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The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez
| The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez |
| Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 |
| Descrizione fisica | 1 online resource (738 p.) |
| Disciplina | 776.6 |
| Soggetto topico |
Image processing - Data processing
Art and science |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78320-301-3
1-78320-300-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Volume 1; Half-title; Title; Copyright; Dedication; Contents; ACKNOWLEDGMENTS; PREFACE; SECTION 1: HISTORIES; Introduction; Beginnings (with Artist Manifestos); Mapping Video Art as Category, or an Archaeology of the Conceptualizations of Video; Impulses - Tools; The Art-Style Computer-Processing System, 1974; Machine Aesthetics Are Always Modern; Electronic Video Instruments and Public Sector Funding; TV Lab: Image-making Tools; The New Television workshop at WGBH, Boston; The National Center for Experiments in Television at KQED-TV, San Francisco
The Experimental Television Center: Advancing Alternative Production Resources, Artist Collectives and Electronic Video-Imaging Systems Interstitial Images: Histories; SECTION 2: PEOPLE AND NETWORKS; Introduction; From Component Level: Interview with LoVid; Memory Series - Phosphography in CRT 5"", Mexico, 2005; The Rhetoric of Soft Tools; Jeremy Bailey and His 'Total Symbiotic Art System'; De-commodification of Artworks: Networked Fantasy of the open; Virtuosity as Creative Freedom; Distribution Religion; A Toy for a Toy; woody Vasulka: Dialogue with the (Demons in the) Tool A Demo Tape on How to Play Video on a Violin Application to the Guggenheim Foundation, 1980; Thoughts on Collaboration: Art and Technology; Interstitial Images: People and Networks; INDEX; COLOR PLATES; Volume 2; Half-Title; Title; Copyright; Dedication; Contents; SECTION 3: TOOLS; Introduction; Mods, Pods and Designs: Designing Tools and Systems; Computer-Based Video Synthesizer System, ETC; Design/Electronic Arts: The Buffalo Conference, March 10-13, 1977; Instruments, Apparel, Apparatus: An Essay of Definitions Expanding 'Image-processed Video' as Art: Subverting and Building Control Systems The Grammar of Electronic Image Processing; ETC's System; On Voltage Control: An Interview With Hank Rudolph; "Insofar as the rose can remember..."; Analog to Digital: Artists Using Technology; Analog Meets Digital In and Around the Experimental Television Center; Multi-tracking Control Voltages: HARPO; Finding the Tiny Dot: Designing Pantomation; Preserving Machines; A Catalog Record for the Raster Manipulation Unit; Copying-It-Right: Archiving the Media Art of Phil Morton Proposal for Low-cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape That Will Not Play Back, or Resurrection Bus (1980)Interstitial Images: Tools; AUTHOR BIOGRAPHIES; INDEX; COLOR PLATES; Back Cover |
| Record Nr. | UNINA-9910453859003321 |
| Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez
| The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez |
| Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 |
| Descrizione fisica | 1 online resource (738 p.) |
| Disciplina | 776.6 |
| Soggetto topico |
Image processing - Data processing
Art and science |
| ISBN |
1-78320-301-3
1-78320-300-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Volume 1; Half-title; Title; Copyright; Dedication; Contents; ACKNOWLEDGMENTS; PREFACE; SECTION 1: HISTORIES; Introduction; Beginnings (with Artist Manifestos); Mapping Video Art as Category, or an Archaeology of the Conceptualizations of Video; Impulses - Tools; The Art-Style Computer-Processing System, 1974; Machine Aesthetics Are Always Modern; Electronic Video Instruments and Public Sector Funding; TV Lab: Image-making Tools; The New Television workshop at WGBH, Boston; The National Center for Experiments in Television at KQED-TV, San Francisco
The Experimental Television Center: Advancing Alternative Production Resources, Artist Collectives and Electronic Video-Imaging Systems Interstitial Images: Histories; SECTION 2: PEOPLE AND NETWORKS; Introduction; From Component Level: Interview with LoVid; Memory Series - Phosphography in CRT 5"", Mexico, 2005; The Rhetoric of Soft Tools; Jeremy Bailey and His 'Total Symbiotic Art System'; De-commodification of Artworks: Networked Fantasy of the open; Virtuosity as Creative Freedom; Distribution Religion; A Toy for a Toy; woody Vasulka: Dialogue with the (Demons in the) Tool A Demo Tape on How to Play Video on a Violin Application to the Guggenheim Foundation, 1980; Thoughts on Collaboration: Art and Technology; Interstitial Images: People and Networks; INDEX; COLOR PLATES; Volume 2; Half-Title; Title; Copyright; Dedication; Contents; SECTION 3: TOOLS; Introduction; Mods, Pods and Designs: Designing Tools and Systems; Computer-Based Video Synthesizer System, ETC; Design/Electronic Arts: The Buffalo Conference, March 10-13, 1977; Instruments, Apparel, Apparatus: An Essay of Definitions Expanding 'Image-processed Video' as Art: Subverting and Building Control Systems The Grammar of Electronic Image Processing; ETC's System; On Voltage Control: An Interview With Hank Rudolph; "Insofar as the rose can remember..."; Analog to Digital: Artists Using Technology; Analog Meets Digital In and Around the Experimental Television Center; Multi-tracking Control Voltages: HARPO; Finding the Tiny Dot: Designing Pantomation; Preserving Machines; A Catalog Record for the Raster Manipulation Unit; Copying-It-Right: Archiving the Media Art of Phil Morton Proposal for Low-cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape That Will Not Play Back, or Resurrection Bus (1980)Interstitial Images: Tools; AUTHOR BIOGRAPHIES; INDEX; COLOR PLATES; Back Cover |
| Record Nr. | UNINA-9910790922503321 |
| Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez
| The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez |
| Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 |
| Descrizione fisica | 1 online resource (738 p.) |
| Disciplina | 776.6 |
| Soggetto topico |
Image processing - Data processing
Art and science |
| ISBN |
1-78320-301-3
1-78320-300-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Volume 1; Half-title; Title; Copyright; Dedication; Contents; ACKNOWLEDGMENTS; PREFACE; SECTION 1: HISTORIES; Introduction; Beginnings (with Artist Manifestos); Mapping Video Art as Category, or an Archaeology of the Conceptualizations of Video; Impulses - Tools; The Art-Style Computer-Processing System, 1974; Machine Aesthetics Are Always Modern; Electronic Video Instruments and Public Sector Funding; TV Lab: Image-making Tools; The New Television workshop at WGBH, Boston; The National Center for Experiments in Television at KQED-TV, San Francisco
The Experimental Television Center: Advancing Alternative Production Resources, Artist Collectives and Electronic Video-Imaging Systems Interstitial Images: Histories; SECTION 2: PEOPLE AND NETWORKS; Introduction; From Component Level: Interview with LoVid; Memory Series - Phosphography in CRT 5"", Mexico, 2005; The Rhetoric of Soft Tools; Jeremy Bailey and His 'Total Symbiotic Art System'; De-commodification of Artworks: Networked Fantasy of the open; Virtuosity as Creative Freedom; Distribution Religion; A Toy for a Toy; woody Vasulka: Dialogue with the (Demons in the) Tool A Demo Tape on How to Play Video on a Violin Application to the Guggenheim Foundation, 1980; Thoughts on Collaboration: Art and Technology; Interstitial Images: People and Networks; INDEX; COLOR PLATES; Volume 2; Half-Title; Title; Copyright; Dedication; Contents; SECTION 3: TOOLS; Introduction; Mods, Pods and Designs: Designing Tools and Systems; Computer-Based Video Synthesizer System, ETC; Design/Electronic Arts: The Buffalo Conference, March 10-13, 1977; Instruments, Apparel, Apparatus: An Essay of Definitions Expanding 'Image-processed Video' as Art: Subverting and Building Control Systems The Grammar of Electronic Image Processing; ETC's System; On Voltage Control: An Interview With Hank Rudolph; "Insofar as the rose can remember..."; Analog to Digital: Artists Using Technology; Analog Meets Digital In and Around the Experimental Television Center; Multi-tracking Control Voltages: HARPO; Finding the Tiny Dot: Designing Pantomation; Preserving Machines; A Catalog Record for the Raster Manipulation Unit; Copying-It-Right: Archiving the Media Art of Phil Morton Proposal for Low-cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape That Will Not Play Back, or Resurrection Bus (1980)Interstitial Images: Tools; AUTHOR BIOGRAPHIES; INDEX; COLOR PLATES; Back Cover |
| Record Nr. | UNINA-9910814507503321 |
| Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Matchmoving [[electronic resource] ] : the invisible art of camera tracking / / Tim Dobbert
| Matchmoving [[electronic resource] ] : the invisible art of camera tracking / / Tim Dobbert |
| Autore | Dobbert Tim |
| Pubbl/distr/stampa | San Francisco, Calif. ; ; London, : SYBEX, c2005 |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina | 776.6 |
| Soggetto topico |
Cinematography
Image processing - Digital techniques Motion pictures - Editing Animation (Cinematography) Computer animation |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-52146-5
9786610521463 0-7821-5073-X 1-4175-7631-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Matchmoving: The Invisible Art of Camera Tracking; Front matter; Acknowledgments; Contents; Introduction; Chapter 1: The Basics of Matchmoving; A Typical Matchmove; From 3D to 2D and Back Again; The Matchmoving Process; Evaluate the Footage; Applying Information; Define the Camera; Set Fitting; Testing the Matchmove; Delivering the Scene; Matchmoving in the Production Pipeline; Perspective Matching Tutorial; Gathering the Data; Setting Up the Camera; Adding Rough Geometry and Refining the Camera; Creating a Camera Rig; Evaluating and Adjusting the Camera; Moving Toward Moving Pictures
Chapter 2: Matchmoving SoftwareUsing Matchmove Programs; Photogrammetry 101; Calibration; The Optics of Photography; Projection; Building a Better Camera; Parallax: A Matchmover's Best Friend; How Matchmove Programs Use Photogrammetry; Requirements for Matchmove Programs; Laying Down Your First Tracks; Chapter 3: 2D Tracking; The 2D Tracking Process; The Anatomy of a 2D Track; Track Placement: Making Every Track Count; Getting Tracks to Stick; Hints for Effective 2D Tracking; Plate Issues; Optimizing the Plate for 2D Tracking; 2D Tracking Tutorial; Evaluating the Shot Placing First Tracks in MatchMover ProChoosing Your Tracks; Adding the Remaining Tracks; From 2D to 3D; Chapter 4: 3D Calibration; What Is a "Good" Calibration?; Residuals; Calibrating Your Cameras; Finding the Right Fit; Calibration Tutorial; Evaluating the Solution; Evaluating the 3D Nulls; Evaluating the 3D Space; Rendering the Matchmove; When Good Solutions Go Bad; Calibrations and Camera Moves; Dolly/Crane/Moving Camera; Pan Shots; Slight Dollies/Translation; Lock-offs; Zoom Shots; Shaky Footage/Handheld Footage; Setting Up a Coordinate System; Coordinate System Tutorial Prepping for ExportExporting the Scene; But It Gets Better; Chapter 5: Automatic Tracking; Tracking on Autopilot; Editing Automatic Tracks; Using Masks; Benefits of Automatic Tracking; Noise Reduction; Environment Definition; The Automatic Tracking Process; Automatic Tracking Tutorial; Ready for a Brief Detour; Chapter 6: Cameras; How Film Cameras Work; Lenses; Focal Length; Focus; Nodality; Film Backs and CCDs; Film Back and Focal Length; Digital Cameras; Using Camera Information; Format; Lens Distortion; Digitization; Video; Film; HD; Keeping It All Straight; Fitting In Chapter 7: Set FittingFitting the Camera; Checking the Matchmove; Proxy Geometry; Checkerboards; Fitting the Set; Moving the Camera; Scaling the Camera; Camera Rigs; Set-Fitting Tutorial; Adding Test Geometry; Texturing the Objects; The First Tests; Placing the Matchmove in the Set; Altering the Coordinate System; Delivering the Scene; Tutorial Continued; And Now on to the Real World ... Sort Of; Chapter 8: Being on Set; Getting the Right Information; Getting Camera Information; Before the Shoot; During the Shoot; After the Shoot; Marking Up the Set; Working with Others On Set Building a Matchmove Kit |
| Record Nr. | UNINA-9910451535203321 |
Dobbert Tim
|
||
| San Francisco, Calif. ; ; London, : SYBEX, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Matchmoving [[electronic resource] ] : the invisible art of camera tracking / / Tim Dobbert
| Matchmoving [[electronic resource] ] : the invisible art of camera tracking / / Tim Dobbert |
| Autore | Dobbert Tim |
| Pubbl/distr/stampa | San Francisco, Calif. ; ; London, : SYBEX, c2005 |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina | 776.6 |
| Soggetto topico |
Cinematography
Image processing - Digital techniques Motion pictures - Editing Animation (Cinematography) Computer animation |
| ISBN |
1-280-52146-5
9786610521463 0-7821-5073-X 1-4175-7631-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Matchmoving: The Invisible Art of Camera Tracking; Front matter; Acknowledgments; Contents; Introduction; Chapter 1: The Basics of Matchmoving; A Typical Matchmove; From 3D to 2D and Back Again; The Matchmoving Process; Evaluate the Footage; Applying Information; Define the Camera; Set Fitting; Testing the Matchmove; Delivering the Scene; Matchmoving in the Production Pipeline; Perspective Matching Tutorial; Gathering the Data; Setting Up the Camera; Adding Rough Geometry and Refining the Camera; Creating a Camera Rig; Evaluating and Adjusting the Camera; Moving Toward Moving Pictures
Chapter 2: Matchmoving SoftwareUsing Matchmove Programs; Photogrammetry 101; Calibration; The Optics of Photography; Projection; Building a Better Camera; Parallax: A Matchmover's Best Friend; How Matchmove Programs Use Photogrammetry; Requirements for Matchmove Programs; Laying Down Your First Tracks; Chapter 3: 2D Tracking; The 2D Tracking Process; The Anatomy of a 2D Track; Track Placement: Making Every Track Count; Getting Tracks to Stick; Hints for Effective 2D Tracking; Plate Issues; Optimizing the Plate for 2D Tracking; 2D Tracking Tutorial; Evaluating the Shot Placing First Tracks in MatchMover ProChoosing Your Tracks; Adding the Remaining Tracks; From 2D to 3D; Chapter 4: 3D Calibration; What Is a "Good" Calibration?; Residuals; Calibrating Your Cameras; Finding the Right Fit; Calibration Tutorial; Evaluating the Solution; Evaluating the 3D Nulls; Evaluating the 3D Space; Rendering the Matchmove; When Good Solutions Go Bad; Calibrations and Camera Moves; Dolly/Crane/Moving Camera; Pan Shots; Slight Dollies/Translation; Lock-offs; Zoom Shots; Shaky Footage/Handheld Footage; Setting Up a Coordinate System; Coordinate System Tutorial Prepping for ExportExporting the Scene; But It Gets Better; Chapter 5: Automatic Tracking; Tracking on Autopilot; Editing Automatic Tracks; Using Masks; Benefits of Automatic Tracking; Noise Reduction; Environment Definition; The Automatic Tracking Process; Automatic Tracking Tutorial; Ready for a Brief Detour; Chapter 6: Cameras; How Film Cameras Work; Lenses; Focal Length; Focus; Nodality; Film Backs and CCDs; Film Back and Focal Length; Digital Cameras; Using Camera Information; Format; Lens Distortion; Digitization; Video; Film; HD; Keeping It All Straight; Fitting In Chapter 7: Set FittingFitting the Camera; Checking the Matchmove; Proxy Geometry; Checkerboards; Fitting the Set; Moving the Camera; Scaling the Camera; Camera Rigs; Set-Fitting Tutorial; Adding Test Geometry; Texturing the Objects; The First Tests; Placing the Matchmove in the Set; Altering the Coordinate System; Delivering the Scene; Tutorial Continued; And Now on to the Real World ... Sort Of; Chapter 8: Being on Set; Getting the Right Information; Getting Camera Information; Before the Shoot; During the Shoot; After the Shoot; Marking Up the Set; Working with Others On Set Building a Matchmove Kit |
| Record Nr. | UNINA-9910777458203321 |
|
Dobbert Tim
|
||
| San Francisco, Calif. ; ; London, : SYBEX, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Matchmoving : the invisible art of camera tracking / / Tim Dobbert
| Matchmoving : the invisible art of camera tracking / / Tim Dobbert |
| Autore | Dobbert Tim |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | San Francisco, Calif. ; ; London, : SYBEX, c2005 |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina | 776.6 |
| Soggetto topico |
Cinematography
Image processing - Digital techniques Motion pictures - Editing Animation (Cinematography) Computer animation |
| ISBN |
1-280-52146-5
9786610521463 0-7821-5073-X 1-4175-7631-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Matchmoving: The Invisible Art of Camera Tracking; Front matter; Acknowledgments; Contents; Introduction; Chapter 1: The Basics of Matchmoving; A Typical Matchmove; From 3D to 2D and Back Again; The Matchmoving Process; Evaluate the Footage; Applying Information; Define the Camera; Set Fitting; Testing the Matchmove; Delivering the Scene; Matchmoving in the Production Pipeline; Perspective Matching Tutorial; Gathering the Data; Setting Up the Camera; Adding Rough Geometry and Refining the Camera; Creating a Camera Rig; Evaluating and Adjusting the Camera; Moving Toward Moving Pictures
Chapter 2: Matchmoving SoftwareUsing Matchmove Programs; Photogrammetry 101; Calibration; The Optics of Photography; Projection; Building a Better Camera; Parallax: A Matchmover's Best Friend; How Matchmove Programs Use Photogrammetry; Requirements for Matchmove Programs; Laying Down Your First Tracks; Chapter 3: 2D Tracking; The 2D Tracking Process; The Anatomy of a 2D Track; Track Placement: Making Every Track Count; Getting Tracks to Stick; Hints for Effective 2D Tracking; Plate Issues; Optimizing the Plate for 2D Tracking; 2D Tracking Tutorial; Evaluating the Shot Placing First Tracks in MatchMover ProChoosing Your Tracks; Adding the Remaining Tracks; From 2D to 3D; Chapter 4: 3D Calibration; What Is a "Good" Calibration?; Residuals; Calibrating Your Cameras; Finding the Right Fit; Calibration Tutorial; Evaluating the Solution; Evaluating the 3D Nulls; Evaluating the 3D Space; Rendering the Matchmove; When Good Solutions Go Bad; Calibrations and Camera Moves; Dolly/Crane/Moving Camera; Pan Shots; Slight Dollies/Translation; Lock-offs; Zoom Shots; Shaky Footage/Handheld Footage; Setting Up a Coordinate System; Coordinate System Tutorial Prepping for ExportExporting the Scene; But It Gets Better; Chapter 5: Automatic Tracking; Tracking on Autopilot; Editing Automatic Tracks; Using Masks; Benefits of Automatic Tracking; Noise Reduction; Environment Definition; The Automatic Tracking Process; Automatic Tracking Tutorial; Ready for a Brief Detour; Chapter 6: Cameras; How Film Cameras Work; Lenses; Focal Length; Focus; Nodality; Film Backs and CCDs; Film Back and Focal Length; Digital Cameras; Using Camera Information; Format; Lens Distortion; Digitization; Video; Film; HD; Keeping It All Straight; Fitting In Chapter 7: Set FittingFitting the Camera; Checking the Matchmove; Proxy Geometry; Checkerboards; Fitting the Set; Moving the Camera; Scaling the Camera; Camera Rigs; Set-Fitting Tutorial; Adding Test Geometry; Texturing the Objects; The First Tests; Placing the Matchmove in the Set; Altering the Coordinate System; Delivering the Scene; Tutorial Continued; And Now on to the Real World ... Sort Of; Chapter 8: Being on Set; Getting the Right Information; Getting Camera Information; Before the Shoot; During the Shoot; After the Shoot; Marking Up the Set; Working with Others On Set Building a Matchmove Kit |
| Record Nr. | UNINA-9910814969103321 |
|
Dobbert Tim
|
||
| San Francisco, Calif. ; ; London, : SYBEX, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Operation Video : Eine Technik des Nahsehens und ihr spezifisches Subjekt: die Videokünstlerin der 1970er Jahre / Sigrid Adorf
| Operation Video : Eine Technik des Nahsehens und ihr spezifisches Subjekt: die Videokünstlerin der 1970er Jahre / Sigrid Adorf |
| Autore | Adorf Sigrid |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
| Descrizione fisica | 1 online resource (374) |
| Disciplina | 776.6 |
| Collana | Studien zur visuellen Kultur |
| Soggetto topico | Repräsentationskritik; Videokunst; Body Art; Feminist Art; Kunst der 1970er Jahre; Kunst; Medienkunst; Kunstgeschichte des 20. Jahrhunderts; Video; Kunstwissenschaft; Arts; Media Art; Art History of the 20th Century; Fine Arts |
| Soggetto non controllato |
Art History of the 20th Century
Fine Arts Media Art Video |
| ISBN | 3-8394-0797-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 INHALT 5 EINLEITUNG 11 I. DAS MEDIUM IST POLITISCH? FERNSEHEN, VIDEO UND SUBJEKT UM 1970 25 II. DAS PRIVATE IST POLITISCH! REPRÄSENTATIONSKRITISCHE EINGRIFFE IM ›ALLTAG‹ 103 III. BILD - KÖRPER. METHODISCHE UND MEDIENTHEORETISCHE ÜBERLEGUNGEN ZUM BEGRIFF DER OPERATION 143 IV. OPERATIONEN AM ›BILD DER FRAU‹. SICHTBARE BEWEGUNGEN IN EINEM FESTEN RAHMEN 191 V. DER PREKÄRE KÖRPER ›DES KÜNSTLERS‹ UM 1970. POSEN UND POSITIONEN 245 VI. DAS BILD OPERIERT AN DER GESCHICHTE (DES SUBJEKTS) 299 ZUSAMMENFASSUNG 339 ABBILDUNGSNACHWEIS 341 LITERATUR 347 INDEX 367 DANK 373 Backmatter 374 |
| Record Nr. | UNINA-9910372796803321 |
|
Adorf Sigrid
|
||
| Bielefeld, : transcript Verlag, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Tony Conrad : Video - und darüber hinaus / / Tabea Lurk
| Tony Conrad : Video - und darüber hinaus / / Tabea Lurk |
| Autore | Lurk Tabea |
| Pubbl/distr/stampa | Bern, Switzerland : , : Peter Lang International Academic Publishing Group, , 2016 |
| Descrizione fisica | 1 online resource (450 pages) : illustrations some color |
| Disciplina | 776.6 |
| Soggetto topico |
Video art
Art, American Arts |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Record Nr. | UNINA-9910420459603321 |
|
Lurk Tabea
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| Bern, Switzerland : , : Peter Lang International Academic Publishing Group, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||