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Entering the picture : Judy Chicago, the Fresno Feminist Art Program, and the collective visions of women artists / / edited by Jill Fields
| Entering the picture : Judy Chicago, the Fresno Feminist Art Program, and the collective visions of women artists / / edited by Jill Fields |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (377 p.) |
| Disciplina | 704/.042097309045 |
| Altri autori (Persone) | FieldsJill <1954-> |
| Collana | New directions in American history |
| Soggetto topico | Feminism and art |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-63892-X
0-203-80419-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Entering the Picture: judy Chicago, the fresno feminist art Program, and the Collective visons of women artists; Copright; Contents; Plates and Figure; Preface and Acknowledgments; Introduction; Section I: Emerging: Views from the Periphery; 1. Becoming Judy Chicago: Feminist Class; 2. Collaboration and Conflict in the Fresno Feminist Art Program: An Experiment in Feminist Pedagogy; 3. Reflections on the First Feminist Art Program; 4. Interview with Suzanne Lacy; 5. The First Feminist Art Program: A View from the 1980s; 6. Feminist Art Education: Made in California
Section II: Re-Centering: Theory and Practice7. Abundant Evidence: Black Women Artists of the 1960s and 1970s; 8. "Teaching to Transgress": Rita Yokoi and the Fresno Feminist Art Program; 9. Joyce Aiken: Thirty Years of Feminist Art and Pedagogy in Fresno; 10. "Your Vagina Smells Fine Now Naturally"; 11. A Collective History: Las Mujeres Muralistas; 12. The Women Artists' Cooperative Space as a Site for Social Change: Artemisia Gallery, Chicago (1973-1979); 13. Salon Women of the Second Wave: Honoring the Great Matrilineage of Creators of Culture 14. The New York Feminist Art Institute, 1979-199015. Our Journey to the New York Feminist Art Institute; Section III: Picturing: Transformation; 16. How I Became a Chicana Feminist Artist; 17. Searching for Catalyst and Empowerment: The Asian American Women Artists Association, 1989-Present; 18.Notes of a Dubious Daughter: My Unfinished Journey Toward Feminism; 19. "The Way Things Are": Curating Place as Feminist Practice in American Indian Women's Art; 20. Marginal Discourse and Pacific Rim Women's Arts; 21. Curatorial Practice as Collaboration in the United States and Italy 22. Feminist Activist Art Pedagogy: Unleashed and EngagedList of Contributors; Permission Acknowledgments; Index |
| Record Nr. | UNINA-9910452162203321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Entering the picture : Judy Chicago, the Fresno Feminist Art Program, and the collective visions of women artists / / edited by Jill Fields
| Entering the picture : Judy Chicago, the Fresno Feminist Art Program, and the collective visions of women artists / / edited by Jill Fields |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (377 p.) |
| Disciplina | 704/.042097309045 |
| Altri autori (Persone) | FieldsJill <1954-> |
| Collana | New directions in American history |
| Soggetto topico | Feminism and art |
| ISBN |
1-136-63891-1
1-136-63892-X 0-203-80419-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Entering the Picture: judy Chicago, the fresno feminist art Program, and the Collective visons of women artists; Copright; Contents; Plates and Figure; Preface and Acknowledgments; Introduction; Section I: Emerging: Views from the Periphery; 1. Becoming Judy Chicago: Feminist Class; 2. Collaboration and Conflict in the Fresno Feminist Art Program: An Experiment in Feminist Pedagogy; 3. Reflections on the First Feminist Art Program; 4. Interview with Suzanne Lacy; 5. The First Feminist Art Program: A View from the 1980s; 6. Feminist Art Education: Made in California
Section II: Re-Centering: Theory and Practice7. Abundant Evidence: Black Women Artists of the 1960s and 1970s; 8. "Teaching to Transgress": Rita Yokoi and the Fresno Feminist Art Program; 9. Joyce Aiken: Thirty Years of Feminist Art and Pedagogy in Fresno; 10. "Your Vagina Smells Fine Now Naturally"; 11. A Collective History: Las Mujeres Muralistas; 12. The Women Artists' Cooperative Space as a Site for Social Change: Artemisia Gallery, Chicago (1973-1979); 13. Salon Women of the Second Wave: Honoring the Great Matrilineage of Creators of Culture 14. The New York Feminist Art Institute, 1979-199015. Our Journey to the New York Feminist Art Institute; Section III: Picturing: Transformation; 16. How I Became a Chicana Feminist Artist; 17. Searching for Catalyst and Empowerment: The Asian American Women Artists Association, 1989-Present; 18.Notes of a Dubious Daughter: My Unfinished Journey Toward Feminism; 19. "The Way Things Are": Curating Place as Feminist Practice in American Indian Women's Art; 20. Marginal Discourse and Pacific Rim Women's Arts; 21. Curatorial Practice as Collaboration in the United States and Italy 22. Feminist Activist Art Pedagogy: Unleashed and EngagedList of Contributors; Permission Acknowledgments; Index |
| Record Nr. | UNINA-9910779031303321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Entering the picture : Judy Chicago, the Fresno Feminist Art Program, and the collective visions of women artists / / edited by Jill Fields
| Entering the picture : Judy Chicago, the Fresno Feminist Art Program, and the collective visions of women artists / / edited by Jill Fields |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (377 p.) |
| Disciplina | 704/.042097309045 |
| Altri autori (Persone) | FieldsJill <1954-> |
| Collana | New directions in American history |
| Soggetto topico | Feminism and art |
| ISBN |
1-136-63891-1
1-136-63892-X 0-203-80419-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Entering the Picture: judy Chicago, the fresno feminist art Program, and the Collective visons of women artists; Copright; Contents; Plates and Figure; Preface and Acknowledgments; Introduction; Section I: Emerging: Views from the Periphery; 1. Becoming Judy Chicago: Feminist Class; 2. Collaboration and Conflict in the Fresno Feminist Art Program: An Experiment in Feminist Pedagogy; 3. Reflections on the First Feminist Art Program; 4. Interview with Suzanne Lacy; 5. The First Feminist Art Program: A View from the 1980s; 6. Feminist Art Education: Made in California
Section II: Re-Centering: Theory and Practice7. Abundant Evidence: Black Women Artists of the 1960s and 1970s; 8. "Teaching to Transgress": Rita Yokoi and the Fresno Feminist Art Program; 9. Joyce Aiken: Thirty Years of Feminist Art and Pedagogy in Fresno; 10. "Your Vagina Smells Fine Now Naturally"; 11. A Collective History: Las Mujeres Muralistas; 12. The Women Artists' Cooperative Space as a Site for Social Change: Artemisia Gallery, Chicago (1973-1979); 13. Salon Women of the Second Wave: Honoring the Great Matrilineage of Creators of Culture 14. The New York Feminist Art Institute, 1979-199015. Our Journey to the New York Feminist Art Institute; Section III: Picturing: Transformation; 16. How I Became a Chicana Feminist Artist; 17. Searching for Catalyst and Empowerment: The Asian American Women Artists Association, 1989-Present; 18.Notes of a Dubious Daughter: My Unfinished Journey Toward Feminism; 19. "The Way Things Are": Curating Place as Feminist Practice in American Indian Women's Art; 20. Marginal Discourse and Pacific Rim Women's Arts; 21. Curatorial Practice as Collaboration in the United States and Italy 22. Feminist Activist Art Pedagogy: Unleashed and EngagedList of Contributors; Permission Acknowledgments; Index |
| Record Nr. | UNINA-9910800098203321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Entering the picture : Judy Chicago, the Fresno Feminist Art Program, and the collective visions of women artists / / edited by Jill Fields
| Entering the picture : Judy Chicago, the Fresno Feminist Art Program, and the collective visions of women artists / / edited by Jill Fields |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Routledge, 2012 |
| Descrizione fisica | 1 online resource (377 p.) |
| Disciplina | 704/.042097309045 |
| Altri autori (Persone) | FieldsJill <1954-> |
| Collana | New directions in American history |
| Soggetto topico | Feminism and art |
| ISBN |
1-136-63891-1
1-136-63892-X 0-203-80419-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Entering the Picture: judy Chicago, the fresno feminist art Program, and the Collective visons of women artists; Copright; Contents; Plates and Figure; Preface and Acknowledgments; Introduction; Section I: Emerging: Views from the Periphery; 1. Becoming Judy Chicago: Feminist Class; 2. Collaboration and Conflict in the Fresno Feminist Art Program: An Experiment in Feminist Pedagogy; 3. Reflections on the First Feminist Art Program; 4. Interview with Suzanne Lacy; 5. The First Feminist Art Program: A View from the 1980s; 6. Feminist Art Education: Made in California
Section II: Re-Centering: Theory and Practice7. Abundant Evidence: Black Women Artists of the 1960s and 1970s; 8. "Teaching to Transgress": Rita Yokoi and the Fresno Feminist Art Program; 9. Joyce Aiken: Thirty Years of Feminist Art and Pedagogy in Fresno; 10. "Your Vagina Smells Fine Now Naturally"; 11. A Collective History: Las Mujeres Muralistas; 12. The Women Artists' Cooperative Space as a Site for Social Change: Artemisia Gallery, Chicago (1973-1979); 13. Salon Women of the Second Wave: Honoring the Great Matrilineage of Creators of Culture 14. The New York Feminist Art Institute, 1979-199015. Our Journey to the New York Feminist Art Institute; Section III: Picturing: Transformation; 16. How I Became a Chicana Feminist Artist; 17. Searching for Catalyst and Empowerment: The Asian American Women Artists Association, 1989-Present; 18.Notes of a Dubious Daughter: My Unfinished Journey Toward Feminism; 19. "The Way Things Are": Curating Place as Feminist Practice in American Indian Women's Art; 20. Marginal Discourse and Pacific Rim Women's Arts; 21. Curatorial Practice as Collaboration in the United States and Italy 22. Feminist Activist Art Pedagogy: Unleashed and EngagedList of Contributors; Permission Acknowledgments; Index |
| Record Nr. | UNINA-9910809893403321 |
| New York, : Routledge, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||