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Analysing gender in performance / / J. Paul Halferty and Cathy Leeney
| Analysing gender in performance / / J. Paul Halferty and Cathy Leeney |
| Autore | Halferty J. Paul |
| Pubbl/distr/stampa | Cham, Switzerland : , : Springer, , [2022] |
| Descrizione fisica | 1 online resource (323 pages) |
| Disciplina | 709.040755 |
| Soggetto topico |
Performance art
Sex role in art |
| ISBN | 3-030-85574-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910634032703321 |
Halferty J. Paul
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| Cham, Switzerland : , : Springer, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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No innocent bystanders [[electronic resource] ] : performance art and audience / / Frazer Ward
| No innocent bystanders [[electronic resource] ] : performance art and audience / / Frazer Ward |
| Autore | Ward Frazer |
| Pubbl/distr/stampa | Hanover, N.H., : Dartmouth College Press, c2012 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina |
709.04/0755
709.040755 |
| Collana | Interfaces, studies in visual culture |
| Soggetto topico |
Performance art
Performing arts - Audiences |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-73859-7
1-61168-336-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist". |
| Record Nr. | UNINA-9910462243403321 |
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Ward Frazer
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| Hanover, N.H., : Dartmouth College Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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No innocent bystanders [[electronic resource] ] : performance art and audience / / Frazer Ward
| No innocent bystanders [[electronic resource] ] : performance art and audience / / Frazer Ward |
| Autore | Ward Frazer |
| Pubbl/distr/stampa | Hanover, N.H., : Dartmouth College Press, c2012 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina |
709.04/0755
709.040755 |
| Collana | Interfaces, studies in visual culture |
| Soggetto topico |
Performance art
Performing arts - Audiences |
| ISBN |
1-283-73859-7
1-61168-336-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist". |
| Record Nr. | UNINA-9910786497203321 |
|
Ward Frazer
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||
| Hanover, N.H., : Dartmouth College Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
No innocent bystanders [[electronic resource] ] : performance art and audience / / Frazer Ward
| No innocent bystanders [[electronic resource] ] : performance art and audience / / Frazer Ward |
| Autore | Ward Frazer |
| Pubbl/distr/stampa | Hanover, N.H., : Dartmouth College Press, c2012 |
| Descrizione fisica | 1 online resource (221 p.) |
| Disciplina |
709.04/0755
709.040755 |
| Collana | Interfaces, studies in visual culture |
| Soggetto topico |
Performance art
Performing arts - Audiences |
| ISBN |
1-283-73859-7
1-61168-336-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist". |
| Record Nr. | UNINA-9910812712903321 |
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Ward Frazer
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| Hanover, N.H., : Dartmouth College Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performing cultures of equality / / edited by Emilia María Durán-Almarza, Carla Rodríguez González, Suzanne Clisby
| Performing cultures of equality / / edited by Emilia María Durán-Almarza, Carla Rodríguez González, Suzanne Clisby |
| Pubbl/distr/stampa | Abingdon, Oxon, England ; ; New York, New York : , : Routledge, , [2022] |
| Descrizione fisica | 1 online resource (193 pages) |
| Disciplina | 709.040755 |
| Collana | GRACE Project |
| Soggetto topico | Performance art |
| ISBN |
1-00-316275-4
1-003-16275-4 1-000-57506-3 1-000-57509-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- Contributors -- Acknowledgements or Credits List -- 1. Performing Cultures of Equality: Embodiments, Visualities, Inscriptions -- PART I: Embodying (In)Equalities -- 2. Honey Pot Performance's Black Feminist Praxis: Embodiments of Collaboration and Collectivity -- 3. The Performance of Black Youth Masculinity in Bola Agbaje's and Mojisola Adebayo's Council-Estate Plays -- 4. Art's Political Potential and the Violence That the Art Does: On the Performative Operations of Krzysztof Wodiczko's Guests (2016) -- PART II: Visualizing (In)Equalities -- 5. Tinted Visions: Performing Equalities through Festive Decorations in LGBT-Themed Events in Hull (UK City of Culture 2017) -- 6. Social Media Reverberations of Feminist Assemblies: Reflections after Non una di meno's Verona transfemminista Rally -- 7. Gender-Based Violence and the Performance of Masculinity: A Comparative Analysis of the Documentary Films Ma l'amore c'entra and Serás hombre -- PART III: Inscribing (In)Equalities -- 8. Strangers, Persisters, and Killjoys: Confronting Gender Inequality through Performance Poetry -- 9. Imperialism's Performative Technologies: Race, Gender, and Wearable Devices in Aliette De Bodard's 'Immersion' -- 10. Figures of a Gender Now upon Us: The Transfeminine in Contemporary Queer Fiction from the Philippines -- Index. |
| Record Nr. | UNINA-9910772092503321 |
| Abingdon, Oxon, England ; ; New York, New York : , : Routledge, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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