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Cover -- Table of Contents -- Acknowledgements -- Introduction -- 1. Biography of Claude III Audran (1658–1734) -- 2. The French Arabesque as an Art Form, Audran as Master Ornamentalist, and His Initial Commissioned Works -- 3. Claude III Audran and Jean de La Fontaine’s Fables: Maintaining the Social Hierarchy -- 4. Attracting New Patrons in the Eighteenth Century -- 5. Claude III Audran’s Competitors and His Legacies -- Color Plates -- Appendix -- Bibliography -- Index -- List of Illustrations -- Figure 1.1 Jean-Antoine Watteau, A Bewigged Painter (Possibly Claude III Audran) Seated at his Easel, Seen in Profile, c. 1709. Red chalk on cream laid card, 201 x 134 mm. The Art Institute of Chicago, The Regenstein Collection. -- Figure 1.2 Andre Camot d’après Jean I Berain (1640–1711), Ceiling of the Bed Chamber of the Hôtel de Mailly, 1677-1688. In situ, 27 quai Voltaire, Paris, Jean I Berain (the Elder) (1640-1711), Hôtel de mailly, Paris, Photo: © Josse/Bridgeman Images. -- Figure 1.3 Claude III Audran, design drawing for a ceiling of the duchesse de Bouillon’s chamber, c. 1696. Pen, ink, watercolor and gold-leaf on paper, 28 x 35 cm. Nationalmuseum, Stockholm, Cronstedt Collection. -- Figure 1.4 Claude III Audran, salon ceiling detail, Clichy-la-Garenne Hunting Lodge, Paris, c. 1696. In situ. Photo by author. -- Figure 1.5 Claude III Audran, design drawing for Bacchus, Gobelins Tapestry Series, the Portières des dieux, c. 1699. Pencil, red chalk on paper, 37 x 24.8 cm. Nationalmuseum, Stockholm, Cronstedt Collection. -- Figure 1.6 Claude III Audran, three design drawings for Les douze mois grotesques. Gobelins Tapestry Series, c. 1708–1709. Courtesy of Cooper-Hewitt, Smithsonian Design Museum, New York. -- Figure 1.7 Coronelli celestial and terrestrial globes, c. 1690s. Bibliothèque nationale de France, Paris. Attrib. Photo: Myrabella/Wikimedia Commons/CC BY-SA 3.0. -- Figure 1.8 Possibly Claude III Audran, design drawing for celestial globe, n.d. Pen and ink on paper. Nationalmuseum, Stockholm, Cronstedt Collection. -- Figure 1.9 Jacques Gabriel, Architect (1667–1742); Claude III Audran and Nicolas Lancret, Cabinet doré, Hôtel de Peyrenc de Moras, Paris, c. 1724. Bibliothèque nationale de France, Paris. -- Figure 2.1 Claude III Audran, study for ceiling decoration and several alternatives for a Cabinet at Château de Sceaux, Sceaux, c. 1704. Red chalk on paper, 25 x 29.2 cm. Nationalmuseum, Stockholm, Cronstedt Collection. -- Figure 2.2 Claude III Audran, study of the ceiling decoration for the gallery belonging to the petit appartement at Château de Sceaux, Sceaux, c. 1704. Pencil and wash on paper, 25 x 29.2 cm. Nationalmuseum, Stockholm, Cronstedt Collection. -- Figure 2.3 Claude III Audran, sketch of an arabesque for a harpsichord lid, n.d. Red chalk on paper. Nationalmuseum, Stockholm, Cronstedt Collection. -- Figure 3.1 Charles Perrault, The Labyrinth of Versailles, illustrated with engravings by Sébastien Le Clerc, The Cock and the Fox, c. 1677. Harris Brisbane Dick Fund, Metropolitan Museum of Art, New York. -- Figure 3.2 Jules Hardouin-Mansart, floor plan with separate north and south wing plans, Ménagerie, Versailles, c. 1701. Bibliothèque nationale de France, Paris. -- Figure 3.3 Claude III Audran, design drawing for a ceiling at the Ménagerie, c. 1699. Cabinet des Estampes, Bibliothèque nationale de France, Paris. -- Figure 3.4 André Charles Boulle, a pair of corner tables made for the Ménagerie, c. 1701. Oak with walnut; veneered with brass with Boulle contrepartie marquetry of tortoise shell, pewter, copper, and horn, with gilt bronze mounts. ©Victoria and Albert Mu
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Arti e mestieri a Marano di Napoli / Peppe Barleri
