The art of Champa [[electronic resource] /] / Jean-François Hubert ; [translation: Anna Allanet] |
Autore | Hubert Jean-François |
Pubbl/distr/stampa | [Bournemouth, England?], : Parkstone Press, c2005 |
Descrizione fisica | 1 online resource (232 p.) |
Disciplina | 704.0396073 |
Collana | Temporis collection |
Soggetto topico |
Art - Champā (Kingdom)
Sculpture, Cham |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-95405-2
1-78042-964-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Introduction; The History of Champa; Cham Architecture; Gods and their representation; Styles and the dating of sculptures; Cyclotron analysis of Champa metals and jewellery; Conclusion; Glossary; Brief Chronology of Champa; Chronology of the reigns of Cham sovereigns, the construction of temples and their schools of sculpture; Bibliography; List of Illustrations |
Record Nr. | UNINA-9910461101103321 |
Hubert Jean-François | ||
[Bournemouth, England?], : Parkstone Press, c2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The art of Champa [[electronic resource] /] / Jean-François Hubert ; [translation: Anna Allanet] |
Autore | Hubert Jean-François |
Pubbl/distr/stampa | [Bournemouth, England?], : Parkstone Press, c2005 |
Descrizione fisica | 1 online resource (232 p.) |
Disciplina | 704.0396073 |
Collana | Temporis collection |
Soggetto topico |
Art - Champā (Kingdom)
Sculpture, Cham |
ISBN |
1-283-95405-2
1-78042-964-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Introduction; The History of Champa; Cham Architecture; Gods and their representation; Styles and the dating of sculptures; Cyclotron analysis of Champa metals and jewellery; Conclusion; Glossary; Brief Chronology of Champa; Chronology of the reigns of Cham sovereigns, the construction of temples and their schools of sculpture; Bibliography; List of Illustrations |
Record Nr. | UNINA-9910790301203321 |
Hubert Jean-François | ||
[Bournemouth, England?], : Parkstone Press, c2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The art of Champa / / Jean-Francois Hubert ; [translation: Anna Allanet] |
Autore | Hubert Jean-Francois |
Edizione | [1st ed.] |
Pubbl/distr/stampa | [Bournemouth, England?], : Parkstone Press, c2005 |
Descrizione fisica | 1 online resource (232 p.) |
Disciplina | 704.0396073 |
Collana | Temporis collection |
Soggetto topico |
Art - Champa (Kingdom)
Sculpture, Cham |
ISBN |
1-283-95405-2
1-78042-964-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Introduction; The History of Champa; Cham Architecture; Gods and their representation; Styles and the dating of sculptures; Cyclotron analysis of Champa metals and jewellery; Conclusion; Glossary; Brief Chronology of Champa; Chronology of the reigns of Cham sovereigns, the construction of temples and their schools of sculpture; Bibliography; List of Illustrations |
Record Nr. | UNINA-9910819583503321 |
Hubert Jean-Francois | ||
[Bournemouth, England?], : Parkstone Press, c2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
A companion to modern African Art / / edited by Gitti Salami and Monica Blackmun Visona |
Edizione | [First edition.] |
Pubbl/distr/stampa | Chichester, West Sussex : , : Wiley Blackwell, , 2013 |
Descrizione fisica | 1 online resource (650 p.) |
Disciplina |
704.03
704.0396073 |
Altri autori (Persone) |
SalamiGitti
VisonaMonica Blackmun <1953-> |
Collana | Wiley Blackwell companions in art history |
Soggetto topico |
Art, African - 20th century
Art, African - 19th century Art, African - 21st century |
ISBN |
1-118-51505-6
1-118-51507-2 1-118-51510-2 1-118-51506-4 |
Classificazione |
702.4
709.6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
A Companion to Modern African Art; Copyright; Contents; List of Figures; Notes on Contributors; Acknowledgments; Part I Introduction; 1 Writing African Modernism into Art History; Narrations of Modernism and Modernity; Centering Narratives on Africa's Art Worlds; Chapter Overview; Lacunae and Disjunctures; Notes; References; Part II "Africa Has Always Been Modern"; 2 Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa; Sacred Waters: Ancient and Indigenous Arts for African Water Deities
Afro-Mami Meets Euro-Mermaid: A Fifteenth-Century Sapi SynthesisThe Mermaid: A Floating Signifier; The Double-Tailed Mermaid in the Art of Benin; Mami Wata and the Image of the Snake Charmer; The Snake Charmer as Mami Wata in Africa; Mami Wata and Hindu Gods and Goddesses; Communicating with Mami Wata: Writing, Reflecting, Calling; Troubled Waters: From Saint to Sinner; Notes; References; Part III Art in Cosmopolitan Africa: The Nineteenth Century; 3 Loango Coast Ivories and the Legacies of Afro-Portuguese Arts; Hybrids at Hello; Contact and Catastrophe; Afro-Portuguese Ivories The Loango Ivories"Authenticity": Drawing the Line; Pointed Imagery; More Animal Tales; Double-Take; Notes; References; 4 Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980); "COME ONE! COME ALL! and secure the shadow ere it fades"; Toward a History of Photography in West and Central Africa; Pioneer Photographers and Their Customers along the West and Central African Coasts; From Monrovia to Libreville: The Careers of Several African Pioneer Photographers The Democratization of Photography: The Case of Fumban, CameroonNotes; References; 5 At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics; "Modernity" in African Art History; Challenging "Modernity" and "Place" on the Swahili Coast; Photography and the Colonial Moment; A Swahili Culture of Things; Portrait Photographs as Objects; Modernity on the Edge; Notes; References; 6 African Reimaginations: Presence, Absence, and New Way Architecture; The Scenario for a New History of the Modern; The Palace and the Mosque; Lacuna and History; Removals and Reinstallations Invisibility and DifferenceLast Word: The Lines of a Future Argument; Notes; References; Part IV Modernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century; 7 "One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History; Introduction; Art, Islam, and the Imam; An Insightful Traveler's Observations; "And They Do Not Spare Any Effort in Preserving These Things"; Al-Suwar wa-l-Tamathil: A Fatwa without Fine Arts; Between the Educational and the Legal; The Fatwa's Five Parts; Conclusion; Notes; References 8 Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception |
Record Nr. | UNINA-9910139018303321 |
Chichester, West Sussex : , : Wiley Blackwell, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
A companion to modern African Art / / edited by Gitti Salami and Monica Blackmun Visona |
Edizione | [First edition.] |
Pubbl/distr/stampa | Chichester, West Sussex, : Wiley Blackwell, 2013 |
Descrizione fisica | 1 online resource (650 p.) |
Disciplina |
704.03
704.0396073 |
Altri autori (Persone) |
SalamiGitti
VisonaMonica Blackmun <1953-> |
Collana | Wiley Blackwell companions in art history |
Soggetto topico |
Art, African - 20th century
Art, African - 19th century Art, African - 21st century |
ISBN |
1-118-51505-6
1-118-51507-2 1-118-51510-2 1-118-51506-4 |
Classificazione |
702.4
709.6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
A Companion to Modern African Art; Copyright; Contents; List of Figures; Notes on Contributors; Acknowledgments; Part I Introduction; 1 Writing African Modernism into Art History; Narrations of Modernism and Modernity; Centering Narratives on Africa's Art Worlds; Chapter Overview; Lacunae and Disjunctures; Notes; References; Part II "Africa Has Always Been Modern"; 2 Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa; Sacred Waters: Ancient and Indigenous Arts for African Water Deities
Afro-Mami Meets Euro-Mermaid: A Fifteenth-Century Sapi SynthesisThe Mermaid: A Floating Signifier; The Double-Tailed Mermaid in the Art of Benin; Mami Wata and the Image of the Snake Charmer; The Snake Charmer as Mami Wata in Africa; Mami Wata and Hindu Gods and Goddesses; Communicating with Mami Wata: Writing, Reflecting, Calling; Troubled Waters: From Saint to Sinner; Notes; References; Part III Art in Cosmopolitan Africa: The Nineteenth Century; 3 Loango Coast Ivories and the Legacies of Afro-Portuguese Arts; Hybrids at Hello; Contact and Catastrophe; Afro-Portuguese Ivories The Loango Ivories"Authenticity": Drawing the Line; Pointed Imagery; More Animal Tales; Double-Take; Notes; References; 4 Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980); "COME ONE! COME ALL! and secure the shadow ere it fades"; Toward a History of Photography in West and Central Africa; Pioneer Photographers and Their Customers along the West and Central African Coasts; From Monrovia to Libreville: The Careers of Several African Pioneer Photographers The Democratization of Photography: The Case of Fumban, CameroonNotes; References; 5 At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics; "Modernity" in African Art History; Challenging "Modernity" and "Place" on the Swahili Coast; Photography and the Colonial Moment; A Swahili Culture of Things; Portrait Photographs as Objects; Modernity on the Edge; Notes; References; 6 African Reimaginations: Presence, Absence, and New Way Architecture; The Scenario for a New History of the Modern; The Palace and the Mosque; Lacuna and History; Removals and Reinstallations Invisibility and DifferenceLast Word: The Lines of a Future Argument; Notes; References; Part IV Modernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century; 7 "One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History; Introduction; Art, Islam, and the Imam; An Insightful Traveler's Observations; "And They Do Not Spare Any Effort in Preserving These Things"; Al-Suwar wa-l-Tamathil: A Fatwa without Fine Arts; Between the Educational and the Legal; The Fatwa's Five Parts; Conclusion; Notes; References 8 Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception |
Record Nr. | UNINA-9910809509603321 |
Chichester, West Sussex, : Wiley Blackwell, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Contraband guides : race, transatlantic culture, and the arts in the Civil War era / / Paul H. D. Kaplan |
Autore | Kaplan Paul H. D (Paul Henry Daniel), <1952-> |
Pubbl/distr/stampa | University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2020] |
Descrizione fisica | 1 online resource (313 pages) |
Disciplina | 704.0396073 |
Soggetto topico |
African American art - European influences
African American art - 19th century Art, American - 19th century African Americans in art - History - 19th century Art and race - History - 19th century Black people in art - History - 19th century |
Soggetto genere / forma | Electronic books. |
ISBN |
0-271-08820-6
0-271-08822-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- List of illustrations -- Acknowledgments -- Introduction -- 1 Representations of People of Color in Nineteenth-Century American Accounts of Italian Travel -- 2 “A Mulatto Sculptor from New Orleans” -- 3 “The Black Man To-day Means Liberty” -- 4 “Something American” -- 5 Old Masters -- 6 Contraband Guide -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910480417703321 |
Kaplan Paul H. D (Paul Henry Daniel), <1952-> | ||
University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2020] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Contraband guides : race, transatlantic culture, and the arts in the Civil War era / / Paul H. D. Kaplan |
Autore | Kaplan Paul H. D (Paul Henry Daniel), <1952-> |
Pubbl/distr/stampa | University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2020] |
Descrizione fisica | 1 online resource (313 pages) |
Disciplina | 704.0396073 |
Soggetto topico |
African American art - European influences
African American art - 19th century Art, American - 19th century African Americans in art - History - 19th century Art and race - History - 19th century Black people in art - History - 19th century |
Soggetto non controllato |
Abraham Lincoln
Adoration of the Magi African American Afro-European Billy Lee Charles Eliot Norton Civil War Emanuel Leutze Eugène Warburg Frederick Douglass George Washington Harriet Beecher Stowe Jacopo Tintoretto John Hay John Ruskin Joshua Bowen Smith Mark Twain Neoclassical sculpture Paolo Veronese Pierre Soulé Race Slavery Transatlantic William Cooper Nell William Dean Howells William J. Wilson |
ISBN |
0-271-08820-6
0-271-08822-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- List of illustrations -- Acknowledgments -- Introduction -- 1 Representations of People of Color in Nineteenth-Century American Accounts of Italian Travel -- 2 “A Mulatto Sculptor from New Orleans” -- 3 “The Black Man To-day Means Liberty” -- 4 “Something American” -- 5 Old Masters -- 6 Contraband Guide -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910794022503321 |
Kaplan Paul H. D (Paul Henry Daniel), <1952-> | ||
University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2020] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Contraband guides : race, transatlantic culture, and the arts in the Civil War era / / Paul H. D. Kaplan |
Autore | Kaplan Paul H. D (Paul Henry Daniel), <1952-> |
Pubbl/distr/stampa | University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2020] |
Descrizione fisica | 1 online resource (313 pages) |
Disciplina | 704.0396073 |
Soggetto topico |
African American art - European influences
African American art - 19th century Art, American - 19th century African Americans in art - History - 19th century Art and race - History - 19th century Black people in art - History - 19th century |
Soggetto non controllato |
Abraham Lincoln
Adoration of the Magi African American Afro-European Billy Lee Charles Eliot Norton Civil War Emanuel Leutze Eugène Warburg Frederick Douglass George Washington Harriet Beecher Stowe Jacopo Tintoretto John Hay John Ruskin Joshua Bowen Smith Mark Twain Neoclassical sculpture Paolo Veronese Pierre Soulé Race Slavery Transatlantic William Cooper Nell William Dean Howells William J. Wilson |
ISBN |
0-271-08820-6
0-271-08822-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- List of illustrations -- Acknowledgments -- Introduction -- 1 Representations of People of Color in Nineteenth-Century American Accounts of Italian Travel -- 2 “A Mulatto Sculptor from New Orleans” -- 3 “The Black Man To-day Means Liberty” -- 4 “Something American” -- 5 Old Masters -- 6 Contraband Guide -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910809744003321 |
Kaplan Paul H. D (Paul Henry Daniel), <1952-> | ||
University Park, Pennsylvania : , : The Pennsylvania State University Press, , [2020] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|