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The visual mind II [[electronic resource] /] / edited by Michele Emmer
| The visual mind II [[electronic resource] /] / edited by Michele Emmer |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, c2005 |
| Descrizione fisica | 1 online resource (717 p.) |
| Disciplina | 701/.5 |
| Altri autori (Persone) | EmmerMichele |
| Collana | Leonardo |
| Soggetto topico |
Art - Mathematics
Geometry Aesthetics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-262-31145-3
1-282-09757-1 0-262-27234-2 9786612097577 1-4294-1301-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Introduction; Section 1 Mathematics and Aesthetics; 1 The Phenomenology of Mathematical Beauty; 2 Mathematical Beauty and the Evolution of the Standards of Mathematical Proof; 3 Aesthetics for Computers, or How to Measure Harmony; 4 Visual Mathematics: Mathematics and Art; Section 2 Geometry and Art; 5 Life through Art; 6 John Robinson's Symbolic Sculptures: Knots and Mathematics; 7 Geometries of Curvature and Their Aesthetics; 8 Poetry in Curves: The Guggenheim Museum in Bilbao; 9 Eightfold Way: The Sculpture; 10 The Geometric Aesthetic; 11 Art and the Age of the Sciences
12 Some Aspects of the Use of Geometry in My Artistic Work Section 3 Mathematics and Art; 13 Local/Global in Mathematics and Painting; 14 Visual Knots: Concerning Geometry and Visuality in the Work of Marcel Duchamp; 15 Lunda Symmetry: Where Geometry Meets Art; 16 Four-Dimensional Space or Space-Time? The Emergence of the Cubism-Relativity Myth in New York in the 1940's; 17 "Reverse Perspective": Historical Fallacies and an Alternative View; 18 Four-Dimensional Projection: Art and Reality; 19 Rational Design versus Artistic Intuition in Stained-Glass Art Section 4 Geometry, Computer Graphics, and Art20 Dynamics, Chaos, and Design; 21 Paul Klee on Computer: Biomathematical Models Help Us Understand His Work; 22 Parameterized Sculpture Families; 23 The Aesthetic Value of Optimal Geometry; Section 5 Mathematics, Visualization, and Cinema; 24 Mathematics and Cinema; 25 Some Organizing Principles; 26 Figures and Characters in the Great Book of Nature; 27 Circle Packings and the Sacred Lotus; 28 Meander Mazes on Polysphericons; Contributors; Name Index; Subject Index |
| Record Nr. | UNINA-9910452133803321 |
| Cambridge, Mass., : MIT Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The visual mind II [[electronic resource] /] / edited by Michele Emmer
| The visual mind II [[electronic resource] /] / edited by Michele Emmer |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, c2005 |
| Descrizione fisica | 1 online resource (717 p.) |
| Disciplina | 701/.5 |
| Altri autori (Persone) | EmmerMichele |
| Collana | Leonardo |
| Soggetto topico |
Art - Mathematics
Geometry Aesthetics |
| ISBN |
0-262-31145-3
1-282-09757-1 0-262-27234-2 9786612097577 1-4294-1301-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Introduction; Section 1 Mathematics and Aesthetics; 1 The Phenomenology of Mathematical Beauty; 2 Mathematical Beauty and the Evolution of the Standards of Mathematical Proof; 3 Aesthetics for Computers, or How to Measure Harmony; 4 Visual Mathematics: Mathematics and Art; Section 2 Geometry and Art; 5 Life through Art; 6 John Robinson's Symbolic Sculptures: Knots and Mathematics; 7 Geometries of Curvature and Their Aesthetics; 8 Poetry in Curves: The Guggenheim Museum in Bilbao; 9 Eightfold Way: The Sculpture; 10 The Geometric Aesthetic; 11 Art and the Age of the Sciences
12 Some Aspects of the Use of Geometry in My Artistic Work Section 3 Mathematics and Art; 13 Local/Global in Mathematics and Painting; 14 Visual Knots: Concerning Geometry and Visuality in the Work of Marcel Duchamp; 15 Lunda Symmetry: Where Geometry Meets Art; 16 Four-Dimensional Space or Space-Time? The Emergence of the Cubism-Relativity Myth in New York in the 1940's; 17 "Reverse Perspective": Historical Fallacies and an Alternative View; 18 Four-Dimensional Projection: Art and Reality; 19 Rational Design versus Artistic Intuition in Stained-Glass Art Section 4 Geometry, Computer Graphics, and Art20 Dynamics, Chaos, and Design; 21 Paul Klee on Computer: Biomathematical Models Help Us Understand His Work; 22 Parameterized Sculpture Families; 23 The Aesthetic Value of Optimal Geometry; Section 5 Mathematics, Visualization, and Cinema; 24 Mathematics and Cinema; 25 Some Organizing Principles; 26 Figures and Characters in the Great Book of Nature; 27 Circle Packings and the Sacred Lotus; 28 Meander Mazes on Polysphericons; Contributors; Name Index; Subject Index |
| Record Nr. | UNINA-9910777900703321 |
| Cambridge, Mass., : MIT Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The visual mind II / / edited by Michele Emmer
| The visual mind II / / edited by Michele Emmer |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, c2005 |
| Descrizione fisica | 1 online resource (717 p.) |
| Disciplina | 701/.5 |
| Altri autori (Persone) | EmmerMichele |
| Collana | Leonardo |
| Soggetto topico |
Art - Mathematics
Geometry Aesthetics |
| ISBN |
0-262-31145-3
1-282-09757-1 0-262-27234-2 9786612097577 1-4294-1301-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Introduction; Section 1 Mathematics and Aesthetics; 1 The Phenomenology of Mathematical Beauty; 2 Mathematical Beauty and the Evolution of the Standards of Mathematical Proof; 3 Aesthetics for Computers, or How to Measure Harmony; 4 Visual Mathematics: Mathematics and Art; Section 2 Geometry and Art; 5 Life through Art; 6 John Robinson's Symbolic Sculptures: Knots and Mathematics; 7 Geometries of Curvature and Their Aesthetics; 8 Poetry in Curves: The Guggenheim Museum in Bilbao; 9 Eightfold Way: The Sculpture; 10 The Geometric Aesthetic; 11 Art and the Age of the Sciences
12 Some Aspects of the Use of Geometry in My Artistic Work Section 3 Mathematics and Art; 13 Local/Global in Mathematics and Painting; 14 Visual Knots: Concerning Geometry and Visuality in the Work of Marcel Duchamp; 15 Lunda Symmetry: Where Geometry Meets Art; 16 Four-Dimensional Space or Space-Time? The Emergence of the Cubism-Relativity Myth in New York in the 1940's; 17 "Reverse Perspective": Historical Fallacies and an Alternative View; 18 Four-Dimensional Projection: Art and Reality; 19 Rational Design versus Artistic Intuition in Stained-Glass Art Section 4 Geometry, Computer Graphics, and Art20 Dynamics, Chaos, and Design; 21 Paul Klee on Computer: Biomathematical Models Help Us Understand His Work; 22 Parameterized Sculpture Families; 23 The Aesthetic Value of Optimal Geometry; Section 5 Mathematics, Visualization, and Cinema; 24 Mathematics and Cinema; 25 Some Organizing Principles; 26 Figures and Characters in the Great Book of Nature; 27 Circle Packings and the Sacred Lotus; 28 Meander Mazes on Polysphericons; Contributors; Name Index; Subject Index |
| Record Nr. | UNINA-9910812528303321 |
| Cambridge, Mass., : MIT Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||