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Acustica, accordatura e temperamento nell'illuminismo veneto / Patrizio Barbieri ; con scritti inediti di Alessandro Barca, Giordano Riccati e altri autori
| Acustica, accordatura e temperamento nell'illuminismo veneto / Patrizio Barbieri ; con scritti inediti di Alessandro Barca, Giordano Riccati e altri autori |
| Autore | Barbieri, Patrizio |
| Pubbl/distr/stampa | Roma : Torre d'Orfeo, 1987 |
| Descrizione fisica | IX, 383, 264 p. ; 24 cm |
| Disciplina | 781.1 |
| Altri autori (Persone) |
Barca, Alessandro
Riccati, Giordano |
| Collana |
Istituto di paleografia musicale, Roma. Serie 1, Studi e testi
Istituto di paleografia musicale, Roma. Serie 1, Studi e testi. Documenti |
| Soggetto topico | Acustica musicale |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991000589329707536 |
Barbieri, Patrizio
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| Roma : Torre d'Orfeo, 1987 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Algorithmic composition [[electronic resource] ] : a guide to composing music with Nyquist / / Roger B. Dannenberg
| Algorithmic composition [[electronic resource] ] : a guide to composing music with Nyquist / / Roger B. Dannenberg |
| Autore | Dannenberg Roger B |
| Pubbl/distr/stampa | Ann Arbor, MI, : University of Michigan Press, 2013 |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina | 781.1 |
| Soggetto topico |
Composition (Music)
Music - Acoustics and physics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-472-02905-3
1-283-94159-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Preface""; ""Acknowledgments""; ""Chapter 1. Introduction""; ""Chapter 2. The History and Philosophy of Algorithmic Composition""; ""Chapter 3. Introduction to SAL""; ""Chapter 4. Programming and Nyquist""; ""Chapter 5. Introduction to Algorithmic Composition""; ""Chapter 6. Printing, Reading, and Debugging""; ""Chapter 7. Variable Assignment and Scoping""; ""Chapter 8. Conditionals""; ""Chapter 9. Sets and Tables""; ""Chapter 10. Functional Programming""; ""Chapter 11. Recursion""; ""Chapter 12. Iteration""; ""Chapter 13. Algorithmic Composition Using Probabilistic Methods""
""Chapter 14. Hierarchical and Recursive Musical Structure""""Chapter 15. Composing Sonic Microstructure and Macrostructure""; ""Chapter 16. Extended Examples""; ""Chapter 17. Epilogue""; ""Appendix. SAL Commands and Functions""; ""Bibliography""; ""Discography""; ""Index"" |
| Record Nr. | UNINA-9910453100303321 |
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Dannenberg Roger B
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| Ann Arbor, MI, : University of Michigan Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Algorithmic composition : a guide to composing music with Nyquist / / Roger B. Dannenberg
| Algorithmic composition : a guide to composing music with Nyquist / / Roger B. Dannenberg |
| Autore | Dannenberg Roger B |
| Pubbl/distr/stampa | Ann Arbor, MI : , : University of Michigan Press, , 2013 |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina | 781.1 |
| Soggetto topico |
Composition (Music)
Music - Acoustics and physics |
| ISBN |
0-472-02905-3
1-283-94159-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Contents""; ""Preface""; ""Acknowledgments""; ""Chapter 1. Introduction""; ""Chapter 2. The History and Philosophy of Algorithmic Composition""; ""Chapter 3. Introduction to SAL""; ""Chapter 4. Programming and Nyquist""; ""Chapter 5. Introduction to Algorithmic Composition""; ""Chapter 6. Printing, Reading, and Debugging""; ""Chapter 7. Variable Assignment and Scoping""; ""Chapter 8. Conditionals""; ""Chapter 9. Sets and Tables""; ""Chapter 10. Functional Programming""; ""Chapter 11. Recursion""; ""Chapter 12. Iteration""; ""Chapter 13. Algorithmic Composition Using Probabilistic Methods""
""Chapter 14. Hierarchical and Recursive Musical Structure""""Chapter 15. Composing Sonic Microstructure and Macrostructure""; ""Chapter 16. Extended Examples""; ""Chapter 17. Epilogue""; ""Appendix. SAL Commands and Functions""; ""Bibliography""; ""Discography""; ""Index"" |
| Record Nr. | UNINA-9910779315203321 |
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Dannenberg Roger B
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| Ann Arbor, MI : , : University of Michigan Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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L'anello del Nibelungo di Riccardo Wagner / commento strico-scenico-musicale di Max Chop ; a cura di Ervino Pocar
| L'anello del Nibelungo di Riccardo Wagner / commento strico-scenico-musicale di Max Chop ; a cura di Ervino Pocar |
| Autore | Wagner, Richard <1813-1883> |
| Pubbl/distr/stampa | [Milano] : A. Mondadori, 1950 |
| Descrizione fisica | 202 p. : mus. ; 19 cm |
| Disciplina | 781.1 |
| Altri autori (Persone) |
Chop, Maxauthor
Pocar, Ervino |
| Collana | Biblioteca moderna Mondadori ; 171 |
| Soggetto topico | Wagner, Richard - L'anello del Nibelungo |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991004308436707536 |
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Wagner, Richard <1813-1883>
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| [Milano] : A. Mondadori, 1950 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Auditive Einflussgrossen bei der zeitlichen Handlungsplanung im Klavierspiel : Analyse auditiv-sensomotorischer Kopplungen / / vorgelegt von Andreas van Hooven
| Auditive Einflussgrossen bei der zeitlichen Handlungsplanung im Klavierspiel : Analyse auditiv-sensomotorischer Kopplungen / / vorgelegt von Andreas van Hooven |
| Autore | Hooven Andreas van |
| Edizione | [1. Auflage.] |
| Pubbl/distr/stampa | Gottingen, [Germany] : , : Cuvillier Verlag, , 2009 |
| Descrizione fisica | 1 online resource (186 pages) : illustrations |
| Disciplina | 781.1 |
| Soggetto topico | Music - Physiological aspects |
| ISBN | 3-7369-3222-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Record Nr. | UNINA-9910795098003321 |
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Hooven Andreas van
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| Gottingen, [Germany] : , : Cuvillier Verlag, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Auditive Einflussgrossen bei der zeitlichen Handlungsplanung im Klavierspiel : Analyse auditiv-sensomotorischer Kopplungen / / vorgelegt von Andreas van Hooven
| Auditive Einflussgrossen bei der zeitlichen Handlungsplanung im Klavierspiel : Analyse auditiv-sensomotorischer Kopplungen / / vorgelegt von Andreas van Hooven |
| Autore | Hooven Andreas van |
| Edizione | [1. Auflage.] |
| Pubbl/distr/stampa | Gottingen, [Germany] : , : Cuvillier Verlag, , 2009 |
| Descrizione fisica | 1 online resource (186 pages) : illustrations |
| Disciplina | 781.1 |
| Soggetto topico | Music - Physiological aspects |
| ISBN | 3-7369-3222-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Record Nr. | UNINA-9910808527303321 |
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Hooven Andreas van
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| Gottingen, [Germany] : , : Cuvillier Verlag, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Fondamenti storici e metodologici della filologia musicale / Maria Caraci Vela
| Fondamenti storici e metodologici della filologia musicale / Maria Caraci Vela |
| Autore | Caraci Vela, Maria |
| Pubbl/distr/stampa | Lucca : Libreria musicale italiana, ©2005 |
| Descrizione fisica | XI, 248 p. ; 24 cm |
| Disciplina | 781.1 |
| Soggetto non controllato | Critica musicale |
| ISBN | 88-7096-378-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-990008431620403321 |
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Caraci Vela, Maria
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| Lucca : Libreria musicale italiana, ©2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hits [[electronic resource] ] : philosophy in the jukebox / / Peter Szendy ; translated by Will Bishop
| Hits [[electronic resource] ] : philosophy in the jukebox / / Peter Szendy ; translated by Will Bishop |
| Autore | Szendy Peter |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Fordham University Press, 2012 |
| Descrizione fisica | 1 online resource (191 p.) |
| Disciplina | 781.1 |
| Soggetto topico |
Music - Philosophy and aesthetics
Music theory |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8232-6903-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ""Cover ""; ""Contents ""; ""Preface ""; ""Notes "" |
| Record Nr. | UNINA-9910461830503321 |
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Szendy Peter
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| New York, : Fordham University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hits [[electronic resource] ] : philosophy in the jukebox / / Peter Szendy ; translated by Will Bishop
| Hits [[electronic resource] ] : philosophy in the jukebox / / Peter Szendy ; translated by Will Bishop |
| Autore | Szendy Peter |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Fordham University Press, 2012 |
| Descrizione fisica | 1 online resource (191 p.) |
| Disciplina | 781.1 |
| Soggetto topico |
Music - Philosophy and aesthetics
Music theory |
| ISBN | 0-8232-6903-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ""Cover ""; ""Contents ""; ""Preface ""; ""Notes "" |
| Record Nr. | UNINA-9910790270403321 |
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Szendy Peter
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| New York, : Fordham University Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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How music works : a physical culture theory / / Rolf Bader
| How music works : a physical culture theory / / Rolf Bader |
| Autore | Bader Rolf <1969-> |
| Pubbl/distr/stampa | Cham, Switzerland : , : Springer, , [2021] |
| Descrizione fisica | 1 online resource (305 pages) |
| Disciplina | 781.1 |
| Soggetto topico | Music - Acoustics and physics |
| ISBN | 3-030-67155-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Introduction -- Contents -- Part I -- Some Fundamentals of Musical Acoustics -- Play It Loud! -- The Mysterious Sound of Friction -- Linear Math and Nonlinear Nature -- Hermann von Helmholtz -- The First Synthesizers -- Voice from Impulses -- Unexpected Harmonicity -- Why Are Musical Instruments Such Complex Boxes? -- Who Wins the Game? -- Eigenmodes Versus Forced Oscillations -- What Makes a Musical Instrument Playable? -- Damping Is a Feature, Determining Who Wins the Game -- Synchronization as Output -- Some Fundamentals of Music Psychology -- Musical Instruments Treating the Psyche -- Music and Trance -- Aristoteles and the Beginning of Psychology -- Transcendental Aesthetic -- Transfer Effects of Music and Freedom of Will -- Music and Politics -- The Creation of Creativity -- Brain Activities -- The Split Between Hard and Soft Sciences -- Fusion of Senses -- Psychoacoustics -- Some Fundamentals of Comparative Musicology -- Music, DNA, and Sexulality -- Diversity and Change -- The Beginning of Comparative Musicology -- Ethnomusicology and Music Archiving -- Computational Music and Sound Archiving -- Part II -- Impulses -- What Is a Frequency? -- How to Deal with Many Frequencies: The Fourier Theorem -- Beyond Sinusoidals -- Damping -- Dispersion -- Linearity or Nonlinearity -- Impulse Pattern Formulation (IPF) -- Environmental Noise -- Musical Noise -- Initial Transients -- Information in Music -- Turbulence -- Turbulent and Laminar Flow -- Navier-Stokes Equation -- What Does Turbulence Lead To? -- Saxophone -- Saxophone Pitches Are Not Self-evident -- Blowing in a Saxophone -- Blowing Out of Normal Range -- Multiphonics -- Modeling Saxophones with Impulse Pattern Formulation -- The Beginning of the Tone -- The Saxophone Reed -- More Wind Instruments -- Recorder and Transverse Flute -- Free Reed Instruments.
Shawms, Oboes, Double-Reed Instruments -- Brass Instruments -- Articulation and Noise with Wind Instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- Practical Consequences for Guitar Acoustics -- The Human Voice -- Neurophysiology of Music -- Self-organizing Models of the Brain -- Music and Consciousness -- Reconstructing Impulses-The Ear and the Auditory Pathway -- Transfer of Acoustic Electricity into Neural Electricity: The Inner Ear -- How Do We Hear a Pitch -- A Spatio-Temporal Pitch Theory -- How Do Tonal Systems Come into Place -- Loops in the Auditory Pathway -- Other Nerve Loops in the Auditory Pathway -- Models of Music Perception -- Timbre -- Multidimensionality of Timbre -- Music as Physical Adaption -- IPF Comparison of Bowed and Wind Instruments -- Neural Network Models of Timbre -- Rhythm, Musical Form, and Memory -- Neurophysiology of Time -- Musical Form as Tension -- Fractal Dimensions as Musical Density -- Musical Form as Neural Synchronization -- Efficient Coding -- Brain Interactions in Music Therapy -- Perception-by-Production as Self-organizing Process -- *-20pt Part III -- Music, Meaning, and Emotion -- Freedom! Jazz! Dance! Yeah! -- Slave to the Rhythm -- Politics and Philosophy -- Logic of Music -- Physical Culture Theory -- Predicting Culture -- Physical Modeling or Artificial Intelligence? -- Notions as Spatio-Temporal Patterns -- The Musical System -- Is Culture Conscious? -- Appendix Notes -- Appendix Discography -- Appendix References -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page. |
| Record Nr. | UNINA-9910483569203321 |
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Bader Rolf <1969->
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| Cham, Switzerland : , : Springer, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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