Abécédaire du Web : 26 concepts pour comprendre la création sur Internet / / Joanne Lalonde |
Autore | Lalonde Joanne <1960-> |
Pubbl/distr/stampa | Baltimore, Maryland : , : Project Muse, , 2013 |
Descrizione fisica | 1 online resource (135 p.) |
Disciplina | 700.1/05 |
Soggetto topico |
Digital art
Art and technology |
Soggetto genere / forma | Electronic books. |
ISBN | 2-7605-3537-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | fre |
Nota di contenuto |
Intro -- L'auteure -- Remerciements -- Introduction -- Activisme -- Un courant, le cyberféminisme -- Une forme d'expression, le manifeste -- Les formes allégoriques de la guerre et de la terreur -- Liens -- Références -- Biographie -- Un courant, la mythographie -- Les récits du soi -- Une oeuvre emblématique, Mouchette -- Liens -- Références -- Citation -- La reprise collective -- Liens -- Références -- Document -- L'archive comme mode d'organisation narrative -- Liens -- Références -- Épistolaire -- Monodie, écho d'une seule voix -- Dyade, confrontation des points de vue -- Polyphonie, la voix chorale -- Liens -- Références -- Flux -- Le flux contemplatif où la fatigue aura raison de l'infini -- De la pléthore à la vacuité -- Liens -- Références -- Générateur, art génératif -- Du résultat au processus -- Les enjeux de l'écriture -- Liens -- Références -- Histoire -- Les mirages du temps présent : le travail de l'histoire contemporaine -- Les mirages du temps passé : la dispersion des traces -- Au-delà des conventions qui mènent à la connaissance -- Liens -- Références -- Interactivité -- La dimension ludique comme stratégie de rétention -- Les rituels de l'interactivité -- Le cimetière des données disparues -- Liens -- Références -- Journal -- Intimité conviviale et formes d'écriture -- Le carnet d'images -- Le carnet éditorial -- Liens -- Références -- Kamikaze -- Quand le pirate prend le contrôle de la machine -- Liens -- Références -- Livre -- Liens -- Références -- Mémoire -- Mémoire de l'abject -- Cartographies d'une mémoire collective -- Liens -- Références -- Numérique -- À quoi ressemble alors l'abstraction technologique ? -- Liens -- Références -- Observatoire -- Du dispositif de surveillance au spectacle -- Big Brother is watching you -- Liens -- Références -- Parodie -- Le canular comme parodie du capitalisme -- Liens -- Références.
Questionnaire -- Liens -- Références -- Réseau -- Le forum hypermoderne -- Liens -- Références -- Sensorialités -- L'enveloppe sonore -- Une tactilité à découvrir -- Le mouvement intrinsèque à l'hypermédia -- Liens -- Témoignage -- La portée cathartique de l'oralité -- Le témoignage, un lieu intersubjectif -- Liens -- Références -- Uchronie -- Le temps du présent éternel -- Liens -- Références -- Voyeurisme -- Déjouer les attentes, une pratique subversive -- Le voyeurisme comme miroir -- Liens -- Références -- Web -- Revendiquer le statut d'artiste Web -- La boîte à outils qui se rebelle -- Le contenu comme matériau -- Liens -- Références -- Xéno -- Exotisme(s), géographique, culturel et sexuel -- Effacer l'étranger -- Liens -- Références -- YouTube -- La plateforme comme outil et matériau -- YouTube comme idéologie, les limites du partage -- Liens -- Références -- Zone -- Territoires réels -- Territoires symboliques -- Liens -- Références. |
Record Nr. | UNINA-9910524887603321 |
Lalonde Joanne <1960-> | ||
Baltimore, Maryland : , : Project Muse, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Art and Science in Word and Image : : Exploration and Discovery / / Keith Williams, Sophie Aymes, Jan Baetens, Chris Murray |
Pubbl/distr/stampa | Leiden, ; Boston : , : Brill | Rodopi, , 2019 |
Descrizione fisica | 1 online resource (373 pages) |
Disciplina | 700.1/05 |
Collana | Word and Image Interactions |
Soggetto topico |
Science and the arts
Art and science |
Soggetto genere / forma | Electronic books. |
ISBN | 90-04-36111-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Matter -- Copyright Page -- Introduction 1 -- 1 Riddles of Form: D’Arcy Thompson in Word and Image 13 / Matthew Jarron -- 2 The Influence of D’Arcy Thompson’s On Growth and Form on the British Painters of the St. Ives School: The View from Russia 27 / Dina Aleshina -- 3 Beyond Formalism: Spirals in Photography from Steichen to Weston 43 / Philippe Kaenel -- 4 Profondeur et relief de la spirale chez Marcel Duchamp 58 / Márcia Arbex and Philippe Enrico -- 5 Stone Spirals and Retro Fiction: Tracy Chevalier, Joan Thomas, and Mary Anning 68 / Catherine Lanone -- 6 A Man of Vision: Robert Duncan Milne’s Scientific Fiction and Cinematic Time 85 / Barry Sullivan -- 7 Wars of the Worlds: H.G. Wells’s Ekphrastic Style in Word and Image 100 / Madeline B. Gangnes -- 8 “Space and Time, Sublimated”: Science in Balla, Boccioni, Cendrars, and Survage 115 / Eric Robertson -- 9 Diary of a Scotch Gardener: Thomas Blaikie, Travel Writing, and the Construction of Monceau and Bagatelle 133 / Donna T. Canada-Smith -- 10 Reading Eden’s Riddles: Words in the Landscape, Texts in the Garden 149 / Eric T. Haskell -- 11 Thomas Telford’s Tour in the Highlands: Shaping the Wild Landscape through Word and Image 159 / Frances Robertson -- 12 Burnsiana 177 / Calum Colvin -- 13 The Art of Adriana Varejão: A Challenge to Brazilian Official History 193 / Solange Ribeiro de Oliveira -- 14 Les Palimpsestes de Tom Phillips 205 / Francis Edeline -- 15 Uncovering the Self: Explorations of Recovery in J.L. Carr’s A Month in the Country 221 / Melanie Stengele -- 16 Warblers and Wild Strawberries: Rewards for Looking in the Works of Moschatel Press 241 / Alice Tarbuck -- 17 New Forms for New Explorations and Experiences 253 / Cathy Roche-Liger -- 18 Mapping the Text: A Practice-Led Analysis of the Creative Interfaces between Typography and Text 265 / Tim Isherwood and Judy Kendall -- 19 Trollope and Millais: Words and Images That Illustrate Each Other 283 / David Skilton -- 20 Adapting as a Form of Remediation: A Benjaminian Perspective 295 / Frederik Van Dam -- 21 Exploring the World with Rockwell Kent’s Candide: Intermedial Translation, Paratextual Framing, and Iconographic Landscape 309 / Christina Ionescu -- 22 Manufacturing Wonder: Animating Pictures in Steven Millhauser’s Fiction 323 / Étienne Février -- 23 Duane Michals: “Photographing Nothing” 333 / Kristen Nassif -- Back Matter -- Index. |
Record Nr. | UNINA-9910480445403321 |
Leiden, ; Boston : , : Brill | Rodopi, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Art and Science in Word and Image : Exploration and Discovery / / Keith Williams, Sophie Aymes, Jan Baetens, Chris Murray |
Pubbl/distr/stampa | Leiden, ; Boston : , : Brill | Rodopi, , 2019 |
Descrizione fisica | 1 online resource (373 pages) |
Disciplina | 700.1/05 |
Collana | Word and Image Interactions |
Soggetto topico |
Science and the arts
Art and science |
ISBN | 90-04-36111-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Matter -- Copyright Page -- Introduction 1 -- 1 Riddles of Form: D’Arcy Thompson in Word and Image 13 / Matthew Jarron -- 2 The Influence of D’Arcy Thompson’s On Growth and Form on the British Painters of the St. Ives School: The View from Russia 27 / Dina Aleshina -- 3 Beyond Formalism: Spirals in Photography from Steichen to Weston 43 / Philippe Kaenel -- 4 Profondeur et relief de la spirale chez Marcel Duchamp 58 / Márcia Arbex and Philippe Enrico -- 5 Stone Spirals and Retro Fiction: Tracy Chevalier, Joan Thomas, and Mary Anning 68 / Catherine Lanone -- 6 A Man of Vision: Robert Duncan Milne’s Scientific Fiction and Cinematic Time 85 / Barry Sullivan -- 7 Wars of the Worlds: H.G. Wells’s Ekphrastic Style in Word and Image 100 / Madeline B. Gangnes -- 8 “Space and Time, Sublimated”: Science in Balla, Boccioni, Cendrars, and Survage 115 / Eric Robertson -- 9 Diary of a Scotch Gardener: Thomas Blaikie, Travel Writing, and the Construction of Monceau and Bagatelle 133 / Donna T. Canada-Smith -- 10 Reading Eden’s Riddles: Words in the Landscape, Texts in the Garden 149 / Eric T. Haskell -- 11 Thomas Telford’s Tour in the Highlands: Shaping the Wild Landscape through Word and Image 159 / Frances Robertson -- 12 Burnsiana 177 / Calum Colvin -- 13 The Art of Adriana Varejão: A Challenge to Brazilian Official History 193 / Solange Ribeiro de Oliveira -- 14 Les Palimpsestes de Tom Phillips 205 / Francis Edeline -- 15 Uncovering the Self: Explorations of Recovery in J.L. Carr’s A Month in the Country 221 / Melanie Stengele -- 16 Warblers and Wild Strawberries: Rewards for Looking in the Works of Moschatel Press 241 / Alice Tarbuck -- 17 New Forms for New Explorations and Experiences 253 / Cathy Roche-Liger -- 18 Mapping the Text: A Practice-Led Analysis of the Creative Interfaces between Typography and Text 265 / Tim Isherwood and Judy Kendall -- 19 Trollope and Millais: Words and Images That Illustrate Each Other 283 / David Skilton -- 20 Adapting as a Form of Remediation: A Benjaminian Perspective 295 / Frederik Van Dam -- 21 Exploring the World with Rockwell Kent’s Candide: Intermedial Translation, Paratextual Framing, and Iconographic Landscape 309 / Christina Ionescu -- 22 Manufacturing Wonder: Animating Pictures in Steven Millhauser’s Fiction 323 / Étienne Février -- 23 Duane Michals: “Photographing Nothing” 333 / Kristen Nassif -- Back Matter -- Index. |
Record Nr. | UNINA-9910795426503321 |
Leiden, ; Boston : , : Brill | Rodopi, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Art and Science in Word and Image : Exploration and Discovery / / Keith Williams, Sophie Aymes, Jan Baetens, Chris Murray |
Pubbl/distr/stampa | Leiden, ; Boston : , : Brill | Rodopi, , 2019 |
Descrizione fisica | 1 online resource (373 pages) |
Disciplina | 700.1/05 |
Collana | Word and Image Interactions |
Soggetto topico |
Science and the arts
Art and science |
ISBN | 90-04-36111-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Matter -- Copyright Page -- Introduction 1 -- 1 Riddles of Form: D’Arcy Thompson in Word and Image 13 / Matthew Jarron -- 2 The Influence of D’Arcy Thompson’s On Growth and Form on the British Painters of the St. Ives School: The View from Russia 27 / Dina Aleshina -- 3 Beyond Formalism: Spirals in Photography from Steichen to Weston 43 / Philippe Kaenel -- 4 Profondeur et relief de la spirale chez Marcel Duchamp 58 / Márcia Arbex and Philippe Enrico -- 5 Stone Spirals and Retro Fiction: Tracy Chevalier, Joan Thomas, and Mary Anning 68 / Catherine Lanone -- 6 A Man of Vision: Robert Duncan Milne’s Scientific Fiction and Cinematic Time 85 / Barry Sullivan -- 7 Wars of the Worlds: H.G. Wells’s Ekphrastic Style in Word and Image 100 / Madeline B. Gangnes -- 8 “Space and Time, Sublimated”: Science in Balla, Boccioni, Cendrars, and Survage 115 / Eric Robertson -- 9 Diary of a Scotch Gardener: Thomas Blaikie, Travel Writing, and the Construction of Monceau and Bagatelle 133 / Donna T. Canada-Smith -- 10 Reading Eden’s Riddles: Words in the Landscape, Texts in the Garden 149 / Eric T. Haskell -- 11 Thomas Telford’s Tour in the Highlands: Shaping the Wild Landscape through Word and Image 159 / Frances Robertson -- 12 Burnsiana 177 / Calum Colvin -- 13 The Art of Adriana Varejão: A Challenge to Brazilian Official History 193 / Solange Ribeiro de Oliveira -- 14 Les Palimpsestes de Tom Phillips 205 / Francis Edeline -- 15 Uncovering the Self: Explorations of Recovery in J.L. Carr’s A Month in the Country 221 / Melanie Stengele -- 16 Warblers and Wild Strawberries: Rewards for Looking in the Works of Moschatel Press 241 / Alice Tarbuck -- 17 New Forms for New Explorations and Experiences 253 / Cathy Roche-Liger -- 18 Mapping the Text: A Practice-Led Analysis of the Creative Interfaces between Typography and Text 265 / Tim Isherwood and Judy Kendall -- 19 Trollope and Millais: Words and Images That Illustrate Each Other 283 / David Skilton -- 20 Adapting as a Form of Remediation: A Benjaminian Perspective 295 / Frederik Van Dam -- 21 Exploring the World with Rockwell Kent’s Candide: Intermedial Translation, Paratextual Framing, and Iconographic Landscape 309 / Christina Ionescu -- 22 Manufacturing Wonder: Animating Pictures in Steven Millhauser’s Fiction 323 / Étienne Février -- 23 Duane Michals: “Photographing Nothing” 333 / Kristen Nassif -- Back Matter -- Index. |
Record Nr. | UNINA-9910810049003321 |
Leiden, ; Boston : , : Brill | Rodopi, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Art, science, and the politics of knowledge / / Hannah Star Rogers |
Autore | Rogers Hannah Star |
Pubbl/distr/stampa | Cambridge, Massachusetts : , : The MIT Press, , [2022] |
Descrizione fisica | 1 online resource (252 pages) |
Disciplina | 700.1/05 |
Collana | The MIT Press |
Soggetto topico |
Art and science
Science and the arts Science - Methodology Experiential learning |
Soggetto non controllato |
SCIENCE / History
ART / History / General PHILOSOPHY / Epistemology |
ISBN |
0-262-36959-1
0-262-36958-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Intro -- Contents -- Foreword I by Geoffrey C. Bowker -- Foreword II by Barry Barnes -- Preface: The Rise of Art-Science -- Acknowledgments -- 1 Introduction: Art in Science and Technology Studies -- 2 Positioning Aesthetic Knowledge: The Blaschka Models -- 3 Making Science Visible: The Photography of Berenice Abbott -- 4 The Practices of Tactical Media -- 5 SymbioticA: Culturing Art and Science -- 6 Curating Art's Work in the Age of Biotechnology -- Conclusion: Art, Science, and Technology Studies -- Notes -- References -- Index. |
Record Nr. | UNINA-9910576889003321 |
Rogers Hannah Star | ||
Cambridge, Massachusetts : , : The MIT Press, , [2022] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Ensemble ailleurs - Together Elsewhere / sous la direction de Louise Poissant, Pierre Tremblay = Together elsewhereedited by Louise Poissant, Pierre Tremblay |
Autore | Bakan Danny |
Pubbl/distr/stampa | Quebec : , : Presses de l'Universite du Quebec, , 2010 |
Descrizione fisica | 1 online resource (468 p.) |
Disciplina | 700.1/05 |
Altri autori (Persone) |
TremblayPierre <1957->
PoissantLouise |
Collana | Collection Esthetique |
Soggetto topico |
Space and time in art
Communication and technology Virtual reality Telepresence Technology and the arts |
ISBN | 2-7605-2486-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Matter -- Table Des matières -- Ensemble… ailleurs -- Together Elsewhere -- Second Life -- Alone Together, ici et là -- La passion des anonymes -- L’oeil de Lynch -- Communauté du présent dans un ailleurs à venir -- Mapping Time and Space – in Media Art -- A Space Between -- First, Bodies! -- NoBody danse, un sacre du printemps 3D en infochorégraphie de particules pour l’écran -- Mythanalyse de l’ailleurs -- À l’ombre du temps -- Space, Becoming, Dislocation -- The Temporality of Embodied Intelligence -- La Toile -- La mémoire projetée L’image-archive -- Aître et utopie -- Social Technologies for Young Children -- Ensemble, ailleurs -- Zones d’affinités -- Travailler ensemble, ailleurs -- Étendre la peau -- Together -- Temps, espace, relation, interface -- Vera Frenkel’s String Games and the Germination of New Media Art in Canada -- Grand Tours -- Together but Elsewhere -- Pratiques culturelles et sociales dans l’espace-temps des environnements ludiques en réseau -- Having My Cake and Eating It Too -- Index onomastique / Onomastic Index |
Record Nr. | UNINA-9910524667003321 |
Bakan Danny | ||
Quebec : , : Presses de l'Universite du Quebec, , 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Evolutionary studies in imaginative culture |
Pubbl/distr/stampa | Brighton, MA : , : Academic Studies Press, , 2017- |
Disciplina |
306.071
700.1/05 |
Soggetto topico |
Culture - Study and teaching
Interdisciplinary research Art and society Art - Philosophy |
Soggetto genere / forma | Periodicals. |
ISSN | 2472-9876 |
Formato | Materiale a stampa |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Altri titoli varianti | ESIC |
Record Nr. | UNISA-996460550803316 |
Brighton, MA : , : Academic Studies Press, , 2017- | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Evolutionary studies in imaginative culture |
Pubbl/distr/stampa | Brighton, MA : , : Academic Studies Press, , 2017- |
Disciplina |
306.071
700.1/05 |
Soggetto topico |
Culture - Study and teaching
Interdisciplinary research Art and society Art - Philosophy |
Soggetto genere / forma | Periodicals. |
Formato | Materiale a stampa |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Altri titoli varianti | ESIC |
Record Nr. | UNINA-9910863201303321 |
Brighton, MA : , : Academic Studies Press, , 2017- | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
High-Tech Trash : Glitch, Noise, and Aesthetic Failure |
Autore | Kane Carolyn L |
Pubbl/distr/stampa | Oakland, : University of California Press, 2019 |
Descrizione fisica | 1 online resource (253) |
Disciplina | 700.1/05 |
Collana | Rhetoric & Public Culture: History, Theory, Critique |
Soggetto topico | Communication studies |
Soggetto genere / forma | Electronic books. |
Soggetto non controllato |
adventure time
aesthetics analog andreas gursky art history art contemporary art data digital aesthetics digital art digital signal processing digital disney dupont edward burtynsky error failure fallible fine art high tech human struggle hyper technology innovation inside out kanye landscape media modern art new media nonfiction rhetoric rosa menkman signal noise sublime takeshi murata technology thomas rush visual noise wall e. |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- List of Figures and Tables -- Acknowledgments -- Introduction: "Welcome to the Failure Age" -- 1. Colors of Error: Innovation and Failure from Plato to Digital Signal Processing -- 2. Avant-Garde Glitch: Red Noise, Purple Haze, Black Box -- 3. Color as Signal/Noise -- 4. Visual Noise in the New Photography -- 5. Chroma Glitch: Data as Style -- 6. The X-Ray Sublime -- 7. Landscape as Data: From the Classical to the Consumer-Mathematical -- Postscript: Miraculous Plastic's Retrograde Sublime -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910372745203321 |
Kane Carolyn L | ||
Oakland, : University of California Press, 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
High-Tech Trash : Glitch, Noise, and Aesthetic Failure |
Autore | Kane Carolyn L |
Pubbl/distr/stampa | Oakland, : University of California Press, 2019 |
Descrizione fisica | 1 online resource (253) |
Disciplina | 700.1/05 |
Collana | Rhetoric & Public Culture: History, Theory, Critique |
Soggetto topico | Communication studies |
Soggetto non controllato |
adventure time
aesthetics analog andreas gursky art history art contemporary art data digital aesthetics digital art digital signal processing digital disney dupont edward burtynsky error failure fallible fine art high tech human struggle hyper technology innovation inside out kanye landscape media modern art new media nonfiction rhetoric rosa menkman signal noise sublime takeshi murata technology thomas rush visual noise wall e. |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- List of Figures and Tables -- Acknowledgments -- Introduction: "Welcome to the Failure Age" -- 1. Colors of Error: Innovation and Failure from Plato to Digital Signal Processing -- 2. Avant-Garde Glitch: Red Noise, Purple Haze, Black Box -- 3. Color as Signal/Noise -- 4. Visual Noise in the New Photography -- 5. Chroma Glitch: Data as Style -- 6. The X-Ray Sublime -- 7. Landscape as Data: From the Classical to the Consumer-Mathematical -- Postscript: Miraculous Plastic's Retrograde Sublime -- Notes -- Bibliography -- Index |
Record Nr. | UNISA-996359646503316 |
Kane Carolyn L | ||
Oakland, : University of California Press, 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|