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Basta coi soggetti! / Cesare Zavattini ; a cura di Roberta Mazzoni
| Basta coi soggetti! / Cesare Zavattini ; a cura di Roberta Mazzoni |
| Autore | ZAVATTINI, Cesare |
| Pubbl/distr/stampa | Milano, : Bompiani, 1979 |
| Descrizione fisica | 333 p. ; 22 cm. |
| Disciplina | 778.5(Cinematografia, produzione video, attività connesse) |
| Soggetto topico | CINEMATOGRAFIA - Studi |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNIOR-UON00429092 |
ZAVATTINI, Cesare
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| Milano, : Bompiani, 1979 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. L'Orientale | ||
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Cinema : lingua e scrittura / G. Bettetini
| Cinema : lingua e scrittura / G. Bettetini |
| Autore | BETTETINI, Gianfranco |
| Pubbl/distr/stampa | Milano : Bompiani, 1970 |
| Descrizione fisica | 236 p. ; 21 cm |
| Disciplina | 778.5 |
| Collana | Nuovi saggi italiani |
| Soggetto topico | Cinematografia |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990001354260203316 |
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BETTETINI, Gianfranco
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| Milano : Bompiani, 1970 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Cinema dell'ambiguità : Rossellini, De Sica e Zavattini, Fellini / Pio Baldelli
| Cinema dell'ambiguità : Rossellini, De Sica e Zavattini, Fellini / Pio Baldelli |
| Autore | BALDELLI, Pio |
| Pubbl/distr/stampa | Roma : Samonà e Savelli, 1969 |
| Descrizione fisica | 400 p. ; 19 cm |
| Disciplina | 778.5 |
| Collana | Saggistica |
| Soggetto (Persona) |
Rossellini, Roberto
De Sica, Vittorio Zavattini, Cesare Fellini, Federico |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990000380620203316 |
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BALDELLI, Pio
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| Roma : Samonà e Savelli, 1969 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Il cinema tra tecnica e critica / Elio Finestauri ; prefazione di Wladimiro Settimelli
| Il cinema tra tecnica e critica / Elio Finestauri ; prefazione di Wladimiro Settimelli |
| Autore | Finestauri, Elio |
| Pubbl/distr/stampa | Roma : Editrice Magma, 1975 |
| Descrizione fisica | 181 p. : ill. ; 24 cm. |
| Disciplina | 778.5 |
| Altri autori (Persone) | Settimelli, Wladimiro |
| Collana | Diaconia del messaggio cinematografico |
| Soggetto topico |
Cinematografia - Saggi
Critica cinematografica |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991002902839707536 |
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Finestauri, Elio
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| Roma : Editrice Magma, 1975 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Cinematography [[electronic resource] ] : theory and practice : imagemaking for cinematographers and directors / / Blain Brown
| Cinematography [[electronic resource] ] : theory and practice : imagemaking for cinematographers and directors / / Blain Brown |
| Autore | Brown Blain |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Burlington, Mass., : Focal Press, 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 778.5 |
| Soggetto topico | Cinematography |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-16394-2
9786613163943 0-08-095895-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Cinematography: Theory andPractice; Copyright Page; Contents; Introduction; Writing withMotion; We Don't Need No Stinkin' Rules; The Scope of this Book; Titles and Terminology; Writing with Motion; The [Conceptual] Tools of Cinematography; Putting It All Together; ShootingMethods; What Is Cinematic?; The Frame; Cinema as a Language; The ShootingMethods; Involvingthe Audience: POV; VisualLanguage; More Than Just aPicture; Forces ofVisual Organization; Miscellaneous Rules ofComposition; Language of theLens; The Lens and theFrame; Image Control at theLens; VisualStorytelling
VisualMetaphorLighting asStorytelling; Light as VisualMetaphor; CinematicContinuity; Shooting forEditing; The PrimeDirective; ScreenDirection; Turnaround; PlanningCoverage; Other Issues inContinuity; Introductions; Other Editorial Issuesin Shooting; The Six Typesof Cuts; LightingBasics; The Fundamentals ofLighting; Some LightingTerminology; Aspectsof Light; Basic LightingTechniques; MotivatedLight; DayExteriors; Lighting For High DefVideo; LightingSources; The Tools ofLighting; DaylightSources; Xenons; TungstenLights; PARs; SoftLights; Color-CorrectFluorescents; Other Types ofUnits DayExteriorsFor More Informationon Lighting; HDCinematography; High Def and StandardDef; Analog and DigitalVideo; Types of VideoSensors; DigitalVideo; ShootingFormats; DigitalCompression; Monitoringon the set; The Waveform Monitor andVectorscope; VideoLatitude; The Digital Intermediate(DI); The VideoSignal; SDI; Setting upa Color Monitor; Camera WhiteBalance; Digital VideoEncoding; Is It BroadcastQuality?; Do It in the Camera or inPost?; Timecode andEdgecode; TimecodeSlating; TapelessProduction; Digital FileTypes; Compression andCodecs; MPEG; TheCurve; Controlling the HDImage; Exposure Exposure:The Easy WayLightas Energy; F/Stops; Exposure, ISO, and LightingRelationships; Light andFilm; Densitometry; BrightnessPerception; Contrast; DeterminingExposure; VideoExposure; TheTools; The ZoneSystem; The GrayScale; Exposure and theCamera; CameraMovement; Motivation and InvisibleTechnique; Types ofMoves; MovingShots; CameraMounting; The CrabDolly; Cranes; CarShots; AerialShots; Other Typesof Camera Mounts; MotionControl; Color; Colorin Visual Storytelling; Light andColor; The ColorWheel; ColorModels; ControllingColor; Color Balance with Gels andFilters; Correcting Off-ColorLights ImageControlColorPrinting; Controlling Color andContrast; LookupTables; Camera FilterTypes; Color Temperature andFiltration; Contrast Controlin Black-and-White; Controlling theLook of your Project; Image Controlwith the Camera; Optics &Focus; Physical Basisof Optics; Focus; Depth-of-field; Macrophotography; Close-UpTools; LensCare; Lens adapters forVideo; SetOperations; The ShotList; The Directorof Photography; TheTeam; SlatingTechnique; TimecodeSlates; SetProcedures; TechnicalIssues; Flicker; Filming PracticalMonitors; Shooting ProcessPhotography; Dimmers; Working withStrobes High-SpeedPhotography |
| Record Nr. | UNINA-9910456826603321 |
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Brown Blain
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| Burlington, Mass., : Focal Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinematography [[electronic resource] ] : theory and practice : imagemaking for cinematographers and directors / / Blain Brown
| Cinematography [[electronic resource] ] : theory and practice : imagemaking for cinematographers and directors / / Blain Brown |
| Autore | Brown Blain |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Burlington, Mass., : Focal Press, 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 778.5 |
| Soggetto topico | Cinematography |
| ISBN |
1-283-16394-2
9786613163943 0-08-095895-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Cinematography: Theory andPractice; Copyright Page; Contents; Introduction; Writing withMotion; We Don't Need No Stinkin' Rules; The Scope of this Book; Titles and Terminology; Writing with Motion; The [Conceptual] Tools of Cinematography; Putting It All Together; ShootingMethods; What Is Cinematic?; The Frame; Cinema as a Language; The ShootingMethods; Involvingthe Audience: POV; VisualLanguage; More Than Just aPicture; Forces ofVisual Organization; Miscellaneous Rules ofComposition; Language of theLens; The Lens and theFrame; Image Control at theLens; VisualStorytelling
VisualMetaphorLighting asStorytelling; Light as VisualMetaphor; CinematicContinuity; Shooting forEditing; The PrimeDirective; ScreenDirection; Turnaround; PlanningCoverage; Other Issues inContinuity; Introductions; Other Editorial Issuesin Shooting; The Six Typesof Cuts; LightingBasics; The Fundamentals ofLighting; Some LightingTerminology; Aspectsof Light; Basic LightingTechniques; MotivatedLight; DayExteriors; Lighting For High DefVideo; LightingSources; The Tools ofLighting; DaylightSources; Xenons; TungstenLights; PARs; SoftLights; Color-CorrectFluorescents; Other Types ofUnits DayExteriorsFor More Informationon Lighting; HDCinematography; High Def and StandardDef; Analog and DigitalVideo; Types of VideoSensors; DigitalVideo; ShootingFormats; DigitalCompression; Monitoringon the set; The Waveform Monitor andVectorscope; VideoLatitude; The Digital Intermediate(DI); The VideoSignal; SDI; Setting upa Color Monitor; Camera WhiteBalance; Digital VideoEncoding; Is It BroadcastQuality?; Do It in the Camera or inPost?; Timecode andEdgecode; TimecodeSlating; TapelessProduction; Digital FileTypes; Compression andCodecs; MPEG; TheCurve; Controlling the HDImage; Exposure Exposure:The Easy WayLightas Energy; F/Stops; Exposure, ISO, and LightingRelationships; Light andFilm; Densitometry; BrightnessPerception; Contrast; DeterminingExposure; VideoExposure; TheTools; The ZoneSystem; The GrayScale; Exposure and theCamera; CameraMovement; Motivation and InvisibleTechnique; Types ofMoves; MovingShots; CameraMounting; The CrabDolly; Cranes; CarShots; AerialShots; Other Typesof Camera Mounts; MotionControl; Color; Colorin Visual Storytelling; Light andColor; The ColorWheel; ColorModels; ControllingColor; Color Balance with Gels andFilters; Correcting Off-ColorLights ImageControlColorPrinting; Controlling Color andContrast; LookupTables; Camera FilterTypes; Color Temperature andFiltration; Contrast Controlin Black-and-White; Controlling theLook of your Project; Image Controlwith the Camera; Optics &Focus; Physical Basisof Optics; Focus; Depth-of-field; Macrophotography; Close-UpTools; LensCare; Lens adapters forVideo; SetOperations; The ShotList; The Directorof Photography; TheTeam; SlatingTechnique; TimecodeSlates; SetProcedures; TechnicalIssues; Flicker; Filming PracticalMonitors; Shooting ProcessPhotography; Dimmers; Working withStrobes High-SpeedPhotography |
| Record Nr. | UNINA-9910781484503321 |
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Brown Blain
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| Burlington, Mass., : Focal Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinematography [[electronic resource] ] : theory and practice : imagemaking for cinematographers and directors / / Blain Brown
| Cinematography [[electronic resource] ] : theory and practice : imagemaking for cinematographers and directors / / Blain Brown |
| Autore | Brown Blain |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Burlington, Mass., : Focal Press, 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 778.5 |
| Soggetto topico | Cinematography |
| ISBN |
1-283-16394-2
9786613163943 0-08-095895-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Cinematography: Theory andPractice; Copyright Page; Contents; Introduction; Writing withMotion; We Don't Need No Stinkin' Rules; The Scope of this Book; Titles and Terminology; Writing with Motion; The [Conceptual] Tools of Cinematography; Putting It All Together; ShootingMethods; What Is Cinematic?; The Frame; Cinema as a Language; The ShootingMethods; Involvingthe Audience: POV; VisualLanguage; More Than Just aPicture; Forces ofVisual Organization; Miscellaneous Rules ofComposition; Language of theLens; The Lens and theFrame; Image Control at theLens; VisualStorytelling
VisualMetaphorLighting asStorytelling; Light as VisualMetaphor; CinematicContinuity; Shooting forEditing; The PrimeDirective; ScreenDirection; Turnaround; PlanningCoverage; Other Issues inContinuity; Introductions; Other Editorial Issuesin Shooting; The Six Typesof Cuts; LightingBasics; The Fundamentals ofLighting; Some LightingTerminology; Aspectsof Light; Basic LightingTechniques; MotivatedLight; DayExteriors; Lighting For High DefVideo; LightingSources; The Tools ofLighting; DaylightSources; Xenons; TungstenLights; PARs; SoftLights; Color-CorrectFluorescents; Other Types ofUnits DayExteriorsFor More Informationon Lighting; HDCinematography; High Def and StandardDef; Analog and DigitalVideo; Types of VideoSensors; DigitalVideo; ShootingFormats; DigitalCompression; Monitoringon the set; The Waveform Monitor andVectorscope; VideoLatitude; The Digital Intermediate(DI); The VideoSignal; SDI; Setting upa Color Monitor; Camera WhiteBalance; Digital VideoEncoding; Is It BroadcastQuality?; Do It in the Camera or inPost?; Timecode andEdgecode; TimecodeSlating; TapelessProduction; Digital FileTypes; Compression andCodecs; MPEG; TheCurve; Controlling the HDImage; Exposure Exposure:The Easy WayLightas Energy; F/Stops; Exposure, ISO, and LightingRelationships; Light andFilm; Densitometry; BrightnessPerception; Contrast; DeterminingExposure; VideoExposure; TheTools; The ZoneSystem; The GrayScale; Exposure and theCamera; CameraMovement; Motivation and InvisibleTechnique; Types ofMoves; MovingShots; CameraMounting; The CrabDolly; Cranes; CarShots; AerialShots; Other Typesof Camera Mounts; MotionControl; Color; Colorin Visual Storytelling; Light andColor; The ColorWheel; ColorModels; ControllingColor; Color Balance with Gels andFilters; Correcting Off-ColorLights ImageControlColorPrinting; Controlling Color andContrast; LookupTables; Camera FilterTypes; Color Temperature andFiltration; Contrast Controlin Black-and-White; Controlling theLook of your Project; Image Controlwith the Camera; Optics &Focus; Physical Basisof Optics; Focus; Depth-of-field; Macrophotography; Close-UpTools; LensCare; Lens adapters forVideo; SetOperations; The ShotList; The Directorof Photography; TheTeam; SlatingTechnique; TimecodeSlates; SetProcedures; TechnicalIssues; Flicker; Filming PracticalMonitors; Shooting ProcessPhotography; Dimmers; Working withStrobes High-SpeedPhotography |
| Record Nr. | UNINA-9910812392303321 |
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Brown Blain
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| Burlington, Mass., : Focal Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Come si guarda un film / Angelo Moscariello
| Come si guarda un film / Angelo Moscariello |
| Autore | Moscariello, Angelo |
| Pubbl/distr/stampa | Bari : Laterza, 1982 |
| Descrizione fisica | XV, 165 p. ; 18 cm |
| Disciplina | 778.5 |
| Collana | Universale Laterza ; 604 |
| Soggetto topico | Critica cinematografica - Manuali |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991000906829707536 |
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Moscariello, Angelo
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| Bari : Laterza, 1982 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Come si realizza un film / di Mario Verdone
| Come si realizza un film / di Mario Verdone |
| Autore | Verdone, Mario |
| Pubbl/distr/stampa | Brescia : La Scuola, c1960 |
| Descrizione fisica | 103 p. : ill. ; 21 cm |
| Disciplina | 778.5 |
| Collana | Quaderni di cinematografia |
| Soggetto topico | Cinematografia |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991000624559707536 |
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Verdone, Mario
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| Brescia : La Scuola, c1960 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Comunicare col cinematografo / R. May e F. Tadini
| Comunicare col cinematografo / R. May e F. Tadini |
| Autore | May, Renato |
| Pubbl/distr/stampa | Brescia : La scuola, 1961 |
| Descrizione fisica | 83 p. : [6] c. di tav. : ill. ; 21 cm |
| Disciplina | 778.5 |
| Altri autori (Persone) | Tadini, Franco |
| Collana | Quaderni di cinematografia |
| Soggetto topico | Montaggio cinematografico |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991000579179707536 |
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May, Renato
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| Brescia : La scuola, 1961 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
| ||
