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Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary
| Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary |
| Autore | McClary Susan |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2012 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 780.9/032 |
| Soggetto topico |
Music - 17th century - History and criticism
Musical criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-11659-5
9786613520883 0-520-95206-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prelude: The Music of Pleasure and Desire -- Part I. The Hydraulics of Musical Desire -- Part II. Gendering Voice -- Part III. Divine Love -- Part IV. Dancing Bodies -- Part V. La Mode Française -- Postlude: Toward Consolidation -- Notes -- Index |
| Record Nr. | UNINA-9910457885603321 |
McClary Susan
|
||
| Berkeley, : University of California Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary
| Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary |
| Autore | McClary Susan |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2012 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 780.9/032 |
| Soggetto topico |
Music - 17th century - History and criticism
Musical criticism |
| Soggetto non controllato |
17th century musicians
amarilli arias bach beethoven beethovens fifth classical composers classical music history clevelandclassical enlightening insights on music history of music composers history of music history of opera how to write music learning to play music leisure reads master piece music musical history musicians musicology ode to joy opera and sex religion renaissance era savant composers sex and music sex social and historical music timeless music vacation reads |
| ISBN |
1-280-11659-5
9786613520883 0-520-95206-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prelude: The Music of Pleasure and Desire -- Part I. The Hydraulics of Musical Desire -- Part II. Gendering Voice -- Part III. Divine Love -- Part IV. Dancing Bodies -- Part V. La Mode Française -- Postlude: Toward Consolidation -- Notes -- Index |
| Record Nr. | UNINA-9910779087603321 |
|
McClary Susan
|
||
| Berkeley, : University of California Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the seventeenth and eighteenth centuries / / Richard Taruskin
| Music in the seventeenth and eighteenth centuries / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (1772 p.) |
| Disciplina | 780.9/032 |
| Collana | The Oxford history of western music |
| Soggetto topico |
Music - 17th century - History and criticism
Music - 18th century - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-19-977139-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover Page""; ""Title Page""; ""Copyright page""; ""Contents""; ""INTRODUCTION""; ""Preface""; ""Chapter 1 Opera from Monteverdi to Monteverdi""; ""Princely and Public Theaters; Monteverdi's Contributions to Both""; ""Court and commerce""; ""From Mantua to Venice""; ""Poetics and esthesics""; ""Opera and its politics""; ""Sex objects, sexed and unsexed""; ""The quintessential princely spectacle""; ""The carnival show""; ""Chapter 2 Fat Times and Lean""; ""Organ Music from Frescobaldi to Scheidt; Schütz's Career; Oratorio and Cantata""; ""Some organists""; ""The toccata""
""Sweelinck-His patrimony and his progeny""""Lutheran adaptations: The chorale partita""; ""The chorale concerto""; ""Ruin""; ""A creative microcosm""; ""Luxuriance""; ""Shriveled down to the expressive nub""; ""Carissimi: Oratorio and cantata""; ""Women in music: A historians' dilemma""; ""Chapter 3 Courts Resplendent, Overthrown, Restored""; ""Tragédie Lyrique from Lully to Rameau; English Music in the Seventeenth Century""; ""Sense and sensuousness""; ""The politics of patronage""; ""Drama as court ritual""; ""Atys, the king's opera""; ""Art and politics: Some caveats"" ""Jacobean England""""Masque and consort""; ""Ayres and suites: Harmonically determined form""; ""Distracted times""; ""Restoration""; ""Purcell""; ""Dido and Aeneas and the question of "English opera"""; ""The making of a classic""; ""Chapter 4 Class and Classicism""; ""Opera Seria and Its Makers""; ""Naples""; ""Scarlatti""; ""Neoclassicism""; ""Metastasio""; ""Metastasio's musicians""; ""The fortunes of Artaserse""; ""Opera seria in (and as) practice""; """Performance practice"""; ""Chapter 5 The Italian Concerto Style and the Rise of Tonality-Driven Form"" ""Corelli, Vivaldi, and Their German Imitators""""Standardized genres and tonal practices""; ""What, exactly, is "tonality"?""; ""The spread of "tonal form"""; ""The fugal style""; ""Handel and "defamiliarization"""; ""Bach and "dramatized" tonality""; ""Vivaldi's five hundred""; """Concerti madrigaleschi"""; ""Chapter 6 Class of 1685 (I)""; ""Careers of J. S. Bach and G. F. Handel Compared; Bach's Instrumental Music""; ""Contexts and canons""; ""Careers and lifestyles""; ""Roots (domestic)""; ""Roots (imported)""; ""Bach's suites""; ""A close-up""; """Agrémens" and "doubles""" ""Stylistic hybrids""""The "Brandenburg" Concertos""; """Obbligato" writing and/or arranging""; ""What does it all mean?""; ""Chapter 7 Class of 1685 (II)""; ""Handel's Operas and Oratorios; Bach's Cantatas and Passions; Domenico Scarlatti""; ""Handel on the Strand""; ""Lofty entertainments""; ""Messiah""; """Borrowing"""; ""Back to Bach: The cantatas""; ""The old style""; ""The new style""; ""Musical symbolism, musical idealism""; ""What music is for""; ""Bach's "testaments"""; ""The Bach revival""; ""Cursed questions""; ""Scarlatti, at last""; ""Chapter 8 The Comic Style"" ""Mid-Eighteenth-Century Stylistic Change Traced to Its Sources in the 1720s |
| Record Nr. | UNINA-9910459597203321 |
|
Taruskin Richard
|
||
| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the seventeenth and eighteenth centuries / / Richard Taruskin
| Music in the seventeenth and eighteenth centuries / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (1772 p.) |
| Disciplina | 780.9/032 |
| Altri autori (Persone) | TaruskinRichard |
| Collana | The Oxford history of western music |
| Soggetto topico |
Music - 17th century - History and criticism
Music - 18th century - History and criticism |
| ISBN | 0-19-977139-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover Page""; ""Title Page""; ""Copyright page""; ""Contents""; ""INTRODUCTION""; ""Preface""; ""Chapter 1 Opera from Monteverdi to Monteverdi""; ""Princely and Public Theaters; Monteverdi's Contributions to Both""; ""Court and commerce""; ""From Mantua to Venice""; ""Poetics and esthesics""; ""Opera and its politics""; ""Sex objects, sexed and unsexed""; ""The quintessential princely spectacle""; ""The carnival show""; ""Chapter 2 Fat Times and Lean""; ""Organ Music from Frescobaldi to Scheidt; Schütz's Career; Oratorio and Cantata""; ""Some organists""; ""The toccata""
""Sweelinck-His patrimony and his progeny""""Lutheran adaptations: The chorale partita""; ""The chorale concerto""; ""Ruin""; ""A creative microcosm""; ""Luxuriance""; ""Shriveled down to the expressive nub""; ""Carissimi: Oratorio and cantata""; ""Women in music: A historians' dilemma""; ""Chapter 3 Courts Resplendent, Overthrown, Restored""; ""Tragédie Lyrique from Lully to Rameau; English Music in the Seventeenth Century""; ""Sense and sensuousness""; ""The politics of patronage""; ""Drama as court ritual""; ""Atys, the king's opera""; ""Art and politics: Some caveats"" ""Jacobean England""""Masque and consort""; ""Ayres and suites: Harmonically determined form""; ""Distracted times""; ""Restoration""; ""Purcell""; ""Dido and Aeneas and the question of "English opera"""; ""The making of a classic""; ""Chapter 4 Class and Classicism""; ""Opera Seria and Its Makers""; ""Naples""; ""Scarlatti""; ""Neoclassicism""; ""Metastasio""; ""Metastasio's musicians""; ""The fortunes of Artaserse""; ""Opera seria in (and as) practice""; """Performance practice"""; ""Chapter 5 The Italian Concerto Style and the Rise of Tonality-Driven Form"" ""Corelli, Vivaldi, and Their German Imitators""""Standardized genres and tonal practices""; ""What, exactly, is "tonality"?""; ""The spread of "tonal form"""; ""The fugal style""; ""Handel and "defamiliarization"""; ""Bach and "dramatized" tonality""; ""Vivaldi's five hundred""; """Concerti madrigaleschi"""; ""Chapter 6 Class of 1685 (I)""; ""Careers of J. S. Bach and G. F. Handel Compared; Bach's Instrumental Music""; ""Contexts and canons""; ""Careers and lifestyles""; ""Roots (domestic)""; ""Roots (imported)""; ""Bach's suites""; ""A close-up""; """Agrémens" and "doubles""" ""Stylistic hybrids""""The "Brandenburg" Concertos""; """Obbligato" writing and/or arranging""; ""What does it all mean?""; ""Chapter 7 Class of 1685 (II)""; ""Handel's Operas and Oratorios; Bach's Cantatas and Passions; Domenico Scarlatti""; ""Handel on the Strand""; ""Lofty entertainments""; ""Messiah""; """Borrowing"""; ""Back to Bach: The cantatas""; ""The old style""; ""The new style""; ""Musical symbolism, musical idealism""; ""What music is for""; ""Bach's "testaments"""; ""The Bach revival""; ""Cursed questions""; ""Scarlatti, at last""; ""Chapter 8 The Comic Style"" ""Mid-Eighteenth-Century Stylistic Change Traced to Its Sources in the 1720s |
| Record Nr. | UNINA-9910790059803321 |
|
Taruskin Richard
|
||
| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music in the seventeenth and eighteenth centuries / / Richard Taruskin
| Music in the seventeenth and eighteenth centuries / / Richard Taruskin |
| Autore | Taruskin Richard |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2010 |
| Descrizione fisica | 1 online resource (1772 p.) |
| Disciplina | 780.9/032 |
| Altri autori (Persone) | TaruskinRichard |
| Collana | The Oxford history of western music |
| Soggetto topico |
Music - 17th century - History and criticism
Music - 18th century - History and criticism |
| ISBN | 0-19-977139-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Cover Page""; ""Title Page""; ""Copyright page""; ""Contents""; ""INTRODUCTION""; ""Preface""; ""Chapter 1 Opera from Monteverdi to Monteverdi""; ""Princely and Public Theaters; Monteverdi's Contributions to Both""; ""Court and commerce""; ""From Mantua to Venice""; ""Poetics and esthesics""; ""Opera and its politics""; ""Sex objects, sexed and unsexed""; ""The quintessential princely spectacle""; ""The carnival show""; ""Chapter 2 Fat Times and Lean""; ""Organ Music from Frescobaldi to Scheidt; Schütz's Career; Oratorio and Cantata""; ""Some organists""; ""The toccata""
""Sweelinck-His patrimony and his progeny""""Lutheran adaptations: The chorale partita""; ""The chorale concerto""; ""Ruin""; ""A creative microcosm""; ""Luxuriance""; ""Shriveled down to the expressive nub""; ""Carissimi: Oratorio and cantata""; ""Women in music: A historians' dilemma""; ""Chapter 3 Courts Resplendent, Overthrown, Restored""; ""Tragédie Lyrique from Lully to Rameau; English Music in the Seventeenth Century""; ""Sense and sensuousness""; ""The politics of patronage""; ""Drama as court ritual""; ""Atys, the king's opera""; ""Art and politics: Some caveats"" ""Jacobean England""""Masque and consort""; ""Ayres and suites: Harmonically determined form""; ""Distracted times""; ""Restoration""; ""Purcell""; ""Dido and Aeneas and the question of "English opera"""; ""The making of a classic""; ""Chapter 4 Class and Classicism""; ""Opera Seria and Its Makers""; ""Naples""; ""Scarlatti""; ""Neoclassicism""; ""Metastasio""; ""Metastasio's musicians""; ""The fortunes of Artaserse""; ""Opera seria in (and as) practice""; """Performance practice"""; ""Chapter 5 The Italian Concerto Style and the Rise of Tonality-Driven Form"" ""Corelli, Vivaldi, and Their German Imitators""""Standardized genres and tonal practices""; ""What, exactly, is "tonality"?""; ""The spread of "tonal form"""; ""The fugal style""; ""Handel and "defamiliarization"""; ""Bach and "dramatized" tonality""; ""Vivaldi's five hundred""; """Concerti madrigaleschi"""; ""Chapter 6 Class of 1685 (I)""; ""Careers of J. S. Bach and G. F. Handel Compared; Bach's Instrumental Music""; ""Contexts and canons""; ""Careers and lifestyles""; ""Roots (domestic)""; ""Roots (imported)""; ""Bach's suites""; ""A close-up""; """Agrémens" and "doubles""" ""Stylistic hybrids""""The "Brandenburg" Concertos""; """Obbligato" writing and/or arranging""; ""What does it all mean?""; ""Chapter 7 Class of 1685 (II)""; ""Handel's Operas and Oratorios; Bach's Cantatas and Passions; Domenico Scarlatti""; ""Handel on the Strand""; ""Lofty entertainments""; ""Messiah""; """Borrowing"""; ""Back to Bach: The cantatas""; ""The old style""; ""The new style""; ""Musical symbolism, musical idealism""; ""What music is for""; ""Bach's "testaments"""; ""The Bach revival""; ""Cursed questions""; ""Scarlatti, at last""; ""Chapter 8 The Comic Style"" ""Mid-Eighteenth-Century Stylistic Change Traced to Its Sources in the 1720s |
| Record Nr. | UNINA-9910817323203321 |
|
Taruskin Richard
|
||
| New York, New York : , : Oxford University Press, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||