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Audio post production for television and film : an introduction to technology and techniques / / Hilary Wyatt and Tim Amyes
| Audio post production for television and film : an introduction to technology and techniques / / Hilary Wyatt and Tim Amyes |
| Autore | Wyatt Hilary |
| Edizione | [3rd ed. /] |
| Pubbl/distr/stampa | Oxford ; ; Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 |
| Descrizione fisica | 1 online resource (303 p.) |
| Disciplina | 778.52344 |
| Altri autori (Persone) | AmyesTim |
| Soggetto topico |
Motion pictures - Sound effects
Sound motion pictures Sound - Recording and reproducing Video tapes - Editing |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-12005-X
1-136-12006-8 1-280-96156-2 9786610961566 0-08-047045-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgements; About the authors; Introduction to the third edition; Part 1 Audio Basics; 1 The evolution of audio post production; An overview; A little history: the development of technology and techniques; Where we are now: post production today; 2 Digital recording and processing; The digital audio process; Sampling rate and pulse code modulation; Quantizing level; Storing digital audio data; Compression; Buffers; Interconnecting between digital audio systems; 3 Synchronizing and controlling audio post production equipment; SMPTE/EBU timecode; Timecode and speed
Identification and labellingLongitudinal timecode (LTC); Vertical interval timecode (VITC); Burnt-in timecode; MIDI timecode (MTC); Controlling equipment through synchronization; Synchronization modes; The control of tape/film transports; 4 Audio transfers and file formats; Compression; Linear transfers; File transfers; File conversion software; Network systems; 5 Video, film and pictures; Film; Telecine; Video; Video compression; Film recording; Audio on video recorders; Viewing pictures in audio post production; Viewing images; Comparing film and video; 6 Film in audio post production Film releaseConforming film; Film timecode; Sound on sprocketed film; Photographic film recording; Recording analogue optical soundtracks; Digital optical soundtracks; Part 2 The Post Production Process; 7 Post production workflows; 8 Recording audio for post production; Aims; Types of microphone; Mono and stereo recording; Microphone position; Using multiple microphones; Production mixing; Studio and field recorders; Identing and logging takes; Studio-based recording; Field/location recording; 9 Editing picture and sound; An overview; Non-linear editing; System configuration Video resolutionThe editing process; Logging the rushes; Digitizing sound and picture; Syncing sound and picture; Editing audio in the timeline; Audio tools; Outputting the audio edit; Spotting the soundtrack; Handing over to the sound editors; 10 The digital audio workstation; An overview; Digital audio editing; System configuration; Hard drives; Drive configurations; Working with picture; System requirements and interconnectivity; Audio editing tools; Mixing tools; Backing up; Setting up a tracklaying workspace; Choosing the right workstation for the job 11 Preparing for the mix: editing production soundAims; The conform; Checking sync; Starting the dialogue edit; Boom or personal mic?; Handling twin/multiple-track material; Handling M/S recordings; Techniques for improving audio edits; Dialogue editing software; ADR spotting; ADR cue sheets; ADR spotting software; Attending the ADR session; Editing ADR; ADR fitting software; Splitting the dialogues for the mix; Crowd spotting; Attending the crowd session; Editing the crowd; 12 Preparing for the mix: sound effects editing; Aims; Types of sound effect; Planning the tracklay Sourcing sound effects |
| Record Nr. | UNINA-9910457537003321 |
Wyatt Hilary
|
||
| Oxford ; ; Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audio post production for television and film : an introduction to technology and techniques / / Hilary Wyatt and Tim Amyes
| Audio post production for television and film : an introduction to technology and techniques / / Hilary Wyatt and Tim Amyes |
| Autore | Wyatt Hilary |
| Edizione | [3rd ed. /] |
| Pubbl/distr/stampa | Oxford ; ; Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 |
| Descrizione fisica | 1 online resource (303 p.) |
| Disciplina | 778.52344 |
| Altri autori (Persone) | AmyesTim |
| Soggetto topico |
Motion pictures - Sound effects
Sound motion pictures Sound - Recording and reproducing Video tapes - Editing |
| ISBN |
1-136-12005-X
1-136-12006-8 1-280-96156-2 9786610961566 0-08-047045-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Acknowledgements; About the authors; Introduction to the third edition; Part 1 Audio Basics; 1 The evolution of audio post production; An overview; A little history: the development of technology and techniques; Where we are now: post production today; 2 Digital recording and processing; The digital audio process; Sampling rate and pulse code modulation; Quantizing level; Storing digital audio data; Compression; Buffers; Interconnecting between digital audio systems; 3 Synchronizing and controlling audio post production equipment; SMPTE/EBU timecode; Timecode and speed
Identification and labellingLongitudinal timecode (LTC); Vertical interval timecode (VITC); Burnt-in timecode; MIDI timecode (MTC); Controlling equipment through synchronization; Synchronization modes; The control of tape/film transports; 4 Audio transfers and file formats; Compression; Linear transfers; File transfers; File conversion software; Network systems; 5 Video, film and pictures; Film; Telecine; Video; Video compression; Film recording; Audio on video recorders; Viewing pictures in audio post production; Viewing images; Comparing film and video; 6 Film in audio post production Film releaseConforming film; Film timecode; Sound on sprocketed film; Photographic film recording; Recording analogue optical soundtracks; Digital optical soundtracks; Part 2 The Post Production Process; 7 Post production workflows; 8 Recording audio for post production; Aims; Types of microphone; Mono and stereo recording; Microphone position; Using multiple microphones; Production mixing; Studio and field recorders; Identing and logging takes; Studio-based recording; Field/location recording; 9 Editing picture and sound; An overview; Non-linear editing; System configuration Video resolutionThe editing process; Logging the rushes; Digitizing sound and picture; Syncing sound and picture; Editing audio in the timeline; Audio tools; Outputting the audio edit; Spotting the soundtrack; Handing over to the sound editors; 10 The digital audio workstation; An overview; Digital audio editing; System configuration; Hard drives; Drive configurations; Working with picture; System requirements and interconnectivity; Audio editing tools; Mixing tools; Backing up; Setting up a tracklaying workspace; Choosing the right workstation for the job 11 Preparing for the mix: editing production soundAims; The conform; Checking sync; Starting the dialogue edit; Boom or personal mic?; Handling twin/multiple-track material; Handling M/S recordings; Techniques for improving audio edits; Dialogue editing software; ADR spotting; ADR cue sheets; ADR spotting software; Attending the ADR session; Editing ADR; ADR fitting software; Splitting the dialogues for the mix; Crowd spotting; Attending the crowd session; Editing the crowd; 12 Preparing for the mix: sound effects editing; Aims; Types of sound effect; Planning the tracklay Sourcing sound effects |
| Altri titoli varianti | Audio post-production for television and film |
| Record Nr. | UNINA-9910784575603321 |
|
Wyatt Hilary
|
||
| Oxford ; ; Burlington, Mass. : , : Focal Press, an imprint of Elsevier, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Between text and image : updating research in screen translation / edited by Delia Chiaro, Christine Heiss, Chiara Bucaria
| Between text and image : updating research in screen translation / edited by Delia Chiaro, Christine Heiss, Chiara Bucaria |
| Pubbl/distr/stampa | Amsterdam ; Philadelphia : John Benjamins, copyr. 2008 |
| Descrizione fisica | X, 292 p. : ill. ; 25 cm |
| Disciplina | 778.52344 |
| Collana |
EST Subseries
Benjamins translation library |
| Soggetto topico |
Doppiaggio
Traduzione |
| ISBN | 978-90-272-1687-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-990003356070203316 |
| Amsterdam ; Philadelphia : John Benjamins, copyr. 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Between text and image : updating research in screen translation / edited by Delia Chiaro, Christine Heiss, Chiara Bucaria
| Between text and image : updating research in screen translation / edited by Delia Chiaro, Christine Heiss, Chiara Bucaria |
| Pubbl/distr/stampa | Amsterdam ; Philadelphia, : J. Benjamins, 2008 |
| Descrizione fisica | X, 292 p. ; 23 cm. |
| Disciplina | 778.52344(Cinematografia, produzione video, attività connesse. Suono) |
| Soggetto topico |
DOPPIAGGIO CINEMATOGRAFICO
DOPPIAGGIO TELEVISIVO |
| ISBN | 978-90-272-1687-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNIOR-UON00385492 |
| Amsterdam ; Philadelphia, : J. Benjamins, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. L'Orientale | ||
| ||
New trends in audiovisual translation / edited by Jorge Díaz Cintas
| New trends in audiovisual translation / edited by Jorge Díaz Cintas |
| Pubbl/distr/stampa | Bristol ; Buffalo ; Toronto, : Multilingual Matters, c2009 |
| Descrizione fisica | XII, 270 p. ; 22 cm. |
| Disciplina | 778.52344(Cinematografia, produzione video, attività connesse. Suono) |
| Soggetto topico | DOPPIAGGIO CINEMATOGRAFICO |
| ISBN | 978-18-476-9154-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNIOR-UON00440146 |
| Bristol ; Buffalo ; Toronto, : Multilingual Matters, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. L'Orientale | ||
| ||
Topics in audiovisual translation [[electronic resource] /] / edited by Pilar Orero
| Topics in audiovisual translation [[electronic resource] /] / edited by Pilar Orero |
| Autore | Orero Pilar |
| Pubbl/distr/stampa | Amsterdam, : John Benjamins, 2004 |
| Descrizione fisica | 1 online resource (xiii, 225 p.) : ill |
| Disciplina | 778.52344 |
| Altri autori (Persone) | OreroPilar |
| Collana | Benjamins translation library |
| Soggetto topico |
Audio-visual translation
Dubbing of motion pictures Dubbing of television programs |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-16023-0
9786612160233 90-272-9512-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Audiovisual translation: A new dynamic umbrella / Pilar Orerovii -- 1. PROFESSIONAL PERSPECTIVES -- Film dubbing: its process and translation / Xènia Martinez -- Subtitling methods and team-translation / Diana Sánchez -- 2. AVT THEORY -- In search of a theoretical framework for the study of audiovisual translation / Jorge Díaz-Cintas -- Synchronization in dubbing: A translational approach / Frederic Chaume -- Parameters for the classification of subtitles / Eduard Bartoll -- 3. IDEOLOGY AND AVT -- Translation in bilingual contexts: Different norms in dubbing translation / Rosa Agost -- Language-political implications of subtitling / Henrik Gottlieb -- 4. TEACHING AVT -- A place for film dialogue analysis in subtitling courses / Aline Remael -- Language awareness through training in subtitling / Josélia Neves -- e-AVT: A perfect match: Strategies, functions and interactions in an on-line environment for learning audiovisual translation / Miquel Amador, Carles Dorado and Pilar Orero -- 5. AVT RESEARCH -- The challenge of research in audio-visual translation / Francesca Bartrina -- Tradaptation cinématographique / Yves Gambier -- Myths about documentary translation / Eva Espasa Boras -- Closed subtitling in Brazil / Vera Lucia Santiago Araújo -- Index. |
| Record Nr. | UNINA-9910453342703321 |
|
Orero Pilar
|
||
| Amsterdam, : John Benjamins, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Topics in audiovisual translation / edited by Pilar Orero
| Topics in audiovisual translation / edited by Pilar Orero |
| Pubbl/distr/stampa | Amsterdam ; Philadelphia : John Benjamins, copyr. 2004 |
| Descrizione fisica | XIII, 225 p. : ill. ; 23 cm |
| Disciplina | 778.52344 |
| Collana |
EST Subseries
Benjamins translation library |
| Soggetto topico | Doppiaggio cinematografico |
| ISBN | 0-272-1662-2 (Eur)1-58811-569-0 (US) |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-990003356050203316 |
| Amsterdam ; Philadelphia : John Benjamins, copyr. 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Topics in audiovisual translation / edited by Pilar Orero
| Topics in audiovisual translation / edited by Pilar Orero |
| Pubbl/distr/stampa | Amsterdam ; Philadelphia, : John Benjamins, 2004 |
| Descrizione fisica | XIII, 225 p. ; 23 cm. |
| Disciplina | 778.52344(Cinematografia, produzione video, attività connesse. Suono) |
| Soggetto topico |
DOPPIAGGIO CINEMATOGRAFICO
DOPPIAGGIO TELEVISIVO |
| ISBN | 90-272-1662-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNIOR-UON00385486 |
| Amsterdam ; Philadelphia, : John Benjamins, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. L'Orientale | ||
| ||