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3D Cinematic Aesthetics and Storytelling / / by Yong Liu
| 3D Cinematic Aesthetics and Storytelling / / by Yong Liu |
| Autore | Liu Yong |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (226 pages) |
| Disciplina | 777 |
| Soggetto topico |
Motion pictures
Digital media Motion pictures—United States Film/TV Technology Digital/New Media American Cinema and TV |
| ISBN | 3-319-72742-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910300035203321 |
Liu Yong
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Action analysis for animators / / Chris Webster
| Action analysis for animators / / Chris Webster |
| Autore | Webster Chris <1954-, > |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Boston : , : Focal Press, , 2012 |
| Descrizione fisica | 1 recurso en línea |
| Disciplina |
777
778.58 |
| Soggetto topico |
Cine
Libros electronicos |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-13653-3
1-136-13654-1 1-280-58224-3 9786613612021 0-08-095935-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Introduction Why analyse action? The Study of Motion Naturalistic action, abstract action, Dynamics and Laws of Motion Animation Principles Figures in Motion Assignments Animals in Motion Assignments None Organic Action Clothing and costumes, Water, Wind, Fire, Others Capturing Action Methodologies for Analysis Reference and Research Sources, Creating a Reference Library. |
| Record Nr. | UNINA-9910461739603321 |
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Webster Chris <1954-, >
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| Boston : , : Focal Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Action analysis for animators / / Chris Webster
| Action analysis for animators / / Chris Webster |
| Autore | Webster Chris <1954-, > |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Boston : , : Focal Press, , 2012 |
| Descrizione fisica | 1 recurso en línea |
| Disciplina |
777
778.58 |
| Soggetto topico |
Cine
Libros electronicos |
| ISBN |
1-136-13653-3
1-136-13654-1 1-280-58224-3 9786613612021 0-08-095935-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Introduction Why analyse action? The Study of Motion Naturalistic action, abstract action, Dynamics and Laws of Motion Animation Principles Figures in Motion Assignments Animals in Motion Assignments None Organic Action Clothing and costumes, Water, Wind, Fire, Others Capturing Action Methodologies for Analysis Reference and Research Sources, Creating a Reference Library. |
| Record Nr. | UNINA-9910789972303321 |
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Webster Chris <1954-, >
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| Boston : , : Focal Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The art and technique of digital color correction / / Steve Hullfish
| The art and technique of digital color correction / / Steve Hullfish |
| Autore | Hullfish Steve |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Focal Press, , 2013 |
| Descrizione fisica | 1 online resource (527 p.) |
| Disciplina |
777
778.6/6 778.66 |
| Soggetto topico |
Color computer graphics
Color computer printers Color display systems Color photography - Digital techniques |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-138-45976-3
1-136-03962-7 1-283-97333-2 0-240-81716-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Art and Technique of Digital Color Correction; Copyright; Contents; Acknowledgments; Using this Book and the DVD Materials; CHAPTER 1 Primary Color Correction: Tonal Range Primer; Monitoring; Video Monitor; Viewing Environment; Waveform and Vectorscope Displays; Alternative Displays and Tools for Analysis; First Things First: Black Level; Reading the Waveform Monitor; Setting the Black Level; Setting Highlights; Setting Gamma or Midtones; Defining Contrast; CHAPTER 2 Primary Color Correction: Tonal Correction Tools; Main Tools for Tonal Corrections
Sliders and Numerical Controls for Tonal RangeDon't Use Brightness or Contrast Controls; DaVinci Resolve; Color Primary In Room; The Avid Symphony and Color Finesse HSL Control Tab; Histograms or Levels; Forms and Functions of Histograms; Curves Tab; Curves Tutorial; Isolating Tonal Ranges with Curves; Luma Range Display; Luma Range Editing; Alternative to Luma Range; CHAPTER 3 Primary Color Correction: Color Control Primer; Balancing the Image; Analyzing Color Casts; Using Your Eyes; Color and the Waveform; Color and the Vectorscope; Histograms; Eyedropper Balancing Color with a Flat Pass Waveform MonitorColor Contrast; CHAPTER 4 Primary Color Correction: Color Manipulation Tools; Color Wheels; Color Wheels and Trackballs with RGB Parade; Saturation Controls; Histograms; Curves; RGB Lift, Gamma, and Gain Sliders; Channels or Channel Mixers; Printer Lights; Filters; Additional Tools; CHAPTER 5 Secondary Color Correction Primer; The Purpose of Secondary Correction; Are You Qualified?; Color Vector Isolation; Isolating a Vector in DaVinci Resolve; Spot Color Correction (Vignettes or Power Windows); The Vignette; Geographical Color Fix User-Defined ShapesUsing Spot Color Correction to Relight; Color Vector with Window or Vignette; Secondaries Are Crucial; CHAPTER 6 Secondaries with the Pros; Vignettes; Vignetting the Ultralight Flyover Scene; Vignetting the "Kiss" Bedroom Scene; Vignette to Create Day-for-Night; Vector and Luma Qualified Secondaries; Secondary Corrections Can Focus Attention; Using Secondaries to Match; Using a Luma Key to Build Contrast; Use a Secondary to Soften Skin Tones; Multiple Windows and Masks; Creating Depth and Texture; CHAPTER 7 Correcting Shots; Four More Grades of the "Banker's Light" Scene Saving a Shot with Bad Color CastFour Trips Down the "Alley"; Three Passes Over the Barn; Building Up a Weak Piece of Video; Using Many Tools to Fix a Shot; Grading with Curves in Primary; Broadening the Color Palette; CHAPTER 8 Telling the Story; Color Changes the Story; Talk Like a DP; The Story Is the Script; Emphasize Elements to Further the Story; Imposing Story on the Boxer; Story Epilogue; CHAPTER 9 Matching Shots; Matching the Lions of the Art Institute; Matching Scene to Scene; Matching When Lighting Changes in a Scene; Matching AND Saving!; Matching Conclusion CHAPTER 10 Creating Looks |
| Record Nr. | UNINA-9910461274203321 |
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Hullfish Steve
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| New York : , : Focal Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The art and technique of digital color correction / / Steve Hullfish
| The art and technique of digital color correction / / Steve Hullfish |
| Autore | Hullfish Steve |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Focal Press, , 2013 |
| Descrizione fisica | 1 online resource (527 p.) |
| Disciplina |
777
778.6/6 778.66 |
| Soggetto topico |
Color computer graphics
Color computer printers Color display systems Color photography - Digital techniques |
| ISBN |
1-138-45976-3
1-136-03962-7 1-283-97333-2 0-240-81716-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Art and Technique of Digital Color Correction; Copyright; Contents; Acknowledgments; Using this Book and the DVD Materials; CHAPTER 1 Primary Color Correction: Tonal Range Primer; Monitoring; Video Monitor; Viewing Environment; Waveform and Vectorscope Displays; Alternative Displays and Tools for Analysis; First Things First: Black Level; Reading the Waveform Monitor; Setting the Black Level; Setting Highlights; Setting Gamma or Midtones; Defining Contrast; CHAPTER 2 Primary Color Correction: Tonal Correction Tools; Main Tools for Tonal Corrections
Sliders and Numerical Controls for Tonal RangeDon't Use Brightness or Contrast Controls; DaVinci Resolve; Color Primary In Room; The Avid Symphony and Color Finesse HSL Control Tab; Histograms or Levels; Forms and Functions of Histograms; Curves Tab; Curves Tutorial; Isolating Tonal Ranges with Curves; Luma Range Display; Luma Range Editing; Alternative to Luma Range; CHAPTER 3 Primary Color Correction: Color Control Primer; Balancing the Image; Analyzing Color Casts; Using Your Eyes; Color and the Waveform; Color and the Vectorscope; Histograms; Eyedropper Balancing Color with a Flat Pass Waveform MonitorColor Contrast; CHAPTER 4 Primary Color Correction: Color Manipulation Tools; Color Wheels; Color Wheels and Trackballs with RGB Parade; Saturation Controls; Histograms; Curves; RGB Lift, Gamma, and Gain Sliders; Channels or Channel Mixers; Printer Lights; Filters; Additional Tools; CHAPTER 5 Secondary Color Correction Primer; The Purpose of Secondary Correction; Are You Qualified?; Color Vector Isolation; Isolating a Vector in DaVinci Resolve; Spot Color Correction (Vignettes or Power Windows); The Vignette; Geographical Color Fix User-Defined ShapesUsing Spot Color Correction to Relight; Color Vector with Window or Vignette; Secondaries Are Crucial; CHAPTER 6 Secondaries with the Pros; Vignettes; Vignetting the Ultralight Flyover Scene; Vignetting the "Kiss" Bedroom Scene; Vignette to Create Day-for-Night; Vector and Luma Qualified Secondaries; Secondary Corrections Can Focus Attention; Using Secondaries to Match; Using a Luma Key to Build Contrast; Use a Secondary to Soften Skin Tones; Multiple Windows and Masks; Creating Depth and Texture; CHAPTER 7 Correcting Shots; Four More Grades of the "Banker's Light" Scene Saving a Shot with Bad Color CastFour Trips Down the "Alley"; Three Passes Over the Barn; Building Up a Weak Piece of Video; Using Many Tools to Fix a Shot; Grading with Curves in Primary; Broadening the Color Palette; CHAPTER 8 Telling the Story; Color Changes the Story; Talk Like a DP; The Story Is the Script; Emphasize Elements to Further the Story; Imposing Story on the Boxer; Story Epilogue; CHAPTER 9 Matching Shots; Matching the Lions of the Art Institute; Matching Scene to Scene; Matching When Lighting Changes in a Scene; Matching AND Saving!; Matching Conclusion CHAPTER 10 Creating Looks |
| Record Nr. | UNINA-9910790145303321 |
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Hullfish Steve
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| New York : , : Focal Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Art/tapes/22 : le origini della videoarte / a cura di Anna Mazzanti
| Art/tapes/22 : le origini della videoarte / a cura di Anna Mazzanti |
| Pubbl/distr/stampa | Cinisello Balsamo : Silvana Editoriale, 2017 |
| Descrizione fisica | 191 p. : ill. ; 24 cm |
| Disciplina | 777 |
| Collana | Biblioteca d'arte contemporanea |
| Soggetto non controllato | Video art - Firenze - 1973-1975 |
| ISBN | 978-88-366-3774-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-9910318843803321 |
| Cinisello Balsamo : Silvana Editoriale, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Audiovisual Translation in a Global Context [[electronic resource] ] : Mapping an Ever-changing Landscape / / edited by Jorge Díaz Cintas, Rocío Baños Piñero
| Audiovisual Translation in a Global Context [[electronic resource] ] : Mapping an Ever-changing Landscape / / edited by Jorge Díaz Cintas, Rocío Baños Piñero |
| Edizione | [1st ed. 2015.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2015 |
| Descrizione fisica | 1 online resource (310 p.) |
| Disciplina | 777 |
| Collana | Palgrave Studies in Translating and Interpreting |
| Soggetto topico |
Translation and interpretation
Motion pictures and television Literature—Translations Translation Screen Studies Translation Studies |
| ISBN | 1-137-55289-1 |
| Classificazione | LAN023000PER004000PER010000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- 1. Introduction / Rocío Baños Piñero and Jorge Diaz Cintas -- PART I: ADDRESSING QUALITY -- 2. Institutional Audiovisual Translation: A (Shop) Window on the World / Adrián Fuentes-Luque -- 3. Accuracy Rate in Live Subtitling: The NER Model / Pablo Romero-Fresco and Juan Martinez Perez -- 4. Synchronized Subtitles in Live Television Programmes / Mercedes de Castro, Luis Puente Rodriguez and Belén Ruiz Mezcua -- 5. Cross-fertilization between Reception Studies in Audio Description and Interpreting Quality Assessment: The Role of the Describer's Voice / Emilia Iglesias Fernandez, Silvia Martinez Martinez and Antonio Javier Chica Núñez -- PART II: TARGETING THE AUDIENCE -- 6. Audio Describing for an Audience with Learning Disabilities in Brazil: A Pilot Study / Eliana P. C. Franco, Deise M. Medina Silveira and Barbara C. dos Santos Carneiro -- 7. Analysing Redubs: Motives, Agents and Audience Response / Serenella Zanotti -- 8. Subtitling in the Era of the Blu-ray / Nicolas Sanchez -- 9. The MultilingualWeb (MLW) Project: A Collaborative Approach and a Challenge for Translation Studies / Cristina Valde;s -- PART III: MAPPING PROFESSIONAL PRACTICES -- 10. Professional Realities of the Subtitling Industry: The Subtitlers' Perspective / Arista Szu-Yu Kuo -- 11. The Pros and Cons of Using Templates in Subtitling / Kristijan Nikolic -- 12. Signing and Subtitling on Polish Television: A Case of (In)accessibility / Renata Mliczak -- 13. Voiceover as Spoken Discourse / Agata Holobut -- 14. Dubbing Directors and Dubbing Actors: Co-authors of Translation for Dubbing / Regina Mendes -- 15. Audio Description in Hong Kong / Dawning Leung. |
| Record Nr. | UNINA-9910797769003321 |
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Chronicle of a camera [[electronic resource] ] : the Arriflex 35 in North America, 1945-1972 / / Norris Pope
| Chronicle of a camera [[electronic resource] ] : the Arriflex 35 in North America, 1945-1972 / / Norris Pope |
| Autore | Pope Norris <1945-> |
| Pubbl/distr/stampa | Jackson, : University Press of Mississippi, 2013 |
| Descrizione fisica | 1 online resource (336 p.) |
| Disciplina | 777 |
| Soggetto topico |
Arriflex 35 motion picture cameras - History - 20th century
Cinematography - United States - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-62103-928-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover Page; Title Page; Copyright Page; Dedication; Contents; Acknowledgments; A Note on Terms; 1. Introduction: A Thirteen-Pound Wonder; 2. Advantages of Portability: The Early Postwar Years; 3. Increasing Usefulness: The Fifties; 4. Technical Innovation: The Fifties and Sixties; 5. A Secondary Camera of Choice: The Sixties and Early Seventies; 6. Shooting Low-Budget Features: The Sixties and Early Seventies; 7. Mainstream Successes: The Sixties and Early Seventies; 8. Conclusion: Master Shot; Appendix: Foreign Influences: The Arriflex 35 Overseas; Notes; Photo Credits; Index |
| Record Nr. | UNINA-9910462760403321 |
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Pope Norris <1945->
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| Jackson, : University Press of Mississippi, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Chronicle of a camera [[electronic resource] ] : the Arriflex 35 in North America, 1945-1972 / / Norris Pope
| Chronicle of a camera [[electronic resource] ] : the Arriflex 35 in North America, 1945-1972 / / Norris Pope |
| Autore | Pope Norris <1945-> |
| Pubbl/distr/stampa | Jackson, : University Press of Mississippi, 2013 |
| Descrizione fisica | 1 online resource (336 p.) |
| Disciplina | 777 |
| Soggetto topico |
Arriflex 35 motion picture cameras - History - 20th century
Cinematography - United States - History - 20th century |
| ISBN | 1-62103-928-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover Page; Title Page; Copyright Page; Dedication; Contents; Acknowledgments; A Note on Terms; 1. Introduction: A Thirteen-Pound Wonder; 2. Advantages of Portability: The Early Postwar Years; 3. Increasing Usefulness: The Fifties; 4. Technical Innovation: The Fifties and Sixties; 5. A Secondary Camera of Choice: The Sixties and Early Seventies; 6. Shooting Low-Budget Features: The Sixties and Early Seventies; 7. Mainstream Successes: The Sixties and Early Seventies; 8. Conclusion: Master Shot; Appendix: Foreign Influences: The Arriflex 35 Overseas; Notes; Photo Credits; Index |
| Record Nr. | UNINA-9910786258203321 |
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Pope Norris <1945->
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| Jackson, : University Press of Mississippi, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Digital image processing / / edited by Stefan G. Stanciu
| Digital image processing / / edited by Stefan G. Stanciu |
| Pubbl/distr/stampa | [Place of publication not identified] : , : IntechOpen, , [2012] |
| Descrizione fisica | 1 online resource (210 pages) |
| Disciplina | 777 |
| Soggetto topico | Digital images |
| ISBN | 953-51-5594-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910138446703321 |
| [Place of publication not identified] : , : IntechOpen, , [2012] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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