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Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto
| Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto |
| Autore | Beach David <1938-, > |
| Pubbl/distr/stampa | New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Musical analysis
Harmony Musical form |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-66502-5
9786613641953 0-203-12183-X 1-136-32976-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Analysis of 18th- and 19th-Century Musical Worksin the Classical Tradition; Copyright; Contents; Preface; PART I: Principles of Harmony and Phrase Design; 1. A Review of Diatonic Harmony; Designation of Pitch and Chords; Tonal Functions; Common Sequential Patterns; Passing and Neighboring Chords; Functions of Individual Chords; Summary of Concepts and Terminology; Suggested Assignments; 2. Expanding the Diatonic Palette; Secondary Dominants and Diminished Seventh Chords; Chromaticized Sequences; Diatonic Modulation; Modulation from an Initial Major Key
A Summary Example: Bach, French Suite No. 5, GavotteModulation from an Initial Minor Key; A Summary Example: Bach, French Suite No. 2, Menuet; Suggested Assignments; 3. Phrase Design; Phrase Design; What is a phrase?; Phrase Construction and Combination-Part 1: The Period; Phrase Construction and Combination-Part 2: The Sentence; Phrase Construction and Combination-Part 3: Larger Period Design; Phrase Elision and Hypermeter; Phrase Elision; Hypermeter; Phrase Expansion; External Phrase Expansions; Internal Phrase Expansions; A Summary Analysis (Haydn); Suggested Assignments 4. Further Expansion of the Harmonic PaletteModal Mixture; Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth; Analysis (Beethoven); Modulation; Suggested Assignments; PART II: Analysis; 5. Binary and Rounded Binary Forms; Binary Form; Rounded Binary Form; Haydn, Symphony No. 101 in D Major (""Clock""), III; Beethoven, Piano Sonata in A, Major, op. 26, II; Brahms, Piano Sonata in F Minor, op. 5, III; Suggested Assignments; 6. Classical Sonata Form; Mozart, Piano Sonata in F Major, K. 332, I; Beethoven, Piano Trio in C Minor, op. 1, no. 3, I; Suggested Assignments 7. Sonata Form in the Nineteenth CenturyBeethoven, Piano Sonata in F Minor, op. 57, I; Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I; Suggested Assignments; 8. Ternary Form; Beethoven, Piano Sonata in D Major, op. 10, no. 3, II; Schubert, Impromptu in G Major, op. 90, no. 3; Brahms, Intermezzo in B Minor, op. 117, no. 2; Suggested Assignments; 9. Rondo Form; Rondo Form; Mozart, Piano Sonata in B Brahms, Violin Sonata in D Major, K. 333, III; Minor, op. 108, IV; Suggested Assignments; Appendix: Notes on Musical Reductions; Notes; Index of Musical Works Index of Names and Terms |
| Record Nr. | UNINA-9910465725803321 |
Beach David <1938-, >
|
||
| New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto
| Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto |
| Autore | Beach David <1938-, > |
| Pubbl/distr/stampa | New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Musical analysis
Harmony Musical form |
| ISBN |
1-136-32975-7
1-280-66502-5 9786613641953 0-203-12183-X 1-136-32976-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Analysis of 18th- and 19th-Century Musical Worksin the Classical Tradition; Copyright; Contents; Preface; PART I: Principles of Harmony and Phrase Design; 1. A Review of Diatonic Harmony; Designation of Pitch and Chords; Tonal Functions; Common Sequential Patterns; Passing and Neighboring Chords; Functions of Individual Chords; Summary of Concepts and Terminology; Suggested Assignments; 2. Expanding the Diatonic Palette; Secondary Dominants and Diminished Seventh Chords; Chromaticized Sequences; Diatonic Modulation; Modulation from an Initial Major Key
A Summary Example: Bach, French Suite No. 5, GavotteModulation from an Initial Minor Key; A Summary Example: Bach, French Suite No. 2, Menuet; Suggested Assignments; 3. Phrase Design; Phrase Design; What is a phrase?; Phrase Construction and Combination-Part 1: The Period; Phrase Construction and Combination-Part 2: The Sentence; Phrase Construction and Combination-Part 3: Larger Period Design; Phrase Elision and Hypermeter; Phrase Elision; Hypermeter; Phrase Expansion; External Phrase Expansions; Internal Phrase Expansions; A Summary Analysis (Haydn); Suggested Assignments 4. Further Expansion of the Harmonic PaletteModal Mixture; Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth; Analysis (Beethoven); Modulation; Suggested Assignments; PART II: Analysis; 5. Binary and Rounded Binary Forms; Binary Form; Rounded Binary Form; Haydn, Symphony No. 101 in D Major (""Clock""), III; Beethoven, Piano Sonata in A, Major, op. 26, II; Brahms, Piano Sonata in F Minor, op. 5, III; Suggested Assignments; 6. Classical Sonata Form; Mozart, Piano Sonata in F Major, K. 332, I; Beethoven, Piano Trio in C Minor, op. 1, no. 3, I; Suggested Assignments 7. Sonata Form in the Nineteenth CenturyBeethoven, Piano Sonata in F Minor, op. 57, I; Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I; Suggested Assignments; 8. Ternary Form; Beethoven, Piano Sonata in D Major, op. 10, no. 3, II; Schubert, Impromptu in G Major, op. 90, no. 3; Brahms, Intermezzo in B Minor, op. 117, no. 2; Suggested Assignments; 9. Rondo Form; Rondo Form; Mozart, Piano Sonata in B Brahms, Violin Sonata in D Major, K. 333, III; Minor, op. 108, IV; Suggested Assignments; Appendix: Notes on Musical Reductions; Notes; Index of Musical Works Index of Names and Terms |
| Record Nr. | UNINA-9910791940303321 |
|
Beach David <1938-, >
|
||
| New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Communication in eighteenth-century music / / edited by Danuta Mirka and Kofi Agawu [[electronic resource]]
| Communication in eighteenth-century music / / edited by Danuta Mirka and Kofi Agawu [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2008 |
| Descrizione fisica | 1 online resource (ix, 345 pages) : digital, PDF file(s) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Music - 18th century - History and criticism
Communication in music |
| ISBN |
1-107-18737-0
1-281-75130-8 9786611751302 0-511-41464-1 0-511-41532-X 0-511-41304-1 0-511-41210-X 0-511-48137-3 0-511-41396-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Communication and the market. -- Part I : Communication and verisimilitude in the eighteenth century / Paul Cobley -- Listening to listeners / Mark Evan Bonds -- Mannichfaltige Abweichungen von der gewohnlichen Sonaten-form : Beethoven's 'piano-solo' op. 31 no. 1 and the challenge of communication / Claudia Maurer Zenck -- Part II : Musical grammar -- Metre, phrase structure and manipulations of musical beginnings / Danuta Mirka -- National metrical types in music of the eighteenth and early nineteenth centuries / William Rothstein -- Schoenberg's 'second melody', or, 'Meyer-ed' in the bass / William E. Caplin -- Part III : Rhetorical form and topical decorum -- A metaphoric model of sonata form : two expositions by Mozart / Michael Spitzer -- Beethoven's op. 18 no. 3, first movement : two readings, with a comment on analysis / Kofi Agawu -- Mozart's K331, first movement : once more, with feeling / Wye J. Allanbrook -- Dance topoi, sonic analogs and musical grammar : communicating with music in the eighteenth century / Lawrence M. Zbikowski. |
| Record Nr. | UNINA-9910454699703321 |
| Cambridge : , : Cambridge University Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Communication in eighteenth-century music / / edited by Danuta Mirka and Kofi Agawu [[electronic resource]]
| Communication in eighteenth-century music / / edited by Danuta Mirka and Kofi Agawu [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2008 |
| Descrizione fisica | 1 online resource (ix, 345 pages) : digital, PDF file(s) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Music - 18th century - History and criticism
Communication in music |
| ISBN |
1-107-18737-0
1-281-75130-8 9786611751302 0-511-41464-1 0-511-41532-X 0-511-41304-1 0-511-41210-X 0-511-48137-3 0-511-41396-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Communication and the market. -- Part I : Communication and verisimilitude in the eighteenth century / Paul Cobley -- Listening to listeners / Mark Evan Bonds -- Mannichfaltige Abweichungen von der gewohnlichen Sonaten-form : Beethoven's 'piano-solo' op. 31 no. 1 and the challenge of communication / Claudia Maurer Zenck -- Part II : Musical grammar -- Metre, phrase structure and manipulations of musical beginnings / Danuta Mirka -- National metrical types in music of the eighteenth and early nineteenth centuries / William Rothstein -- Schoenberg's 'second melody', or, 'Meyer-ed' in the bass / William E. Caplin -- Part III : Rhetorical form and topical decorum -- A metaphoric model of sonata form : two expositions by Mozart / Michael Spitzer -- Beethoven's op. 18 no. 3, first movement : two readings, with a comment on analysis / Kofi Agawu -- Mozart's K331, first movement : once more, with feeling / Wye J. Allanbrook -- Dance topoi, sonic analogs and musical grammar : communicating with music in the eighteenth century / Lawrence M. Zbikowski. |
| Record Nr. | UNINA-9910782131903321 |
| Cambridge : , : Cambridge University Press, , 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The era after the Baroque [[electronic resource] ] : music and the fine arts 1750-1900 / / by Robert Tallant Laudon
| The era after the Baroque [[electronic resource] ] : music and the fine arts 1750-1900 / / by Robert Tallant Laudon |
| Autore | Laudon Robert T |
| Pubbl/distr/stampa | Hillsdale, N.Y., : Pendragon Press, c2008 |
| Descrizione fisica | 1 online resource (viii, 92 p. ) : ill. ; |
| Disciplina | 780.9/033 |
| Collana | Monographs in musicology |
| Soggetto topico |
Music - 19th century - History and criticism
Music - 18th century - History and criticism Art and music Music - History and criticism - 19th century Music - History and criticism - 18th century Music History & Criticism, General Music Music, Dance, Drama & Film |
| ISBN | 1-57647-124-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Naming the era -- The proposal : the first main theme -- The proposal : the second main theme -- Synergy of forces -- Defining the expressive ideal -- Vocal art and the expressive ideal -- Instrumental art and the expressive ideal -- Intensity and interrelationships in the arts -- Coda. |
| Record Nr. | UNISA-996248131203316 |
|
Laudon Robert T
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| Hillsdale, N.Y., : Pendragon Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Historical dictionary of music of the classical period [[electronic resource] /] / Bertil van Boer
| Historical dictionary of music of the classical period [[electronic resource] /] / Bertil van Boer |
| Autore | Van Boer Bertil H |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, c2012 |
| Descrizione fisica | 1 online resource (665 p.) |
| Disciplina | 780.9/033 |
| Collana | Historical dictionaries of literature and the arts |
| Soggetto topico | Music - 18th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-65847-9
9786613635402 0-8108-7386-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Editor's Foreword; Preface; Acronyms and Abbreviations; Chronology; Introduction; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Bibliography; About the Author |
| Record Nr. | UNINA-9910461136903321 |
|
Van Boer Bertil H
|
||
| Lanham, Md., : Scarecrow Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Historical dictionary of music of the classical period / / Bertil van Boer
| Historical dictionary of music of the classical period / / Bertil van Boer |
| Autore | Van Boer Bertil H |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, c2012 |
| Descrizione fisica | 1 online resource (xxiv, 639 pages) |
| Disciplina |
780
780.9/033 |
| Collana | Historical dictionaries of literature and the arts |
| Soggetto topico | Music - 18th century |
| ISBN |
1-280-65847-9
9786613635402 0-8108-7386-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Editor's Foreword; Preface; Acronyms and Abbreviations; Chronology; Introduction; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Bibliography; About the Author |
| Record Nr. | UNINA-9910789919803321 |
|
Van Boer Bertil H
|
||
| Lanham, Md., : Scarecrow Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Historical dictionary of music of the classical period / / Bertil van Boer
| Historical dictionary of music of the classical period / / Bertil van Boer |
| Autore | Van Boer Bertil H |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, c2012 |
| Descrizione fisica | 1 online resource (xxiv, 639 pages) |
| Disciplina |
780
780.9/033 |
| Collana | Historical dictionaries of literature and the arts |
| Soggetto topico | Music - 18th century |
| ISBN |
1-280-65847-9
9786613635402 0-8108-7386-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Editor's Foreword; Preface; Acronyms and Abbreviations; Chronology; Introduction; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Bibliography; About the Author |
| Record Nr. | UNINA-9910827425903321 |
|
Van Boer Bertil H
|
||
| Lanham, Md., : Scarecrow Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the galant style [[electronic resource] /] / Robert O. Gjerdingen
| Music in the galant style [[electronic resource] /] / Robert O. Gjerdingen |
| Autore | Gjerdingen Robert O |
| Pubbl/distr/stampa | New York, : Oxford University Press, 2007 |
| Descrizione fisica | 1 online resource (792 p.) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Music - Europe - 18th century - History and criticism
Style, Musical Musical analysis |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-281-16379-1
9786611163792 0-19-971836-9 1-4356-3884-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover Page; Title Page; Copyright Page; Dedication; Acknowledgments; Contents; 1 Introduction; 2 The Romanesca; 3 The Prinner; 4 The Fonte; 5 A Minuet; 6 The Do-Re-Mi; 7 The Monte; 8 A Theme And Variations; 9 The Meyer; 10 A Theme And Variations; 11 Clausulae; 12 An Andante; 13 The Quiescenza; 14 The Ponte; 15 A Grave Sostenuto; 16 The Fenaroli; 17 An Allegro; 18 The Sol-Fa-Mi; 19 An Andante; 20 The Indugio; 21 A Cantabile; 22 A Larghetto; 23 An Andantino; 24 An Andantino Affettuoso; 25 The Child Mozart; 26 An Allegro; 27 II Filo: A Poco Adagio; 28 A Model Adagio; 29 A Model Allegro
30 Summary And CadenzaAppendix A: Schema Prototypes; Appendix B: Partimenti; Notes; Index Of Music Sources; General Index |
| Record Nr. | UNINA-9910451863203321 |
|
Gjerdingen Robert O
|
||
| New York, : Oxford University Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the galant style [[electronic resource] /] / Robert O. Gjerdingen
| Music in the galant style [[electronic resource] /] / Robert O. Gjerdingen |
| Autore | Gjerdingen Robert O |
| Pubbl/distr/stampa | New York, : Oxford University Press, 2007 |
| Descrizione fisica | 1 online resource (792 p.) |
| Disciplina | 780.9/033 |
| Soggetto topico |
Music - Europe - 18th century - History and criticism
Style, Musical Musical analysis |
| ISBN |
0-19-772865-0
0-19-988610-5 1-281-16379-1 9786611163792 0-19-971836-9 1-4356-3884-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover Page; Title Page; Copyright Page; Dedication; Acknowledgments; Contents; 1 Introduction; 2 The Romanesca; 3 The Prinner; 4 The Fonte; 5 A Minuet; 6 The Do-Re-Mi; 7 The Monte; 8 A Theme And Variations; 9 The Meyer; 10 A Theme And Variations; 11 Clausulae; 12 An Andante; 13 The Quiescenza; 14 The Ponte; 15 A Grave Sostenuto; 16 The Fenaroli; 17 An Allegro; 18 The Sol-Fa-Mi; 19 An Andante; 20 The Indugio; 21 A Cantabile; 22 A Larghetto; 23 An Andantino; 24 An Andantino Affettuoso; 25 The Child Mozart; 26 An Allegro; 27 II Filo: A Poco Adagio; 28 A Model Adagio; 29 A Model Allegro
30 Summary And CadenzaAppendix A: Schema Prototypes; Appendix B: Partimenti; Notes; Index Of Music Sources; General Index |
| Record Nr. | UNINA-9910778102403321 |
|
Gjerdingen Robert O
|
||
| New York, : Oxford University Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||