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Analysing Gender in Performance / / edited by J. Paul Halferty, Cathy Leeney
| Analysing Gender in Performance / / edited by J. Paul Halferty, Cathy Leeney |
| Autore | Halferty J. Paul |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (323 pages) |
| Disciplina |
709.040755
704.04 |
| Soggetto topico |
Theater
Theater - History Sex Actors Cultural industries Global and International Theatre and Performance Contemporary Theatre and Performance Gender Studies Performers and Practitioners Theatre Industry |
| ISBN |
9783030855741
3030855740 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1 Introduction -- Part I 1970s-1990s -- 2 Pina Bausch's Kontakthof: Choreographies of Gender and Costume -- 3 Queer Becomings: The Ridiculous Theatrical Company's Camille and Split Britches/Bloolips' Belle Reprieve -- 4 Théâtre du Soleil and Ariane Mnouchkine: Living and Performing Gender Politics -- 5 Nora, Lucia, and Lear: Gender and Performance at Mabou Mines -- 6 Freaks and Not Freaks: Theatre and the Making of Crip Identity -- 7 Fires in the Mirror: Representations of Race, Gender and Class in Anna Deavere Smith's Search for American Character -- Part II Interruption: Artists Speak About Their Work -- 8 Black Women Performers: 'I Don't Want to Do Anything Else' -- 9 Trans-body-text: Exploring Performance Disruptions, a Discussion with Lazlo Pearlman -- 10 Embodied and En-sited Performance: Reflections on Gender in Cooking Miss Julie/Miss Julie Cooks and March of Women -- 11 A Manifesto of Living Self-portraiture (Identity, Transformation, and Performance) -- Part III 2000s-2020s -- 12 Love and Information by Caryl Churchill, or Sexuality and Gender in Non-binary Times -- 13 Gender and the Aesthetics of Occupation: Making Room for Women's Labour at the Theatre -- 14 Performing Reproduction in an Age of Overproduction: Environmental Installations by Ai Hasegawa -- 15 Loose Wrists: Camp and Intersectional Politics in the Works of Cazwell, Todrick Hall, and Big Freedia -- 16 Riotous Assembly: Performing Gender and Social Justice in thisispopbaby's RIOT -- 17 From Gimmick Casting to Standard Practice: Re-gendering Shakespeare in Performance -- 18 'Women's Business': Leah Purcell's The Drover's Wife and the Reclamation of Black Australian History -- 19 Gender-Assemblages: The Scenographics of Sin Wai Kin. |
| Record Nr. | UNINA-9910634032703321 |
Halferty J. Paul
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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No innocent bystanders [[electronic resource] ] : performance art and audience / / Frazer Ward
| No innocent bystanders [[electronic resource] ] : performance art and audience / / Frazer Ward |
| Autore | Ward Frazer |
| Pubbl/distr/stampa | Hanover, N.H., : Dartmouth College Press, c2012 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina |
709.04/0755
709.040755 |
| Collana | Interfaces, studies in visual culture |
| Soggetto topico |
Performance art
Performing arts - Audiences |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-73859-7
1-61168-336-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist". |
| Record Nr. | UNINA-9910462243403321 |
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Ward Frazer
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| Hanover, N.H., : Dartmouth College Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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No innocent bystanders [[electronic resource] ] : performance art and audience / / Frazer Ward
| No innocent bystanders [[electronic resource] ] : performance art and audience / / Frazer Ward |
| Autore | Ward Frazer |
| Pubbl/distr/stampa | Hanover, N.H., : Dartmouth College Press, c2012 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina |
709.04/0755
709.040755 |
| Collana | Interfaces, studies in visual culture |
| Soggetto topico |
Performance art
Performing arts - Audiences |
| ISBN |
1-283-73859-7
1-61168-336-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist". |
| Record Nr. | UNINA-9910786497203321 |
|
Ward Frazer
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| Hanover, N.H., : Dartmouth College Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performance : The Ethics and the Politics of Conservation and Care, Volume II
| Performance : The Ethics and the Politics of Conservation and Care, Volume II |
| Autore | Hölling Hanna B |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford : , : Taylor & Francis Group, , 2024 |
| Descrizione fisica | 1 online resource (336 pages) |
| Disciplina | 709.040755 |
| Altri autori (Persone) |
FeldmanJules Pelta
MagninEmilie |
| ISBN |
1-003-46780-6
1-04-025441-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Half Title -- Series -- Title -- Copyright -- Contents -- List of Contributors -- Introduction: Sustaining care for performance -- Part 1 Expanding scholarly approaches to the longevity of performance -- 1 "Once upon a time": Performative ultra-conceptualism and storytelling as conservation-Florence Jung -- 2 Contesting heritage: Artistic and cultural (re)appropriations of Apulian tarantism -- 3 Can we conserve music? -- 4 Curating performance as conservation? Thoughts on Queer Communion: Ron Athey -- 5 Philip Auslander: Can we conserve performance? -- Part 2 Confronting institutions -- 6 Performance in the museum: Shifting roles in performance art stewardship -- 7 Reviving culture: Puawai Cairns's vision for dynamic museums and performance conservation -- 8 Valinda Carroll, Kayla Henry-Griffin, Nylah Byrd, and Ariana Makau of Black Art Conservators on Black objects, performance, and the future of conservation -- 9 Brandie Macdonald: Conserving "Us": Caring for living heritage, oral tradition, and Indigenous knowledge -- 10 Copyright implications of the preservation of performance art -- Part 3 Conservation through artistic and embodied practice -- 11 Davide-Christelle Sanvee's La performance des performances as critical conservation -- 12 Rosanna Raymond on Conser.Vā.Tion -- 13 Urmimala Sarkar Munsi: Dance, embodied preservation, and unlearning in India -- 14 RYXPER1126AE, 2018 -- 15 Gisela Hochuli: In Strange Hands -- 16 Joanna Leśnierowska: Performance conservation as a political act -- 17 Towards conservative performance: A manifesto -- Index. |
| Record Nr. | UNINA-9910907198903321 |
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Hölling Hanna B
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| Oxford : , : Taylor & Francis Group, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performing cultures of equality / / edited by Emilia María Durán-Almarza, Carla Rodríguez González, Suzanne Clisby
| Performing cultures of equality / / edited by Emilia María Durán-Almarza, Carla Rodríguez González, Suzanne Clisby |
| Pubbl/distr/stampa | Abingdon, Oxon, England ; ; New York, New York : , : Routledge, , [2022] |
| Descrizione fisica | 1 online resource (193 pages) |
| Disciplina | 709.040755 |
| Collana | GRACE Project |
| Soggetto topico | Performance art |
| ISBN |
1-00-316275-4
1-003-16275-4 1-000-57506-3 1-000-57509-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- Contributors -- Acknowledgements or Credits List -- 1. Performing Cultures of Equality: Embodiments, Visualities, Inscriptions -- PART I: Embodying (In)Equalities -- 2. Honey Pot Performance's Black Feminist Praxis: Embodiments of Collaboration and Collectivity -- 3. The Performance of Black Youth Masculinity in Bola Agbaje's and Mojisola Adebayo's Council-Estate Plays -- 4. Art's Political Potential and the Violence That the Art Does: On the Performative Operations of Krzysztof Wodiczko's Guests (2016) -- PART II: Visualizing (In)Equalities -- 5. Tinted Visions: Performing Equalities through Festive Decorations in LGBT-Themed Events in Hull (UK City of Culture 2017) -- 6. Social Media Reverberations of Feminist Assemblies: Reflections after Non una di meno's Verona transfemminista Rally -- 7. Gender-Based Violence and the Performance of Masculinity: A Comparative Analysis of the Documentary Films Ma l'amore c'entra and Serás hombre -- PART III: Inscribing (In)Equalities -- 8. Strangers, Persisters, and Killjoys: Confronting Gender Inequality through Performance Poetry -- 9. Imperialism's Performative Technologies: Race, Gender, and Wearable Devices in Aliette De Bodard's 'Immersion' -- 10. Figures of a Gender Now upon Us: The Transfeminine in Contemporary Queer Fiction from the Philippines -- Index. |
| Record Nr. | UNINA-9910772092503321 |
| Abingdon, Oxon, England ; ; New York, New York : , : Routledge, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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