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Looking and listening : conversations between modern art and music / / Brenda Lynne Leach
| Looking and listening : conversations between modern art and music / / Brenda Lynne Leach |
| Autore | Leach Brenda Lynne |
| Pubbl/distr/stampa | Lanham, [Maryland] : , : Rowman & Littlefield, , 2015 |
| Descrizione fisica | 1 online resource (217 p.) |
| Disciplina | 780/.07 |
| Soggetto topico |
Art and music
Jazz in art Music - 20th century - History and criticism Art, Modern - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4422-4131-4
0-8108-8347-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction; PART I. PRELUDE; Ch01. Stuart Davis and the Art of Jazz; Ch02. Arthur Dove and George Gershwin; Ch03. Romare Bearden and Visual Jazz; Ch04. European Artists and American Jazz; Ch05. Kandinsky and Schoenberg; PART II. INTERLUDE 1; Ch06. Dave Brubeck and His Reflections on Miró; Ch07. Paul Klee; Ch08. Mark Rothko and Morton Feldman; Ch09. Earle Brown and Alexander Calder; Ch10. John Cage and Robert Rauschenberg; PART III. INTERLUDE 2; Ch11. Claude Debussy and the Fin-de-Siècle; Ch12. Cubism in Art and Music
Ch13. Georgia O'Keeffe and American Modernist ComposersCh14. Diego Rivera and Carlos Chávez; Ch15. Minimalism in Art and Music; Postlude; Glossary of Musical Terms; Works Cited; Index; About the Author |
| Record Nr. | UNINA-9910463274603321 |
Leach Brenda Lynne
|
||
| Lanham, [Maryland] : , : Rowman & Littlefield, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Looking and listening : conversations between modern art and music / / Brenda Lynne Leach
| Looking and listening : conversations between modern art and music / / Brenda Lynne Leach |
| Autore | Leach Brenda Lynne |
| Pubbl/distr/stampa | Lanham, [Maryland] : , : Rowman & Littlefield, , 2015 |
| Descrizione fisica | 1 online resource (217 p.) |
| Disciplina | 780/.07 |
| Soggetto topico |
Art and music
Jazz in art Music - 20th century - History and criticism Art, Modern - 20th century |
| ISBN |
1-4422-4131-4
0-8108-8347-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction; PART I. PRELUDE; Ch01. Stuart Davis and the Art of Jazz; Ch02. Arthur Dove and George Gershwin; Ch03. Romare Bearden and Visual Jazz; Ch04. European Artists and American Jazz; Ch05. Kandinsky and Schoenberg; PART II. INTERLUDE 1; Ch06. Dave Brubeck and His Reflections on Miró; Ch07. Paul Klee; Ch08. Mark Rothko and Morton Feldman; Ch09. Earle Brown and Alexander Calder; Ch10. John Cage and Robert Rauschenberg; PART III. INTERLUDE 2; Ch11. Claude Debussy and the Fin-de-Siècle; Ch12. Cubism in Art and Music
Ch13. Georgia O'Keeffe and American Modernist ComposersCh14. Diego Rivera and Carlos Chávez; Ch15. Minimalism in Art and Music; Postlude; Glossary of Musical Terms; Works Cited; Index; About the Author |
| Record Nr. | UNINA-9910787924503321 |
|
Leach Brenda Lynne
|
||
| Lanham, [Maryland] : , : Rowman & Littlefield, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Looking and listening : conversations between modern art and music / / Brenda Lynne Leach
| Looking and listening : conversations between modern art and music / / Brenda Lynne Leach |
| Autore | Leach Brenda Lynne |
| Pubbl/distr/stampa | Lanham, [Maryland] : , : Rowman & Littlefield, , 2015 |
| Descrizione fisica | 1 online resource (217 p.) |
| Disciplina | 780/.07 |
| Soggetto topico |
Art and music
Jazz in art Music - 20th century - History and criticism Art, Modern - 20th century |
| ISBN |
1-4422-4131-4
0-8108-8347-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Foreword; Acknowledgments; Introduction; PART I. PRELUDE; Ch01. Stuart Davis and the Art of Jazz; Ch02. Arthur Dove and George Gershwin; Ch03. Romare Bearden and Visual Jazz; Ch04. European Artists and American Jazz; Ch05. Kandinsky and Schoenberg; PART II. INTERLUDE 1; Ch06. Dave Brubeck and His Reflections on Miró; Ch07. Paul Klee; Ch08. Mark Rothko and Morton Feldman; Ch09. Earle Brown and Alexander Calder; Ch10. John Cage and Robert Rauschenberg; PART III. INTERLUDE 2; Ch11. Claude Debussy and the Fin-de-Siècle; Ch12. Cubism in Art and Music
Ch13. Georgia O'Keeffe and American Modernist ComposersCh14. Diego Rivera and Carlos Chávez; Ch15. Minimalism in Art and Music; Postlude; Glossary of Musical Terms; Works Cited; Index; About the Author |
| Record Nr. | UNINA-9910812631703321 |
|
Leach Brenda Lynne
|
||
| Lanham, [Maryland] : , : Rowman & Littlefield, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music and patronage in sixteenth-century Mantua . 2 / / Iain Fenlon [[electronic resource]]
| Music and patronage in sixteenth-century Mantua . 2 / / Iain Fenlon [[electronic resource]] |
| Autore | Fenlon Iain |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 1982 |
| Descrizione fisica | 1 online resource (xiv, 151 pages) : digital, PDF file(s) |
| Disciplina | 780/.07 |
| Collana | Cambridge studies in music |
| Soggetto topico |
Music - Italy - Mantua - 16th century - History and criticism
Art patronage - Italy - Mantua - History - 16th century |
| ISBN |
1-139-08522-0
0-511-55240-8 0-511-86674-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Music & Patronage in Sixteenth-Century Mantua |
| Record Nr. | UNISA-996247990203316 |
|
Fenlon Iain
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| Cambridge : , : Cambridge University Press, , 1982 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Music in society : a guide to the sociology of music / / by Ivo Supičić
| Music in society : a guide to the sociology of music / / by Ivo Supičić |
| Autore | Supičić Ivo |
| Pubbl/distr/stampa | Stuyvesant, NY, : Pendragon Press, c1987 |
| Descrizione fisica | 1 online resource (xiv, 488 p. ) |
| Disciplina | 780/.07 |
| Collana |
Sociology of music Music in society
Sociology of music |
| Soggetto topico |
Music - Social aspects
Music Philosophy Music Music, Dance, Drama & Film |
| ISBN | 0-918728-35-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996248134503316 |
|
Supičić Ivo
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| Stuyvesant, NY, : Pendragon Press, c1987 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Music, art and performance from Liszt to Riot Grrrl : the musicalization of art / Diane V. Silverthorne, editor
| Music, art and performance from Liszt to Riot Grrrl : the musicalization of art / Diane V. Silverthorne, editor |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London ; New York, : Bloomsbury Visual Arts, 2019 |
| Descrizione fisica | 1 online resource (305 pages) |
| Disciplina | 780/.07 |
| Soggetto topico |
Art and music
Performance art |
| ISBN |
1-5013-3016-0
1-5013-3014-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents -- Introduction - A work in two parts: continuities and discontinuities from romanticism to postmodernism /Diane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK) -- Prelude - The musical in art /Jed Rasula (University of Georgia, Athens, USA) -- Part 1: The musicalization of art -- Spaces of intimacy, touch and temporality -- 1. Romantic musical celebrity and printed portraits: visual intimacy and mass-market distance /Alan Davison (University of Technology, Sydney, Australia) -- 2. Making an entrance: Manet's still life with hat and guitar /Therese Dolan (Temple University, Tyler School of Art, Philadelphia, USA) -- 3. Time in Fin-de-Siècle painting /Anne Leonard (University of Chicago, USA) -- 4. Erik Satie and the interart genre /Ann-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland) -- 5. The 'Figure in the Carpet': M. K. Ciurlionis and the synthesis of the arts /Spyros Petritakis (University of Crete, Greece) -- Part 2: The musicalization of art -- Spaces of performance, sound and silence -- 6. Music, sound and light: embodied experiences of the modernist and postmodern Gesamtkunstwerk /Diane V. Silverthorne (University of the Arts, London, UK) -- 7. Squaring the circle: Wilfred's Lumia and his rejection of 'colour music' /Nick Lambert (Ravensbourne College, London, UK) -- 8. In concert: the emergence of the audio-visual moment in minimalism /Meredith Mowder (Hunter College, The City University of New York, USA) -- 9. Riffing the index: Romare Bearden and the hand of jazz /Nikki A. Greene (Wellesley College, Mass., USA) -- 10. The politics of music and image in contemporary Iranian art: 'the impossibility of putting one's body and voice on a stage' /Kirstie Imber (Birkbeck, University of London, UK) -- 11. Contemporary feminist art, the musical: listening to the visual legacy of Riot Grrrl /Cara Smulevitz (University of Illinois, Chicago, USA) -- Postlude /Diane V. Silverthorne and Alan Davison -- Bibliography
Contents -- Introduction - A Work in Two Parts: Continuities and Discontinuities from Romanticism to Postmodernism -- Diane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK) -- Prelude - The Musical in Art -- Jed Rasula (University of Georgia, Athens, USA) -- Part 1: The Musicalization of Art -- SPACES OF INTIMACY, TOUCH AND TEMPORALITY -- 1. Romantic Musical Celebrity and Printed Portraits: Visual Intimacy and Mass-Market Distance -- Alan Davison (University of Technology, Sydney, Australia) -- 2. Making an Entrance: Manet's Still Life with Hat and Guitar -- Therese Dolan (Temple University, Tyler School of Art, Philadelphia, USA) -- 3. Time in Fin-de-Siècle Painting -- Anne Leonard (University of Chicago, USA) -- 4. Erik Satie and the Interart Genre -- Ann-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland) -- 5. The "Figure in the Carpet": M. K. Ciurlionis and the synthesis of the arts -- Spyros Petritakis (University of Crete, Greece) -- Part 2: The Musicalization of Art -- SPACES OF PERFORMANCE, SOUND AND SILENCE -- 6. Music, sound and light: Embodied experiences of the modernist and postmodern Gesamtkunstwerk -- Diane V. Silverthorne (University of the Arts, London, UK) -- 7. Squaring the Circle: Wilfred's Lumia and his rejection of "colour music" -- Nick Lambert (Ravensbourne College, London, UK) -- 8. In concert: The emergence of the audio-visual moment in minimalism -- Meredith Mowder (Hunter College, The City University of New York, USA) -- 9. Riffing the Index: Romare Bearden and the Hand of Jazz -- Nikki A. Greene (Wellesley College, Mass., USA) -- 10. The Politics of Music and Image in Contemporary Iranian art: "the impossibility of putting one's body and voice on a stage" -- Kirstie Imber (Birkbeck, University of London, UK) -- 11. Contemporary Feminist Art, the Musical: Listening to the Visual Legacy of Riot Grrrl -- Cara Smulevitz (University of Illinois, Chicago, USA) -- Postlude -- Diane V. Silverthorne and Alan Davison -- Bibliography |
| Record Nr. | UNINA-9910511892903321 |
| London ; New York, : Bloomsbury Visual Arts, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music, art and performance from Liszt to Riot Grrrl : the musicalization of art / Diane V. Silverthorne, editor
| Music, art and performance from Liszt to Riot Grrrl : the musicalization of art / Diane V. Silverthorne, editor |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London ; New York, : Bloomsbury Visual Arts, 2019 |
| Descrizione fisica | 1 online resource (305 pages) |
| Disciplina | 780/.07 |
| Soggetto topico |
Art and music
Performance art |
| ISBN |
1-5013-3016-0
1-5013-3014-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents -- Introduction - A work in two parts: continuities and discontinuities from romanticism to postmodernism /Diane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK) -- Prelude - The musical in art /Jed Rasula (University of Georgia, Athens, USA) -- Part 1: The musicalization of art -- Spaces of intimacy, touch and temporality -- 1. Romantic musical celebrity and printed portraits: visual intimacy and mass-market distance /Alan Davison (University of Technology, Sydney, Australia) -- 2. Making an entrance: Manet's still life with hat and guitar /Therese Dolan (Temple University, Tyler School of Art, Philadelphia, USA) -- 3. Time in Fin-de-Siècle painting /Anne Leonard (University of Chicago, USA) -- 4. Erik Satie and the interart genre /Ann-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland) -- 5. The 'Figure in the Carpet': M. K. Ciurlionis and the synthesis of the arts /Spyros Petritakis (University of Crete, Greece) -- Part 2: The musicalization of art -- Spaces of performance, sound and silence -- 6. Music, sound and light: embodied experiences of the modernist and postmodern Gesamtkunstwerk /Diane V. Silverthorne (University of the Arts, London, UK) -- 7. Squaring the circle: Wilfred's Lumia and his rejection of 'colour music' /Nick Lambert (Ravensbourne College, London, UK) -- 8. In concert: the emergence of the audio-visual moment in minimalism /Meredith Mowder (Hunter College, The City University of New York, USA) -- 9. Riffing the index: Romare Bearden and the hand of jazz /Nikki A. Greene (Wellesley College, Mass., USA) -- 10. The politics of music and image in contemporary Iranian art: 'the impossibility of putting one's body and voice on a stage' /Kirstie Imber (Birkbeck, University of London, UK) -- 11. Contemporary feminist art, the musical: listening to the visual legacy of Riot Grrrl /Cara Smulevitz (University of Illinois, Chicago, USA) -- Postlude /Diane V. Silverthorne and Alan Davison -- Bibliography
Contents -- Introduction - A Work in Two Parts: Continuities and Discontinuities from Romanticism to Postmodernism -- Diane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK) -- Prelude - The Musical in Art -- Jed Rasula (University of Georgia, Athens, USA) -- Part 1: The Musicalization of Art -- SPACES OF INTIMACY, TOUCH AND TEMPORALITY -- 1. Romantic Musical Celebrity and Printed Portraits: Visual Intimacy and Mass-Market Distance -- Alan Davison (University of Technology, Sydney, Australia) -- 2. Making an Entrance: Manet's Still Life with Hat and Guitar -- Therese Dolan (Temple University, Tyler School of Art, Philadelphia, USA) -- 3. Time in Fin-de-Siècle Painting -- Anne Leonard (University of Chicago, USA) -- 4. Erik Satie and the Interart Genre -- Ann-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland) -- 5. The "Figure in the Carpet": M. K. Ciurlionis and the synthesis of the arts -- Spyros Petritakis (University of Crete, Greece) -- Part 2: The Musicalization of Art -- SPACES OF PERFORMANCE, SOUND AND SILENCE -- 6. Music, sound and light: Embodied experiences of the modernist and postmodern Gesamtkunstwerk -- Diane V. Silverthorne (University of the Arts, London, UK) -- 7. Squaring the Circle: Wilfred's Lumia and his rejection of "colour music" -- Nick Lambert (Ravensbourne College, London, UK) -- 8. In concert: The emergence of the audio-visual moment in minimalism -- Meredith Mowder (Hunter College, The City University of New York, USA) -- 9. Riffing the Index: Romare Bearden and the Hand of Jazz -- Nikki A. Greene (Wellesley College, Mass., USA) -- 10. The Politics of Music and Image in Contemporary Iranian art: "the impossibility of putting one's body and voice on a stage" -- Kirstie Imber (Birkbeck, University of London, UK) -- 11. Contemporary Feminist Art, the Musical: Listening to the Visual Legacy of Riot Grrrl -- Cara Smulevitz (University of Illinois, Chicago, USA) -- Postlude -- Diane V. Silverthorne and Alan Davison -- Bibliography |
| Record Nr. | UNINA-9910793152103321 |
| London ; New York, : Bloomsbury Visual Arts, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music, art and performance from Liszt to Riot Grrrl : the musicalization of art / Diane V. Silverthorne, editor
| Music, art and performance from Liszt to Riot Grrrl : the musicalization of art / Diane V. Silverthorne, editor |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London ; New York, : Bloomsbury Visual Arts, 2019 |
| Descrizione fisica | 1 online resource (305 pages) |
| Disciplina | 780/.07 |
| Soggetto topico |
Art and music
Performance art |
| ISBN |
9781501330162
1501330160 9781501330148 1501330144 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents -- Introduction - A work in two parts: continuities and discontinuities from romanticism to postmodernism /Diane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK) -- Prelude - The musical in art /Jed Rasula (University of Georgia, Athens, USA) -- Part 1: The musicalization of art -- Spaces of intimacy, touch and temporality -- 1. Romantic musical celebrity and printed portraits: visual intimacy and mass-market distance /Alan Davison (University of Technology, Sydney, Australia) -- 2. Making an entrance: Manet's still life with hat and guitar /Therese Dolan (Temple University, Tyler School of Art, Philadelphia, USA) -- 3. Time in Fin-de-Siècle painting /Anne Leonard (University of Chicago, USA) -- 4. Erik Satie and the interart genre /Ann-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland) -- 5. The 'Figure in the Carpet': M. K. Ciurlionis and the synthesis of the arts /Spyros Petritakis (University of Crete, Greece) -- Part 2: The musicalization of art -- Spaces of performance, sound and silence -- 6. Music, sound and light: embodied experiences of the modernist and postmodern Gesamtkunstwerk /Diane V. Silverthorne (University of the Arts, London, UK) -- 7. Squaring the circle: Wilfred's Lumia and his rejection of 'colour music' /Nick Lambert (Ravensbourne College, London, UK) -- 8. In concert: the emergence of the audio-visual moment in minimalism /Meredith Mowder (Hunter College, The City University of New York, USA) -- 9. Riffing the index: Romare Bearden and the hand of jazz /Nikki A. Greene (Wellesley College, Mass., USA) -- 10. The politics of music and image in contemporary Iranian art: 'the impossibility of putting one's body and voice on a stage' /Kirstie Imber (Birkbeck, University of London, UK) -- 11. Contemporary feminist art, the musical: listening to the visual legacy of Riot Grrrl /Cara Smulevitz (University of Illinois, Chicago, USA) -- Postlude /Diane V. Silverthorne and Alan Davison -- Bibliography
Contents -- Introduction - A Work in Two Parts: Continuities and Discontinuities from Romanticism to Postmodernism -- Diane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK) -- Prelude - The Musical in Art -- Jed Rasula (University of Georgia, Athens, USA) -- Part 1: The Musicalization of Art -- SPACES OF INTIMACY, TOUCH AND TEMPORALITY -- 1. Romantic Musical Celebrity and Printed Portraits: Visual Intimacy and Mass-Market Distance -- Alan Davison (University of Technology, Sydney, Australia) -- 2. Making an Entrance: Manet's Still Life with Hat and Guitar -- Therese Dolan (Temple University, Tyler School of Art, Philadelphia, USA) -- 3. Time in Fin-de-Siècle Painting -- Anne Leonard (University of Chicago, USA) -- 4. Erik Satie and the Interart Genre -- Ann-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland) -- 5. The "Figure in the Carpet": M. K. Ciurlionis and the synthesis of the arts -- Spyros Petritakis (University of Crete, Greece) -- Part 2: The Musicalization of Art -- SPACES OF PERFORMANCE, SOUND AND SILENCE -- 6. Music, sound and light: Embodied experiences of the modernist and postmodern Gesamtkunstwerk -- Diane V. Silverthorne (University of the Arts, London, UK) -- 7. Squaring the Circle: Wilfred's Lumia and his rejection of "colour music" -- Nick Lambert (Ravensbourne College, London, UK) -- 8. In concert: The emergence of the audio-visual moment in minimalism -- Meredith Mowder (Hunter College, The City University of New York, USA) -- 9. Riffing the Index: Romare Bearden and the Hand of Jazz -- Nikki A. Greene (Wellesley College, Mass., USA) -- 10. The Politics of Music and Image in Contemporary Iranian art: "the impossibility of putting one's body and voice on a stage" -- Kirstie Imber (Birkbeck, University of London, UK) -- 11. Contemporary Feminist Art, the Musical: Listening to the Visual Legacy of Riot Grrrl -- Cara Smulevitz (University of Illinois, Chicago, USA) -- Postlude -- Diane V. Silverthorne and Alan Davison -- Bibliography |
| Record Nr. | UNINA-9910975102903321 |
| London ; New York, : Bloomsbury Visual Arts, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musical ekphrasis : composers responding to poetry and painting / / by Siglind Bruhn
| Musical ekphrasis : composers responding to poetry and painting / / by Siglind Bruhn |
| Autore | Bruhn Siglind |
| Pubbl/distr/stampa | Hillsdale, NY, : Pendragon Press, c2000 |
| Descrizione fisica | 1 online resource (xxi, 669 p. ) : ill. ; |
| Disciplina | 780/.07 |
| Collana |
Interplay
Penragon [sic] Press musicological series |
| Soggetto topico |
Music and literature
Art and music Program music Art in music Music Philosophy Music Music, Dance, Drama & Film |
| ISBN | 1-57647-036-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996248132203316 |
|
Bruhn Siglind
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| Hillsdale, NY, : Pendragon Press, c2000 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
The social status of the professional musician from the Middle Ages to the 19th century / / Walter Salmen, general editor ; annotated and translated from the German by Herbert Kaufman and Barbara Reisner
| The social status of the professional musician from the Middle Ages to the 19th century / / Walter Salmen, general editor ; annotated and translated from the German by Herbert Kaufman and Barbara Reisner |
| Pubbl/distr/stampa | New York, : Pendragon Press, c1983 |
| Descrizione fisica | 1 online resource (ix, iii, 281 p. ) : ill. ; |
| Disciplina | 780/.07 |
| Altri autori (Persone) |
SalmenWalter <1926->
KaufmanHerbert ReisnerBarbara |
| Collana | Sociology of music |
| Soggetto topico | Music - Social aspects |
| ISBN | 0-918728-16-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The social status of the musician in the Middle Ages / Walter Salmen -- The social status of the town musician / Heinrich W. Schwab -- The social status of organists in Lutheran Germany from the 16th through the 19th century / Arnfried Edler -- On the social status of the Spielmann (folk musician) in 17th and 18th century Germany, particularly in the Northwest / Dieter Krickeberg -- The hautboist : an outline of evolving careers and functions / Werner Braun -- The economic conditions of the 18th century musician / Richard Petzoldt -- The musician as music dealer in the second half of the 18th century / Klaus Hortschansky -- The origin and social status of the court orchestral musician in the 18th and early 19th century in Germany / Christoph-Hellmut Mahling -- Social obligations of the emancipated musician in the 19th century / Walter Salmen. |
| Record Nr. | UNISA-996248183303316 |
| New York, : Pendragon Press, c1983 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
