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Biennials, triennials, and documenta : the exhibitions that created contemporary art / / Charles Green and Anthony Gardner
| Biennials, triennials, and documenta : the exhibitions that created contemporary art / / Charles Green and Anthony Gardner |
| Autore | Green Charles <1953-> |
| Edizione | [1] |
| Pubbl/distr/stampa | Chichester, West Sussex, United Kingdom : , : John Blackwell, , 2016 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 701/.0309048 |
| Soggetto topico |
Art and globalization - History - 20th century
Art and globalization - History - 21st century Biennials - History |
| ISBN |
1-4443-3665-7
1-119-21267-7 1-119-21266-9 |
| Classificazione | BUS100000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Frontispiece; Title Page; Copyright; Preface; Introduction; Why Biennials?; Part 1. The Second Wave; Part 2. The Politics of Legitimacy; Part 3. Hegemony or a New Canon; The Cultural Geography of Biennials; Notes; Part 1: The Second Wave; 1: 1972: The Rise of the Star-Curator; Introduction; Preparation for a Walk-Through Event Structure; "Therapy Has Changed and No Longer Encourages Copious Art Production"; "The Most Important Exhibition of Recent Years"; Conclusion; Notes; 2: 1979: Cultural Translation, Cultural Exclusion, and the Second Wave
Introduction: Biennials as Models for Cultural EncountersFounding the Sydney Biennale; White Elephant or Red Herring? Selecting the 1979 Biennale of Sydney; Import/Export: Sydney and São Paulo; Conclusion; Notes; 3: 1986: The South and the Edges of the Global; Introduction: Origin Stories; A Brief History of Southern Biennials; The Second Bienal de La Habana; Conclusion: The Stakes of Southern Histories; Notes; Part 2: The Politics of Legitimacy; 4: 1989: Asian Biennialization; Introduction; Experimental Versus Traditional Art: "Traditions/Tensions"; Conclusion; Notes 5: 1997: Biennials, Migration, and ItinerancyIntroduction; Manifesta and Critical Regionalism; Locality Fails: The 2nd Johannesburg Biennale; By Way of Conclusion: The Emergency Biennale in Chechnya; Notes; Part 3: Hegemony or a New Canon; 6: 2002: Cosmopolitanism; Introduction; The Five-Year Subaltern Plan; Black Box, White Cube; Conclusion; Notes; 7: 2003: Delegating Authority; Introduction; Tirana: "Opening Up the Conversation"; Escape; Curating by Delegation: The 50th Venice Biennale: The Dictatorship of the Viewer; "Counterbalance the Decadence of the Ancient City" "Outmoded Structure of National Pavilions and Theme Exhibitions"Conclusion; Notes; 8: 2014: Global Art Circuits; Introduction; The Game of Comparison and Competition; Negotiated Inequality; Contemporary Play Time; Coda: 2014; Notes; 9: Conclusion; Notes; Index; EULA |
| Record Nr. | UNINA-9910136421803321 |
Green Charles <1953->
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| Chichester, West Sussex, United Kingdom : , : John Blackwell, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Re-envisioning the contemporary art canon : perspectives in a global world / / edited by Ruth E. Iskin
| Re-envisioning the contemporary art canon : perspectives in a global world / / edited by Ruth E. Iskin |
| Pubbl/distr/stampa | New York : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (338 pages) : illustrations |
| Disciplina | 701/.0309048 |
| Altri autori (Persone) | IskinRuth |
| Soggetto topico |
Art and globalization - History - 20th century
Art and globalization - History - 21st century Canon (Art) |
| ISBN |
1-315-63977-7
1-317-27504-7 1-317-27503-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : re-envisioning the canon : are pluriversal canons possible? / Ruth E. Iskin -- Claude Cahun and Marcel Moore : casualties of a backfiring canon? / Tirza True Latimer -- Jean-Michel Basquiat and the American art canon / Jordana Moore Saggese -- Sheila Hicks and the consecration of fiber art / Elissa Auther -- The elephant in the church : Ai Weiwei, the media circus and the global canon / Wenny Teo -- El Anatsui's abstractions : transformations, analogies and the new global / Elizabeth Harney -- The apotheosis of video art / William Kaizen -- Performance art : part of the canon? / Jennie Klein -- Street art : critique, commodification, canonization / Paula J. Birnbaum -- New media art and canonization : a round-robin conversation / Sarah Cook with Karin de Wild -- On the canon of exhibition history / Felix Vogel -- Canonizing Hitler's "degenerate art" in three American exhibitions, 1939-1942 / Jennifer McComas -- Museum relations / Martha Buskirk -- The commodification of the contemporary artist and high-profile solo exhibition : the case of Takashi Murakami / Ronit Milano -- Troubling canons : curating and exhibiting women's and feminist art, a roundtable discussion / Helena Reckitt -- The contemporary art canon and the market : a roundtable discussion / Jonathan T.D. Neil. |
| Record Nr. | UNINA-9910155122903321 |
| New York : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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