Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Bad vibrations : the history of the idea of music as cause of disease / / James Kennaway
| Bad vibrations : the history of the idea of music as cause of disease / / James Kennaway |
| Autore | Kennaway James Gordon <1975-, > |
| Pubbl/distr/stampa | London : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (226 p.) |
| Disciplina | 781.1/1 |
| Collana | History of Medicine in Context |
| Soggetto topico |
Music - Psychological aspects
Music - Physiological aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-317-17647-2
1-315-56862-4 1-317-17646-4 1-280-68951-X 9786613666451 1-4094-2643-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: musical orders and disorders -- From sensibility to pathology: nervous music (1700-1850) -- Modern music and nervous modernity: Wagnerism as a disease of civilization (1850-1914) -- Pathological music, politics and race: Germany and the United States (1900-45) -- Music as mind-control, music as weapon: pathological music since 1945. |
| Record Nr. | UNINA-9910451977303321 |
Kennaway James Gordon <1975-, >
|
||
| London : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Bad vibrations : the history of the idea of music as cause of disease / / James Kennaway
| Bad vibrations : the history of the idea of music as cause of disease / / James Kennaway |
| Autore | Kennaway James Gordon <1975-, > |
| Pubbl/distr/stampa | London : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (226 p.) |
| Disciplina | 781.1/1 |
| Collana | History of Medicine in Context |
| Soggetto topico |
Music - Psychological aspects
Music - Physiological aspects |
| ISBN |
1-4094-5621-8
1-317-17647-2 1-315-56862-4 1-317-17646-4 1-280-68951-X 9786613666451 1-4094-2643-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: musical orders and disorders -- From sensibility to pathology: nervous music (1700-1850) -- Modern music and nervous modernity: Wagnerism as a disease of civilization (1850-1914) -- Pathological music, politics and race: Germany and the United States (1900-45) -- Music as mind-control, music as weapon: pathological music since 1945. |
| Record Nr. | UNINA-9910779182603321 |
|
Kennaway James Gordon <1975-, >
|
||
| London : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Bad vibrations : the history of the idea of music as cause of disease / / James Kennaway
| Bad vibrations : the history of the idea of music as cause of disease / / James Kennaway |
| Autore | Kennaway James Gordon <1975-, > |
| Pubbl/distr/stampa | London : , : Routledge, , 2016 |
| Descrizione fisica | 1 online resource (226 p.) |
| Disciplina | 781.1/1 |
| Collana | History of Medicine in Context |
| Soggetto topico |
Music - Psychological aspects
Music - Physiological aspects |
| ISBN |
1-4094-5621-8
1-317-17647-2 1-315-56862-4 1-317-17646-4 1-280-68951-X 9786613666451 1-4094-2643-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: musical orders and disorders -- From sensibility to pathology: nervous music (1700-1850) -- Modern music and nervous modernity: Wagnerism as a disease of civilization (1850-1914) -- Pathological music, politics and race: Germany and the United States (1900-45) -- Music as mind-control, music as weapon: pathological music since 1945. |
| Record Nr. | UNINA-9910812749603321 |
|
Kennaway James Gordon <1975-, >
|
||
| London : , : Routledge, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Embodiment of musical creativity : the cognitive and performative causality of musical composition / / Zvonimir Nagy
| Embodiment of musical creativity : the cognitive and performative causality of musical composition / / Zvonimir Nagy |
| Autore | Nagy Zvonimir <1978-> |
| Pubbl/distr/stampa | Abingdon, Oxon : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (247 pages) : illustrations |
| Disciplina | 781.1/1 |
| Collana | SEMPRE Studies in The Psychology of Music |
| Soggetto topico |
Composition (Music) - Psychological aspects
Musical perception Creative ability |
| ISBN |
1-315-46901-4
1-315-46899-9 1-315-46900-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Towards the embodiment of musical creativity -- pt. II. The embodied creativity of musical composition -- pt. III. Conceptualization and contextualization of musical creativity. |
| Record Nr. | UNINA-9910149374703321 |
|
Nagy Zvonimir <1978->
|
||
| Abingdon, Oxon : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Les incarnations du son : les métaphores du geste dans l'écoute musicale
| Les incarnations du son : les métaphores du geste dans l'écoute musicale |
| Autore | Spampinato Francesco |
| Pubbl/distr/stampa | [Place of publication not identified], : Harmattan, 2015 |
| Disciplina | 781.1/1 |
| Collana | Sâemiotique et philosophie de la musique Les incarnations du son |
| Soggetto topico |
Music - Physiological aspects
Gesture in music - Psychological aspects Movement, Psychology of Music Musical perception Music Philosophy Music, Dance, Drama & Film |
| ISBN |
2-336-38328-4
2-336-73339-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910159382103321 |
|
Spampinato Francesco
|
||
| [Place of publication not identified], : Harmattan, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden
| Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
| Autore | Sanden Paul |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina | 781.1/1 |
| Collana |
Routledge research in music
Routledge research in music |
| Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-97325-1
0-203-07851-9 1-136-15656-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
| Record Nr. | UNINA-9910463155803321 |
|
Sanden Paul
|
||
| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden
| Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
| Autore | Sanden Paul |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina | 781.1/1 |
| Collana |
Routledge research in music
Routledge research in music |
| Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
| ISBN |
1-136-15528-7
1-283-97325-1 0-203-07851-9 1-136-15656-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
| Record Nr. | UNINA-9910786048603321 |
|
Sanden Paul
|
||
| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden
| Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
| Autore | Sanden Paul |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2013 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina | 781.1/1 |
| Collana |
Routledge research in music
Routledge research in music |
| Soggetto topico |
Music - Performance - History
Musical perception Music - Psychological aspects |
| ISBN |
1-136-15528-7
1-283-97325-1 0-203-07851-9 1-136-15656-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
| Record Nr. | UNINA-9910817607703321 |
|
Sanden Paul
|
||
| New York : , : Routledge, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ludic dreaming : how to listen away from contemporary technoculture / / By: The Occulture: David Cecchetto, Marc Couroux, Ted Hiebert, Eldritch Priest
| Ludic dreaming : how to listen away from contemporary technoculture / / By: The Occulture: David Cecchetto, Marc Couroux, Ted Hiebert, Eldritch Priest |
| Pubbl/distr/stampa | London, England : , : Bloomsbury Academic, , 2020 |
| Descrizione fisica | 1 online resource (169 pages) |
| Disciplina | 781.1/1 |
| Soggetto topico |
Music - Psychological aspects
Dreams - Psychological aspects Theory of music & musicology |
| ISBN |
1-5013-2083-1
1-5013-2081-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Auralneiricizing Time (Listening Away) -- 2. Nietzsche in B-flat: Attuning to the 'pataphysics of data -- 3. Absolute Ventriloquy (or, Earing the Senses) -- 4. Psycho(tic)acoustics -- 5. The sound of both ears oozing: Chasms, collapses, and phono-digital networks -- 6. Motivational dreamers and the 'pataphysics of exploding heads -- 7. Imaginary magnitudes and the anoriginal hypocrisy that vanishes in the meantime -- 8. We are Lesion. |
| Record Nr. | UNINA-9910155078703321 |
| London, England : , : Bloomsbury Academic, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musical bodies, musical minds : enactive cognitive science and the meaning of human musicality / / Dylan van der Schyff, Andrea Schiavio, and David J. Elliott
| Musical bodies, musical minds : enactive cognitive science and the meaning of human musicality / / Dylan van der Schyff, Andrea Schiavio, and David J. Elliott |
| Autore | Van der Schyff Dylan <1970-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge : , : The MIT Press, , 2022 |
| Descrizione fisica | 1 online resource (323 pages) |
| Disciplina | 781.1/1 |
| Altri autori (Persone) | ElliottDavid J <1948-> (David James) |
| Collana | The MIT Press |
| Soggetto topico |
Music - Psychological aspects
Cognitive psychology Cognition |
| Soggetto non controllato |
MUSIC / Instruction & Study / Theory
SCIENCE / Cognitive Science PSYCHOLOGY / Cognitive Neuroscience & Cognitive Neuropsychology |
| ISBN |
0-262-36210-4
0-262-37033-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- Acknowledgments -- 1. Getting Situated -- Perspectives on the Musical Mind -- Music and the Computational Mind -- Language and the Rules of Musical Perception -- Embodied Music Cognition -- Interdisciplinary Musicology and Enactive Music Cognition -- Looking Ahead -- 2. Basic Principles of Enactive Cognitive Science -- The Ecological Stance -- Autopoiesis and Autonomy -- Sense-Making -- Basic Cognition without Mental Representation? -- The Dynamical Perspective -- Life, Mind, and Culture -- The 4E Framework -- 3. Music and Consciousness -- Experience and the Computational Mind -- The Mind-Mind Problem -- Questioning Qualia -- A Propositional Proposal -- Whence the Nuances? -- Musical Consciousness as Situated Embodiment -- From Perceptual Bundles to Behavioral Forms -- 4. Phenomenology and the Musical Body -- Beginning Phenomenology -- Intentionality and the Modes of Experience -- Ghanaian Polyrhythm -- Revisiting Representation -- Embodied Mind as a "Metaphorical" Phenomenon -- Some Implications for Future Research and Theory -- 5. Music and Emotion -- Searching for Musical Emotions -- Routes and Mechanisms -- Are Musical Emotions Basic? -- The Component Process Model -- The Emotional Meaning of Musical Experience -- Musical Emotions as Dynamical and Emergent -- Music, Emotion, and Social Life -- 6. The Empathic Connection -- Embodied Simulation Theory -- Interaction Theory -- Psychological Precursors to Interaction Theory -- Musical Scaffolding -- Empathic Space -- Toward an Enactive View of Musical Empathy -- Therapeutic Interventions -- 7. The Evolution of the Musical Mind -- Music and the Dichotomy of Adaptation -- A Biocultural Perspective -- Looking beyond Adaptationism -- The Rhythmic Origins of the Musical Mind -- Plastic Brains -- Evolving Embodied Minds -- Enactivism Meets the Biocultural Perspective.
Life, Music, and Meaning -- 8. Teleomusicality -- The Biocognitive Foundations of Infant Musicality -- Perception in Action -- Toward Teleomusicality -- Varieties of Teleomusical Acts -- 9. Creative Musical Bodies -- The Corporeal Foundations of Creativity -- The Es of Musical Creativity -- Musical Worldviews -- Musical Learning as Embodied, Exploratory, and Creative -- 10. Praxis -- Music Education and the "Aesthetic View" -- Rediscovering the Musical Body -- Praxis, Enaction, and Music Education -- Relationality and the Ethics of Care -- Implications for Curriculum -- Critical Ontology -- Parting Thoughts -- Notes -- 1 Getting Situated -- 2 Basic Principles of Enactive Cognitive Science -- 3 Music and Consciousness -- 4 Phenomenology and the Musical Body -- 5 Music and Emotion -- 6 The Empathic Connection -- 7 The Evolution of the Musical Mind -- 8 Teleomusicality -- 9 Creative Musical Bodies -- 10 Praxis -- References -- Index. |
| Record Nr. | UNINA-9910619461203321 |
|
Van der Schyff Dylan <1970->
|
||
| Cambridge : , : The MIT Press, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
