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Compelling visuality [[electronic resource] ] : the work of art in and out of history / / Claire Farago and Robert Zwijnenberg, editors
| Compelling visuality [[electronic resource] ] : the work of art in and out of history / / Claire Farago and Robert Zwijnenberg, editors |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2003 |
| Descrizione fisica | 1 online resource (256 p.) |
| Disciplina | 701/.18 |
| Altri autori (Persone) |
FaragoClaire J
ZwijnenbergRobert <1954-> |
| Soggetto topico |
Art and history
Art criticism Visual perception |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-9460-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Art History after Aesthetics: A Provocative Introduction; ONE: Ecstatic Aesthetics: Metaphoring Bernini; TWO: Before the Image, Before Time: The Sovereignty of Anachronism; THREE: Aesthetics before Art: Leonardo through the Looking Glass; FOUR: Touching the Face: The Ethics of Visuality between Levinas and a Rembrandt Self-Portrait; FIVE: Presence and Absence: On Leonardo da Vinci's Saint John the Baptist; SIX: Rococo as the Dissipation of Boredom; SEVEN: Mourning and Method; EIGHT: A Guide to Interpretation: Art Historical Hermeneutics; NINE: Seeing Soane Seeing You; Contributors |
| Record Nr. | UNINA-9910452165603321 |
| Minneapolis, : University of Minnesota Press, c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Compelling visuality [[electronic resource] ] : the work of art in and out of history / / Claire Farago and Robert Zwijnenberg, editors
| Compelling visuality [[electronic resource] ] : the work of art in and out of history / / Claire Farago and Robert Zwijnenberg, editors |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2003 |
| Descrizione fisica | 1 online resource (256 p.) |
| Disciplina | 701/.18 |
| Altri autori (Persone) |
FaragoClaire J
ZwijnenbergRobert <1954-> |
| Soggetto topico |
Art and history
Art criticism Visual perception |
| ISBN | 0-8166-9460-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Art History after Aesthetics: A Provocative Introduction; ONE: Ecstatic Aesthetics: Metaphoring Bernini; TWO: Before the Image, Before Time: The Sovereignty of Anachronism; THREE: Aesthetics before Art: Leonardo through the Looking Glass; FOUR: Touching the Face: The Ethics of Visuality between Levinas and a Rembrandt Self-Portrait; FIVE: Presence and Absence: On Leonardo da Vinci's Saint John the Baptist; SIX: Rococo as the Dissipation of Boredom; SEVEN: Mourning and Method; EIGHT: A Guide to Interpretation: Art Historical Hermeneutics; NINE: Seeing Soane Seeing You; Contributors |
| Record Nr. | UNINA-9910784114503321 |
| Minneapolis, : University of Minnesota Press, c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Compelling visuality [[electronic resource] ] : the work of art in and out of history / / Claire Farago and Robert Zwijnenberg, editors
| Compelling visuality [[electronic resource] ] : the work of art in and out of history / / Claire Farago and Robert Zwijnenberg, editors |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2003 |
| Descrizione fisica | 1 online resource (256 p.) |
| Disciplina | 701/.18 |
| Altri autori (Persone) |
FaragoClaire J
ZwijnenbergRobert <1954-> |
| Soggetto topico |
Art and history
Art criticism Visual perception |
| ISBN | 0-8166-9460-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Art History after Aesthetics: A Provocative Introduction; ONE: Ecstatic Aesthetics: Metaphoring Bernini; TWO: Before the Image, Before Time: The Sovereignty of Anachronism; THREE: Aesthetics before Art: Leonardo through the Looking Glass; FOUR: Touching the Face: The Ethics of Visuality between Levinas and a Rembrandt Self-Portrait; FIVE: Presence and Absence: On Leonardo da Vinci's Saint John the Baptist; SIX: Rococo as the Dissipation of Boredom; SEVEN: Mourning and Method; EIGHT: A Guide to Interpretation: Art Historical Hermeneutics; NINE: Seeing Soane Seeing You; Contributors |
| Record Nr. | UNINA-9910819544203321 |
| Minneapolis, : University of Minnesota Press, c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dialectical passions [[electronic resource] ] : negation in postwar art theory / / Gail Day
| Dialectical passions [[electronic resource] ] : negation in postwar art theory / / Gail Day |
| Autore | Day Gail |
| Pubbl/distr/stampa | New York, : Columbia University Press, c2011 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 701/.18 |
| Collana | Columbia themes in philosophy, social criticism, and the arts |
| Soggetto topico |
Art, Modern - 20th century - Philosophy
Art, Modern - 21st century - Philosophy Negation (Logic) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-00882-3
9786613008824 0-231-52062-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | T.J. Clark and the pain of the unattainable beyond -- Looking the negative in the face : Manfredo Tafuri and the Venice school of architecture -- Absolute dialectical unrest, or, The dizziness of a perpetually self-engendered disorder -- The immobilization of "social abstraction" -- Afterword : hotel utopia. |
| Record Nr. | UNINA-9910458724303321 |
Day Gail
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| New York, : Columbia University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dialectical passions [[electronic resource] ] : negation in postwar art theory / / Gail Day
| Dialectical passions [[electronic resource] ] : negation in postwar art theory / / Gail Day |
| Autore | Day Gail |
| Pubbl/distr/stampa | New York, : Columbia University Press, c2011 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 701/.18 |
| Collana | Columbia themes in philosophy, social criticism, and the arts |
| Soggetto topico |
Art, Modern - 20th century - Philosophy
Art, Modern - 21st century - Philosophy Negation (Logic) |
| ISBN |
1-283-00882-3
9786613008824 0-231-52062-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | T.J. Clark and the pain of the unattainable beyond -- Looking the negative in the face : Manfredo Tafuri and the Venice school of architecture -- Absolute dialectical unrest, or, The dizziness of a perpetually self-engendered disorder -- The immobilization of "social abstraction" -- Afterword : hotel utopia. |
| Record Nr. | UNINA-9910791596803321 |
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Day Gail
|
||
| New York, : Columbia University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dialectical passions : negation in postwar art theory / / Gail Day
| Dialectical passions : negation in postwar art theory / / Gail Day |
| Autore | Day Gail |
| Pubbl/distr/stampa | New York, : Columbia University Press, c2011 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 701/.18 |
| Collana | Columbia themes in philosophy, social criticism, and the arts |
| Soggetto topico |
Art, Modern - 20th century - Philosophy
Art, Modern - 21st century - Philosophy Negation (Logic) |
| ISBN |
1-283-00882-3
9786613008824 0-231-52062-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | T.J. Clark and the pain of the unattainable beyond -- Looking the negative in the face : Manfredo Tafuri and the Venice school of architecture -- Absolute dialectical unrest, or, The dizziness of a perpetually self-engendered disorder -- The immobilization of "social abstraction" -- Afterword : hotel utopia. |
| Record Nr. | UNINA-9910824203603321 |
|
Day Gail
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||
| New York, : Columbia University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Interpreting art in museums and galleries / / Christopher Whitehead
| Interpreting art in museums and galleries / / Christopher Whitehead |
| Autore | Whitehead Christopher <1972-, > |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Abingdon, Oxon [England] ; ; New York, N.Y. : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (213 p.) |
| Disciplina | 701/.18 |
| Soggetto topico |
Art museums - Educational aspects
Art - Study and teaching Art - Social aspects Art appreciation |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-43483-0
9786613434838 1-136-50614-4 0-203-14561-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Interpreting Art in Museums and Galleries; Copyright Page; Contents; List of figures; Preface; Part I: Introductory mappings; 1. What is art interpretation? Why interpret art?; 2. The cultural cartography of the museum; 3. Matters of interpretation: materiality, authority, chronology; Part II: Interpretive practice today; 4. Interpretive frames: historical figurative art; 5. Interpretive frames: modern, contemporary and non-figurative art; 6. Case studies: institutional approaches to historical art; 7. Case studies: institutional approaches to contemporary art
8. Interpretive futuresNotes; References; Index |
| Record Nr. | UNINA-9910457427203321 |
|
Whitehead Christopher <1972-, >
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||
| Abingdon, Oxon [England] ; ; New York, N.Y. : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Interpreting art in museums and galleries / / Christopher Whitehead
| Interpreting art in museums and galleries / / Christopher Whitehead |
| Autore | Whitehead Christopher <1972-, > |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Abingdon, Oxon [England] ; ; New York, N.Y. : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (213 p.) |
| Disciplina | 701/.18 |
| Soggetto topico |
Art museums - Educational aspects
Art - Study and teaching Art - Social aspects Art appreciation |
| ISBN |
1-136-50613-6
1-283-43483-0 9786613434838 1-136-50614-4 0-203-14561-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Interpreting Art in Museums and Galleries; Copyright Page; Contents; List of figures; Preface; Part I: Introductory mappings; 1. What is art interpretation? Why interpret art?; 2. The cultural cartography of the museum; 3. Matters of interpretation: materiality, authority, chronology; Part II: Interpretive practice today; 4. Interpretive frames: historical figurative art; 5. Interpretive frames: modern, contemporary and non-figurative art; 6. Case studies: institutional approaches to historical art; 7. Case studies: institutional approaches to contemporary art
8. Interpretive futuresNotes; References; Index |
| Record Nr. | UNINA-9910778814503321 |
|
Whitehead Christopher <1972-, >
|
||
| Abingdon, Oxon [England] ; ; New York, N.Y. : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Interpreting art in museums and galleries / / Christopher Whitehead
| Interpreting art in museums and galleries / / Christopher Whitehead |
| Autore | Whitehead Christopher <1972-, > |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Abingdon, Oxon [England] ; ; New York, N.Y. : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (213 p.) |
| Disciplina | 701/.18 |
| Soggetto topico |
Art museums - Educational aspects
Art - Study and teaching Art - Social aspects Art appreciation |
| ISBN |
1-136-50613-6
1-283-43483-0 9786613434838 1-136-50614-4 0-203-14561-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Interpreting Art in Museums and Galleries; Copyright Page; Contents; List of figures; Preface; Part I: Introductory mappings; 1. What is art interpretation? Why interpret art?; 2. The cultural cartography of the museum; 3. Matters of interpretation: materiality, authority, chronology; Part II: Interpretive practice today; 4. Interpretive frames: historical figurative art; 5. Interpretive frames: modern, contemporary and non-figurative art; 6. Case studies: institutional approaches to historical art; 7. Case studies: institutional approaches to contemporary art
8. Interpretive futuresNotes; References; Index |
| Record Nr. | UNINA-9910820945303321 |
|
Whitehead Christopher <1972-, >
|
||
| Abingdon, Oxon [England] ; ; New York, N.Y. : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Key writers on art / / edited by Chris Murray
| Key writers on art / / edited by Chris Murray |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2003 |
| Descrizione fisica | 1 online resource (266 p.) |
| Disciplina | 701/.18 |
| Altri autori (Persone) | MurrayChris <1951-> |
| Collana | Routledge key guides |
| Soggetto topico |
Art criticism
Criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-54590-8
1-282-76857-3 9786612768576 0-203-98698-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
KEY WRITERS ON ART: FROM ANTIQUITY TO THE NINETEENTH CENTURY; Copyright; Chronological List of Contents; Alphabetical List of Contents; Contributors; Preface; Key Writers On Art: From Antiquity To The Nineteenth Century; Plato(427-347 BC); Aristotle(384-322 BC); Plotinus (204/5-70 AD); Augustine(354-430); Alcuin (c. 735-804) and Theodulf Of Orleans (died 821); Suger (1081-1151) and Bernard Of Clairvaux (1090-1153); Thomas Aquinas (1225-74); Cennino Cennini (c. 1360-before 1427); Lorenzo Ghiberti (1378-1455); Leon Battista Alberti (1404-72); Leonardo da Vinci (1452-1519)
Michelangelo Buonarroti (1475-1564)Pietro Aretino (1492-1556), Paolo Pino (fl. 1534-65) and Lodovico Dolce (1508-68); Giorgio Vasari (1511-74); Giovan Paolo Lomazzo (1538-1600) and Federico Zuccaro(1543-1609); Karel van Mander (1548-1606); Giovanni Pietro Bellori (1615-96); Andre Felibien (1619-95); Roger De Piles (1635-1709); Earl Of Shaftesbury (1671-1713); William Hogarth (1697-1764); Denis Diderot (1713-84); Johann Joachim Winckelmann (1717-68); Joshua Reynolds (1723-92); Immanuel Kant (1724-1804); Edmund Burke (1729-97); Gotthold Lessing (1729-81); Friedrich Schiller (1759-1805) G.W.F.Hegel (1770-1831)Arthur Schopenhauer (1788-1860); Soren Kierkegaard (1813-55); Karl Marx (1818-83); Jacob Burckhardt (1818-97); John Ruskin (1819-1900); Eugene Fromentin (1820-76); Charles Baudelaire (1821-67); Edmond (1822-96) and Jules (1830-70) De Goncourt; Hippolyte Taine (1828-93); Leo Tolstoy (1828-1910); William Morris (1834-96); Walter Pater (1839-94); Friendrich Nietzsche (1844-1900); Alois Riegl (1858-1905); Index |
| Record Nr. | UNINA-9910451347403321 |
| London ; ; New York : , : Routledge, , 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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