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Art''s Emotions [[electronic resource] ] : Ethics, Expression and Aesthetic Experience
| Art''s Emotions [[electronic resource] ] : Ethics, Expression and Aesthetic Experience |
| Autore | Freeman Damien |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2014 |
| Descrizione fisica | 1 online resource (223 p.) |
| Disciplina | 700.1/9 |
| Soggetto topico |
Arts - Psychological aspects
Emotions in art Art and morals Aesthetics - Psychological aspects |
| ISBN |
1-315-72998-9
1-317-54756-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Half Title; Title Page; Copyright Page; Dedication ; Table of Contents; Acknowledgements; Introduction; 1. The emotional economy; 2. Perception of emotion in the world; 3. The varieties of emotional experience; 4. Art and the plenary experience of emotion; 5. The value of art and the practice of life; Conclusion; Notes; Bibliography; Index |
| Record Nr. | UNINA-9910791150903321 |
Freeman Damien
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| Hoboken, : Taylor and Francis, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art''s Emotions [[electronic resource] ] : Ethics, Expression and Aesthetic Experience
| Art''s Emotions [[electronic resource] ] : Ethics, Expression and Aesthetic Experience |
| Autore | Freeman Damien |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2014 |
| Descrizione fisica | 1 online resource (223 p.) |
| Disciplina | 700.1/9 |
| Soggetto topico |
Arts - Psychological aspects
Emotions in art Art and morals Aesthetics - Psychological aspects |
| ISBN |
1-315-72998-9
1-317-54756-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Half Title; Title Page; Copyright Page; Dedication ; Table of Contents; Acknowledgements; Introduction; 1. The emotional economy; 2. Perception of emotion in the world; 3. The varieties of emotional experience; 4. Art and the plenary experience of emotion; 5. The value of art and the practice of life; Conclusion; Notes; Bibliography; Index |
| Record Nr. | UNINA-9910815194903321 |
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Freeman Damien
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| Hoboken, : Taylor and Francis, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Feeling beauty [[electronic resource] ] : the neuroscience of aesthetic experience / / G. Gabrielle Starr
| Feeling beauty [[electronic resource] ] : the neuroscience of aesthetic experience / / G. Gabrielle Starr |
| Autore | Starr G. Gabrielle <1974-> |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, 2013 |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 700.1/9 |
| Soggetto topico |
Neurosciences and the arts
Aesthetics |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-262-52744-8
0-262-31544-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Aesthetics, Neuroaesthetics, and the Sister Arts -- Seen and Heard: A Model for the Sister Arts -- Aesthetics Beyond the Mind's Eye: Imagery and the Sister Arts -- Toward a Dynamic Aesthetics: the Sister Arts and Beyond. |
| Record Nr. | UNINA-9910452663203321 |
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Starr G. Gabrielle <1974->
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||
| Cambridge, Mass., : MIT Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Feeling beauty : the neuroscience of aesthetic experience / / G. Gabrielle Starr
| Feeling beauty : the neuroscience of aesthetic experience / / G. Gabrielle Starr |
| Autore | Starr G. Gabrielle <1974-> |
| Pubbl/distr/stampa | Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2013] |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 700.1/9 |
| Soggetto topico |
Neurosciences and the arts
Aesthetics |
| Soggetto non controllato |
ARTS/General
COGNITIVE SCIENCES/General |
| ISBN |
0-262-31545-9
0-262-52744-8 0-262-31544-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Aesthetics, Neuroaesthetics, and the Sister Arts -- Seen and Heard: A Model for the Sister Arts -- Aesthetics Beyond the Mind's Eye: Imagery and the Sister Arts -- Toward a Dynamic Aesthetics: the Sister Arts and Beyond. |
| Altri titoli varianti | Neuroscience of aesthetic experience |
| Record Nr. | UNINA-9910779702503321 |
|
Starr G. Gabrielle <1974->
|
||
| Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Feeling beauty : the neuroscience of aesthetic experience / / G. Gabrielle Starr
| Feeling beauty : the neuroscience of aesthetic experience / / G. Gabrielle Starr |
| Autore | Starr G. Gabrielle <1974-> |
| Pubbl/distr/stampa | Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2013] |
| Descrizione fisica | 1 online resource (297 p.) |
| Disciplina | 700.1/9 |
| Soggetto topico |
Neurosciences and the arts
Aesthetics |
| Soggetto non controllato |
ARTS/General
COGNITIVE SCIENCES/General |
| ISBN |
0-262-31545-9
0-262-52744-8 0-262-31544-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Aesthetics, Neuroaesthetics, and the Sister Arts -- Seen and Heard: A Model for the Sister Arts -- Aesthetics Beyond the Mind's Eye: Imagery and the Sister Arts -- Toward a Dynamic Aesthetics: the Sister Arts and Beyond. |
| Altri titoli varianti | Neuroscience of aesthetic experience |
| Record Nr. | UNINA-9910824338503321 |
|
Starr G. Gabrielle <1974->
|
||
| Cambridge, Massachusetts ; ; London, England : , : The MIT Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Moving imagination [[electronic resource] ] : explorations of gesture and inner movement / / edited by Helena De Preester
| Moving imagination [[electronic resource] ] : explorations of gesture and inner movement / / edited by Helena De Preester |
| Pubbl/distr/stampa | Amsterdam, : John Benjamins Pub. Co., 2013 |
| Descrizione fisica | 1 online resource (326 p.) |
| Disciplina | 700.1/9 |
| Altri autori (Persone) | PreesterHelena de |
| Collana | Advances in consciousness research |
| Soggetto topico |
Mind and body
Human beings - Attitude and movement Arts - Psychological aspects Arts audiences - Psychology |
| Soggetto genere / forma | Electronic books. |
| ISBN | 90-272-7200-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910462891203321 |
| Amsterdam, : John Benjamins Pub. Co., 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Moving imagination [[electronic resource] ] : explorations of gesture and inner movement / / edited by Helena De Preester
| Moving imagination [[electronic resource] ] : explorations of gesture and inner movement / / edited by Helena De Preester |
| Pubbl/distr/stampa | Amsterdam, : John Benjamins Pub. Co., 2013 |
| Descrizione fisica | 1 online resource (326 p.) |
| Disciplina | 700.1/9 |
| Altri autori (Persone) | PreesterHelena de |
| Collana | Advances in consciousness research |
| Soggetto topico |
Mind and body
Human beings - Attitude and movement Arts - Psychological aspects Arts audiences - Psychology |
| ISBN | 90-272-7200-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910786969303321 |
| Amsterdam, : John Benjamins Pub. Co., 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Moving imagination : explorations of gesture and inner movement / / edited by Helena De Preester
| Moving imagination : explorations of gesture and inner movement / / edited by Helena De Preester |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam, : John Benjamins Pub. Co., 2013 |
| Descrizione fisica | 1 online resource (326 p.) |
| Disciplina | 700.1/9 |
| Altri autori (Persone) | PreesterHelena de |
| Collana | Advances in consciousness research |
| Soggetto topico |
Mind and body
Human beings - Attitude and movement Arts - Psychological aspects Arts audiences - Psychology |
| ISBN | 90-272-7200-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Moving Imagination -- Editiorial page -- Title page -- LCC data -- Table of Contents -- Moving imagination -- Headlines and themes -- Helena De Preester -- Bodily resonance -- Maxine Sheets-Johnstone -- The moving body -- Gestural recreation of the world in drama -- Xavier Escribano -- Movement, gesture, and meaning -- A sensorimotor model for audience engagement with dance -- William P. Seeley -- Achieved spontaneity and spectator's performative experience - The motor dimension of the actor-spectator relationship -- Gabriele Sofia -- The digital body in contemporary American cinema -- Marco Luceri -- Embodiment -- Technologies and musics -- Don Ihde -- Is gesture knowledge? A philosophical approach to the epistemology of musical gestures -- Michael Funk & -- Mark Coeckelbergh -- Sound in film as an inner movement -- Towards embodied listening strategies -- Martine Huvenne -- Body English -- kinaesthetic empathy, dance and the art of Len Lye -- Michael Parmenter -- The Somatic in Kinetic Sculpture -- from Len Lye to an Introverted Kinetic Sculpture (via Donna Haraway's cyborg) -- Laura Woodward -- Edgar Degas -- Modelling movement. Being in the body -- Boris Wiseman & -- Jonathan Cole -- Time lines -- The temporal dimension of marking -- David Rosand -- Styles of observation and embodiment -- Using drawing to understand Robert Morris' Untitled 3 L-Beams (1965) -- Francis Halsall -- Cy Twombly -- Gesture, space, and writing -- Rajiv Kaushik -- Pre-motor and motor activities in early medieval handwriting -- Jan W. M. van Zwieten & -- Koos Jaap van Zwieten -- The neurophenomenology of gesture in the art of Henri Michaux -- Jay Hetrick -- Moving without moving -- A first-person experiential phenomenological approach -- Natalie Depraz -- The "I cannot, but it can" of aesthetic perception -- Erica Harris -- Moving imagination.
Bodily resonance -- 1. Introduction -- 2. Thinking in movement -- 3. The imaginative consciousness of movement -- 4. The question of mirror neurons -- 5. Experiential evidence -- References -- The moving body -- 1. Introduction -- 2. Lecoq and the poetry of motion in space -- 3. Mimism and the dynamics of meaning -- 4. Conclusion -- References -- Movement, gesture, and meaning -- 1. What is the neuroscience of art? -- 2. What is the neuroscience of dance? -- 3. Art, aesthetics, and the neuroscience of dance -- 4. Art, meaning, and perception -- 5. A sensorimotor model for audience engagement with dance -- 6. The neuroscience of dance redux -- References -- Achieved spontaneity and spectator's performative experience - The motor dimension of the actor-spectator relationship -- 1. Introduction -- 2. Entailed hypotheses and methodologies -- 3. Determination of the matter of the research -- 4. The actor's creative processes and their motor dimension -- 5. Motor dynamics of believable action -- 6. Surprising and suspending. The actor's advantage over the spectator -- 7. Foreseeing and anticipating: The spectator's advantage over the actor -- 8. Fragmentation and reconstruction: The artificial body schema -- 9. The spectator's performative experience -- 10. Conclusions -- References -- The digital body in contemporary American cinema -- 1. A transformation of American cinema -- 2. Second lives -- 3. Body, space, movement, image, acting: From theatre to cinema -- 4. To be or not to be: The actor, the spectator and the representation of movement -- 5. Conclusion -- References -- Embodiment -- 1. Introduction -- 2. Where we are -- 3. Where does music come from? -- 4. A phenomenology of instrumentation -- 5. Instrumental trajectories -- 6. Digital postmodernism -- 7. Phenomenological reprise -- 8. Musics from beyond hearing -- References. Is gesture knowledge? A philosophical approach to the epistemology of musical gestures -- 1. Introduction -- 2. Musical gestures as subject of musical scholarship and interdisciplinary research -- 3. Classical epistemology and propositional knowledge -- 4. Implicit knowledge -- 5. Gesture as critique on cartesian dualism -- 6. Musical gestures and technologies -- 7. Musical gestures as cultural and social phenomenon -- 8. Conclusion -- References -- Sound in film as an inner movement -- 1. Introduction -- 2. Existing views on sound in film -- 3. Sound in film as an audible dynamic energetic movement -- 4. Different listening strategies provoking different kinds of imagination -- 5. Different kinds of images evoked by listening to sound -- 6. Listening to a recorded sound as such -- 7. Conclusion -- References -- Body English -- 1. Len Lye and the dance -- 2. Kinaesthetic empathy in dance -- 3. Len Lye's conception of aesthetic reception -- 4. The double movement of introjection and projection -- References -- The Somatic in Kinetic Sculpture -- 1. Introduction -- 2. The art that moves -- 3. The introverted kinetic sculpture -- 4. From Len Lye to an introverted kinetic sculpture -- 5. In conclusion -- References -- Edgar Degas -- 1. Freezing movement -- 2. Moments of being -- 3. Degas's development -- 4. Lessons from loss -- proprioception and embodiment -- 5. Microscopies -- References -- Time lines -- References -- Styles of observation and embodiment -- 1. Introduction -- 2. Why I can't draw -- 3. Untitled, 3 L-Beams -- 4. Drawing is a process -- 5. Drawing and medium specificity -- 6. Showing drawing as an embodied practice: Morris' Blind Time Drawings -- 7. Conclusion -- References -- Cy Twombly -- 1. Rendering the process of mark-making -- 2. The body's intentions opened up into mark-making -- 3. Language/writing - gesture -- References. Pre-motor and motor activities in early medieval handwriting -- 1. Introduction - The beatrice saga -- 2. Movements of inner organs -- 3. Handwriting and neuromotor characteristics -- 4. Traces of emotion in a handwritten text -- 5. Historical backgrounds of the text -- 6. Preliminary screening of character size and regularity -- 7. Further analyses, results and conclusions -- 8. Discussion -- 9. Summary -- Acknowledgements -- References -- The neurophenomenology of gesture in the art of Henri Michaux -- 1. From gesture to the pre-gestural -- 2. Michaux's mescaline work as a model for neurophenomenology -- References -- Moving without moving -- 1. Introduction -- 2. Two contrasted third person philosophical phenomenological accounts of the "inner move" -- 2.1 Merleau-Ponty: From kinaesthesia to motricity -- 2.2 Michel Henry and self-affection -- 3. Two first person experiential phenomenological accounts of "inner move" -- 3.1 From a third person to a first person approach -- 3.2 Meditation: Moving while remaining still -- 3.3 Manual fasciatherapy: Experiencing one's inner moves thanks to the other's hand-move -- 4. Crossing third person and first person phenomenological approaches: Emergent subcategories of "inner move" -- References -- The "I cannot, but it can" of aesthetic perception -- 1. The personal body and its spatiality: I can -- 2. Introducing the I cannot -- 3. The I cannot and non-representational art -- 4. A non-dualistic solution to the problem of the I cannot -- References -- Name index -- Subject index. |
| Record Nr. | UNINA-9910818249903321 |
| Amsterdam, : John Benjamins Pub. Co., 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Reductionism in art and brain science : bridging the two cultures / / Eric R. Kandel
| Reductionism in art and brain science : bridging the two cultures / / Eric R. Kandel |
| Autore | Kandel Eric R. |
| Pubbl/distr/stampa | New York : , : Columbia University Press, , 2016 |
| Descrizione fisica | 1 online resource (237 pages) : illustrations, photographs |
| Disciplina | 700.1/9 |
| Soggetto topico |
Art - Psychology
Reductionism Visual perception Neurosciences and the arts |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-231-54208-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Part 1. The Two Cultures Meet in the New York School -- Introduction -- Chapter 1. The Emergence of an Abstract School of Art in New York -- Part 2. A Reductionist Approach to Brain Science -- Chapter 2. The Beginning of a Scientific Approach to the Perception of Art -- Chapter 3. The Biology of the Beholder’s Share -- Chapter 4. The Biology of Learning and Memory -- Part 3. A Reductionist Approach to Art -- Chapter 5. Reductionism in the Emergence of Abstract Art -- Chapter 6. Mondrian and the Radical Reduction of the Figurative Image -- Chapter 7. The New York School of Painters -- Chapter 8. How the Brain Processes and Perceives Abstract Images -- Chapter 9. From Figuration to Color Abstraction -- Chapter 10. Color and the Brain -- Chapter 11. A Focus On Light -- Chapter 12. A Reductionist Influence On Figuration -- Part 4. The Emerging Dialogue Between Abstract Art and Science -- Chapter 13. Why is Reductionism Successful in Art? -- Chapter 14. A Return to the Two Cultures -- Acknowledgments -- Notes -- References -- Illustration Credits -- Index |
| Record Nr. | UNINA-9910466048703321 |
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Kandel Eric R.
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| New York : , : Columbia University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Reductionism in art and brain science : bridging the two cultures / / Eric R. Kandel
| Reductionism in art and brain science : bridging the two cultures / / Eric R. Kandel |
| Autore | Kandel Eric R. |
| Pubbl/distr/stampa | New York : , : Columbia University Press, , 2016 |
| Descrizione fisica | 1 online resource (237 pages) : illustrations, photographs |
| Disciplina | 700.1/9 |
| Soggetto topico |
Art - Psychology
Reductionism Visual perception Neurosciences and the arts |
| ISBN | 0-231-54208-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Part 1. The Two Cultures Meet in the New York School -- Introduction -- Chapter 1. The Emergence of an Abstract School of Art in New York -- Part 2. A Reductionist Approach to Brain Science -- Chapter 2. The Beginning of a Scientific Approach to the Perception of Art -- Chapter 3. The Biology of the Beholder’s Share -- Chapter 4. The Biology of Learning and Memory -- Part 3. A Reductionist Approach to Art -- Chapter 5. Reductionism in the Emergence of Abstract Art -- Chapter 6. Mondrian and the Radical Reduction of the Figurative Image -- Chapter 7. The New York School of Painters -- Chapter 8. How the Brain Processes and Perceives Abstract Images -- Chapter 9. From Figuration to Color Abstraction -- Chapter 10. Color and the Brain -- Chapter 11. A Focus On Light -- Chapter 12. A Reductionist Influence On Figuration -- Part 4. The Emerging Dialogue Between Abstract Art and Science -- Chapter 13. Why is Reductionism Successful in Art? -- Chapter 14. A Return to the Two Cultures -- Acknowledgments -- Notes -- References -- Illustration Credits -- Index |
| Record Nr. | UNINA-9910798700003321 |
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Kandel Eric R.
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| New York : , : Columbia University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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