910462699803321 |
Cambridge : , : Cambridge University Press, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Music, sound and space : transformations of public and private experience / / edited by Georgina Born [[electronic resource]] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (xv, 358 pages) : digital, PDF file(s) |
Disciplina | 781.2/3 |
Soggetto topico |
Music - Social aspects
Sound - Social aspects |
ISBN |
1-107-30104-1
1-107-23326-7 1-107-30612-4 1-107-30539-X 1-107-31167-5 1-299-00890-9 1-107-31387-2 1-107-30832-1 0-511-67585-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | pt. I. The design of mediated music and sound -- pt. II. Space, sound and affect in everyday lifeworlds -- pt. III. Music, identity, alterity and the politics of space -- pt. IV. Music and sound : torture, healing and love. |
Altri titoli varianti | Music, Sound & Space |
Record Nr. | UNINA-9910786185603321 |
Cambridge : , : Cambridge University Press, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Music, sound and space : transformations of public and private experience / / edited by Georgina Born [[electronic resource]] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
Descrizione fisica | 1 online resource (xv, 358 pages) : digital, PDF file(s) |
Disciplina | 781.2/3 |
Soggetto topico |
Music - Social aspects
Sound - Social aspects |
ISBN |
1-107-30104-1
1-107-23326-7 1-107-30612-4 1-107-30539-X 1-107-31167-5 1-299-00890-9 1-107-31387-2 1-107-30832-1 0-511-67585-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | pt. I. The design of mediated music and sound -- pt. II. Space, sound and affect in everyday lifeworlds -- pt. III. Music, identity, alterity and the politics of space -- pt. IV. Music and sound : torture, healing and love. |
Altri titoli varianti | Music, Sound & Space |
Record Nr. | UNINA-9910820237803321 |
Cambridge : , : Cambridge University Press, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Tonal pitch space [[electronic resource] /] / Fred Lerdahl |
Autore | Lerdahl Fred <1943-> |
Pubbl/distr/stampa | Oxford, : Oxford University Press, c2001 |
Descrizione fisica | 1 online resource (430 p.) |
Disciplina | 781.2/3 |
Soggetto topico |
Music theory
Musical analysis Musical pitch Tonality |
Soggetto genere / forma | Electronic books. |
ISBN |
9786610845132
1-280-84513-9 0-19-534637-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; 1 THEORETICAL FOUNDATIONS; Overview of GTTM; Goals; Idealizations; The rule system; A representative analysis; Rhythmic structure; Time-span reduction; Principles of prolongational reduction; Constructing a prolongational analysis; Observations and comparisons; Issues in prolongational theory; Prolongational good form; On strict branching; Toward an enrichment of the grouping component; Abstractions and transformations of surface events; 2 DIATONIC SPACE; The concept of pitch space; Tonal and event hierarchies; Previous approaches; The basic space; The pitch-class level
Pitch-class and pitch proximity Reflections on steps; Linear completion; The chordal level; Chord proximity within a region; Chordal space and harmonic progression; The regional level; Chord proximity across regions; Regional space; Remarks on Schoenberg space; Combined geometrical representations; The principle of the shortest path; Empirical issues; Issues of quantification; Evidence and explanation; 3 PATHS IN PITCH SPACE; Prolongational paths; The concept of pitch-space paths; Paths in regional space; Paths in chordal/regional space; Paths in scale-degree space; Pc/chordal paths Regional prolongations Parallel mixture; Collapsing regional space; Two applications; Narrative paths; Parsifal's journey to redemption; Compositional use of the Weber space; A note on semantic paths; 4 TONAL TENSION AND ATTRACTION; The harmonic tension model; Tension and pitch space; Sequential and hierarchical tension; A hierarchical tension analysis; Reformulation of the interaction principle; Melodic tension; Anchoring and asymmetry; The melodic attraction rule; Historical precedents; Attractional asymmetries; Attractions and expectations; An attractional approach to harmony Voice-leading attractionsAttractional context; Two attractional analyses; Tension, attraction, and expression; The relationship between tension and attraction; Connections with other theories; 5 PROLONGATIONAL FUNCTIONS; Finding the tonic; General principles; Three tonic-finding analyses; Function as prolongational position; On Riemannian functionality; The function rule; Some functional analyses; Issues concerning functionality; Functions and schemas; The sentence; Galant gambits; Schematic tension; 6 CHROMATIC TONAL SPACES; Pitch space in evolution; Constructing chromatic spaces Triadic/octatonic space Triadic/hexatonic space; On the generality of the chord distance rule; Nontriadic octatonic spaces; Whole-tone and mystic spaces; Related issues; Constraints on basic spaces; Tonal attractions in chromatic spaces; Finding the preferred space; Measuring interspatial distances; A metrical analogy; Formal parallelisms; Metrical attractions; Interaction of tonal and metrical attractions; 7 PROLONGATIONS IN CHROMATIC SPACES; Analyses of triadic chromatic tonal music; Some passages in Wagner; A Debussy analysis; A note on neoclassic Stravinsky Psychoacoustic factors in prolongational analysis |
Record Nr. | UNINA-9910465798503321 |
Lerdahl Fred <1943-> | ||
Oxford, : Oxford University Press, c2001 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Tonal pitch space [[electronic resource] /] / Fred Lerdahl |
Autore | Lerdahl Fred <1943-> |
Pubbl/distr/stampa | Oxford, : Oxford University Press, c2001 |
Descrizione fisica | 1 online resource (430 p.) |
Disciplina | 781.2/3 |
Soggetto topico |
Music theory
Musical analysis Musical pitch Tonality |
ISBN |
9786610845132
1-280-84513-9 0-19-534637-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; 1 THEORETICAL FOUNDATIONS; Overview of GTTM; Goals; Idealizations; The rule system; A representative analysis; Rhythmic structure; Time-span reduction; Principles of prolongational reduction; Constructing a prolongational analysis; Observations and comparisons; Issues in prolongational theory; Prolongational good form; On strict branching; Toward an enrichment of the grouping component; Abstractions and transformations of surface events; 2 DIATONIC SPACE; The concept of pitch space; Tonal and event hierarchies; Previous approaches; The basic space; The pitch-class level
Pitch-class and pitch proximity Reflections on steps; Linear completion; The chordal level; Chord proximity within a region; Chordal space and harmonic progression; The regional level; Chord proximity across regions; Regional space; Remarks on Schoenberg space; Combined geometrical representations; The principle of the shortest path; Empirical issues; Issues of quantification; Evidence and explanation; 3 PATHS IN PITCH SPACE; Prolongational paths; The concept of pitch-space paths; Paths in regional space; Paths in chordal/regional space; Paths in scale-degree space; Pc/chordal paths Regional prolongations Parallel mixture; Collapsing regional space; Two applications; Narrative paths; Parsifal's journey to redemption; Compositional use of the Weber space; A note on semantic paths; 4 TONAL TENSION AND ATTRACTION; The harmonic tension model; Tension and pitch space; Sequential and hierarchical tension; A hierarchical tension analysis; Reformulation of the interaction principle; Melodic tension; Anchoring and asymmetry; The melodic attraction rule; Historical precedents; Attractional asymmetries; Attractions and expectations; An attractional approach to harmony Voice-leading attractionsAttractional context; Two attractional analyses; Tension, attraction, and expression; The relationship between tension and attraction; Connections with other theories; 5 PROLONGATIONAL FUNCTIONS; Finding the tonic; General principles; Three tonic-finding analyses; Function as prolongational position; On Riemannian functionality; The function rule; Some functional analyses; Issues concerning functionality; Functions and schemas; The sentence; Galant gambits; Schematic tension; 6 CHROMATIC TONAL SPACES; Pitch space in evolution; Constructing chromatic spaces Triadic/octatonic space Triadic/hexatonic space; On the generality of the chord distance rule; Nontriadic octatonic spaces; Whole-tone and mystic spaces; Related issues; Constraints on basic spaces; Tonal attractions in chromatic spaces; Finding the preferred space; Measuring interspatial distances; A metrical analogy; Formal parallelisms; Metrical attractions; Interaction of tonal and metrical attractions; 7 PROLONGATIONS IN CHROMATIC SPACES; Analyses of triadic chromatic tonal music; Some passages in Wagner; A Debussy analysis; A note on neoclassic Stravinsky Psychoacoustic factors in prolongational analysis |
Record Nr. | UNINA-9910792229003321 |
Lerdahl Fred <1943-> | ||
Oxford, : Oxford University Press, c2001 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Tonal pitch space / / Fred Lerdahl |
Autore | Lerdahl Fred <1943-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Oxford, : Oxford University Press, c2001 |
Descrizione fisica | 1 online resource (430 p.) |
Disciplina | 781.2/3 |
Soggetto topico |
Music theory
Musical analysis Musical pitch Tonality |
ISBN |
9786610845132
1-280-84513-9 0-19-534637-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; 1 THEORETICAL FOUNDATIONS; Overview of GTTM; Goals; Idealizations; The rule system; A representative analysis; Rhythmic structure; Time-span reduction; Principles of prolongational reduction; Constructing a prolongational analysis; Observations and comparisons; Issues in prolongational theory; Prolongational good form; On strict branching; Toward an enrichment of the grouping component; Abstractions and transformations of surface events; 2 DIATONIC SPACE; The concept of pitch space; Tonal and event hierarchies; Previous approaches; The basic space; The pitch-class level
Pitch-class and pitch proximity Reflections on steps; Linear completion; The chordal level; Chord proximity within a region; Chordal space and harmonic progression; The regional level; Chord proximity across regions; Regional space; Remarks on Schoenberg space; Combined geometrical representations; The principle of the shortest path; Empirical issues; Issues of quantification; Evidence and explanation; 3 PATHS IN PITCH SPACE; Prolongational paths; The concept of pitch-space paths; Paths in regional space; Paths in chordal/regional space; Paths in scale-degree space; Pc/chordal paths Regional prolongations Parallel mixture; Collapsing regional space; Two applications; Narrative paths; Parsifal's journey to redemption; Compositional use of the Weber space; A note on semantic paths; 4 TONAL TENSION AND ATTRACTION; The harmonic tension model; Tension and pitch space; Sequential and hierarchical tension; A hierarchical tension analysis; Reformulation of the interaction principle; Melodic tension; Anchoring and asymmetry; The melodic attraction rule; Historical precedents; Attractional asymmetries; Attractions and expectations; An attractional approach to harmony Voice-leading attractionsAttractional context; Two attractional analyses; Tension, attraction, and expression; The relationship between tension and attraction; Connections with other theories; 5 PROLONGATIONAL FUNCTIONS; Finding the tonic; General principles; Three tonic-finding analyses; Function as prolongational position; On Riemannian functionality; The function rule; Some functional analyses; Issues concerning functionality; Functions and schemas; The sentence; Galant gambits; Schematic tension; 6 CHROMATIC TONAL SPACES; Pitch space in evolution; Constructing chromatic spaces Triadic/octatonic space Triadic/hexatonic space; On the generality of the chord distance rule; Nontriadic octatonic spaces; Whole-tone and mystic spaces; Related issues; Constraints on basic spaces; Tonal attractions in chromatic spaces; Finding the preferred space; Measuring interspatial distances; A metrical analogy; Formal parallelisms; Metrical attractions; Interaction of tonal and metrical attractions; 7 PROLONGATIONS IN CHROMATIC SPACES; Analyses of triadic chromatic tonal music; Some passages in Wagner; A Debussy analysis; A note on neoclassic Stravinsky Psychoacoustic factors in prolongational analysis |
Record Nr. | UNINA-9910820711403321 |
Lerdahl Fred <1943-> | ||
Oxford, : Oxford University Press, c2001 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|