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Music theory [[electronic resource] ] : problems and practices in the Middle Ages and Renaissance / / by Lloyd Ultan
| Music theory [[electronic resource] ] : problems and practices in the Middle Ages and Renaissance / / by Lloyd Ultan |
| Autore | Ultan Lloyd <1929-1998.> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1977 |
| Descrizione fisica | 1 online resource |
| Disciplina | 781/.09/02 |
| Soggetto topico |
Music theory - History - 500-1400
Music theory - History - 15th century Music theory - History - 16th century Aesthetics, Medieval Aesthetics, Modern Renaissance |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-8166-5549-9
1-4356-0631-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910452160303321 |
Ultan Lloyd <1929-1998.>
|
||
| Minneapolis, : University of Minnesota Press, c1977 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory [[electronic resource] ] : problems and practices in the Middle Ages and Renaissance / / by Lloyd Ultan
| Music theory [[electronic resource] ] : problems and practices in the Middle Ages and Renaissance / / by Lloyd Ultan |
| Autore | Ultan Lloyd <1929-1998.> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1977 |
| Descrizione fisica | 1 online resource |
| Disciplina | 781/.09/02 |
| Soggetto topico |
Music theory - History - 500-1400
Music theory - History - 15th century Music theory - History - 16th century Aesthetics, Medieval Aesthetics, Modern Renaissance |
| ISBN |
0-8166-5549-9
1-4356-0631-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910778399203321 |
|
Ultan Lloyd <1929-1998.>
|
||
| Minneapolis, : University of Minnesota Press, c1977 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music theory : problems and practices in the Middle Ages and Renaissance / / by Lloyd Ultan
| Music theory : problems and practices in the Middle Ages and Renaissance / / by Lloyd Ultan |
| Autore | Ultan Lloyd <1929-1998.> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1977 |
| Descrizione fisica | 1 online resource |
| Disciplina | 781/.09/02 |
| Soggetto topico |
Music theory - History - 500-1400
Music theory - History - 15th century Music theory - History - 16th century Aesthetics, Medieval Aesthetics, Modern Renaissance |
| ISBN |
0-8166-5549-9
1-4356-0631-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- Preface -- Part One. The Middle Ages -- Chapter 1 Notation -- Plainsong notation -- Rhythmic modal notation -- Franconian notation -- Summary -- Chapter 2 Plainsong -- The ecclesiastical modes -- Plainsong line -- Placement of text -- Solmization -- Summary -- Chapter 3 Monophonic Forms -- Plainsong for the Mass and the Offices -- Other sacred forms and techniques -- Secular monophonic forms and performance styles -- Plainsong analytical procedures: sacred -- Plainsong analytical procedures: secular -- Compositional considerations -- Summary -- Chapter 4 Early Polyphony: Organum -- Strict organum -- Free organum -- Melismatic organum -- Summary -- Chapter 5 Ars Nova Notation -- Modus, tempus, and prolatio -- The four prolations -- Rests -- Syncopation (dotted and colored notes) -- Analytical considerations -- Summary -- Chapter 6 Early Contrapuntal Concepts and Devices -- Dissonance -- Stimmtausch -- Canon -- Summary -- Chapter 7 Late Contrapuntal Concepts and Devices -- Chromaticism (Musica Ficta) -- Hocket -- Isorhythm -- Cadences -- Summary -- Chapter 8 Sacred Polyphonic Forms -- Organum -- Conductus -- Motet -- Messe de Nostre Dame (Machaut) -- Summary -- Chapter 9 Secular Polyphonic Forms -- Virelai -- Ballade -- Rondeau -- Caccia -- Madrigal -- Instruments and instrumental forms -- Summary -- Chapter 10 The Late Fourteenth Century -- Notational considerations -- Rhythmic complexities -- Summary -- Part Two. The Renaissance -- Chapter 11 Transition -- White mensural notation -- Analytical considerations -- Summary -- Chapter 12 Early Fifteenth Century - Dufay -- Cantus firmus Mass: Se la face ay pale -- Phrase and motivic structure -- Rhythm -- Counterpoint -- Cadences -- Form -- Compositional considerations -- Summary -- Chapter 13 Middle and Late Fifteenth Century - Johannes Ockeghem -- Missa Mi-Mi -- Syncopation.
Texture -- Canon -- Compositional considerations -- Summary -- Chapter 14 Late Fifteenth and Early Sixteenth Centuries - Josquin des Pres -- Paired imitation -- Repetition and canon -- Invertible counterpoint -- Sequence -- Other devices -- Compositional considerations -- Summary -- Chapter 15 Sixteenth-Century Secular Forms -- Chanson -- Madrigal -- Compositional considerations -- Other secular forms -- Summary -- Chapter 16 Palestrina: Part One -- Contour of line and use of intervals -- Rhythmic characteristics -- Text treatment -- General observations -- Summary -- Chapter 17 Palestrina: Part Two -- Two-voice counterpoint -- Dissonance treatment -- Three (and more) voice counterpoint -- Concluding observations -- Summary -- Chapter 18 Summary, Conclusions, and New Directions -- Evolution of ideas -- Harmony -- Cadences -- Notes -- Bibliography -- Appendix -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z. |
| Record Nr. | UNINA-9910809427003321 |
|
Ultan Lloyd <1929-1998.>
|
||
| Minneapolis, : University of Minnesota Press, c1977 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||