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Women art critics in nineteenth-century France [[electronic resource]] : vanishing acts / / edited by Wendelin Guentner
| Women art critics in nineteenth-century France [[electronic resource]] : vanishing acts / / edited by Wendelin Guentner |
| Pubbl/distr/stampa | Lanham, Md., : University of Delaware Press |
| Descrizione fisica | 1 online resource (384 p.) |
| Disciplina | 709.2/520944 |
| Altri autori (Persone) | GuentnerWendelin Ann <1950-> |
| Soggetto topico |
Women art critics - France - History - 19th century
Art criticism - France - History - 19th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-61149-566-0
1-61149-447-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Figures; Acknowledgments; Preface; Women Writing Art; Reappearing Acts; Notes; Introduction; The Ideology of the Two Spheres; The Education of Girls; The Menace of the Bas-Bleus; The Salon and Its Art Critics; The Golden Age of Art Criticism: Society, Economics, and Culture; Art Criticism as a Literary Genre: Denis Diderot; The Literary Craft of Art Criticism; Notes; 1 "C. W. . . . académicienne"; Wuiet and Authorial Voice; What a Woman Wants: Female Spectatorship; Notes; 2 Amélie-Julie Candeille's Critical Enterprise and the Creation of "Girodet"
Epistolary Art Criticism in Women's WritingsCandeille as Corresponding Critic; Managing Girodet; Fashioning Girodet en publique; Notes; 3 Women Art Critics during the July Monarchy (1830-1848); Art Criticism and the Paris Salon; Women Art Critics and the Parisian Cultural World; Women as Spectators; Beyond Gender: Issues of Class and Education; Further Questions; Notes; 4 "A Career True to Woman's Nature"; Women Artists: Class and Education; The Mission of Women Art Critics; The British Connection; Gender or Class?; The Gender of Genius and the Artistic Genres Women Art Critics and the (Limited) Contours of an Artistic VisionNotes; 5 Claude Vignon's Salon de 1850-51; The Art Critic and Her Readers; Historical Context and Political Ideologies; Spiritual Ideologies; The Author behind the Critic; Notes; 6 "Dieu! Une plume de femme!"; A Rhetoric of Sincerity; To Feel or to Think: That Is the Question; Playing Favorites: Critics and Artists at the 1859 Salon; A Voice of Her Own; Notes; 7 "Marc" de Montifaud; Envisioning History Painting; Genre Painting: History Writ Small; Portraits of Degeneration; The Subjective Landscape; Corot, Pagan Poet; Notes 8 "Tel père, telle fille"Judith Gautier, Artist, and the French Art World; Judith Gautier, Author, and the Far East; Judith Gautier, Art Critic; Notes; Conclusion; The Ideology of the Two Spheres, Revisited; Vanishing Genre?; Vanishing Gender?; Final Act; Encores; Notes; Appendix 1; Notes; Appendix 2; Notes; Appendix 3; Notes; Appendix 4; Notes; Appendix 5; Notes; Appendix 6; Notes; Appendix 7; Notes; Selected Bibliography; Index; About the Contributors |
| Record Nr. | UNINA-9910453057903321 |
| Lanham, Md., : University of Delaware Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Women art critics in nineteenth-century France [[electronic resource]] : vanishing acts / / edited by Wendelin Guentner
| Women art critics in nineteenth-century France [[electronic resource]] : vanishing acts / / edited by Wendelin Guentner |
| Pubbl/distr/stampa | Lanham, Md., : University of Delaware Press |
| Descrizione fisica | 1 online resource (384 p.) |
| Disciplina | 709.2/520944 |
| Altri autori (Persone) | GuentnerWendelin Ann <1950-> |
| Soggetto topico |
Women art critics - France - History - 19th century
Art criticism - France - History - 19th century |
| ISBN |
1-61149-566-0
1-61149-447-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Figures; Acknowledgments; Preface; Women Writing Art; Reappearing Acts; Notes; Introduction; The Ideology of the Two Spheres; The Education of Girls; The Menace of the Bas-Bleus; The Salon and Its Art Critics; The Golden Age of Art Criticism: Society, Economics, and Culture; Art Criticism as a Literary Genre: Denis Diderot; The Literary Craft of Art Criticism; Notes; 1 "C. W. . . . académicienne"; Wuiet and Authorial Voice; What a Woman Wants: Female Spectatorship; Notes; 2 Amélie-Julie Candeille's Critical Enterprise and the Creation of "Girodet"
Epistolary Art Criticism in Women's WritingsCandeille as Corresponding Critic; Managing Girodet; Fashioning Girodet en publique; Notes; 3 Women Art Critics during the July Monarchy (1830-1848); Art Criticism and the Paris Salon; Women Art Critics and the Parisian Cultural World; Women as Spectators; Beyond Gender: Issues of Class and Education; Further Questions; Notes; 4 "A Career True to Woman's Nature"; Women Artists: Class and Education; The Mission of Women Art Critics; The British Connection; Gender or Class?; The Gender of Genius and the Artistic Genres Women Art Critics and the (Limited) Contours of an Artistic VisionNotes; 5 Claude Vignon's Salon de 1850-51; The Art Critic and Her Readers; Historical Context and Political Ideologies; Spiritual Ideologies; The Author behind the Critic; Notes; 6 "Dieu! Une plume de femme!"; A Rhetoric of Sincerity; To Feel or to Think: That Is the Question; Playing Favorites: Critics and Artists at the 1859 Salon; A Voice of Her Own; Notes; 7 "Marc" de Montifaud; Envisioning History Painting; Genre Painting: History Writ Small; Portraits of Degeneration; The Subjective Landscape; Corot, Pagan Poet; Notes 8 "Tel père, telle fille"Judith Gautier, Artist, and the French Art World; Judith Gautier, Author, and the Far East; Judith Gautier, Art Critic; Notes; Conclusion; The Ideology of the Two Spheres, Revisited; Vanishing Genre?; Vanishing Gender?; Final Act; Encores; Notes; Appendix 1; Notes; Appendix 2; Notes; Appendix 3; Notes; Appendix 4; Notes; Appendix 5; Notes; Appendix 6; Notes; Appendix 7; Notes; Selected Bibliography; Index; About the Contributors |
| Record Nr. | UNINA-9910790412003321 |
| Lanham, Md., : University of Delaware Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Women art critics in nineteenth-century France : vanishing acts / / edited by Wendelin Guentner
| Women art critics in nineteenth-century France : vanishing acts / / edited by Wendelin Guentner |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, Md., : University of Delaware Press |
| Descrizione fisica | 1 online resource (384 p.) |
| Disciplina | 709.2/520944 |
| Altri autori (Persone) | GuentnerWendelin Ann <1950-> |
| Soggetto topico |
Women art critics - France - History - 19th century
Art criticism - France - History - 19th century |
| ISBN |
1-61149-566-0
1-61149-447-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Figures; Acknowledgments; Preface; Women Writing Art; Reappearing Acts; Notes; Introduction; The Ideology of the Two Spheres; The Education of Girls; The Menace of the Bas-Bleus; The Salon and Its Art Critics; The Golden Age of Art Criticism: Society, Economics, and Culture; Art Criticism as a Literary Genre: Denis Diderot; The Literary Craft of Art Criticism; Notes; 1 "C. W. . . . académicienne"; Wuiet and Authorial Voice; What a Woman Wants: Female Spectatorship; Notes; 2 Amélie-Julie Candeille's Critical Enterprise and the Creation of "Girodet"
Epistolary Art Criticism in Women's WritingsCandeille as Corresponding Critic; Managing Girodet; Fashioning Girodet en publique; Notes; 3 Women Art Critics during the July Monarchy (1830-1848); Art Criticism and the Paris Salon; Women Art Critics and the Parisian Cultural World; Women as Spectators; Beyond Gender: Issues of Class and Education; Further Questions; Notes; 4 "A Career True to Woman's Nature"; Women Artists: Class and Education; The Mission of Women Art Critics; The British Connection; Gender or Class?; The Gender of Genius and the Artistic Genres Women Art Critics and the (Limited) Contours of an Artistic VisionNotes; 5 Claude Vignon's Salon de 1850-51; The Art Critic and Her Readers; Historical Context and Political Ideologies; Spiritual Ideologies; The Author behind the Critic; Notes; 6 "Dieu! Une plume de femme!"; A Rhetoric of Sincerity; To Feel or to Think: That Is the Question; Playing Favorites: Critics and Artists at the 1859 Salon; A Voice of Her Own; Notes; 7 "Marc" de Montifaud; Envisioning History Painting; Genre Painting: History Writ Small; Portraits of Degeneration; The Subjective Landscape; Corot, Pagan Poet; Notes 8 "Tel père, telle fille"Judith Gautier, Artist, and the French Art World; Judith Gautier, Author, and the Far East; Judith Gautier, Art Critic; Notes; Conclusion; The Ideology of the Two Spheres, Revisited; Vanishing Genre?; Vanishing Gender?; Final Act; Encores; Notes; Appendix 1; Notes; Appendix 2; Notes; Appendix 3; Notes; Appendix 4; Notes; Appendix 5; Notes; Appendix 6; Notes; Appendix 7; Notes; Selected Bibliography; Index; About the Contributors |
| Record Nr. | UNINA-9910822043503321 |
| Lanham, Md., : University of Delaware Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||