Dvořák to Duke Ellington [[electronic resource] ] : a conductor explores America's music and its African American roots / / Maurice Peress |
Autore | Peress Maurice |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2004 |
Descrizione fisica | 1 online resource (265 p.) |
Disciplina | 780/.973 |
Soggetto topico | Music - United States - African American influences |
Soggetto genere / forma | Electronic books. |
ISBN |
0-19-537447-9
1-280-45145-9 1-60256-060-9 0-19-535695-0 0-19-509822-6 9786610451456 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Antonin Dvořák comes to America -- America and Negro music -- Dvořák's symphony "From the New World" -- The Chicago World's Columbian Exposition of 1893 -- The National Conservatory of Music of America -- Paul Laurence Dunbar, Clorilindy, and "The talented tenth" -- James Reese Europe -- George Gershwin and African American music -- Leonard Bernstein -- Gershwin's "Rhapsody in blue" -- The Clef Club concert -- Will Marion Cook -- George Antheil's "Ballet mécanique" -- Bernstein's Mass -- Duke Ellington -- Ellington's "Queenie pie" -- Ellington's "Black, brown and beige". |
Record Nr. | UNINA-9910465793203321 |
Peress Maurice
![]() |
||
Oxford ; ; New York, : Oxford University Press, 2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Dvořák to Duke Ellington [[electronic resource] ] : a conductor explores America's music and its African American roots / / Maurice Peress |
Autore | Peress Maurice |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2004 |
Descrizione fisica | 1 online resource (265 p.) |
Disciplina | 780/.973 |
Soggetto topico | Music - United States - African American influences |
ISBN |
0-19-537447-9
1-280-45145-9 1-60256-060-9 0-19-535695-0 0-19-509822-6 9786610451456 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Antonin Dvořák comes to America -- America and Negro music -- Dvořák's symphony "From the New World" -- The Chicago World's Columbian Exposition of 1893 -- The National Conservatory of Music of America -- Paul Laurence Dunbar, Clorilindy, and "The talented tenth" -- James Reese Europe -- George Gershwin and African American music -- Leonard Bernstein -- Gershwin's "Rhapsody in blue" -- The Clef Club concert -- Will Marion Cook -- George Antheil's "Ballet mécanique" -- Bernstein's Mass -- Duke Ellington -- Ellington's "Queenie pie" -- Ellington's "Black, brown and beige". |
Record Nr. | UNINA-9910792231503321 |
Peress Maurice
![]() |
||
Oxford ; ; New York, : Oxford University Press, 2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Dvořák to Duke Ellington [[electronic resource] ] : a conductor explores America's music and its African American roots / / Maurice Peress |
Autore | Peress Maurice |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2004 |
Descrizione fisica | 1 online resource (265 p.) |
Disciplina | 780/.973 |
Soggetto topico | Music - United States - African American influences |
ISBN |
0-19-537447-9
1-280-45145-9 1-60256-060-9 0-19-535695-0 0-19-509822-6 9786610451456 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Antonin Dvořák comes to America -- America and Negro music -- Dvořák's symphony "From the New World" -- The Chicago World's Columbian Exposition of 1893 -- The National Conservatory of Music of America -- Paul Laurence Dunbar, Clorilindy, and "The talented tenth" -- James Reese Europe -- George Gershwin and African American music -- Leonard Bernstein -- Gershwin's "Rhapsody in blue" -- The Clef Club concert -- Will Marion Cook -- George Antheil's "Ballet mécanique" -- Bernstein's Mass -- Duke Ellington -- Ellington's "Queenie pie" -- Ellington's "Black, brown and beige". |
Record Nr. | UNINA-9910820936003321 |
Peress Maurice
![]() |
||
Oxford ; ; New York, : Oxford University Press, 2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Mavericks and other traditions in American music [[electronic resource] /] / Michael Broyles |
Autore | Broyles Michael <1939-> |
Pubbl/distr/stampa | New Haven, : Yale University Press, c2004 |
Descrizione fisica | 1 online resource (1 online resource (ix, 387 p.) ) : ill., ports |
Disciplina | 780/.973 |
Soggetto topico |
Composers - United States
Music - United States - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-281-72980-9
9786611729806 0-300-12789-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | We, the rebels -- Pioneers. William Billings : rebel with many causes ; The log cabin composer -- New concepts and forces in American culture. Precursors : Charles Ives and Leo Ornstein ; "Prologue to the annual tragedy" ; The community of the ultramoderns -- After the war. New directions : the serial wars ; Postwar experimentalism : John Cage ; The maverick core ; Minimalism and strange bedfellows -- The legacy of the mavericks. Looking back : Puritanism, geography, and the myth of American individualism ; Looking forward : "The end of the Renaissance!" |
Record Nr. | UNINA-9910451992103321 |
Broyles Michael <1939->
![]() |
||
New Haven, : Yale University Press, c2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Mavericks and other traditions in American music [[electronic resource] /] / Michael Broyles |
Autore | Broyles Michael <1939-> |
Pubbl/distr/stampa | New Haven, : Yale University Press, c2004 |
Descrizione fisica | 1 online resource (1 online resource (ix, 387 p.) ) : ill., ports |
Disciplina | 780/.973 |
Soggetto topico |
Composers - United States
Music - United States - History and criticism |
ISBN |
1-281-72980-9
9786611729806 0-300-12789-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | We, the rebels -- Pioneers. William Billings : rebel with many causes ; The log cabin composer -- New concepts and forces in American culture. Precursors : Charles Ives and Leo Ornstein ; "Prologue to the annual tragedy" ; The community of the ultramoderns -- After the war. New directions : the serial wars ; Postwar experimentalism : John Cage ; The maverick core ; Minimalism and strange bedfellows -- The legacy of the mavericks. Looking back : Puritanism, geography, and the myth of American individualism ; Looking forward : "The end of the Renaissance!" |
Record Nr. | UNINA-9910777849803321 |
Broyles Michael <1939->
![]() |
||
New Haven, : Yale University Press, c2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Mavericks and other traditions in American music / / Michael Broyles |
Autore | Broyles Michael <1939-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New Haven, : Yale University Press, c2004 |
Descrizione fisica | 1 online resource (1 online resource (ix, 387 p.) ) : ill., ports |
Disciplina | 780/.973 |
Soggetto topico |
Composers - United States
Music - United States - History and criticism |
ISBN |
1-281-72980-9
9786611729806 0-300-12789-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | We, the rebels -- Pioneers. William Billings : rebel with many causes ; The log cabin composer -- New concepts and forces in American culture. Precursors : Charles Ives and Leo Ornstein ; "Prologue to the annual tragedy" ; The community of the ultramoderns -- After the war. New directions : the serial wars ; Postwar experimentalism : John Cage ; The maverick core ; Minimalism and strange bedfellows -- The legacy of the mavericks. Looking back : Puritanism, geography, and the myth of American individualism ; Looking forward : "The end of the Renaissance!" |
Record Nr. | UNINA-9910812795803321 |
Broyles Michael <1939->
![]() |
||
New Haven, : Yale University Press, c2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Music clubs magazine |
Pubbl/distr/stampa | [Indianapolis, etc.], : National Federation of Music Clubs |
Descrizione fisica | 1 online resource |
Disciplina | 780/.973 |
Soggetto topico |
Music - United States
Music |
Soggetto genere / forma | Periodicals. |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Record Nr. | UNISA-996231348303316 |
[Indianapolis, etc.], : National Federation of Music Clubs | ||
![]() | ||
Lo trovi qui: Univ. di Salerno | ||
|
Music clubs magazine |
Pubbl/distr/stampa | [Indianapolis, etc.], : National Federation of Music Clubs |
Descrizione fisica | 1 online resource |
Disciplina | 780/.973 |
Soggetto topico |
Music - United States
Music |
Soggetto genere / forma | Periodicals. |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910684589803321 |
[Indianapolis, etc.], : National Federation of Music Clubs | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Reflections of an American composer [[electronic resource] /] / Arthur Berger |
Autore | Berger Arthur <1912-2003.> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2002 |
Descrizione fisica | 1 online resource (288 p.) |
Disciplina | 780/.973 |
Soggetto topico | Music - United States - History and criticism |
Soggetto non controllato |
1930s
20th century aaron copland american composers american music art scene autobiography avant garde music biography boretz boston communism composers conductor essays malkin conservatory memoir modernism music composition music criticism music history music theory music musicians nationalism new york nonfiction piano variations popular culture red scare schoenberg short symphony statements stravinsky wpa |
ISBN |
1-59734-857-0
0-520-92821-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Composers and Their Audience in the Thirties -- 2. Nationalism -- 3. Is Music in Decline? -- 4. Rendezvous with Apollo: Form Is Feeling -- 5. Reinventing the Past: Pastiche, Collage, or "Criticism"? -- 6. Serialism: Composer as Theorist -- 7. Rapprochement or Friendly Takeover? -- 8. Postmodern Music -- 9. Virgil Thomson and the Press -- 10. Music on My Beat -- 11. PNM and the Ph.D. -- 12. A Tale of Two Critics: Rosenfeld and Haggin -- 13. Do We Hear What We Say We Hear? -- 14. New Linguistic Modes and the New Theory -- 15. The Octatonic Scale -- 16. Backstage at the Opera -- 17. A Tale of Two Conductors: Koussevitzky and Mitropoulos -- 18. From My Diary: Brief Encounters -- Appendix: From My Scrapbook -- Notes -- Index |
Record Nr. | UNINA-9910449685403321 |
Berger Arthur <1912-2003.>
![]() |
||
Berkeley, : University of California Press, c2002 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|