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Cultural codes [[electronic resource] ] : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / / William C. Banfield
| Cultural codes [[electronic resource] ] : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / / William C. Banfield |
| Autore | Banfield William C. <1961-> |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2010 |
| Descrizione fisica | 1 online resource (255 p.) |
| Disciplina | 780.89/96073 |
| Collana | African American cultural theory and heritage |
| Soggetto topico |
African Americans - Music - History and criticism
Popular music - United States - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-48047-2
9786612480478 0-8108-7287-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; Acknowledgments; Part I. A CULTURAL CHARGE; Ch01. Black Notes and Cultural Codes:Makings of a Black Music Philosophy; Ch02. A New Black Music Arts Aesthetic; Ch03. A History of Aesthetic Definitions; Ch04. Hip to the Hop; Part II. BUILDING A BLACKMUSIC PHILOSOPHY; Ch05. A Cultural Education; Ch06. Black Music Studies; Part III. MAPPING BLACK MUSIC,HISTORY, MEANING,CODES, AND ARTISTRY; Ch07. African Roots toBlues, New Orleans, and Ragtime; Photospread; Ch08. Jazz: The NewModern Mode of Being; Ch09. Race Records, Gospel,R&B, and Urban Blues
Ch10. Urban Contemporary:Soul, Funk, and GlobalCh11. Hip Hop: Connecting the Dots; Part IV. CODA: CLOSING THEMES; Ch12. Core Values and the Black Aesthetic Code; Appendix: Recommended Music and Songs; Notes; Index; About the Author |
| Record Nr. | UNINA-9910456589103321 |
Banfield William C. <1961->
|
||
| Lanham, Md., : Scarecrow Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cultural codes [[electronic resource] ] : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / / William C. Banfield
| Cultural codes [[electronic resource] ] : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / / William C. Banfield |
| Autore | Banfield William C. <1961-> |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2010 |
| Descrizione fisica | 1 online resource (255 p.) |
| Disciplina | 780.89/96073 |
| Collana | African American cultural theory and heritage |
| Soggetto topico |
African Americans - Music - History and criticism
Popular music - United States - History and criticism |
| ISBN |
1-282-48047-2
9786612480478 0-8108-7287-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; Acknowledgments; Part I. A CULTURAL CHARGE; Ch01. Black Notes and Cultural Codes:Makings of a Black Music Philosophy; Ch02. A New Black Music Arts Aesthetic; Ch03. A History of Aesthetic Definitions; Ch04. Hip to the Hop; Part II. BUILDING A BLACKMUSIC PHILOSOPHY; Ch05. A Cultural Education; Ch06. Black Music Studies; Part III. MAPPING BLACK MUSIC,HISTORY, MEANING,CODES, AND ARTISTRY; Ch07. African Roots toBlues, New Orleans, and Ragtime; Photospread; Ch08. Jazz: The NewModern Mode of Being; Ch09. Race Records, Gospel,R&B, and Urban Blues
Ch10. Urban Contemporary:Soul, Funk, and GlobalCh11. Hip Hop: Connecting the Dots; Part IV. CODA: CLOSING THEMES; Ch12. Core Values and the Black Aesthetic Code; Appendix: Recommended Music and Songs; Notes; Index; About the Author |
| Record Nr. | UNINA-9910780832803321 |
|
Banfield William C. <1961->
|
||
| Lanham, Md., : Scarecrow Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / / William C. Banfield
| Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / / William C. Banfield |
| Autore | Banfield William C. <1961-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2010 |
| Descrizione fisica | 1 online resource (255 p.) |
| Disciplina | 780.89/96073 |
| Collana | African American cultural theory and heritage |
| Soggetto topico |
African Americans - Music - History and criticism
Popular music - United States - History and criticism |
| ISBN |
1-282-48047-2
9786612480478 0-8108-7287-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Preface; Acknowledgments; Part I. A CULTURAL CHARGE; Ch01. Black Notes and Cultural Codes:Makings of a Black Music Philosophy; Ch02. A New Black Music Arts Aesthetic; Ch03. A History of Aesthetic Definitions; Ch04. Hip to the Hop; Part II. BUILDING A BLACKMUSIC PHILOSOPHY; Ch05. A Cultural Education; Ch06. Black Music Studies; Part III. MAPPING BLACK MUSIC,HISTORY, MEANING,CODES, AND ARTISTRY; Ch07. African Roots toBlues, New Orleans, and Ragtime; Photospread; Ch08. Jazz: The NewModern Mode of Being; Ch09. Race Records, Gospel,R&B, and Urban Blues
Ch10. Urban Contemporary:Soul, Funk, and GlobalCh11. Hip Hop: Connecting the Dots; Part IV. CODA: CLOSING THEMES; Ch12. Core Values and the Black Aesthetic Code; Appendix: Recommended Music and Songs; Notes; Index; About the Author |
| Record Nr. | UNINA-9910821580803321 |
|
Banfield William C. <1961->
|
||
| Lanham, Md., : Scarecrow Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digging [[electronic resource] ] : the Afro-American soul of American classical music / / Amiri Baraka
| Digging [[electronic resource] ] : the Afro-American soul of American classical music / / Amiri Baraka |
| Autore | Baraka Imamu Amiri <1934-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 780.89/96073 |
| Collana | Music of the African diaspora |
| Soggetto topico |
African Americans - Music - History and criticism
Music - History and criticism African American musicians |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-36086-8
9786612360862 0-520-94309-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Digging -- Frontmatter -- MUSIC OF THE AFRICAN DIASPORA -- Contents -- Introduction -- Part One: Essays -- 1. Griot/Djali: Poetry, Music, History, Message -- 2. Miles Later -- 3. The "Blues Aesthetic" and the "Black Aesthetic": Aesthetics as the Continuing Political History of a Culture -- 4. Blues People: Looking Both Ways -- 5. Rhythm -- 6. The American Popular Song: "The Great American Song Book" -- 7. Blues Line -- 8. Cosby and the Music -- 9. Nina Returns -- 10. Jazz Criticism and Its Effect on the Music -- 11. Not "the Boss": Bruce Springsteen -- 12. Wynton Marsalis: Black Codes (from the Underground) -- 13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture -- 14. Newark's' "Coast" and the Hidden Legacy of Urban Culture -- 15. Black Music as a Force for Social Change -- 16. What You Mean, Du Wop? -- 17. Classical American Music -- 18. Singers and the Music: A Theater Piece -- 19. Newark's Influence on American Music -- 20. Ritual and Performance -- 21. Bopera Theory -- 22. "Jazz and the White Critic": Thirty Years Later -- 23. Random Notes on the Last Decade -- Part Two: Great Musicians -- 24. Panthalassa: Miles Davis -- 25. When Miles Split! -- 26. David Murray, Ming's Samba -- 27. David Murray, Fo Deuk Revue -- 28. David Murray, Addenda to a Concert -- 29. On Reissuing Trane -- 30. John Coltrane: Why His Legacy Continues -- 31. Some Memories of Alan Shorter: Interview with Wayne Shorter -- 32. High Art: Art Tatum -- 33. Max Roach at the Iridium -- 34. Paris Max -- 35. The Great Max Roach -- 36. Billie Holiday -- 37. The High Priest of BeBop -- 38. Eric Dolphy: A Note -- 39. Jackie Mc -- 40. It Ain't about You -- 41. You Ever Hear Albert Ayler? -- 42. Albert's Will -- 43. Sassy Was Definitely Not the Avon Lady -- 44. Fred -- 45. Fred Hopkins's Memorial -- 46. Duke Ellington: The Music's "Great Spirit" -- 47. Duke Was a Very Great Pianist! -- 48. Blind Tom: The Continuity of Americana -- 49. Don Pullen Leaves Us -- 50. Black History Month Rediscovers "the Music" in New York City -- 51. Black History Month Rediscovers "the Music," Part 2: The Charles Tolliver Big Band at the Jazz Standard -- 52. Wonderful Stevie -- 53. Abbey Lincoln -- 54. Four Tough Good-byes: Jackie McLean, John Hicks, Hilton Ruiz, Halim Suliman -- Part Three: Notes, Reviews, and Observations -- 55. Impulse Sampler, Act on Impulse -- 56. Ralph Peterson -- 57. Andrew Cyrille, Good to Go -- 58. Odean Pope Saxophone Choir, Epitome -- 59. Ravi Coltrane, Moving Pictures -- 60. Donal Fox and David Murray, Ugly Beauty -- 61. Tyrone Jefferson, Connections -- 62. James Moody -- 63. Barry Harris: In the Tradition -- 64. Pharoah Sanders, Shukuru -- 65. Don Pullen-George Adams Quartet, Breakthrough -- 66. Von and Chico Freeman, Freeman and Freeman -- 67. Alan Shorter, Orgasm -- 68. The Work Man: Reggie Workman -- 69. Roscoe Mitchell and the Note Factory -- 70. Jimmy Scott, But Beautiful -- 71. Malachi Thompson, Talking Horns -- 72. The Nexus Orchestra, Seize the Time -- 73. Three Fresh Ticklers -- 74. Rodney Kendrick, Last Chance for Common Sense -- 75. Jazz Times Review, Multiple Artists -- 76. More Young Bloods to the Rescue! -- 77. Vijay Iyer, Memorophilia -- 78. TriFactor, If You Believe -- 79. Live Lessons -- 80. New York Art Quintet -- 81. Peter Brötzmann, Nipples, and Joe McPhee, Nation Time -- 82. Jon Jang and David Murray, River of Life -- 83. Trio Three, Encounter -- 84. Jackie Mc-Coming and Going |
| Record Nr. | UNINA-9910455260303321 |
|
Baraka Imamu Amiri <1934->
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digging : the Afro-American soul of American classical music / / Amiri Baraka
| Digging : the Afro-American soul of American classical music / / Amiri Baraka |
| Autore | Baraka Amiri <1934-2014.> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 780.89/96073 |
| Collana | Music of the African diaspora |
| Soggetto topico |
African Americans - Music - History and criticism
Music - History and criticism African American musicians |
| Soggetto non controllato |
african american culture
african american history african american music alan shorter america popular song american classical music autobiography black aesthetic blues aesthetic bruce springsteen charlie parker duke ellington fred hopkins great american song book jazz criticism jazz music jazz john coltrane jon jang malachi thompson max roach miles davis music musical analysis musicians political commentary political history rhythm social change wynton marsalis |
| ISBN |
1-282-36086-8
9786612360862 0-520-94309-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Digging -- Frontmatter -- MUSIC OF THE AFRICAN DIASPORA -- Contents -- Introduction -- Part One: Essays -- 1. Griot/Djali: Poetry, Music, History, Message -- 2. Miles Later -- 3. The "Blues Aesthetic" and the "Black Aesthetic": Aesthetics as the Continuing Political History of a Culture -- 4. Blues People: Looking Both Ways -- 5. Rhythm -- 6. The American Popular Song: "The Great American Song Book" -- 7. Blues Line -- 8. Cosby and the Music -- 9. Nina Returns -- 10. Jazz Criticism and Its Effect on the Music -- 11. Not "the Boss": Bruce Springsteen -- 12. Wynton Marsalis: Black Codes (from the Underground) -- 13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture -- 14. Newark's' "Coast" and the Hidden Legacy of Urban Culture -- 15. Black Music as a Force for Social Change -- 16. What You Mean, Du Wop? -- 17. Classical American Music -- 18. Singers and the Music: A Theater Piece -- 19. Newark's Influence on American Music -- 20. Ritual and Performance -- 21. Bopera Theory -- 22. "Jazz and the White Critic": Thirty Years Later -- 23. Random Notes on the Last Decade -- Part Two: Great Musicians -- 24. Panthalassa: Miles Davis -- 25. When Miles Split! -- 26. David Murray, Ming's Samba -- 27. David Murray, Fo Deuk Revue -- 28. David Murray, Addenda to a Concert -- 29. On Reissuing Trane -- 30. John Coltrane: Why His Legacy Continues -- 31. Some Memories of Alan Shorter: Interview with Wayne Shorter -- 32. High Art: Art Tatum -- 33. Max Roach at the Iridium -- 34. Paris Max -- 35. The Great Max Roach -- 36. Billie Holiday -- 37. The High Priest of BeBop -- 38. Eric Dolphy: A Note -- 39. Jackie Mc -- 40. It Ain't about You -- 41. You Ever Hear Albert Ayler? -- 42. Albert's Will -- 43. Sassy Was Definitely Not the Avon Lady -- 44. Fred -- 45. Fred Hopkins's Memorial -- 46. Duke Ellington: The Music's "Great Spirit" -- 47. Duke Was a Very Great Pianist! -- 48. Blind Tom: The Continuity of Americana -- 49. Don Pullen Leaves Us -- 50. Black History Month Rediscovers "the Music" in New York City -- 51. Black History Month Rediscovers "the Music," Part 2: The Charles Tolliver Big Band at the Jazz Standard -- 52. Wonderful Stevie -- 53. Abbey Lincoln -- 54. Four Tough Good-byes: Jackie McLean, John Hicks, Hilton Ruiz, Halim Suliman -- Part Three: Notes, Reviews, and Observations -- 55. Impulse Sampler, Act on Impulse -- 56. Ralph Peterson -- 57. Andrew Cyrille, Good to Go -- 58. Odean Pope Saxophone Choir, Epitome -- 59. Ravi Coltrane, Moving Pictures -- 60. Donal Fox and David Murray, Ugly Beauty -- 61. Tyrone Jefferson, Connections -- 62. James Moody -- 63. Barry Harris: In the Tradition -- 64. Pharoah Sanders, Shukuru -- 65. Don Pullen-George Adams Quartet, Breakthrough -- 66. Von and Chico Freeman, Freeman and Freeman -- 67. Alan Shorter, Orgasm -- 68. The Work Man: Reggie Workman -- 69. Roscoe Mitchell and the Note Factory -- 70. Jimmy Scott, But Beautiful -- 71. Malachi Thompson, Talking Horns -- 72. The Nexus Orchestra, Seize the Time -- 73. Three Fresh Ticklers -- 74. Rodney Kendrick, Last Chance for Common Sense -- 75. Jazz Times Review, Multiple Artists -- 76. More Young Bloods to the Rescue! -- 77. Vijay Iyer, Memorophilia -- 78. TriFactor, If You Believe -- 79. Live Lessons -- 80. New York Art Quintet -- 81. Peter Brötzmann, Nipples, and Joe McPhee, Nation Time -- 82. Jon Jang and David Murray, River of Life -- 83. Trio Three, Encounter -- 84. Jackie Mc-Coming and Going |
| Record Nr. | UNINA-9910778420503321 |
|
Baraka Amiri <1934-2014.>
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digging : the Afro-American soul of American classical music / / Amiri Baraka
| Digging : the Afro-American soul of American classical music / / Amiri Baraka |
| Autore | Baraka Imamu Amiri <1934-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 780.89/96073 |
| Collana | Music of the African diaspora |
| Soggetto topico |
African Americans - Music - History and criticism
Music - History and criticism African American musicians |
| ISBN |
1-282-36086-8
9786612360862 0-520-94309-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Digging -- Frontmatter -- MUSIC OF THE AFRICAN DIASPORA -- Contents -- Introduction -- Part One: Essays -- 1. Griot/Djali: Poetry, Music, History, Message -- 2. Miles Later -- 3. The "Blues Aesthetic" and the "Black Aesthetic": Aesthetics as the Continuing Political History of a Culture -- 4. Blues People: Looking Both Ways -- 5. Rhythm -- 6. The American Popular Song: "The Great American Song Book" -- 7. Blues Line -- 8. Cosby and the Music -- 9. Nina Returns -- 10. Jazz Criticism and Its Effect on the Music -- 11. Not "the Boss": Bruce Springsteen -- 12. Wynton Marsalis: Black Codes (from the Underground) -- 13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture -- 14. Newark's' "Coast" and the Hidden Legacy of Urban Culture -- 15. Black Music as a Force for Social Change -- 16. What You Mean, Du Wop? -- 17. Classical American Music -- 18. Singers and the Music: A Theater Piece -- 19. Newark's Influence on American Music -- 20. Ritual and Performance -- 21. Bopera Theory -- 22. "Jazz and the White Critic": Thirty Years Later -- 23. Random Notes on the Last Decade -- Part Two: Great Musicians -- 24. Panthalassa: Miles Davis -- 25. When Miles Split! -- 26. David Murray, Ming's Samba -- 27. David Murray, Fo Deuk Revue -- 28. David Murray, Addenda to a Concert -- 29. On Reissuing Trane -- 30. John Coltrane: Why His Legacy Continues -- 31. Some Memories of Alan Shorter: Interview with Wayne Shorter -- 32. High Art: Art Tatum -- 33. Max Roach at the Iridium -- 34. Paris Max -- 35. The Great Max Roach -- 36. Billie Holiday -- 37. The High Priest of BeBop -- 38. Eric Dolphy: A Note -- 39. Jackie Mc -- 40. It Ain't about You -- 41. You Ever Hear Albert Ayler? -- 42. Albert's Will -- 43. Sassy Was Definitely Not the Avon Lady -- 44. Fred -- 45. Fred Hopkins's Memorial -- 46. Duke Ellington: The Music's "Great Spirit" -- 47. Duke Was a Very Great Pianist! -- 48. Blind Tom: The Continuity of Americana -- 49. Don Pullen Leaves Us -- 50. Black History Month Rediscovers "the Music" in New York City -- 51. Black History Month Rediscovers "the Music," Part 2: The Charles Tolliver Big Band at the Jazz Standard -- 52. Wonderful Stevie -- 53. Abbey Lincoln -- 54. Four Tough Good-byes: Jackie McLean, John Hicks, Hilton Ruiz, Halim Suliman -- Part Three: Notes, Reviews, and Observations -- 55. Impulse Sampler, Act on Impulse -- 56. Ralph Peterson -- 57. Andrew Cyrille, Good to Go -- 58. Odean Pope Saxophone Choir, Epitome -- 59. Ravi Coltrane, Moving Pictures -- 60. Donal Fox and David Murray, Ugly Beauty -- 61. Tyrone Jefferson, Connections -- 62. James Moody -- 63. Barry Harris: In the Tradition -- 64. Pharoah Sanders, Shukuru -- 65. Don Pullen-George Adams Quartet, Breakthrough -- 66. Von and Chico Freeman, Freeman and Freeman -- 67. Alan Shorter, Orgasm -- 68. The Work Man: Reggie Workman -- 69. Roscoe Mitchell and the Note Factory -- 70. Jimmy Scott, But Beautiful -- 71. Malachi Thompson, Talking Horns -- 72. The Nexus Orchestra, Seize the Time -- 73. Three Fresh Ticklers -- 74. Rodney Kendrick, Last Chance for Common Sense -- 75. Jazz Times Review, Multiple Artists -- 76. More Young Bloods to the Rescue! -- 77. Vijay Iyer, Memorophilia -- 78. TriFactor, If You Believe -- 79. Live Lessons -- 80. New York Art Quintet -- 81. Peter Brötzmann, Nipples, and Joe McPhee, Nation Time -- 82. Jon Jang and David Murray, River of Life -- 83. Trio Three, Encounter -- 84. Jackie Mc-Coming and Going |
| Record Nr. | UNINA-9910813301003321 |
|
Baraka Imamu Amiri <1934->
|
||
| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Issues in African American music : power, gender, race, representation / / edited by Portia K. Maultsby and Mellonee V. Burnim
| Issues in African American music : power, gender, race, representation / / edited by Portia K. Maultsby and Mellonee V. Burnim |
| Pubbl/distr/stampa | New York, N.Y. ; ; London : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (528 pages) |
| Disciplina | 780.89/96073 |
| Altri autori (Persone) |
BurnimMellonee V <1950-> (Mellonee Victoria)
MaultsbyPortia K |
| Soggetto topico |
African Americans - Music - History and criticism
African American musicians Music - African American influences |
| ISBN |
1-315-47209-0
1-315-47207-4 1-315-47208-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Interpreting music -- pt. II. Mass mediation -- pt. III. Gender -- pt. IV. Musical agency : African American music as resistance. |
| Record Nr. | UNINA-9910148609503321 |
| New York, N.Y. ; ; London : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Listening for Africa : freedom, modernity, and the logic of Black music's African origins / / David F. Garcia
| Listening for Africa : freedom, modernity, and the logic of Black music's African origins / / David F. Garcia |
| Autore | García David F. |
| Pubbl/distr/stampa | Durham : , : Duke University Press, , 2017 |
| Descrizione fisica | 1 online resource (377 pages) |
| Disciplina | 780.89/96073 |
| Soggetto topico |
African Americans - Music - History and criticism
Black people - Music - History and criticism Dance music - History and criticism Music - Africa - History and criticism |
| ISBN |
1-4780-9325-0
0-8223-7311-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Analyzing the African origins of Negro music and dance in a time of racism, fascism, and war -- Listening to Africa in the city, in the laboratory, and on record -- Embodying Africa against racial oppression, ignorance, and colonialism -- Disalienating movement and sound from the pathologies of freedom and time -- Desiring Africa, or Western civilization's discontents -- Conclusion: dance-music as rhizome. |
| Record Nr. | UNINA-9910573817003321 |
|
García David F.
|
||
| Durham : , : Duke University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Listening for Africa : freedom, modernity, and the logic of Black music's African origins / / David F. Garcia
| Listening for Africa : freedom, modernity, and the logic of Black music's African origins / / David F. Garcia |
| Autore | García David F. |
| Pubbl/distr/stampa | Durham : , : Duke University Press, , 2017 |
| Descrizione fisica | 1 online resource (377 pages) |
| Disciplina | 780.89/96073 |
| Soggetto topico |
African Americans - Music - History and criticism
Black people - Music - History and criticism Dance music - History and criticism Music - Africa - History and criticism |
| ISBN |
1-4780-9325-0
0-8223-7311-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Analyzing the African origins of Negro music and dance in a time of racism, fascism, and war -- Listening to Africa in the city, in the laboratory, and on record -- Embodying Africa against racial oppression, ignorance, and colonialism -- Disalienating movement and sound from the pathologies of freedom and time -- Desiring Africa, or Western civilization's discontents -- Conclusion: dance-music as rhizome. |
| Record Nr. | UNISA-996599571803316 |
|
García David F.
|
||
| Durham : , : Duke University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||